As with many aspects of European cultural life, film was galvanized and transformed by the revolutionary fervor of 1968. This groundbreaking study provides a full account of the era’s cinematic crises, innovations, and provocations, as well as the social and aesthetic contexts in which they appeared. The author mounts a genuinely fresh analysis of a contested period in which everything from the avant-garde experiments of Godard, Pasolini, Schroeter, and Fassbinder to the “low” cinematic genres of horror, pornography, and the Western reflected the cultural upheaval of youth in revolt—a cinema for the barricades.
This volume offers a comprehensive range of approaches to the work of Mark E. Smith and his band The Fall in relation to music, art and politics. Mark E. Smith remains one of the most divisive and idiosyncratic figures in popular music after a recording career with The Fall that spans thirty years. Although The Fall were originally associated with the contemporaneous punk explosion, from the beginning they pursued a highly original vision of what was possible in the sphere of popular music. While other punk bands burned out after a few years, only to then reform decades later as their own cover bands, The Fall continue to evolve while retaining a remarkable consistency, even with the frequent line-up changes that soon left Mark E. Smith as the only permanent member of the group. The key aspect of the group that this volume explores is the invariably creative, unfailingly critical and often antagonistic relations that characterize both the internal dynamics of the group and the group's position in the pop cultural surroundings. The Fall's ambiguous position in the unfolding histories of British popular music and therefore in the new heritage industries of popular culture in the UK, from post-punk to anti-Thatcher politics, to the 'Factory fiction of Manchester' and on into Mark E. Smith's current role as ageing enfant terrible of rock, illustrates the uneasy relationship between the band, their critical commentators and the historians of popular music. This volume engages directly with this critical ambiguity. With a diverse range of approaches to The Fall, this volume opens up new possibilities for writing about contemporary music beyond traditional approaches grounded in the sociology of music, Cultural Studies and music journalism - an aim which is reflected in the variety of provocative critical approaches and writing styles that make up the volume.
Michael Reeves died at age 25 in 1969, between the end of Swinging London and the collapse of the British film industry--an apt candidate to represent all that could have been. This critical biography claims Reeves as the great, lost auteur of British cinema and traces his conception of film back to his childhood and formative experiences. Benjamin Halligan examines Reeves' films in the context of the times, citing The Sorcerers and Witchfinder General as foreshadowing and critiquing the psychedelic and revolutionary zeitgeist. Reeves's earlier work on the fringes of the freewheeling European exploitation cinema is also covered, with particularly emphasis on his Revenge of the Blood Beast.
As with many aspects of European cultural life, film was galvanized and transformed by the revolutionary fervor of 1968. This groundbreaking study provides a full account of the era’s cinematic crises, innovations, and provocations, as well as the social and aesthetic contexts in which they appeared. The author mounts a genuinely fresh analysis of a contested period in which everything from the avant-garde experiments of Godard, Pasolini, Schroeter, and Fassbinder to the “low” cinematic genres of horror, pornography, and the Western reflected the cultural upheaval of youth in revolt—a cinema for the barricades.
Michael Reeves died at age 25 in 1969, between the end of Swinging London and the collapse of the British film industry--an apt candidate to represent all that could have been. This critical biography claims Reeves as the great, lost auteur of British cinema and traces his conception of film back to his childhood and formative experiences. Benjamin Halligan examines Reeves' films in the context of the times, citing The Sorcerers and Witchfinder General as foreshadowing and critiquing the psychedelic and revolutionary zeitgeist. Reeves's earlier work on the fringes of the freewheeling European exploitation cinema is also covered, with particularly emphasis on his Revenge of the Blood Beast.
Benjamin Baldwin: An Autobiography In Design provides a comprehensive survey of the work of the man whom architect Louis Kahn called 'the dean of American interior designers.' Trained as an architect at Princeton, Baldwin also studied with Hans Hofmann and with Eliel Saarinen at the Cranbrook Academy of Art in Bloomfield Hills, Michigan.
This book brings together fifteen articles representing the major thrusts of Prof. Wright's work over the last decade. They focus on three interrelated themes in the study of Early Judaism. (1) Translation. Several essays treat Jewish translation strategies as well as some of the social frameworks within which translation took place. (2) Social Location. The effort to locate texts in their social landscapes has helped to break down many traditional scholarly categories. Especially pertinent are the ways that wisdom and apocalyptic relate to each other, and he explores how specific wisdom and apocalyptic texts relate. (3) Transmission of Tradition. Several articles focus on how traditional material was shaped and framed in order to ensure its successful transmission to subsequent generations.
