Arnold Scaasi stands at the top of American fashion, an enviable position he has occupied for nearly half a century, the years that saw America move from a fashion backwater to a world leader. This gloriously illustrated retrospective of his highly successful career offers an inside look at fashion's private, social and theatrical worlds from New York to Palm Beach to Hollywood. Scaasi: A Cut Above tells the story of his meteoric rise from a $45-a-week apprentice to the world-renowned couturier he is today.
Managing Workplace Conflict critically analyses Alternative Dispute Resolution (ADR) in Australian workplaces. It includes coverage of: various ADR techniques and the roles played by ADR practitioners in workplace conflict; the need for workplace grievance policies and the forms these can take; the suitability of ADR for various types of disputes; the effects of the Work Choices Act 2005 (Cth) on dispute resolution; and three case studies where ADR was utilised in workplace conflict and the experiences of both the human resource consultant and their clients. Managing Workplace Conflict is written against the background of a rapidly changing Australian labour market. It argues that ADR in the Australian workplace needs to be conducted with an understanding of the changed industrial relations environment and the power differences between key workplace stakeholders, as well as commitment to ethical practice and workplace justice. It presents the key concepts central to the practice of ADR in Australia and provides a practical, useable reference book for both the professional and the student." -- back cover
The future star of Italian fashion, Valentino Garavani, was born in 1932 in Voghera near Milan. He studied at the Accademia Dell'Arte in Milan before moving on to the Chambre Syndicale de la Haute Couture in Paris. Winner of a competition for fashion design, he spent almost a decade in Paris, working first with Jean Desses and then with Guy Laroche. Through text and image alike, this enchanting book captures the essence of Valentino's eternal self-renewing search for beauty and richness, qualities that have always been part of Roman life. The splendid illustrations include not only photographs but also sketches by himself, the King of Italian fashion.
Mentoring for Young People in Care and Leaving Care offers a rich exploration of the theory, research and practice relating to youth mentoring as a means of essential social support. Brady, Dolan and McGregor ground their work on the premise that the informal social support provided through a high-quality mentoring relationship can help young people in care to sustain positive mental health, cope with stress and fulfil their potential through adolescence and into adulthood. It provides an up-to-date synthesis of research findings in relation to natural mentoring, formal mentoring and youth-initiated mentoring for children in care and explores the challenges and considerations relating to practice in this area. Illustrated with the details of original research with care-experienced young people, it offers much-needed insight into how young people interpret and make sense of their experiences in care and of mentoring. Written to be accessible by those with limited knowledge of youth mentoring, this timely publication will be essential reading for academics, policy makers and practitioners in the fields of adolescent development, social care, social work and youth work.
... I inherited Revolutionary War letters which various citizens had written. The main character is the obscure Rev. Andrew Eliot of Fairfield Connecticut which I hypothesize may have been an American Secret Agent facilitated in these endeavors by Aaron Burr's first cousin, Thaddeus Burr. Benjamin Tallmadge, Robert Townsend, Austin Roe and Caleb Brewster were known to have participated in the Culper Spy Ring informing General George Washington of the British troops whereabouts and supplies. Until now other members have not been identified ... read for yourself the evidence presented here with scanned letters and artifacts and the genealogy that illustrates how I am in possession of these fascinating historical records"--Preface.
Today most of us enjoy the work of famed Renaissance artist Michelangelo by perusing art books or strolling along the galleries of a museum—and the luckier of us have had a chance to see his extraordinary frescoes on the ceiling of the Sistine Chapel. But as Bernadine Barnes shows in this book, even a visit to a well-preserved historical sight doesn’t quite afford the experience the artist intended us to have. Bringing together the latest historical research, she offers us an accurate account of how Michelangelo’s art would have been seen in its own time. As Barnes shows, Michelangelo’s works were made to be viewed in churches, homes, and political settings, by people who brought their own specific needs and expectations to them. Rarely were his paintings and sculptures viewed in quiet isolation—as we might today in the stark halls of a museum. Instead, they were an integral part of ritual and ceremonies, and viewers would have experienced them under specific lighting conditions and from particular vantages; they would have moved through spaces in particular ways and been compelled to relate various works with others nearby. Reconstructing some of the settings in which Michelangelo’s works appeared, Barnes reassembles these experiences for the modern viewer. Moving throughout his career, she considers how his audience changed, and how this led him to produce works for different purposes, sometimes for conventional religious settings, but sometimes for more open-minded patrons. She also shows how the development of print and art criticism changed the nature of the viewing public, further altering the dynamics between artist and audience. Historically attuned, this book encourages today’s viewers to take a fresh look at this iconic artist, seeing his work as they were truly meant to be seen.
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