George S. Bernard was a Petersburg lawyer and member of the 12th Virginia Infantry Regiment during the Civil War. Over the course of his life, Bernard wrote extensively about his wartime experiences and collected accounts from other veterans. In 1892, he published War Talks of Confederate Veterans, a collection of firsthand accounts focusing on the battles and campaigns of the 12th Virginia that is widely read to this day. Bernard prepared a second volume but was never able to publish it. After his death in 1912, his papers became scattered or simply lost. But a series of finds, culminating with the discovery of a cache of papers in Roanoke in 2004, have made it possible to reconstruct a complete manuscript of the unpublished second volume. The resulting book, Civil War Talks, contains speeches, letters, Bernard's wartime diary, and other firsthand accounts of the war not only by veterans of the Confederacy, such as General William Mahone, but by Union veterans as well. Their personal stories cover the major military campaigns in Virginia, Maryland, and Pennsylvania--Seven Pines, Malvern Hill, Gettysburg, Wilderness, Spotsylvania, Petersburg, and Appomattox. For the general reader, this volume offers evocative testimonies focusing on the experiences of individual soldiers. For scholars, it provides convenient access to many accounts that, until now, have not been widely available or have been simply unknown.
Over the millennia, the drainageway we now call the Santa Cruz River has seen many ebbs, flows, and floods. Throughout its long history, the river has meandered. It has flowed on the surface. It has carved deep fissures, and it has widened and narrowed.As readers of Requiem for the Santa Cruz learn, these are events that also have taken place in historic times. Authored by an esteemed group of scientists, Requiem for the Santa Cruz thoroughly documents this river, which flows through Tucson, Arizona, as a prime example of arroyo cutting, a process where heavy rains cut down through rock to create deep channeling. Each chapter provides a unique opportunity to chronicle the arroyo legacy, evaluate its causes, and consider its aftermath. Using more than a century of observations and collections, the authors reconstruct the physical, biological, and cultural circumstances of the river's entrenchment, widening, and subsequent partial filling. Today, communities everywhere face this conundrum: do we manageephemeral rivers through urban areas for flood control, or do we attempt to restore them to some previous state of naturalness? Requiem for the Santa Cruz carefully explores the channel-change legacy, the efficacy of attempts to stabilize it, and the nascent attempts at river restoration to give a long-term perspective on management of rivers in arid lands. Tied together by authors who have committed their life's work to the study of arid-land rivers, this book offers a touching and scientifically grounded requiem for the Santa Cruz and every southwestern river"--
In 1989 alone, for example, there were some forty-five major motion pictures which were sequels or part of a series. The film series phenomenon crosses all genres and has been around since the silent film era. This reference guide, in alphabetical order, lists some 906 English Language motion pictures, from 1899 to 1990, when the book was initially published. A brief plot description is given for each series entry, followed by the individual film titles with corresponding years, directors and performers. Animated pictures, documentaries and concert films are not included but movies released direct to video are.
The last words of the dying often provide insight into their feelings about life. Some are peaceful ("It is very beautiful over there"--Thomas Alva Edison); many are spiritual ("Don't ask the Lord to keep me here. Ask him to have mercy"--Walker Percy); others are angry ("God-damn the whole frigging world and everybody in it--except you Carlotta"--W.C. Fields); still others reflect the weary fight against death ("I'm bored of it all"--Sir Winston Churchill). Nearly 2,000 deathbed quotations from saints, popes, statesmen, scientists, soldiers, musicians, athletes, artists, entertainers, writers, criminals and others are included in this reference work. Each entry includes a brief biographical sketch of the person and sets the quotation in context. The sources for the quotes include biographies, newspaper and magazine accounts, and, in a few instances, firsthand accounts.
