Everyday Architecture of the Mid-Atlantic gives proof to the insights architecture offers into who we are culturally as a community, a region, and a nation.
Nestled between the Chesapeake Bay and the Atlantic Ocean, and stretching from Hampton Roads to Assateague Island, Virginia's Eastern Shore is a distinctly southern place with an exceptionally southern taste. In this inviting narrative, Bernard L. Herman welcomes readers into the communities, stories, and flavors that season a land where the distance from tide to tide is often less than five miles. Blending personal observation, history, memories of harvests and feasts, and recipes, Herman tells of life along the Eastern Shore through the eyes of its growers, watermen, oyster and clam farmers, foragers, church cooks, restaurant owners, and everyday residents. Four centuries of encounter, imagination, and invention continue to shape the foodways of the Eastern Shore of Virginia, melding influences from Indigenous peoples, European migrants, enslaved and free West Africans, and more recent newcomers. Herman reveals how local ingredients and the cooks who have prepared them for the table have developed a distinctly American terroir--the flavors of a place experienced through its culinary and storytelling traditions. This terroir flourishes even as it confronts challenges from climate change, declining fish populations, and farming monoculture. Herman reveals this resilience through the recipes and celebrations that hold meaning, not just for those who live there but for all those folks who sit at their tables--and other tables near and far.
There's only one piece of white meat in him and that's his neck. The rest of the meat is dark meat. If you fry it, it's still like a white piece of meat, like a chicken breast. The rest of it looks like a chicken leg." This article appears in the Summer 2012 issue of Southern Cultures. The full issue is also available as an ebook. Southern Cultures is published quarterly (spring, summer, fall, winter) by the University of North Carolina Press. The journal is sponsored by the University of North Carolina at Chapel Hill's Center for the Study of the American South.
In this abundantly illustrated volume, Bernard Herman provides a history of urban dwellings and the people who built and lived in them in early America. In the eighteenth century, cities were constant objects of idealization, often viewed as the outward manifestations of an organized, civil society. As the physical objects that composed the largest portion of urban settings, town houses contained and signified different aspects of city life, argues Herman. Taking a material culture approach, Herman examines urban domestic buildings from Charleston, South Carolina, to Portsmouth, New Hampshire, as well as those in English cities and towns, to better understand why people built the houses they did and how their homes informed everyday city life. Working with buildings and documentary sources as diverse as court cases and recipes, Herman interprets town houses as lived experience. Chapters consider an array of domestic spaces, including the merchant family's house, the servant's quarter, and the widow's dower. Herman demonstrates that city houses served as sites of power as well as complex and often conflicted artifacts mapping the everyday negotiations of social identity and the display of sociability.
A pioneering account of mid-Atlantic folk architecture and of the nineteenth-century transformation of traditional agriculture. . . . A major study of American vernacular architecture."--Dell Upton, University of California, Berkeley "Bernard L. Herman has provided us with a model study in the interdisciplinary interpretation of a common landscape."--Robert Blair St. George, Journal of American Folklore "An impressive study that adds an important dimension to our understanding of the built environment."--Clifford E. Clark Jr., American Historical Review "A wide range of reader expectations will be met by this book. Herman provides a focused community study as well as an interpretation of vernacular architecture in the Mid-Atlantic region."--John Michael Vlach, Journal of the Society of Architectural Historians "Scholars will be impressed by Herman's ability to marshal different kinds of evidence to buttress his contention that architecture reveals not just how people materially ordered their lives but helped 'to create and maintain order, to project images of self and community, and to control meaning in social discourse.'"--Choice The Author: Bernard L. Herman teaches at the University of Delaware, where is a professor of art history and senior research fellow at the Center for Historic Architecture and Design. Among his many publications are Everyday Architecture of the Mid-Atlantic: Looking at Buildings and Landscapes (co-author with Gabrielle M. Lanier) and Historical Architectural and the Study of American Culture (co-editor with Lu Ann De Cunzo).
Continuing where Volume 23 left off, Volume 24 of the Collected Works of Bernard Lonergan traces the background to Lonergan's notion of functional specialization as it emerges in his Latin courses and seminars on method. This volume contains editorial reports based on Lonergan's handwritten notes for two courses in 1963, both entitled “Method in Theology.” Also included is the lecture “De Notione Structurae,” dating from 1964, along with an English translation on facing pages. Together with Volumes 22 and 23, Early Works on Theological Method 3 provides readers with a thorough presentation of the data on Lonergan's development through the 1960s as he worked out what became the classic book Method in Theology (1972).
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