First published in 1962, Lincoln and the Negro was the first book to examine in detail how Lincoln faced the problem of the status of black people in American democracy, and it remains unsurpassed. Starting with Lincoln's childhood attitudes, Benjamin Quarles traces the development of Lincoln's thought in relation to the African American, a development which was to culminate in the Emancipation Proclamation. Concerned at first with methods of colonization outside the United States, Lincoln came later to advocate not only emancipation of the slaves, but also equal political rights for them. In addition, he was the first president to invite black Americans to the White House and to treat them as equals. Black attitudes towards Lincoln evolved almost as much Lincoln's own attitude. When he was first elected, blacks expected very little from Lincoln. But he slowly gained their respect—by recognition of individual African Americans, by placing them in the Union Army, and ultimately by the Emancipation Proclamation. His assassination served to enshrine him as a hero for the newly freed slaves. Lincoln and the Negro, in examining both sides of the relationship, is a vitally important contribution to our understanding of Abraham Lincoln and of American democracy itself.
Originally published in 1868, this history features in-depth research and interviews with veterans, illuminating the events of the war in greater detail than any previous work. It also brings to view soldiers whose deeds have been overlooked by history, but whose sacrifices will forever be remembered.
Originally published in 1961, this classic work remains the most comprehensive history of the many and important roles played by African Americans during the American Revolution. With this book, Benjamin Quarles added a new dimension to the military history of the Revolution and addressed for the first time the diplomatic repercussions created by the British evacuation of African Americans at the close of the war. The compelling narrative brings the Revolution to life by portraying those tumultuous years as experienced by Americans at all levels of society. In an introduction, Gary B. Nash traces the evolution of scholarship on African Americans in the American Revolution from its early roots with William C. Nell to this groundbreaking study. Quarles's work not only reshaped our thinking about the black revolutionary experience but also invigorated the study of black history as we know it today. Thad W. Tate, in a foreword, pays tribute to the importance of this work and explains its continuing relevance.
The concept of faith is at the core of Paul's theology, and the classic assage for his understanding of pistis is Genesis 15:6. After discussing the history of scholarship on the Pauline concept of faith, Benjamin Schliesser explores the literary, tradition-historical and structural questions of Genesis 15 and offers a detailed exegesis of verse 6 with its fundamental terms count, righteousness, and believe. He then points to the theological significance of this testimony on Abraham for the Jewish identity; it comes into sight in a multifaceted and nuanced process of reception, from later Old Testament texts (Psalm 106; Nehemiah 9) to a broad array of literature from Second Temple Judaism (Septuagint, Sirach 44, Jubilees 14, 4QPseudo-Jubilees, 4QMMT, 1Maccabees, Philo). In the final and most substantial step, he asks about Paul's hermeneutics of faith: How does Paul, in his exegesis of the Genesis quote in Romans 4, come to view Abraham as the father of all believers? What is the concept of faith that he develops on the basis of Genesis 15:6? Taking into account the manifold textual and thematic links between Romans 4, Romans 3:21-31, and Romans 1:16-17, a unique, twofold structure of faith discloses itself: Pistis designates first a divinely established sphere of power, i.e., a new, christologically determined salvation-historical reality, and second human participation in this reality, i.e., individual believing in the community of believers. Particularly the first aspect is generally overlooked in modern scholarship.
Crusades covers seven hundred years from the First Crusade (1095-1102) to the fall of Malta (1798) and draws together scholars working on theatres of war, their home fronts and settlements from the Baltic to Africa and from Spain to the Near East and on theology, law, literature, art, numismatics and economic, social, political and military history. Routledge publishes this journal for The Society for the Study of the Crusades and the Latin East. Particular attention is given to the publication of historical sources in all relevant languages - narrative, homiletic and documentary - in trustworthy editions, but studies and interpretative essays are welcomed too. Crusades appears in both print and online editions.
