Focusing on the liberating promise of public space, The Beach Beneath the Streets examines the activist struggles of communities in New York City—queer youth of color, gardeners, cyclists, and anti-gentrification activists—as they transform streets, piers, and vacant lots into everyday sites for autonomy, imagination, identity formation, creativity, problem solving, and even democratic renewal. Through ethnographic accounts of contests over New York City's public spaces that highlight the tension between resistance and repression, Shepard and Smithsimon identify how changes in the control of public spaces—parks, street corners, and plazas—have reliably foreshadowed elites' shifting designs on the city at large. With an innovative taxonomy of public space, the authors frame the ways spaces as diverse as gated enclaves, luxury shopping malls, collapsing piers and street protests can be understood in relation to one another. Synthesizing the fifty-year history of New York's neoliberal transformation and the social movements which have opposed the process, The Beach Beneath the Streets captures the dynamics at work in the ongoing shaping of urban spaces into places of repression, expression, control, and creativity.
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Brooklyn has all the features of a "global borough": It is a base of immigrant labor and ethnically diverse communities, of social and cultural capital, of global transportation, cultural production, and policy innovation. At once a model of sustainable urbanization and overdevelopment, the question is now: What will become of Global Brooklyn? Tracing the emergence of Brooklyn from village outpost to global borough, Brooklyn Tides investigates the nature and consequences of global forces that have crossed the East River and identifies alternative models for urban development in global capitalism. Benjamin Shepard and Mark Noonan provide a unique ethnographic reading of the literature, social activism, and changing tides impacting this ever-transforming space. Cover and interior images of a rapidly transforming global borough by photographer Caroline Shepard.
Rebel Friendships considers the interplay between individuals and their friendships with social movements. The intersections between individual and community, the ways we experiment with social change, explore, create, and reduce the harms of modern living are the work of social movements. Yet, the process is rarely simple. Through auto-ethnographic reflections of experiences with the Beats, ACT-UP, Occupy Wall Street, anti-consumer, queer rights, and non-polluting transportation movements Shepard explores the way friendship infuses social movements with the social capital necessary to move bodies of ideas forward. Such innovation is rarely seen in more institutionalized social arrangements. Rebel Friendships offers a new take on the ties between friends who are connected through affinity and efforts aimed at social change.
Community Projects as Social Activism: From Direct Action to Direct Services by Benjamin Shepard is an engaging and accessible work that will get today′s students excited about the very real prospect of achieving lasting, positive change within their communities. It outlines a distinct approach to community practice born out of the intersection among social movements, day-to-day organizing, and the lessons of five decades of community change practices. This invaluable resource is a must-have for anyone involved in community organization, community health, and community activism practice research and policy.
Sixteen-year-old Noah Fletcher has a lot on his mind. He s gay, and his best friend hates him for it. So does the rest of his high school. What they don't know is that he has the ability to talk to and understand all the animals on earth. Despite his mother s full support and his animal friends, he can t help but feel lonely until popular cheerleader, Candy Bloom, sticks up for him publicly. He is happy to have her on his side, but there s something strange about Candy. She seems to know more than she should. Somehow, she knows about his secret power and warns him about what's coming next ... an alien invasion. The question is, how are they going to stop it? And who else will join them on their mission?
San Francisco in the early 1990s. Cab is on the deep end of a losing streak. After having been dumped yet again, he moves to Haight-Ashbury fresh out of college. It is the middle of a recession, before the dot-com boom, and AIDS is an immediate and untreatable reality. He finds himself working in a housing program for people with HIV/AIDS. The entire city is reeling. His clients are dying. Cab records their every word. He starts drafting a narrative of every person with whom he's slept: those who dropped him, those he adored, and those he let go of without a second thought, to reassess what he has left behind from the South of his childhood of dyslexia and infatuations, football and ecstasy, divorce and sex panics. In between girlfriends, acting up, attempts at romance, and trying to find his place in the greater San Francisco narrative, Cab is looking for something, tracing the interconnecting stories of the people he's meeting, sleeping, and drinking with, as everyone tries to find a space in the city. As treatments emerge and the economy changes, a new story takes shape in Cab's life and the city.
