WINNER OF THE PULITZER PRIZE Finalist for the Lambda Literary Award Finalist for the PEN/Jacqueline Bograd Weld Award for Biography Named one of the Best Books of the Year by: O Magazine, Milwaukee Journal Sentinel, Seattle Times The definitive portrait of one of the American Century’s most towering intellectuals: her writing and her radical thought, her public activism and her hidden private face No writer is as emblematic of the American twentieth century as Susan Sontag. Mythologized and misunderstood, lauded and loathed, a girl from the suburbs who became a proud symbol of cosmopolitanism, Sontag left a legacy of writing on art and politics, feminism and homosexuality, celebrity and style, medicine and drugs, radicalism and Fascism and Freudianism and Communism and Americanism, that forms an indispensable key to modern culture. She was there when the Cuban Revolution began, and when the Berlin Wall came down; in Vietnam under American bombardment, in wartime Israel, in besieged Sarajevo. She was in New York when artists tried to resist the tug of money—and when many gave in. No writer negotiated as many worlds; no serious writer had as many glamorous lovers. Sontag tells these stories and examines the work upon which her reputation was based. It explores the agonizing insecurity behind the formidable public face: the broken relationships, the struggles with her sexuality, that animated—and undermined—her writing. And it shows her attempts to respond to the cruelties and absurdities of a country that had lost its way, and her conviction that fidelity to high culture was an activism of its own. Utilizing hundreds of interviews conducted from Maui to Stockholm and from London to Sarajevo—and featuring nearly one hundred images—Sontag is the first book based on the writer’s restricted archives, and on access to many people who have never before spoken about Sontag, including Annie Leibovitz. It is a definitive portrait—a great American novel in the form of a biography.
Plunged into a strange land at twenty-five, Benjamin Moser began an obsessive, decades-long study of the Dutch Masters to set his world right again. Arriving as a young writer in an ancient Dutch town, Benjamin Moser found himself visiting—casually at first, and then more and more obsessively—the country’s great museums. Inside these old buildings, he discovered the remains of the Dutch Golden Age and began to unearth the strange, inspiring, and terrifying stories of the artists who gave shape to one of the most luminous moments in the history of human creativity. Beyond the sainted Rembrandt—who harbored a startling darkness—and the mysterious Vermeer, whose true subject, it turned out, was lurking in plain sight, Moser got to know a whole galaxy of geniuses: the doomed virtuoso Carel Fabritius, the anguished wunderkind Jan Lievens, the deaf prodigy Hendrik Avercamp. And through their artwork, he got to know their country, too: from the translucent churches of Pieter Saenredam to Paulus Potter’s muddy barnyards, and from Pieter de Hooch’s cozy hearths to Jacob van Ruisdael’s tragic trees. Year after year, as he tried to make a life for himself in the Netherlands, Moser found friends among these centuries-dead artists. And he found that they, too, were struggling with the same questions that he was. Why do we make art? What even is art, anyway—and what is an artist? What does it mean to succeed as an artist, and what does it mean to fail? Is art a consolation—or a mortal danger? The Upside-Down World is an invitation to ask these questions, and to turn them on their heads: to look, and then to look again. This is Holland and its great artists as we’ve never seen them before. And it’s a sumptuously illustrated, highly personal coming-of-age-story, twenty years in the making: a revealing self-portrait by one of the most acclaimed writers of his generation.
That rare person who looked like Marlene Dietrich and wrote like Virginia Woolf," Clarice Lispector is one of the most popular but least understood of Latin American writers, and now, after years of research on three continents, drawing on previously unknown manuscripts and dozens of interviews, Benjamin Moser demonstrates how Lispector's development as a writer was directly connected to the story of her turbulent life. Born in the nightmarish landscape of post-World War I Ukraine, Clarice became, virtually from adolescence, a person whose beauty, genius, and eccentricity intrigued Brazil. Why This World tells how this precocious girl, through long exile abroad and difficult personal struggles, matured into a great writer, and asserts, for the first time, the deep roots in the Jewish mystical tradition that make her the true heir to Kafka as well as the unlikely author of "perhaps the greatest spiritual autobiography of the twentieth century." From Chechelnik to Recife, from Naples and Bern to Washington and Rio de Janeiro, Why This World strips away the mythology surrounding this extraordinary figure and shows how Clarice Lispector transformed one woman's struggles into a universally resonant art. Benjamin Moser is the New Books columnist of Harper's Magazine. He was born in Houston in 1976 and currently lives in the Netherlands. He is a contributor to the The New York Review of Books, and he has written for Conde Nast Traveler and Newsweek, as well as many other publications.