Broken Brotherhood: The Rise and Fall of the National Afro-American Council gives a comprehensive account of the National Afro-American Council, the first truly nationwide U.S. civil rights organization, which existed from 1898 to 1908. Based on exhaustive research, the volume chronicles the Council’s achievements and its annual meetings and provides portraits of its key leaders. Led by four of the most notable African American leaders of the time—journalist T. Thomas Fortune, Bishop Alexander Walters, educator Booker T. Washington, and Congressman George Henry White—the Council persevered for a decade despite structural flaws and external pressures that eventually led to its demise in 1908. Author Benjamin R. Justesen provides historical context for the Council’s development during an era of unprecedented growth in African American organizations. Justesen establishes the National Afro-American Council as the earliest national arena for discussions of critical social and political issues affecting African Americans and the single most important united voice lobbying for protection of the nation’s largest minority. In a period marked by racial segregation, widespread disfranchisement, and lynching violence, the nonpartisan council helped establish two more enduring successor organizations, providing core leadership for both the National Association for the Advancement of Colored People and the National Urban League. Broken Brotherhood traces the history of the Council and the complicated relationships among key leaders from its creation in Rochester in 1898 to its last gathering in Baltimore in 1907, drawing on both private correspondence and contemporary journalism to create a balanced historical portrait. Enhanced by thirteen illustrations, the volume also provides intriguing details about the ten national gatherings, describes the Council’s unsuccessful attempt to challenge disfranchisement before the U.S. Supreme Court, and sheds light on the gradual breakdown of Republican solidarity among African American leaders in the first decade of the twentieth century.
Questions contemporary histories and theologies of ancient Israel which stress the completely non-urban character of early Israel. The author supports his thesis by citing the tradition represented by texts in Deuteronomy 4:41ó26:19, all of which contain the word "city" ('r). Based on his form critical interpretation of these texts, the author argues that it was possible from the very beginning, and not simply after the time of David and Solomon, to be both thoroughly urban and authentically Yahwist. City life is therefore seen as a viable setting in which early Israel encountered and served Yahweh.
This book focuses on underexploited data drawn from various legal disputes over the Doraleh Container Terminal in order to paint a portrait of SSC when it comes to infrastructure financing and construction in Africa as provided both by the UAE and China. By producing a detailed account of the drivers behind these disputes as well as the broader political outcomes they have generated, this study provides invaluable conceptual and empirical lessons on the contemporary meaning of SSC. In doing so, it helps readers garner a more acute understanding of the role played by Global South states and the private sector (SOEs) against the backdrop of SSC.
This book looks at responsible government under the Australian Constitution. It undertakes a detailed examination of the history leading to the incorporation of responsible government into the Constitution, examining the political history and constitutional ideas which informed the framers' views. It draws on this history to develop a theory of responsible government and explore its implications for the interpretation of the Constitution and the structure of modern government in Australia. The book fills a major gap in our knowledge of the intellectual background of the Australian Constitution by explaining the constitutional ideas that have shaped the text and structure of the Australian Constitution. It contributes to worldwide debates about constitutional interpretation by showing how rigorous use of history can lead to novel interpretations of constitutions without being tied to the 'dead hands of the founders'.
With humans moving easily from water to land, the archaeology of the shore should likewise be seamless. This principle of the “seamlessness” of human interaction with the maritime environment undergirds author Ben Ford’s sweeping survey. In The Shore Is a Bridge: The Maritime Cultural Landscape of Lake Ontario, Ford explores human interaction with the waters of the lake, spanning the international border, from 5,000 years ago to the early twentieth century. He interprets written and archaeological sources using a maritime cultural landscape approach to investigate how the perception of place influences the interaction between humans and the physical environment. Ford focuses on the lake shore, which served as a link between the maritime and terrestrial worlds of the people who lived around it. Lake Ontario was the first of the Great Lakes to be developed by Europeans, and it was part of the home ranges of the Haudenosaunee (Iroquois), the Huron-Wendat, and the Mississauga, as well as other Native American groups known only from their archaeological remains. Consequently, Lake Ontario was at the heart of early Great Lakes maritime culture. Using terrestrial and submerged archaeological methods, history, and ethnography, the author meticulously weaves together previously disparate data to construct a cohesive and holistic understanding of this important region from ancient to modern times. The Shore Is a Bridge presents a new way to interpret the maritime archaeological record and maritime culture by synthesizing archaeological data, historical documents, and oral histories into an all-inclusive view of the lakeshore.
This carefully designed, multi-authored textbook covers a broad range of theoretical issues in cognitive science, psychology, and neuroscience. With accessible language, a uniform structure, and many pedagogical features, Mind, Cognition, and Neuroscience: A Philosophical Introdution is the best high-level overview of this area for an interdisciplinary readership of students. Written specifically for this volume by experts in their fields who are also experienced teachers, the book’s thirty chapters are organized into the following parts: I. Background Knowledge II. Classical Debates III. Consciousness IV. Crossing Boundaries Each chapter starts with relevant key words and definitions and a chapter overview, then presents historical coverage of the topic, explains and analyzes contemporary debates, and ends with a sketch of cutting edge research. A list of suggested readings and helpful discussion topics conclude each chapter. This uniform, student-friendly design makes it possible to teach a cohort of both philosophy and interdisciplinary students without assuming prior understanding of philosophical concepts, cognitive science, or neuroscience. Key Features: Synthesizes the now decades-long explosion of scientifically informed philosophical research in the study of mind. Expands on the offerings of other textbooks by including chapters on language, concepts and non-conceptual content, and animal cognition. Offers the same structure in each chapter, moving the reader through an overview, historical coverage, contemporary debates, and finally cutting-edge research. Packed with pedagogical features, like defined Key Terms, Suggested Readings, and Discussion Questions for each chapter, as well as a General Glossary. Provides readers with clear, chapter-long introductions to Cognitive Neuroscience, Molecular and Cellular Cognition, Experimental Methods in Cognitive Neuroscience, Philosophy of Mind, Philosophy of Science, Metaphysical Issues, and Epistemic Issues.
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