If your memories aren’t your own, then whose are they? One man is about to find out, as he accidentally ingests a mysterious drug that throws him into a hallucination so vivid that it seems real. Now Dr. Taylor Briggs will embark on a journey to unlock the mysteries of his own mind—and to find the killer of the innocent victims whose last moments are being played out in his head, in a stunning psychological thriller that explores memory, its crucial role in our consciousness—and its power to deceive. Also a major motion picture starring Billy Zane, Dennis Hopper, and Ann-Margaret.
A debut psychological thriller of one man's journey through the memories of a killer. If your memories aren't your own, then whose are they? One man is about to find out when he ingests a mysterious drug that throws him into a hallucination so vivid that it seems real. Because it is... Now, Dr. Taylor Briggs will embark on a journey to unlock the mysteries of his own past-and to find the killer of the innocent victims whose last moments are being played out in his own memories. Davlin delivers a psychological thrill-ride that piles on the questions only to answer them with a twist that rocks the core of reality. This is the debut that will keep readers guessing to the end.
If your memories aren’t your own, then whose are they? One man is about to find out, as he accidentally ingests a mysterious drug that throws him into a hallucination so vivid that it seems real. Now Dr. Taylor Briggs will embark on a journey to unlock the mysteries of his own mind—and to find the killer of the innocent victims whose last moments are being played out in his head, in a stunning psychological thriller that explores memory, its crucial role in our consciousness—and its power to deceive. Also a major motion picture starring Billy Zane, Dennis Hopper, and Ann-Margaret.
William Langland's Piers Plowman was written and read during a "golden age" of English preaching. The poem describes a world where sermons took many different forms and were delivered in many different contexts, from public events in the life of the realm to pastoral instruction in the parish. It dramatises preaching as part of its allegorical action, showing how sermons shaped their listeners' understanding of the world; it also includes polemical critique of corrupt, self-interested preaching, and offers radical prescriptions for its reform. This book argues that Langland's central insight into the way that sermons moved and engaged their audiences had to do with their characteristic use of narrative. Preachers in the poem address listeners who are absorbed in the concerns of their present moment, and encourage them to new forms of social and spiritual endeavour by locating that moment in a larger, interpreted plot: the story of an individual life, or an emergent community, or of salvation history as a whole. The book employs a critical vocabulary derived from Paul Ricoeur to describe the process by which these narratives are composed, and to show how they mediate and reconfigure their listeners' experiences.
The entertainment icon presents an array of stories that capture humorous and inspirational moments from his sixty-year career, and shares the wisdom he has gained from his own experiences and from the people he met along the way.
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