Urban activism can manifest in many guises, from community gardening to mass naked bike rides. But how might we theorize the evidence of the collisions between social forces that take place in our streets and public commons? Cities are formed through these collective collisions in time. This book draws on the author’s own vast experience as an activist to make links between a theory of practice with rich discussion of the histories of conflicts over public space. Each chapter examines activist responses to a range of issues that have confronted New Yorkers, from the struggle for green space and non-polluting transportation, to housing and the fight for sexual civil liberties. The cases are shaped through interplay between multiple data sources, including the author’s own voice as an observing participant, as well as interviews with other participant activists, historic accounts and theoretical discussion. Taken together, these highlight a story of urban public space movements and the ways they shape cities and are shaped by history.
Benjamin Looker investigates the cultural, social, and economic complexities of the idea of neighborhood in postwar America. In the face of urban decline, competing visions of the city neighborhood s significance and purpose became proxies for broader debates over the meaning and limits of American democracy. Looker examines radically different neighborhood visions by urban artists, critics, writers, and activists to show how sociological debates over what neighborhood values resonated in art, political discourse, and popular culture. The neighborhood- both the epitome of urban life and, in its insularity, an escape from it was where twentieth-century urban Americans worked out solutions to tensions between atomization or overcrowding, harsh segregation or stifling statism, ethnic assimilation or cultural fragmentation.
A history of Washington National Cathedral and the theory of an American civil religion. In 1792, Pierre Charles L'Enfant, the first city planner of Washington, DC, introduced the idea of a "great church for national purposes." Unlike L'Enfant's plans for the White House, the US Capitol, and the National Mall, this grand temple to the republic never materialized. But in 1890, the Episcopal Church began planning what is known today as Washington National Cathedral. In American Kairos, Richard Benjamin Crosby chronicles the history of not only the building but also the idea that animates it, arguing that the cathedral is a touchstone site for the American civil religion—the idea that the United States functions much like a religion, with its own rituals, sacred texts, holy days, and so on. He shows that the National Cathedral can never be the church L'Enfant envisioned, but it can be a starting point for studying the conflicts over belonging, ideology, and America's place in the world that define the American civil religion. By examining correspondence between L'Enfant, George Washington, Thomas Jefferson, and others, and by diving into Washington National Cathedral's archives, Crosby uncovers a crucial gap in the formation of the nation's soul. While L'Enfant's original vision was never realized, Washington National Cathedral reminds us that perhaps it can be. The cathedral is one of the great rhetorical and architectural triumphs in the history of American religion. Without government mandate or public vote, it has claimed its role as America's de facto house of worship, a civil religious temple wherein Americans conduct some of their highest, holiest rituals, including state funerals and National Day of Prayer services.
The Eastern Hemlock, massive and majestic, has played a unique role in structuring northeastern forest environments, from Nova Scotia to Wisconsin and through the Appalachian Mountains to North Carolina, Tennessee, and Alabama. A “foundation species” influencing all the species in the ecosystem surrounding it, this iconic North American tree has long inspired poets and artists as well as naturalists and scientists. Five thousand years ago, the hemlock collapsed as a result of abrupt global climate change. Now this iconic tree faces extinction once again because of an invasive insect, the hemlock woolly adelgid. Drawing from a century of studies at Harvard University’s Harvard Forest, one of the most well-regarded long-term ecological research programs in North America, the authors explore what hemlock’s modern decline can tell us about the challenges facing nature and society in an era of habitat changes and fragmentation, as well as global change.
David Shepard is a common, everyday building contractor with a drinking problem. At least that was what his ex-wife thought when she left him. Now that David knows the truth, he enlists the help of an elderly charismatic Scotsman and a young female psychiatric professor to help him fight the horror trying to take over his life. Flashing back from modern day America to Europe during World War Two, this paranormal fiction crosses three continents and spans over four hundred years seeking the answer to man's most daunting metaphysical question. What happens when we die? Benjamin R. Sims was born and raised in the Ozark mountain region and continues to live there with his wife and children.
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