Why am I writing this book? So much has been written about Joes life in the music world but nobody has written about the other side of Joe. From a strange beginning we became good friends and I like to think that I, together with my family, helped him get over the depressing years that followed his Mad Dogs & Englishmen tour. Joe became intertwined with my family, first with Sheila, my first wife, then my girlfriend, Sue and latterly Pam, my second wife plus becoming a celebrity at the Mid Surrey Squash Club. You will read how Joe became so special to us. So here goes. Born 2nd May 1936 to a loving couple Alice & Jim who already had daughter Gladys age 8 and son Reg age 6 who spent their whole lives in Fulham SW London. It was a happy childhood even when war broke out when he was 3 and spent a couple of years evacuated down to Worplesdon just 30 miles away. This was certainly different from the confined space of a terrace road in Fulham where the road was a major playground. In those days there were only a few cars parked but now cars are even double-parked. Schooling was pretty basic, failed the 11 plus, got another chance at 13 to go to a better school and ended at the prestigiously named Balham & Tooting College of Commerce. The name was the only thing that was prestigious but he did manage to acquire 7 O levels, which were enough to get him articles to study for a chartered accountant. After 5 years hard study, while working as an articled clerk, he qualified in 1959 the same year that he married Sheila with whom he had three children Mark 1962, Michael 1966 and daughter Nicola 1968 all are happily married with children of their own. After 21 years Sheila decided there was more to life and left for pastures anew, they have remained friends ever since. Then he had a most enjoyable 2 years when Sue, a junior typist in the office, came to live with him and the three kids. Sue was only 21 and deciding she wanted children, left. He had been very friendly with neighbour Pam and was so lucky when they got together in 1982 and together with her two children, Tracy & David and they all became one big happy family. Unfortunately the big C took Pam in July 2013 and Bernard was on his own. It was during this time that he decided to write this book about his friendship with Joe and got in touch with many friends who had been around during those days and this included Sue who he had not seen for 33 years. By this time she had married had three grown up sons but when she accepted his invite for lunch at the RAC Club in Epsom the old love light bloomed and now they are together. After qualifying Bernard spent 9 years as group accountant for a property company before accepting a friends invite to become a partner in the chartered accountants firm, Nabarro, based in central London. Commuting got too much so he bought a Honda 400 and for 3 year motor biked to town. In winter this was too much so he decided to move offices locally to Surbiton. Reaching the ripe old age of 54 he sold the practice to his junior partners and has little since except pandering to the family especially his 14 grandchildren.
Here's a one stop resource, containing 100 profiles of your favorite contemporary African American writers, along with complete lists of their works. Focusing on writers who have made their mark in the past 25 years, this guide stresses African American writers of popular and genre literature-from Rochelle Alers and Octavia Butler, and Samuel Delaney to Walter Mosley, and Omar Tyree, with a few classic literary giants also included. Short profiles provide an overview of the author's life and summarize his or her writing accomplishments. Many are accompanied by black-and-white photos of the author. The biographies are followed by a complete list of the author's published works. Where can you find information about popular, contemporary African American authors? Web sites can be difficult to locate and unreliable, particularly for some of the newer authors, and their contents are inconsistent and often inaccurate. Although there are a number of reference works on African American writers, the emphasis tends to be on historical and literary authors. Here's a single volume containing 100 profiles of your favorite contemporary African American writers, along with lists of their works. Short profiles provide an overview of the author's life and summarize his or her writing accomplishments. Many are accompanied by black-and-white photos of the author. The biographies are followed by a complete list of the author's published works. Focusing on writers who have made their mark in the past 25 years, this guide covers African American writers of popular and genre literature—from Rochelle Alers, Octavia Butler, and Samuel Delaney to Walter Mosley, Omar Tyree, and Zane. A few classic literary giants who are popular with today's readers are also included—e.g., Maya Angelou, Toni Morrison, and Richard Wright. Readers who want to know more about their favorite African American authors or find other books written by those authors, students researching AA authors for reports and papers, and educators seeking background information for classes in African American literature will find this guide invaluable. (High school and up.)
Organized chronologically and covering every short film, television episode, and classic film that the "Master of Suspense" directed over the course of his illustrious, 60-year career, Alfred Hitchcock All the Films draws upon years of research to tell the behind the scenes stories of how each project was conceived, cast, and produced, down to the creation of the costumes, the search for perfect locations, and of course, the direction of some of cinema's most memorable scenes. Spanning more than six decades, and including stories of work with longtime collaborators like costume designer Edith Head, title designer Saul Bass, and composer Bernard Herrmann, this book details the creative processes that resulted in numerous classic films like Vertigo,The Birds,Psycho, Rear Window, North By Northwest,andTo Catch a Thief (to name a few). The director's classic TV series are also covered extensively along with original release dates, lesser-known short films, box office totals, surreptitious casting details, and other insider scoops that will keep fans and students alike turning pages. Alfred Hitchcock All the Films is the perfect book for the movie fan in your life.