The chemical pollution that irrevocably damages today's environment is, although many would like us to believe otherwise, the legacy of conscious choices made long ago. During the years before and just after World War II, discoveries like leaded gasoline and DDT came to market, creating new hazards even as the expansion and mechanization of industry exacerbated old ones. Dangers still felt today--smog, pesticides, lead, chromium, chlorinated solvents, asbestos, even global warming--were already recognized by chemists, engineers, doctors, and business managers of that era. A few courageous individuals spoke out without compromise, but still more ignored scientific truth in pursuit of money and prestige. The Polluters reveals at last the crucial decisions that allowed environmental issues to be trumped by political agendas. It spotlights the leaders of the chemical industry and describes how they applied their economic and political power to prevent the creation of an effective system of environmental regulation. Research was slanted, unwelcome discoveries were suppressed, and friendly experts were placed in positions of influence, as science was subverted to serve the interests of business. The story of The Polluters is one that needs to be told, an unflinching depiction of the onslaught of chemical pollution and the chemical industry's unwillingness to face up to its devastating effects.
It was sung at Ronald Reagan's funeral, and adopted with new lyrics by labor radicals. John Updike quoted it in the title of one of his novels, and George W. Bush had it performed at the memorial service in the National Cathedral for victims of September 11, 2001. Perhaps no other song has held such a profoundly significant--and contradictory--place in America's history and cultural memory than the "The Battle Hymn of the Republic." In this sweeping study, John Stauffer and Benjamin Soskis show how this Civil War tune has become an anthem for cause after radically different cause. The song originated in antebellum revivalism, with the melody of the camp-meeting favorite, "Say Brothers, Will You Meet Us." Union soldiers in the Civil War then turned it into "John Brown's Body." Julia Ward Howe, uncomfortable with Brown's violence and militancy, wrote the words we know today. Using intense apocalyptic and millenarian imagery, she captured the popular enthusiasm of the time, the sense of a climactic battle between good and evil; yet she made no reference to a particular time or place, allowing it to be exported or adapted to new conflicts, including Reconstruction, sectional reconciliation, imperialism, progressive reform, labor radicalism, civil rights movements, and social conservatism. And yet the memory of the song's original role in bloody and divisive Civil War scuttled an attempt to make it the national anthem. The Daughters of the Confederacy held a contest for new lyrics, but admitted that none of the entries measured up to the power of the original. "The Battle Hymn" has long helped to express what we mean when we talk about sacrifice, about the importance of fighting--in battles both real and allegorical--for the values America represents. It conjures up and confirms some of our most profound conceptions of national identity and purpose. And yet, as Stauffer and Soskis note, the popularity of the song has not relieved it of the tensions present at its birth--tensions between unity and discord, and between the glories and the perils of righteous enthusiasm. If anything, those tensions became more profound. By following this thread through the tapestry of American history, The Battle Hymn of the Republic illuminates the fractures and contradictions that underlie the story of our nation.
When Barack Obama came into office, the strategic landscape facing the United States in its overseas counterterrorism operations was undergoing a shift. Even before the rise of drones necessitated the articulation of legal doctrine, the Obama administration had to explain itself. In Speaking the Law, the authors offer a detailed examination of the speeches of the Obama administration on national security legal issues. Viewed together here for the first time, the authors lay out a broad array of legal and policy positions regarding a large number of principles currently contested at both the domestic and international levels. The book describes what the Obama administration has said about the legal framework in which it is operating with respect to such questions as the nature of the war on terrorism, the use of drones and targeted killings, detention, trial by military commission and in federal courts, and interrogation. The authors analyze this framework, examining the stresses on it and asking where the administration got matters right and where they were wrong. They conclude with suggestions for certain reforms to the framework for the administration and Congress to consider.
Born the son of a sharecropper in 1894 near Ninety Six, South Carolina, Benjamin E. Mays went on to serve as president of Morehouse College for twenty-seven years and as the first president of the Atlanta School Board. His earliest memory, of a lynching party storming through his county, taunting but not killing his father, became for Mays an enduring image of black-white relations in the South. Born to Rebel is the moving chronicle of his life, a story that interlaces achievement with the rebuke he continually confronted.
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