This volume offers a comprehensive range of approaches to the work of Mark E. Smith and his band The Fall in relation to music, art and politics. Mark E. Smith remains one of the most divisive and idiosyncratic figures in popular music after a recording career with The Fall that spans thirty years. Although The Fall were originally associated with the contemporaneous punk explosion, from the beginning they pursued a highly original vision of what was possible in the sphere of popular music. While other punk bands burned out after a few years, only to then reform decades later as their own cover bands, The Fall continue to evolve while retaining a remarkable consistency, even with the frequent line-up changes that soon left Mark E. Smith as the only permanent member of the group. The key aspect of the group that this volume explores is the invariably creative, unfailingly critical and often antagonistic relations that characterize both the internal dynamics of the group and the group's position in the pop cultural surroundings. The Fall's ambiguous position in the unfolding histories of British popular music and therefore in the new heritage industries of popular culture in the UK, from post-punk to anti-Thatcher politics, to the 'Factory fiction of Manchester' and on into Mark E. Smith's current role as ageing enfant terrible of rock, illustrates the uneasy relationship between the band, their critical commentators and the historians of popular music. This volume engages directly with this critical ambiguity. With a diverse range of approaches to The Fall, this volume opens up new possibilities for writing about contemporary music beyond traditional approaches grounded in the sociology of music, Cultural Studies and music journalism - an aim which is reflected in the variety of provocative critical approaches and writing styles that make up the volume.
Brothers: Best Friends Growing Up How do you share your life? Two brothers invite you to share their adventures of growing up together. Readers will relate to the variety of activities and simple but memorable moments. Love and support are key messages in this engaging story. Brothers: Best Friends Growing Up is the first book of A Considerate Curriculum Series 2010 by Sherry Ramrattan Smith.
The first major history of Mormonism in a decade, drawing on newly available sources to reveal a profoundly divided faith that has nevertheless shaped the nation. The Church of Jesus Christ of Latter-day Saints was founded by Joseph Smith in 1830 in the so-called “burned-over district” of upstate New York, which was producing seers and prophets daily. Most of the new creeds flamed out; Smith’s would endure, becoming the most significant homegrown religion in American history. How Mormonism succeeded is the story told by historian Benjamin E. Park in American Zion. Drawing on sources that have become available only in the last two decades, Park presents a fresh, sweeping account of the Latter-day Saints: from the flight to Utah Territory in 1847 to the public renunciation of polygamy in 1890; from the Mormon leadership’s forging of an alliance with the Republican Party in the wake of the New Deal to the “Mormon moment” of 2012, which saw the premiere of The Book of Mormon musical and the presidential candidacy of Mitt Romney; and beyond. In the twentieth century, Park shows, Mormons began to move ever closer to the center of American life, shaping culture, politics, and law along the way. But Park’s epic isn’t rooted in triumphalism. It turns out that the image of complete obedience to a single, earthly prophet—an image spread by Mormons and non-Mormons alike—is misleading. In fact, Mormonism has always been defined by internal conflict. Joseph Smith’s wife, Emma, inaugurated a legacy of feminist agitation over gender roles. Black believers petitioned for belonging even after a racial policy was instituted in the 1850s that barred them from priesthood ordination and temple ordinances (a restriction that remained in place until 1978). Indigenous and Hispanic saints—the latter represent a large portion of new converts today—have likewise labored to exist within a community that long called them “Lamanites,” a term that reflected White-centered theologies. Today, battles over sexuality and gender have riven the Church anew, as gay and trans saints have launched their own fight for acceptance. A definitive, character-driven work of history, American Zion is essential to any understanding of the Mormon past, present, and future. But its lessons extend beyond the faith: as Park puts it, the Mormon story is the American story.
Best Book Award • Mormon History Association A brilliant young historian excavates the brief life of a lost Mormon city, uncovering a “grand, underappreciated saga in American history” (Wall Street Journal). In Kingdom of Nauvoo, Benjamin E. Park draws on newly available sources to re-create the founding and destruction of the Mormon city of Nauvoo. On the banks of the Mississippi in Illinois, the early Mormons built a religious utopia, establishing their own army and writing their own constitution. For those offenses and others—including the introduction of polygamy, which was bitterly opposed by Emma Smith, the iron-willed first wife of Joseph Smith—the surrounding population violently ejected the Mormons, sending them on their flight to Utah. Throughout his absorbing chronicle, Park shows how the Mormons of Nauvoo were representative of their era, and in doing so elevates Mormon history into the American mainstream.
Mark Twain’s complete, uncensored Autobiography was an instant bestseller when the first volume was published in 2010, on the centennial of the author’s death, as he requested. Published to rave reviews, the Autobiography was hailed as the capstone of Twain’s career. It captures his authentic and unsuppressed voice, speaking clearly from the grave and brimming with humor, ideas, and opinions. The eagerly-awaited Volume 2 delves deeper into Mark Twain’s life, uncovering the many roles he played in his private and public worlds. Filled with his characteristic blend of humor and ire, the narrative ranges effortlessly across the contemporary scene. He shares his views on writing and speaking, his preoccupation with money, and his contempt for the politics and politicians of his day. Affectionate and scathing by turns, his intractable curiosity and candor are everywhere on view. Editors: Benjamin Griffin and Harriet E. Smith Associate Editors: Victor Fischer, Michael B. Frank, Sharon K. Goetz and Leslie Diane Myrick
New approaches to a central area of Latter-day Saint belief The Church of Jesus Christ of Latter-day Saints and other Christians have always shared a fundamental belief in the connection between personal salvation and the suffering, death, and resurrection of Jesus Christ. While having faith in and experiencing the atonement of Christ remains a core tenet for Latter-day Saints, some thinkers have in recent decades reconsidered traditional understandings of atonement. Deidre Nicole Green and Eric D. Huntsman edit a collection that brings together multiple and diverse approaches to thinking about Latter-day Saint views on this foundational area of theology. The essayists draw on and go beyond a wide range of perspectives, classical atonement theories, and contemporary reformulations of atonement theory. The first section focuses on scriptural and historical foundations while the second concentrates on theological explorations. Together, the contributors evaluate what is efficacious and ethical in the Latter-day Saint outlook and offer ways to reconceive those views to provide a robust theological response to contemporary criticisms about atonement. Contributors: Nicholas J. Frederick, Fiona Givens, Deidre Nicole Green, Sharon J. