This is a short book about the most prominent sign of our times. The simple # sign is now used so widely that it is easy to overlook the fundamental effects it has had in the structuring of public debate. With its help, statements are bundled together and discourse is organized and amplified around common buzzwords. This method enables us to navigate more easily the huge volume of online utterances, but it also increases the risk of leveling statements and extinguishing difference, as exemplified by the #MeToo debate. Andreas Bernard traces the young and spectacular career of the humble hashtag. He follows the history of the # sign, documenting its use by Twitter and Instagram, and then examines the most prominent contemporary domains of the sign in socio-political activism and in marketing – two apparently very different fields which are united in their passion for the hashtag. Theory of the Hashtag shines a bright light on a small but pervasive feature of our contemporary digital culture and shows how it is surreptitiously shaping the public sphere.
Before skyscrapers forever transformed the landscape of the modern metropolis, the conveyance that made them possible had to be created. Invented in New York in the 1850s, the elevator became an urban fact of life on both sides of the Atlantic by the early twentieth century. While it may at first glance seem a modest innovation, it had wide-ranging effects, from fundamentally restructuring building design to reinforcing social class hierarchies by moving luxury apartments to upper levels, previously the domain of the lower classes. The cramped elevator cabin itself served as a reflection of life in modern growing cities, as a space of simultaneous intimacy and anonymity, constantly in motion.a a In this elegant and fascinating book, Andreas Bernard explores how the appearance of this new element changed notions of verticality and urban space. Transforming such landmarks as the Waldorf-Astoria and Ritz Tower in New York, he traces how the elevator quickly took hold in large American cities while gaining much slower acceptance in European cities like Paris and Berlin. Combining technological and architectural history with the literary and cinematic, Bernard opens up new ways of looking at the elevator--as a secular confessional when stalled between floors or as a recurring space in which couples fall in love. Rising upwards through modernity, aLifted atakes the reader on a compelling ride through the history of the elevator.a a Andreas Bernard ais editor ofa Sddeutsche Zeitung, GermanyOCOs largest daily newspaper. He received his Ph.D. in Cultural Sciences from the Bauhaus University Weimar, and teaches cultural studies in Berlin and Lucerne, Switzerland.
Until fairly recently, only serial killers and lunatics had profiles. Yet today, almost everyone is profiled through social media, mobile phones, and a multitude of other methods. But where does the idea of “profiling” come from, how has it changed over time, and what are its implications? In this book, Andreas Bernard examines contemporary profiling’s roots in late-nineteenth-century criminology, psychology, and psychiatry. Data collection techniques previously used exclusively by police or to identify groups of people are now applied to all individuals in society. GPS transmitters and measuring devices are now unconsciously embraced to have fun, communicate, make money, or even find a partner. Drawing perceptive parallels between modern technologies and their antecedents, Bernard shows how we have unwittingly internalized what were once instruments of external control and repression. This illuminating genealogy of contemporary digital culture will be of interest to students and scholars in media and communication, and to anyone concerned about the power technologies hold over our lives.
Saint Bernard's famous work, The Steps of Humility and Pride (in Latin, De gradibus humilitatis et superbiae), is a short book consisting of a mere fifty-seven paragraphs. In it, the Abbot of Clairvaux unpacks the doctrine of the very crucial chapter 7 of Saint Benedict's sixth-century Rule for Monks, which explores the dynamic "steps" or "degrees" of both humility and pride. This chapter by Benedict could well be considered the spiritual basis of all Benedictine existence. In Saint Bernard's Three-Course Banquet, Dom Bernard Bonowitz makes the teaching of both Bernard and Benedict accessible to modern readers in a set of conferences originally conceived for and delivered to a group of Cistercian "juniors," that is, monks and nuns who had completed their novitiate but had not yet made their solemn vows. With Dom Bernard as a guide, many more readers can be sure of drinking at the purest sources of the monastic tradition, which at that depth becomes one with the Gospel itself. A convert from Judaism with a degree in Classics from Columbia University, Bernard Bonowitz was a Jesuit for nine years before entering St. Joseph's Abbey in Spencer, Massachusetts. Immediately upon professing vows, his abbot named him master of novices, a position he held for ten years and that gave him ample opportunity to share considerable gifts of mind and heart while initiating newcomers into monastic life, at the levels of both classroom teaching and spiritual direction. In 1996 he was elected superior of the monastery of Novo Mundo in Brazil, which he soon shepherded into a true monastic springtime. In 2008, he became abbot of Novo Mundo, now a community attracting an impressive number of young men anxious to follow the way of Cistercian discipleship.
Remember Me. Zwei Worte, und Wick steckt erneut in Schwierigkeiten. Die Worte sind in den Leichnam der Assistentin von Richter Bay geritzt, den Wick gut kennt. Und es bleibt nicht bei dieser einen Leiche ... Wick hatte gehofft, ein neues Leben beginnen zu können. Doch da macht ihr Carson einen Strich durch die Rechnung: der Cop hat sie in der Hand! Jetzt steht Wick vor einer folgenschweren Entscheidung, denn es steht viel auf dem Spiel: ihre Vergangenheit, ihre Zukunft und ihre Liebe zu Griff ...
