“Quite uplifting . . . This book looks less at the usual escape attempts but concentrates on lifting people of the camp through entertainment.” —UK Historian As the author, a young Army bandsman lies wounded at the Battle of Corinth, he is shot between the eyes at point blank range. Miraculously he survives but is blinded. In a makeshift hospital a young Greek volunteer saves his life with slices of boiled egg. Captured Allied medics later restore the sight in one eye. In this moving and entertaining memoir Bernard describes daily life in POW camps in Greece and Germany. He established a theatrical group and an orchestra that performed for fellow POWs and their German guards. A superb raconteur, as well as a gifted musician, the author’s anecdotes are memorably amusing. Bernard was repatriated via Sweden in late 1943. While blinded in one eye and seriously wounded, the author was told by his New Zealand doctor, fellow POW and musician John Borrie, “When nothing else will do, music will always lift one up.” Barbed-Wire Blues’ inspirational, ever optimistic tone will surely have the same effect on its readers. “While not a story of blood, guts and bullets it does do a very good job of telling the story of a man’s recovery from a wound that should have killed him until his repatriation and the return of the use of his arm, and then the return of the sight to one eye. This book is worth taking the time to read, as it can be considered to be the story of one man’s battle against adversity.” —Armorama
For thirty-three years and through three editions, Bass & Stogdill's Handbook of Leadership has been the indispensable bible for every serious student of leadership. Since the third edition came out in 1990, the field of leadership has expanded by an order of magnitude. This completely revised and updated fourth edition reflects the growth and changes in the study of leadership over the past seventeen years, with new chapters on transformational leadership, ethics, presidential leadership, and executive leadership. Throughout the Handbook, the contributions from cognitive social psychology and the social, political, communications, and administrative sciences have been expanded. As in the third edition, Bernard Bass begins with a consideration of the definitions and concepts used, and a brief review of some of the betterknown theories. Professor Bass then focuses on the personal traits, tendencies, attributes, and values of leaders and the knowledge, intellectual competence, and technical skills required for leadership. Next he looks at leaders' socioemotional talents and interpersonal competencies, and the differences in these characteristics in leaders who are imbued with ideologies, especially authoritarianism, Machiavellianism, and self-aggrandizement. A fuller examination of the values, needs, and satisfactions of leaders follows, and singled out for special attention are competitiveness and the preferences for taking risks. In his chapters on personal characteristics, Bass examines the esteem that others generally accord to leaders as a consequence of the leaders' personalities. The many theoretical and research developments about charisma over the past thirty years are crucial and are explored here in depth. Bass has continued to develop his theory of transformational leadership -- the paradigm of the last twenty years -- and he details how it makes possible the inclusion of a much wider range of phenomena than when theory and modeling are limited to reinforcement strategies. He also details the new incarnations of transformational leadership since the last edition. Bass has greatly expanded his consideration of women and racial minorities, both of whom are increasingly taking on leadership roles. A glossary is included to assist specialists in a particular academic discipline who may be unfamiliar with terms used in other fields. Business professors and students, executives in every industry, and politicians at all levels have relied for years on the time-honored guidance and insight afforded by the Handbook.
In December 1995, three key members of the infamous Essex Boys firm were executed in their Range Rover after being lured to a deserted farm track by the promise of a lucrative drug deal. The police predicted that the void left as a result of the murders would cause a gangland war that would extend across London and much of the south-east. Essex Boys, The New Generation tells the chilling true story of the gang that destroyed everything that stood in their way to take control of their fallen predecessors' drug empire. With a reputation for ruthless violence, the gang expanded and protected their drug-dealing operation with a terrifying combination of bloodshed and intimidation. In February 2001, tensions within their circle boiled over and resulted in one member being shot dead. The police investigation was met with a wall of silence and for three years it seemed as if the case would remain unsolved. A leading member of the gang was eventually charged, but in an unexpected twist he became the prosecution's star witness. While a murder conviction was finally secured, the real truth surrounding the murder and the gang's psychotic crimes has never been revealed. Now, for the first time, former Essex Boys member Bernard O'Mahoney tells the full, extraordinary story of the rise and fall of the gang that took over the Essex underworld from him and his associates.
