What are the functions of optimism in modern societies? How is hope culturally transmitted? What values and attitudes does it reflect? This book explores how and why powerful institutions propagate 'cultures of optimism' in different domains, such as politics, work, the family, religion and psychotherapy.
An intellectual history of contrasting ideas around the power of the arts to bring about personal and societal change - for better and worse. A fascinating account of the value and functions of the arts in society, in both the private sphere of individual emotions and self-development and public sphere of politics and social distinction.
Cultural pessimism arises with the conviction that the culture of a nation, a civilisation or of humanity itself is in a process of irreversible decline. In an incisive and wide-ranging analysis, Cultural Pessimism: Narratives of Decline in the Postmodern World charts the growth of pessimism in the West during the last decades of the twentieth century. Drawing on studies from within a very broad range of fields, which include ecology, human rights, military history, international relations, criminology, history of science, cultural criticism and political economy, the author shows how cultural pessimism in the postmodern world can be related to the cumulative effect of four key narratives of decline:*Environmental decline*Moral decline*Intellectual decline*Political declineAfter a review of pessimism in other historical periods, each of these narratives is explored in depth. The book attempts to answer a number of questions: how are the narratives constituted and what are the conditions to which they refer? To what extent are those conditions historically unprecedented? To which cultures do the narratives relate? What values do they reflect? To what extent are the identified processes of decline seen as irreversible? Concluding that cultural pessimism is as much a matter of psychological and biological disposition as of intellectual judgement, Oliver Bennett's challenging book offers valuable new insights into how we view the prospects of the twenty-first century.Features:*Provides an authoritative account of how the postmodern world has been represented as one of decline. *Brings together different perspectives kept apart by professional and academic specialisation*Views culture in its broadest sense as 'a whole way of life'*Provides an historical overview of cultural pessimism, tracing its various manifestations from the modern period back to its existence in early religions*Examines the biological, psychological and sociolog
The former Wales and Lions rugby captain has travelled the world watching rugby and talking about the game since his retirement in 1978. There is no more authoritative voice in rugby union today and Bennett’s book will tackle a host of issues dominating the sport in the modern era.
This work, naming 4,000 related individuals, contains the lineages of about fifty families, the main branches of which were located in Virginia, Maryland, and North and South Carolina. Genealogies of the following families are given: Allen, Aston, Barker-Bradford-Taylor, Berkeley-Ligon-Norwood, Binns, Butler, Claiborne, Clark, Colclough, Crafford, Crayfford-Crafford, Davis, Doniphan, Eldridge, Flood, Godwyn, Gray, Gregg, Griffis, Grigsby, Harris, Haynes, Jones, Mallory, Mason, Moore, Mumford-DeJarnette-Perryman, Newton, Norwood, Pace, Peche-Cornish-Everard-Mildmay-Harcourt-Crispe, Reade, Ruffin, Sledge, Smith, Sowerby-Sorsby, Stone-Smallwood-Smith, Stover, Thomas, Travis, Warren, Woodliffe, Wynne, and Wythe.
This is a comprehensive study of the early history and inhabitants of Isle of Wight County. It begins with a graphic description of the early settlers--including accounts of Quakers and Cavaliers--and is followed by detailed histories of the various Isle of Wight families. Nearly 200 pages of this voluminous work are devoted to abstracts of deeds, land records, and quit rents. Besides a place and subject index, the work further includes a 38-page name index of several thousand entries.