Intelectual pública, renovadora de la crítica, figura totémica: Susan Sontag retratada como nunca, en una biografía merecedora del Premio Pulitzer 2020. Esta es, sí, una biografía de Sontag: el paradigma de la intelectual pública en la segunda mitad del siglo veinte americano; la renovadora de la crítica, que abarcó y valoró (sin necesariamente nivelarlos) lo supuestamente «alto» y «bajo»; la figura totémica, tan intimidante como magnética, presente en todas las conferencias, y también en todas las portadas de las revistas: casi una marca registrada. Pero esta biografía empieza siendo la de Sue Rosenblatt, que comenzó a transformarse cuando a los once años, y tras adoptar el apellido de su padrastro, decidió dejar de ser una outsider. «Solo me interesa la gente que se ha embarcado en un proyecto de transformación personal», escribió Susan Sontag en sus diarios, y en Sontag Benjamin Moser resigue su metamorfosis sin dejar de atender a las grietas por las que aún puede entreverse a Sue: «mi “verdadero yo”, ese ser inerte. Ese yo del que huyo, en parte, cuando estoy con otras personas». Sus primeros textos en Chicago Review; su matrimonio con el profesor y ensayista Philip Rieff, y la verdadera autoría del primer libro de este; el nacimiento de su hijo David, al que lo unió una problemática dependencia; sus temporadas en Inglaterra y París; el redescubrimiento de su sexualidad y sus relaciones más duraderas, con la dramaturga María Irene Fornés y la fotógrafa Annie Leibovitz; y, por encima de todo, la construcción de una carrera cultivada en The New York Review of Books y en la editorial Farrar, Straus and Giroux, en la que sus ensayos señalaron a generaciones enteras qué valía la pena mirar, dónde había que mirarlo y qué implicaba hacerlo en realidad. Y, recorriendo todos los sitios donde Sontag puso la mirada, Moser dibuja también un mapa de los principales debates intelectuales de su época: la oposición a la Guerra del Vietnam, Cuba como promesa, el comunismo, el compromiso feminista o la crisis del sida, pero también el sitio de Sarajevo o la fetua decretada contra Salman Rushdie. Personal, penetrante, abarcadora y guiada por un respeto que no cae nunca en lo hagiográfico, Sontag, que ha sido merecedora del Premio Pulitzer 2020 a la Mejor Biografía, recurre a un despliegue de voces y documentos inéditos hasta ahora para constituir el retrato definitivo de Sue Rosenblatt, Susan Sontag y todas las transformaciones que mediaron entre ellas.
In an age when it has become fashionable to dismiss the Enlightenment as a sinister movement based on instrumental rationality, Benjamin Redekop delves deeper to understand the movement on its own terms. In Enlightenment and Community he shows that the E
In an age when it has become fashionable to dismiss the Enlightenment as a sinister movement based on instrumental rationality, Benjamin Redekop delves deeper to understand the movement on its own terms. In Enlightenment and Community he shows that the E
Benjamin Redekop expertly presents a comprehensive overview of the rise and evolution of environmentally sustainable leadership from the early 19th century to the present day. Redekop not only assesses the approaches of various historical and contemporary leaders, but also provides a foundation for understanding the challenges, dilemmas, and opportunities for sustainable leadership today.
The desert islands of the Gulf of California are among the world's best-preserved archipelagos. The diverse and unique flora, from the cardón forests of Cholludo to the agave-dominated slopes of San Esteban remain much as they were centuries ago, when the Comcaac (Seri people) were the only human presence in the region. Almost 400 plant species exist here, with each island manifesting a unique composition of vegetation and flora. For thousands of years, climatic and biological forces have sculpted a set of unparalleled desert worlds. Plant Life of a Desert Archipelago is the first in-depth coverage of the plants on islands in the Gulf of California found in between the coasts of Baja California and Sonora. The work is the culmination of decades of study by botanist Richard Felger and recent investigations by Benjamin Wilder, in collaboration with Sr. Humberto Romero-Morales, one of the most knowledgeable Seris concerning the region's flora. Their collective effort weaves together careful and accurate botanical science with the rich cultural and stunning physical setting of this island realm. The researchers surveyed, collected, and studied thousands of plants—seen here in meticulous illustrations and stunning color photographs—providing the most precise species accounts of the islands ever made. To access remote parts of the islands the authors worked directly with the Comcaac, an indigenous community who have lived off marine and terrestrial life in this coastal desert region for centuries. Invaluable information regarding indigenous names and distributions are an intrinsic part of this work. The flora descriptions are extraordinarily detailed and painstakingly crafted for field biologists. Conservationists, students, and others who are interested in learning about the natural wealth of the Gulf of California, desert regions, or islands in general are sure to be captivated by this rich and fascinating volume.
Geared toward upper-level undergraduate and graduate students, this text introduces the interdisciplinary area of laser light scattering. It focuses chiefly on quasielastic laser scattering, discussing theoretical concepts at a realistic level. Some background in the physical sciences is assumed, but the opening chapters offer a brief review of classical electricity and magnetism as well as the general scattering theory. Topics include basic theoretical concepts related to light mixing spectroscopy, characteristics of the Fabry-Perot interferometer, and photon-counting fluctuations. The author, a distinguished professor in the Department of Chemistry at Stony Brook University, discusses experimental methods, including setting up a light scattering spectrometer using digital photon-counting and correlation techniques. Subsequent chapters explore applications to macromolecular systems, anemometry and its utility in reaction kinetics, and critical opalescence. References appear throughout the text.
A balanced examination of global energy issues. Energy sustainability and climate change are two of the greatest challenges facing humankind. Unraveling these complex and interconnected issues demands careful and objective assessment. Fact and Fiction in Global Energy Policy aims to change the prevailing discourse by examining fifteen core energy questions from a variety of perspectives, demonstrating how, for each of them, no clear-cut answer exists. Is industry the chief energy villain? Can we sustainably feed and fuel the planet at the same time? Is nuclear energy worth the risk? Should geoengineering be outlawed? Touching on pollution, climate mitigation and adaptation, energy efficiency, government intervention, and energy security, the authors explore interrelated concepts of law, philosophy, ethics, technology, economics, psychology, sociology, and public policy. This book offers a much-needed critical appraisal of the central energy technology and policy dilemmas of our time and the impact of these on multiple stakeholders.
Drawing on concepts in political economy, political ecology, justice theory, and critical development studies, the authors offer the first comprehensive, systematic exploration of the ways in which adaptation projects can produce unintended, undesirable results. This work is on the Global Policy: Next Generation list of six key books for understanding the politics of global climate change.
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