In this first volume, Professor Greenberg offers to epidemiologists, medical entomologists, microbiologists, parasitologists, and others concerned with public health and synanthropic and interspecies relationships, a definitive reference work based upon a comprehensive review of the vast studies undertaken during the past 50 years. Originally published in 1971. The Princeton Legacy Library uses the latest print-on-demand technology to again make available previously out-of-print books from the distinguished backlist of Princeton University Press. These editions preserve the original texts of these important books while presenting them in durable paperback and hardcover editions. The goal of the Princeton Legacy Library is to vastly increase access to the rich scholarly heritage found in the thousands of books published by Princeton University Press since its founding in 1905.
During the predawn hours of December 9, 2008, an FBI team swarmed the home of Illinois governor Rod Blagojevich and took him away in handcuffs. The shocking arrest, based on allegations of corruption and extortion, launched a chain of political events never before seen in Illinois. In A Just Cause, Bernard H. Sieracki delivers a dynamic firsthand account of this eightweek political crisis, beginning with Blagojevich's arrest, continuing through his impeachment and trial, and culminating in his conviction and removal from office. Drawing on his own eyewitness observations of the hearings and trial, the comments of interviewees, trial transcripts, and knowledge gained from decades of work with the Illinois legislature, Sieracki tells the compelling story of the first Illinois governor, while providing a close look at the people involved. This engrossing volume is both a richly detailed case study of the American checksandbalances system and an eyewitness account of unprecedented events. It will appeal to anyone interested in the stunning, true tale of a state upholding the maxim "The welfare of the people is the supreme law.
This new volume of Bernard Shaw's book reviews is a companion to Brian Tyson's previously edited collection of Shaw's earlier book reviews. Here Tyson collects seventy-three of the best remaining literary book reviews written by Shaw throughout his lifetime. Two-thirds of the reviews appear in book form for the first time, the originals residing in the archives of newspaper libraries, and only three of the remainder have been reprinted within the last twenty years. Politics feature largely in the works that Shaw reviewed: there are books of socialist theory and its practical appearance in the Soviet Union, as well as books on the individualism of J. H. Levy, the anti-socialism of Thomas McKay, and the economics of E. C. K. Gonner and Philip Wicksteed. There is often an immediacy about the books reviewed, too: discussion of books on World War I, the Soviet Revolution, women's suffrage, the British General Strike of 1926, and World War II all take place concurrently with the events. Many of the works reviewed are biographies, which give Shaw the opportunity to reveal his personal acquaintance with their subjects, including Samuel Butler, William Morris, and Dean Inge. This widely varied collection sparkles with wit and wisdom, taking us briskly through Shaw's own writing life, beginning when he was relatively unknown and concluding when he was a legend.
Music of Louisiana was at the heart of rock-and-roll in the 1950s. Most fans know that Jerry Lee Lewis, one of the icons, sprang out of Ferriday, Louisiana, in the middle of delta country and that along with Carl Perkins and Elvis Presley he was one of the very first of these “white boys playing black music.” The genre was profoundly influenced by New Orleans, a launch pad for major careers, such as Little Richard's and Fats Domino's. The untold “rest of the story” is the story of swamp pop, a form of Louisiana music more recognized by its practitioners and their hits than by a definition. What is it? What true rock enthusiasts don't know some of its most important artists? Dale and Grace (“I'm leaving It Up to You”), Phil Phillips (“Sea of Love”), Joe Barry (“I'm a Fool to Care”), Cooke and the Cupcakes (“Mathilda”), Jimmy Clanton (“Just a Dream”), Johnny Preston (“Runnin' Bear”), Rod Bernard (“This Should Go on Forever”), and Bobby Charles (“Later, Alligator”)? There were many others just as important within the region. Drawing on more than fifty interviews with swamp pop musicians in South Louisiana and East Texas, Swamp Pop: Cajun and Creole Rhythm and Blues finds the roots of this often-overlooked, sometimes-derided sister genre of the wildly popular Cajun and zydeco music. In this first book to be devoted entirely to swamp pop, Shane K. Bernard uncovers the history of this hybrid form invented in the 1950s by teenage Cajuns and black Creoles. They put aside the fiddle and accordion of their parents' traditional French music to learn the electric guitar and bass, saxophone, upright piano, and modern drumming trap sets of big-city rhythm-and-blues. Their new sound interwove country-and-western and rhythm-and-blues with the exciting elements of their rural Cajun and Creole heritage. In the 1950s and 1960s American juke boxes and music charts were studded with swamp pop favorites.