From Hank Aaron to King Zog, Mao Tse-Tung to Madonna, Bartlett's Book of Anecdotes features more than 2,000 people from around the world, past and present, in all fields. These short anecdotes provide remarkable insight into the human character. Ranging from the humorous to the tearful, they span classical history, recent politics, modern science and the arts. Bartlett's Book of Anecdotes is a gold mine for anyone who gives speeches, is doing research, or simply likes to browse. As an informal tour of history and human nature at its most entertaining & instructive, this is sure to be a perennial favorite for years to come.
The Screen Is Red portrays Hollywood's ambivalence toward the former Soviet Union before, during, and after the Cold War. In the 1930s, communism combated its alter ego, fascism, yet both threatened to undermine the capitalist system, the movie industry's foundational core value. Hollywood portrayed fascism as the greater threat and communism as an aberration embraced by young idealists unaware of its dark side. In Ninotchka, all a female commissar needs is a trip to Paris to convert her to capitalism and the luxuries it can offer. The scenario changed when Nazi Germany invaded the Soviet Union in 1941, making Russia a short-lived ally. The Soviets were quickly glorified in such films as Song of Russia, The North Star, Mission to Moscow, Days of Glory, and Counter-Attack. But once the Iron Curtain fell on Eastern Europe, the scenario changed again. America was now swarming with Soviet agents attempting to steal some crucial piece of microfilm. On screen, the atomic detonations in the Southwest produced mutations in ants, locusts, and spiders, and revived long-dead monsters from their watery tombs. The movies did not blame the atom bomb specifically but showed what horrors might result in addition to the iconic mushroom cloud. Through the lens of Hollywood, a nuclear war might leave a handful of survivors (Five), none (On the Beach, Dr. Strangelove), or cities in ruins (Fail-Safe). Today the threat is no longer the Soviet Union, but international terrorism. Author Bernard F. Dick argues, however, that the Soviet Union has not lost its appeal, as evident from the popular and critically acclaimed television series The Americans. More than eighty years later, the screen is still red.
Beginning with The Jazz Singer (1927) and 42nd Street (1933), legendary Hollywood film producer Darryl F. Zanuck (1902–1979) revolutionized the movie musical, cementing its place in American popular culture. Zanuck, who got his start writing stories and scripts in the silent film era, worked his way to becoming a top production executive at Warner Bros. in the later 1920s and early 1930s. Leaving that studio in 1933, he and industry executive Joseph Schenck formed Twentieth Century Pictures, an independent Hollywood motion picture production company. In 1935, Zanuck merged his Twentieth Century Pictures with the ailing Fox Film Corporation, resulting in the combined Twentieth Century-Fox, which instantly became a new major Hollywood film entity. The Golden Age Musicals of Darryl F. Zanuck: The Gentleman Preferred Blondes is the first book devoted to the musicals that Zanuck produced at these three studios. The volume spotlights how he placed his personal imprint on the genre and how—especially at Twentieth Century-Fox—he nurtured and showcased several blonde female stars who headlined the studio’s musicals—including Shirley Temple, Alice Faye, Betty Grable, Vivian Blaine, June Haver, Marilyn Monroe, and Sheree North. Building upon Bernard F. Dick’s previous work in That Was Entertainment: The Golden Age of the MGM Musical, this volume illustrates the richness of the American movie musical, tracing how these song-and-dance films fit within the career of Darryl F. Zanuck and within the timeline of Hollywood history.
Specifically focusing on fluid film, hydrodynamic, and elastohydrodynamic lubrication, this edition studies the most important principles of fluid film lubrication for the correct design of bearings, gears, and rolling operations, and for the prevention of friction and wear in engineering designs. It explains various theories, procedures, and equations for improved solutions to machining challenges. Providing more than 1120 display equations and an introductory section in each chapter, Fundamentals of Fluid Film Lubrication, Second Edition facilitates the analysis of any machine element that uses fluid film lubrication and strengthens understanding of critical design concepts.
