Originally published in 1868, this history features in-depth research and interviews with veterans, illuminating the events of the war in greater detail than any previous work. It also brings to view soldiers whose deeds have been overlooked by history, but whose sacrifices will forever be remembered.
Founded by William Hardy at the confluence of rivers and rail lines, Hattiesburg, Mississippi, is today a capital of education, healthcare, commerce and the armed forces in the Gulf South. In this new biography of the Hub City, experience its story as you never have before. Hunt and forage alongside Native American tribes centuries before European settlement. Build a cabin with pioneer lumbermen on the edge of the forest, jostling for profit in the cavernous Piney Woods. Train with soldiers at Camp Shelby on the eve of deployment in World War II, and march alongside civil rights activists during Freedom Summer in 1964. In this narrative history, author and Hattiesburg native Benjamin Morris offers a captivating account of the Hub City from its prehistory to the present day, from its darkest hours to its brightest futures.
This book offers an analysis of a prospective transitional justice process in Syria. As the Syrian conflict enters into its tenth year, this book asks how the sustained human rights violations and war crimes could possibly be addressed in a post-conflict setting, particularly in the context of the widespread displacement crisis. Despite a recent movement in scholarship toward bottom-up peacebuilding approaches and participatory transitional justice models, the transitional justice and local peacebuilding nexus remains under-theorized, particularly as it relates to the engagement of displaced populations. This book seeks to address this gap through the conceptualization of a locally driven transitional justice process for Syria that is founded on the integration of refugees and displaced populations. Through offering a series of policy recommendations on how to implement such a process, it aims to make a contribution to building a bridge of exchange between the policy/practitioner world and the academy in this area of study.
At the time of his death, renowned Lincoln biographer Benjamin Thomas was at work on a life of one of the most controversial figures in American history: Edwin McMasters Stanton, the man who marshaled the military forces of the Union in the Civil War and played a crucial role in the only presidential impeachment trial in our history. Harold Hyman, himself a prize-winning historian, undertook to carry on from the advanced point in research and writing that Thomas had reached. The result of their collaborative efforts is a monumental work worthy to stand beside Thomas’s own Lincoln as a truly outstanding American biography. Continuously absorbing and written with clarity and grace, Stanton gives an objective, full-scale portrait of this complex and enigmatic figure. Stanton could be explosive and domineering or gentle or considerate; he was at once single-minded and self-doubting. That Stanton should be “controversial” is curious, for he served with distinction under three Presidents; Lincoln offered him unquestioning trust and warm personal friendship. Yet Stanton’s name is commonly associated with duplicity rather than with selfless patriotism, including charges that he connived in Lincoln’s murder, betrayed each of the Presidents he served, antagonized such generals as McClellan and Sherman, and thwarted opportunities for the peaceful reconciliation of North and South. This biography puts legend and prejudice in clear perspective by going directly to documentary evidence, by probing into Stanton’s motives and methods, and by evaluating his accomplishments and failures. It is a judicious and honest portrait of a stubborn, dedicated man; but it also brings to light many important details about the times in which he lived.
Brassroots Democracy recasts the birth of jazz, unearthing vibrant narratives of New Orleans musicians to reveal how early jazz was inextricably tied to the mass mobilization of freedpeople during Reconstruction and the decades that followed. Benjamin Barson presents a "music history from below," following the musicians as they built communes, performed at Civil Rights rallies, and participated in general strikes. Perhaps most importantly, Barson locates the first emancipatory revolution in the Americas—Haiti—as a nexus for cultural and political change in nineteenth-century Louisiana. In dialogue with the work of recent historians who have inverted traditional histories of Latin American and Caribbean independence by centering the influence of Haitian activists abroad, this work traces the impact of Haitian culture in New Orleans and its legacy in movements for liberation. Brassroots Democracy demonstrates how Black musicians infused participatory music practice with innovative forms of grassroots democracy. Late nineteenth-century Black brass bands and activists rehearsed these participatory models through collective performance that embodied the democratic ethos of Black Reconstruction. Termed "Brassroots Democracy," this fusion of political and musical spheres revolutionized both. Brassroots Democracy illuminates the Black Atlantic struggles that informed music-as-world-making from the Haitian Revolution through Reconstruction to the jazz revolution. The work theorizes the roots of the New Orleans brass band tradition in the social relations grown in maroon ecologies across the Americas. Their fruits contributed to the socio-sonic commons of the music we call jazz today.
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