Ein Hacker-Girl auf den Spuren des Killers! Finde mich! – Diese Nachricht findet Wick im Tagebuch ihrer ehemaligen besten Freundin Tessa, das eines Nachts vor ihrer Tür liegt. Aber Tessa ist tot. Selbstmord. Wick will sich eigentlich raushalten. Mit einem kriminellen, untergetauchten Vater und einem höllisch neugierigen Cop im Nacken, ist es schwer genug, ihr »normales« Leben in der neuen Pflegefamilie aufrechtzuerhalten. Vor allem darf ihr heimlicher Nebenverdienst als Hackerin nicht auffliegen. Doch nach ein paar Klicks ist klar, dass Tessa das Opfer eines Unbekannten wurde, und der hat schon ein neues Ziel im Blick: Wicks kleine Schwester Lily ...
The Beekeeper is a timeless children's story with engaging characters about a Beekeeper and his nasty neighbour. The moral message is cleverly woven into a simple and fun story. "If someone treats you badly, don't do the same to him or her; treat them with kindness, as they are not your teachers". The Beekeeper comes alive with Rikin Parekh's vivid illustrations creating a cute and educational story that children love to read.
Bernard of Clairvaux, the twelfth-century monk who wrote that "Jesus is honey in the mouth, melody in the ear, a cry of joy in the heart," was both a mystic and a reformer. His writings reveal a mystical theology that Thomas Merton, a monastic heir to Bernard’s Cistercian reform, says "explains what it means to be united to God in Christ but (also) shows the meaning of the whole economy of our redemption in Christ." Critical of the monastic opulence of his times, Bernard exhorted his monks to consider that "Salt with hunger is seasoning enough for a man living soberly and wisely." Martin Luther believed that Bernard was "the best monk that ever lived, whom I admire beyond all the rest put together." Bernard's zeal and charisma led to the reform of Christian life in medieval Europe. Today it is reported that Pope Benedict XVI keeps Bernard's treatise Advice to a Pope close at hand for spiritual support. Honey and Salt is an original selection for the general reader of Bernard’s sermons, treatises, and letters.
This work has been selected by scholars as being culturally important, and is part of the knowledge base of civilization as we know it. This work was reproduced from the original artifact, and remains as true to the original work as possible. Therefore, you will see the original copyright references, library stamps (as most of these works have been housed in our most important libraries around the world), and other notations in the work. This work is in the public domain in the United States of America, and possibly other nations. Within the United States, you may freely copy and distribute this work, as no entity (individual or corporate) has a copyright on the body of the work. As a reproduction of a historical artifact, this work may contain missing or blurred pages, poor pictures, errant marks, etc. Scholars believe, and we concur, that this work is important enough to be preserved, reproduced, and made generally available to the public. We appreciate your support of the preservation process, and thank you for being an important part of keeping this knowledge alive and relevant.
This work has been selected by scholars as being culturally important, and is part of the knowledge base of civilization as we know it. This work was reproduced from the original artifact, and remains as true to the original work as possible. Therefore, you will see the original copyright references, library stamps (as most of these works have been housed in our most important libraries around the world), and other notations in the work. This work is in the public domain in the United States of America, and possibly other nations. Within the United States, you may freely copy and distribute this work, as no entity (individual or corporate) has a copyright on the body of the work. As a reproduction of a historical artifact, this work may contain missing or blurred pages, poor pictures, errant marks, etc. Scholars believe, and we concur, that this work is important enough to be preserved, reproduced, and made generally available to the public. We appreciate your support of the preservation process, and thank you for being an important part of keeping this knowledge alive and relevant.
An English translation of Bernard André's Latin Life of Henry VII, with introduction to the humanist historiography of Richard III and of Henry, the first Tudor monarch of England. Includes bibliography and index"--Provided by publisher.
Saint Bernard was born in 1090 near Dijon, France. He joined the fifteen-year-old monastery of Cîteaux in 1113. In 1115 he became the founding abbot of Clairvaux Abbey, whence his name, Bernard of Clairvaux. Saint Bernard was a gifted and prolific writer of theological treatises, Scriptural commentaries, letters, and many sermons. The sermons in the collection published here, styled Sermones de diversis (Sermons about Various Topics), lack the specific point of departure that characterizes his other sermons. That is, whereas the sermons on the Song of Songs are a verse-by-verse commentary on that biblical book and his Sermons for the Year follow the liturgical calendar, this collection of sermons deals with his various pastoral concerns. Since Scripture is always Bernard’s point of departure and inspiration, the sermons often read like a Scripture study, but what comes through equally is the voice of an understanding spiritual father who is a masterful student of Scripture, biblical language, and the needs of his monks.
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