Global Popular Music: A Research and Information Guide offers an essential annotated bibliography of scholarship on popular music around the world in a two-volume set. Featuring a broad range of subjects, people, cultures, and geographic areas, and spanning musical genres such as traditional, folk, jazz, rock, reggae, samba, rai, punk, hip-hop, and many more, this guide highlights different approaches and discussions within global popular music research. This research guide is comprehensive in scope, providing a vital resource for scholars and students approaching the vast amount of publications on popular music studies and popular music traditions around the world. Thorough cross-referencing and robust indexes of genres, places, names, and subjects make the guide easy to use. Volume 2, Transnational Discourses of Global Popular Music Studies, covers the geographical areas of North America: United States and Canada; Central America, Caribbean, and South America/Latin America; Europe; Africa and Middle East; Asia; and areas of Oceania: Aotearoa/New Zealand, Australia, and Pacific Islands. It provides over twenty-four hundred annotated bibliographic entries covering discourses of extensive research that extend beyond the borders of the United States and includes annotated entries to books, book series, book chapters, edited volumes, special documentaries and programming, scholarly journal essays, and other resources that focus on the creative and artistic flows of global popular music.
The first volume of Bernard Donoughue's Downing Street Diary was described by Charles Moore in the Daily Telegraph as 'the best account of Harold Wlson's last days'; 'the sheer scale and detail are fascinating' wrote Peter Riddell in the Times Literary Supplement. This second volume covers the three years, 1976-79, when Donoughue was Senior Policy Advisor to James Callaghan. At first Callaghan quickly established dominance over his cabinet and restored calm after the plots and scandals of the later Wilson years. His incomes policy reduced inflation and, in the teeth of opposition from the left wing, he negotiated the notorious IMF loan at the expense of eliminating some of Labour's most cherished dreams. By 1978, Callaghan, a politician of great patriotism and decency, seemed to have succeeded in steering Britain into calmer waters. But then the storm broke. Trade union militants brushed aside their mediocre leaders and launched a ferocious attack on Callaghan's pay policy, driving up inflation and demonstrating the government's impotence. In the diaries we see the prime minister and the government paralysed as the 'Winter of Discontent' began to bite and politics took to the streets. As Labour drifted to inevitable defeat in the 1979 election we see Callaghan fighting honourably. From the smoke of battle there emerges a striking new leader: Margaret Thatcher. The diaries describe vividly both the decline and final collapse of 'old' Labour and how Mrs Thatcher took the opportunity to launch her crusade to dismantle trade union power and much of the British public sector. Besides James Callaghan the chief figures in this volume of Lord Donoughue's diaries are Roy Jenkins, Denis Healey, Tony Crosland, Michael Foot, Shirley Williams, David Owen and Tony Benn.
Marilyn Monroe, a name known to every generation! Whether sublime, touching, or pathetic, she personified the fantasies of the secret world of Hollywood. But behind the glittering myth was a woman whose life was anything but charmed. It is this singular life, from her turbulent childhood, via her tumultuous love life and her proximity to the highest spheres of society, to her tragic final days, that the authors have retraced here in vivid detail. Full of humor, the "Stars of History" collection offers a fresh new look at the legends of cinema.
Today's fiction is increasingly populated by multilingual urban societies in all their rich cultural variety," contends Bernard Botes Krüger, making a persuasive case that "readers need to 'hear' authentic sounding dialogue from the mouths of foreign-language characters-something which mere translations into standard English can never adequately accomplish." The concept of foreign-language dialogue in fiction is not new; many accomplished authors of the past have used a variety of subtle techniques to help their readers understand instances of 'foreign' dialogue. However, those techinues have never been thoroughly isolated and examined-until now. Using Britain's 'Colonial Era' literature as a starting point in this work, the author discusses and systematically catagorizes every type of 'device' used in the past, assembling in the process a veritible toolbox of techniques which aspiring writers can implement to enrich their multilingual dialogue.
This comprehensive reference book provides succinct information on almost thirteen hundred musical stage works written and produced from the 1870s to the 1990s involving contributions by black librettists, lyricists, composers, musicians, producers, or performers or containing thematic materials relevant to the black experience. Organized alphabetically, they include tent and outdoor shows, vaudeville, operas and operettas, comedies, farces, spectacles, revues, cabaret and nightclub shows, children's musicals, skits, one-act musicals, one-person shows, and even a musical without songs. In addition to the hundreds of shows independently created, produced, and performed by black writers and theatrical artists, it presents hundreds more representing a collaboration of black and white talents. An appendix organizes the shows chronologically and highlights those that were most significant in the history of the black American musical stage. An extensive bibliography and indexes of names, songs, and subjects complete the work.
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