In this stirring and captivating story of the heart, Bernard Henry, Jr. explores the nuances of how a man manages to balance the complexities of his life during a crucial and emotional episode. Awaken in the mist of a tragic scenario, a dedicated husband and family man finds himself tormented with the uncertainty of his future, and dwells on his past to guide him through the most staggering and difficult ordeal of his life. Through a man’s eyes and heart, we journey to how he overcomes this crippling emotional turmoil with the help of his family and friends, and through reflecting on his life experiences. This story demonstrates the delicate line of strength that men are programmed to display and the tender attributes that are truly the sources of a man’s courage. Robert Curtis is in a stable period of his marriage. As most young couples, he and his wife Regina have had some ups and downs as they grow individually and together. The trials of everyday life, family, and professional woes take their toil on their marriage, but they are able to pull it together. Just as life seems calm and their relationship becomes more fulfilling, Regina and their daughter is involved in a horrible car accident. This debut novel illustrates the intricate workings of every relationship and how our connections to family and friends impact our lives greatly. Filled with genuine dialogue, good times and bad, sweet moments and bitter, "For All We Know" is remedy for healing and reveals a heartwarming story told from the ardent joys of a man’s heart.
Quincy Jones: A Research and Information Guide is an annotated bibliography and discography on one of the most prolific composers, arrangers, and conductors in American music. This reference work will appeal to wide range of musicologists, ethnomusicologists and cultural studies scholars.
This research and information guide provides a wide range of scholarship on the life, career, and musical legacy of Miles Davis, and is compiled for an interdisciplinary audience of scholars in jazz and popular music, musicology, and cultural studies. It serves as an excellent tool for librarians, researchers, and scholars sorting through the massive amount of material in the field.
Global Popular Music: A Research and Information Guide offers an essential annotated bibliography of scholarship on popular music around the world in a two-volume set. Featuring a broad range of subjects, people, cultures, and geographic areas, and spanning musical genres such as traditional, folk, jazz, rock, reggae, samba, rai, punk, hip-hop, and many more, this guide highlights different approaches and discussions within global popular music research. This research guide is comprehensive in scope, providing a vital resource for scholars and students approaching the vast amount of publications on popular music studies and popular music traditions around the world. Thorough cross-referencing and robust indexes of genres, places, names, and subjects make the guide easy to use. Volume 1, Global Perspectives in Popular Music Studies, situates popular music studies within global perspectives and geocultural settings at large. It offers over nine hundred in-depth annotated bibliographic entries of interdisciplinary research and several topical categories that include analytical, critical, and historical studies; theory, methodology, and musicianship studies; annotations of in-depth special issues published in scholarly journals on different topics, issues, trends, and music genres in popular music studies that relate to the contributions of numerous musicians, artists, bands, and music groups; and annotations of selected reference works.
An interdisciplinary, code-switching, critical collection by revisionist African American scholar and activist Bernard W. Bell. Bearing Witness to African American Literature: Validating and Valorizing Its Authority, Authenticity, and Agency collects twenty-three of Bernard W. Bell’s lectures and essays that were first presented between 1968 and 2008. From his role in the culture wars as a graduate student activist in the Black Studies Movement to his work in the transcultural Globalization Movement as an international scholar and Fulbright cultural ambassador in Spain, Portugal, and China, Bell’s long and inspiring journey traces the modern institutional origins and the contemporary challengers of African American literary studies. This volume is made up of five sections, including chapters on W. E. B. DuBois’s theory and trope of double consciousness, an original theory of residually oral forms for reading the African American novel, an argument for an African Americentric vernacular and literary tradition, and a deconstruction of the myths of the American melting pot and literary mainstream. Bell considers texts by contemporary writers like Toni Morrison, Alice Walker, William Styron, James Baldwin, and Jean Toomer, as well as works by Mark Twain, Frederick Douglas, and William Faulkner. In a style that ranges from lyricism to the classic jeremiad, Bell emphasizes that his work bears the imprint of many major influences, including his mentor, poet and scholar Sterling A. Brown, and W. E. B. DuBois. Taken together, the chapters demonstrate Bell’s central place as a revisionist African American literary and cultural theorist, historian, and critic. Bearing Witness to African American Literature will be an invaluable introduction to major issues in the African American literary tradition for scholars of American, African American, and cultural studies.
At the beginning of the twenty-first century, Michigan was home to the second-largest Belgian population in the United States, and Detroit had one of the largest Belgian populations in the nation. Although immigration declined after World War I, the Belgian- American community is still prominent in the state. Political, religious, and economic conditions, including a nineteenth- century economic depression, helped motivate the move to America. Belgians brought with them the ability and willingness to innovate, as well as a tradition of hard work and devotion. The Gazette van Detroit, a Flemish-language newspaper first printed in Detroit in 1914, continues to be produced and distributed to subscribers throughout the United States and overseas. Belgian-Americans continue to incorporate traditional values with newfound American values, enabling them to forever preserve their heritage.
This bibliography, first published in 1990, is a result of a quarter-century professional and personal relationship between two academics interested in Middle East studies. The comprehensive bibliography consists of western, primarily English, language sources published through 1988 and early 1989 concerning foreign policy toward the Middle East and North Africa during the twentieth century. Included are materials that deal directly with the topic, material that has appeared in published form, ie books, monographs, essays and articles. Also included are some non-published items, most importantly American and British doctoral dissertations and master’s theses.
We Are Charleston not only recounts the events of that terrible day but also offers a history lesson that reveals a deeper look at the suffering, triumph, and even the ongoing rage of the people who formed Mother Emanuel A.M.E. church and the wider denominational movement. On June 17, 2015, at 9:05 p.m., a young man with a handgun opened fire on a prayer meeting at the Mother Emanuel African Methodist Episcopal (AME) Church in Charleston, South Carolina, killing nine members of the congregation. The captured shooter, twenty-one-year-old Dylan Roof, a white supremacist, was charged with their murders. Two days after the shooting, while Roof’s court hearing was held on video conference, some of the families of his nine victims, one by one, appeared on the screen—forgiving the killer. The “Emanuel Nine” set a profound example for their families, their city, their nation, and indeed the world. In many ways, this church’s story is America’s story—the oldest A.M.E. church in the Deep South fighting for freedom and civil rights but also fighting for grace and understanding. Fighting to transcend bigotry, fraud, hatred, racism, poverty, and misery. The shootings in June 2015, opened up a deep wound of racism that still permeates Southern institutions and remains part of American society. We Are Charleston tells the story of a people, continually beaten down, who seem to continually triumph over the worst of adversity. Exploring the storied history of the A.M.E. Church may be a way of explaining the price and power of forgiveness, a way of revealing God’s mercy in the midst of tremendous pain. We Are Charleston may help us discover what can be right in a world that so often has gone wrong.
Why do unemployment, inflation, and growth rates vary across political economies? Why are some capitalist societies more equitable than others? Why is public spending higher in some countries than others? Drawing on insights from political science, economics, and business, this book addresses these and other related questions in the context of advanced capitalist democracies. The first part of the book investigates how macroeconomic performance and policy outcomes such as public spending, tax revenue, and trade openness are shaped by various economic and political institutions as well as democratic politics. The second part probes the effects of economic performance and social changes on domestic politics. At the end of each chapter, key terms, review questions, and a short list of recommended readings are included. Each chapter is designed to familiarize readers with core concepts, theoretical arguments, and empirical evidence related to different substantive themes. With in-text focus boxes and short case studies, this book is ideal for anyone seeking a rigorous introduction to the comparative political economy of advanced political economies, and will be a valuable text on courses in political economy, comparative economics, and related areas.
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