These eight volumes contain the works of Mary Shelley and include introductions and prefatory notes to each volume. Included in this edition are "Frankenstein" (1818), "Matilda" ((1819), "Valperga" (1823), "The Last Man" (1826), "Perkin Warbeck" (1830) and "Lodore" (1835).
Seed inoculation is the practice of effectively introducing a high number of nitrogen-fixing bacteria (Rhizobium or Bradyrhizobium) on the surface of legume seeds prior to planting. The bacteria penetrates the root, resulting in the formation of root nodules that fix nitrogen from the air, and make it readily available to the plant. This book descr
Thanksgiving brings family, friendship, and foul play to New Mexico in this seventh Black Horse Campground mystery from the author of Fiesta of Fear. An unseasonably warm November is a financial boon to Corrie Black’s campground, but her personal life has taken a hit. Her friend, recovering addict RaeLynn Shaffer, disappeared two months ago, after some funds from a church festival goes missing. Det. J. D. Wilder immediately suspects RaeLynn is behind the heist, creating a wall of tension between Corrie and the officer. Then, while jogging late one night, Wilder sees a body being dumped from a car. It’s RaeLynn—and she’s still alive. Drugged and beaten, she’s whisked away from the village of Bonney for her own protection, and Corrie is warned that the criminal Shaffer family may be coming after her for turning RaeLynn against her own kin. With everyone on edge and the Shaffers under surveillance, it becomes clear that the family who has terrorized Bonney for years may now have something to fear. And to draw out the villain, Corrie is willing to use herself as bait . . .
From Henry Mayhew's classic study of Victorian slums to Studs Terkel's presentations of ordinary people in modern America, oral history has been used to call attention to social conditions. By analyzing the nature and circumstances of the production of such histories of delinquency, James Bennett argues that oral history is a rhetorical device, consciously chosen as such, and is to be understood in terms of its persuasive powers and aims. Bennett shows how oral or life histories of juvenile delinquents have been crucial in communicating the human traits of offenders within their social context, to attract interest in resources for programs to prevent delinquency. Although life history helped to establish the discipline of sociology, Bennett suggests concepts for understanding oral histories generated in many fields.
This text traces the growth and development of two related disciplines, anthropology and the study of religions. Locating these disciplines within the intellectual climate of the 19th century, the study considers the contributions of scholars such as James George Frazer, F. Max Muller, Emile Durkheim, Mary Douglas and Clifford Geertz, within an historical framework. The author argues that both anthropologists and students of religion have abandoned an objective approach in favour of personal engagement with their subjects, replacing observation with conversation, monologue with dialogue, a text-based with people-based approach. He reveals how each discipline has influenced the other both in terms of methodology and by the provision of data. The book also explores the criticism levelled at both disciplines that they have aided colonial domination of the developing world.
The Civil Wars Experienced is an exciting new history of the civil wars, which recounts their effects on the 'common people'. This engaging survey throws new light onto a century of violence and political and social upheaval By looking at personal sources such as diaries, petitions, letters and social sources including the press, The Civil War Experienced clearly sets out the true social and cultural effects of the wars on the peoples of England, Scotland, Wales and Ireland and how common experiences transcended national and regional boundaries. It ranges widely from the Orkneys to Galway and from Radnorshire to Norfolk. The Civil Wars Experienced explores exactly how far-reaching the changes caused by civil wars actually were for both women and men and carefully assesses individual reactions towards them. For most people fear, familial concerns and material priorities dictated their lives, but for others the civil revolutions provided a positive force for their own spiritual and religious development. By placing the military and political developments of the civil wars in a social context, this book portrays a very different interpretation of a century of regicide and republic.
In an age of globalization and connectivity, the idea of "mainstream culture" has become quaint. Websites, magazines, books, and television have all honed in on ever-diversifying subcultures, hoping to carve out niche audiences that grow savvier and more narrowly sliced by the day. Consequently, the discipline of graphic design has undergone a sea change. Where visual communication was once informed by a designer's creative intuition, the proliferation of specialized audiences now calls for more research-based design processes. Designers who ignore research run the risk of becoming mere tools for communication rather than bold voices. Design Studies, a collection of 27 essays from an international cast of top design researchers, sets out to mend this schism between research and practice. The texts presented here make a strong argument for performing rigorous experimentation and analysis. Each author outlines methods in which research has aided their designwhether by investigating how senior citizens react to design aesthetics, how hip hop culture can influence design, or how design for Third World nations is affected by cultural differences. Contributors also outline inspired ways in which design educators can teach research methods to their students. Finally, Design Studies is rounded out by five annotated bibliographies to further aid designers in their research. This comprehensive reader is the definitive reference for this new direction in graphic design, and an essential resource for both students and practitioners.
Bennett explains how he prepares for trial, handles witnesses in the courtroom, crafts his opening and closing arguments, and provides other terrific tips and object lessons for success in law and life.
The second volume of the set (see Item 531) covers more families from the early counties of Virginia's Lower Tidewater and Southside regions. With an index in excess of 10,000 names.
A dramatic reappraisal of one of the most significant and least understood presidents in American history, based on extraordinary interviews and documents - this is LBJ as he has never been seen before.