A gripping true-to-life account of a tragic incident in U.S. history that needs to be read by everyone." Congressman Jack Metcalf, U.S. House of Representatives. THE DAY AFTER THANKSGIVING On November 26, 1943, one day after Thanksgiving and one day out to sea, one thousand, nine-hundred and eighty one young American soldiers were presented with the most challenging and terrifying experience of their lives. On that day, they became players in what was to become one of the greatest at-sea tragedies in United States history. More than half of them never survived to tell their story. On that day, two of the WWIIs least known but historic incidents occurred. The United States suffered its greatest loss of troops at-sea in its history when the HMT ROHNA a British transport was sunk by a guided missile launched from a German bomber over the Mediterranean Sea, off the coast of North Africa. The ship, with officers and crew of one hundred ninety five was transporting American troops and Red Cross workers to the China-Burma-India Theater of war One thousand and fifteen American troops, three Red Cross workers and one hundred and twenty ships officers and crewmen perished, a loss second only to that of the Arizona at Pearl Harbor. In addition to the record number of casualties that were incurred, the bombing itself was historic because it was the first ever, successful "hit" by a remote-controlled rocket-boosted bomb, launched in the air from a German bomber, on a merchant vessel chartered for military use in war time. This incident was, in effect, the dawning of the missile age. The ship, badly in disrepair, was part of Convoy KMF-26 en-route to Bombay, India with men and supplies needed for the little known China - Burma -India theater of WWII. It was a noteworthy historic event that received little notice and still has not been acknowledged by the United States government. Understandably, for security reasons, the War Department immediately suppressed news of this catastrophe. Compounding this tragedy, no details were ever provided to the grieving fathers and mothers. Parents went to their graves never to learn the fate of their sons. Families still do not know how their loved ones died and this disaster continues to remain virtually unknown to the public. Over eight hundred bodies were never recovered, and their remains are scattered over hundreds of miles at the bottom of the Mediterranean Sea. THE ROHNA DISASTER (227P) describes that tragic, but little known incident at sea. Each chapter presents electrifying eyewitness accounts of the inhumane shipboard conditions, the actual bombing and sinking, and the struggles to survive and be rescued in heavy seas at night. Accounts of heroism and courage are woven through each chapter, and the anquish of families, as they waited fifty years in an emotional void, is poignantly told. THE ROHNA DISASTER is, in many respects, told by the people who played their different roles as survivors, rescuers and family members. Every survivor was willing, if not anxious, to share his experience, painful though it often was, some because they wanted to help the author in his search for information about his brother, most, because they felt very strongly that this story should be told and that the casualties should be given an honored place in American history. It is important that history be chronicled, and that this story, an important part of our history, be told, heard, taught and remembered. It is also important that those who played roles in this incredible drama, the survivors, rescuers and casualties, be given their due honor and recognition, and that the families of those who perished, who have a right to know what happened to their loved ones, be given an opportunity to learn that truth. This book was written for those reasons. "We are slowly losing a unique breed of people, the likes of which we will never s
Making Culture, Changing Society proposes a challenging new account of the relations between culture and society focused on how particular forms of cultural knowledge and expertise work on, order and transform society. Examining these forms of culture’s action on the social as aspects of a historically distinctive ensemble of cultural institutions, it considers the diverse ways in which culture has been produced and mobilised as a resource for governing populations. These concerns are illustrated in detailed case studies of how anthropological conceptions of the relations between race and culture have shaped – and been shaped by – the relationships between museums, fieldwork and governmental programmes in early twentieth-century France and Australia. These are complemented by a closely argued account of the relations between aesthetics and governance that, in contrast to conventional approaches, interprets the historical emergence of the autonomy of the aesthetic as vastly expanding the range of art’s social uses. In pursuing these concerns, particular attention is given to the role that the cultural disciplines have played in making up and distributing the freedoms through which modern forms of liberal government operate. An examination of the place that has been accorded habit as a route into the regulation of conduct within liberal social, cultural and political thought brings these questions into sharp focus. The book will be of interest to students and scholars of sociology, cultural studies, media studies, anthropology, museum and heritage studies, history, art history and cultural policy studies.
The boldest, most unconventional of the three Greentree sisters, Marietta believes her best course would be to emulate her natural mother, the notorious courtesan Madame Aphrodite. Being woefully unschooled in the ways of passion, however, Marietta, at Aphrodite's insistence, must first prove herself by properly seducing one man: Max Valland, the moody, disgraced, anddisinherited former Lord Roseby. With his life and reputation already in tatters, Max is most willing to help the exquisite young minx practice her chosen craft—though he is surprised at the depth of his desire . . . and by her most unprofessional tenderness. But Marietta's plans are threatened by the dangerous mysteries swirling around this disarmingly sensual gentleman . . . and by a heart that urges her to break the courtesan's cardinal rule: never fall in love.
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