Even well-meaning fiction writers of the late Jim Crow era (1900-1955) perpetuated racial stereotypes in their depiction of black characters. From 1918 to 1952, Octavus Roy Cohen turned out a remarkable 360 short stories featuring Florian Slappey and the schemers, romancers and ditzes of Birmingham's Darktown for The Saturday Evening Post and other publications. Cohen said, "I received a great deal of mail from Negroes and I have never found any resentment from a one of them." The black readership had to be satisfied with any black presence in the popular literature of the day. The best known white writers of black characters included Booth Tarkington (Herman and Verman in the Penrod books), Irvin S. Cobb (Judge Priest's houseman Jeff Poindexter), Roark Bradford (Widow Duck, the plantation matriarch), Hugh Wiley (Wildcat Marsden, the war veteran who traveled the country in the company of his goat) and Charles Correll and Freeman Gosden (radio's Amos 'n' Andy). These writers deservedly declined in the civil rights era, but left a curious legacy that deserves examination. This book, focusing on authors of series fiction and particularly of humorous stories, profiles 29 writers and their black characters in detail, with brief entries covering 72 others.
The Dark Lady of the Sonnets" is a one-act play written by means of George Bernard Shaw. A departure from Shaw's more well-known works, this play is a humorous and satirical exploration of the mysterious parent from William Shakespeare's sonnets, regularly known as the "Dark Lady." Set in the early 17th century, the play opens with William Shakespeare himself, grappling with creator's block as he struggles to locate thought for his poetry. The plot takes an unexpected flip while the Dark Lady, the object of Shakespeare's poetic affections, turns out to be none other than Queen Elizabeth I. Shaw uses this revelation to weave a comedic narrative, injecting wit and smart speak into the interaction between the Bard and the Queen. The play satirizes Shakespeare's romantic entanglements and mocks the conventions of Elizabethan drama, all while imparting a lighthearted exploration of the complexities of love, reputation, and artistic idea. "The Dark Lady of the Sonnets" is a short and exciting work that showcases Shaw's wit and ability to playfully engage with ancient and literary topics. It offers a unique angle on the speculative components of Shakespeare's private lifestyles and relationships, including a hint of humor to the area of Elizabethan poetry and drama.
In this memoir, the American screenwriter recounts his time spent on the Hollywood blacklist in the mid-twentieth century. The Hollywood blacklist, which began in the late 1940s and ran well into the 1960s, ended or curtailed the careers of hundreds of people accused of having ties to the Communist Party. Bernard Gordon was one of them. In this highly readable memoir, he tells an engrossing insider's story of what it was like to be blacklisted and how he and others continued to work uncredited behind the scenes, writing and producing many box office hits of the era. Gordon describes how the blacklist cut short his screenwriting career in Hollywood and forced him to work in Europe. Ironically, though, his is a success story that includes the films El Cid, 55 Days at Peking, The Thin Red Line, Krakatoa East of Java, Day of the Triffids, Earth vs. the Flying Saucers, Horror Express, and many others. He recounts the making of many movies for which he was the writer and/or producer, with wonderful anecdotes about stars such as Charlton Heston, David Niven, Sophia Loren, Ava Gardner, and James Mason; directors Nicholas Ray, Frank Capra, and Anthony Mann; and the producer-studio head team of Philip Yordan and Samuel Bronston. “Gordon’s story is one of triumphing over adversity, as he managed to make a decent living and live a rather exotic life peopled with colourful characters, while maintaining his moral integrity. It’s an inspiring, fascinating read.” —Reel Ink “Gordon never pulls his punches in this anecdotal autobiography, filled with intimate details and vivid novelistic passages. A born storyteller, he writes with warmth and humor, and there's an emotional edge to his razor-sharp recall.” —Publishers Weekly
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