Making Culture, Changing Society proposes a challenging new account of the relations between culture and society focused on how particular forms of cultural knowledge and expertise work on, order and transform society. Examining these forms of culture’s action on the social as aspects of a historically distinctive ensemble of cultural institutions, it considers the diverse ways in which culture has been produced and mobilised as a resource for governing populations. These concerns are illustrated in detailed case studies of how anthropological conceptions of the relations between race and culture have shaped – and been shaped by – the relationships between museums, fieldwork and governmental programmes in early twentieth-century France and Australia. These are complemented by a closely argued account of the relations between aesthetics and governance that, in contrast to conventional approaches, interprets the historical emergence of the autonomy of the aesthetic as vastly expanding the range of art’s social uses. In pursuing these concerns, particular attention is given to the role that the cultural disciplines have played in making up and distributing the freedoms through which modern forms of liberal government operate. An examination of the place that has been accorded habit as a route into the regulation of conduct within liberal social, cultural and political thought brings these questions into sharp focus. The book will be of interest to students and scholars of sociology, cultural studies, media studies, anthropology, museum and heritage studies, history, art history and cultural policy studies.
The tale of one man's life, written by authors who knew him. Derek Curtis-Bennet (1904-1956) and Roland Wild (author of The Arctic Command and Extension Night).
In this fascinating and affectionate account of a unique theatrical phenonemon, Andrew Harris takes an intriguing look at the reality and myth behind the heart and soul of American drama.
Dr. Bennett traces the growing awareness of the importance and significance of the concept of feedback in engineering and details the technical developments that contributed to this awareness. There follows an account of the development of steam and hydraulic servomechanisms and their application to the control of ships and aircraft.
In this second volume of his classic English Books and Readers, first published in 1965, H. S. Bennett continues the story down to the end of the reign of Elizabeth I. His purpose is to give an account of the total output of books and pamphlets in this period, irrespective of their qualities as literature. He reveals a picture of astonishing variety and fertility. The part of it which concerns the production of imaginative, philosophical and religious books is fairly well known; but by far the larger proportion of the output of the printing presses consisted of such diverse products as histories and geographies, moral treatises, translations from the Classics, legal and medical text-books, writings on sports and pastimes, seamanship, primers of instruction in languages and music, the great and famous corpus of travel books, volumes of ballads and verses, and cheap and sensational pamphlets on such topics as monstrous births, strange creatures, the evil practices of witches and the diabolical objectives of traitors. Besides showing how the printers, booksellers and their allies made this enormously diverse mass of material readily available to the Elizabethan reading public, the author examines as well the relations between writers and readers.
A fall festival turns murderous in this haunting and wholly unforgettable sixth Black Horse Campground mystery from the author of A Summer to Remember. With a mix of Anglo, Native, and Hispanic cultures, the village of Bonney, New Mexico, has its share of folklore and legends, but no one has ever heard of the Ghost Girls before. Three high school girls have convinced their fellow students that they have powers, but now that they’re graduating, new recruits are needed to carry on the tradition. One night, the Ghost Girls take a hopeful prospect to the cemetery, where they discover a missing kid—and a recently-deceased man. The child is Mark Jr., the son of Corrie’s best friend. And the corpse? The high school principal. Mark had been causing so much trouble at school that he’d been suspended, but Corrie can’t believe he’s a killer. As the village of Bonney gathers for the annual San Ignacio Fall Festival at the Black Horse Campground, Sheriff Rick Sutton and Det. J. D. Wilder uncover a web of bullying, hatred, and revenge—in which nothing is sacred. Not the school. Not the church. And definitely not Corrie’s campground . . .
The original CliffsNotes study guides offer expert commentary on major themes, plots, characters, literary devices, and historical background. The latest generation of titles in this series also feature glossaries and visual elements that complement the classic, familiar format. CliffsNotes on The House of Seven Gables helps you explore this tale of a family curse and inherited sin. Once wealthy and now in a state of constant degeneration, both the Maule family and their grand mansion fall to the forces of society and mystery. They can escape from the bondage which the past imposes, but how? This concise supplement to Hawthorne's The House of Seven Gables, helps you understand the overall structure of the novel, actions and motivations of the characters, and the social and cultural perspectives of the author. Features that help you study include Chapter-by-chapter summaries and commentaries A chronology of the author's life offers insight into his writing style Descriptive character analyses Critical essays on the Preface to the novel and on Hawthorne's use of symbols A review section that tests your knowledge, and suggested essay topics Classic literature or modern modern-day treasure — you'll understand it all with expert information and insight from CliffsNotes study guides.
Few perspectives have invigorated the development of critical museum studies over the late twentieth and early twenty-first centuries as much as Foucault’s account of the relations between knowledge and power and their role in processes of governing. Within this literature, Tony Bennett’s work stands out as having marked a series of strategic engagements with Foucault’s work to offer a critical genealogy of the public museum, offering an account of its nineteenth-century and early twentieth-century development that has been constantly alert to the politics of museums in the present. Museums, Power, Knowledge brings together new research with a set of essays initially published in diverse contexts, making available for the first time the full range of Bennett’s critical museology. Ranging across natural history, anthropological art, geological and history museums and their precursors in earlier collecting institutions, and spanning the eighteenth to the twenty-first centuries in discussing museum practices in Britain, Australia, the USA, France and Japan, it offers a compelling account of the shifting political logics of museums over the modern period. As a collection that aims to bring together the ‘signature’ work of a museum theorist and historian whose work has long occupied a distinctive place in museum/society debates, Museums, Power, Knowledge will be of interest to researchers, teachers and students working in the fields of museum and heritage studies, cultural history, cultural studies and sociology, as well as museum professionals and museum visitors.
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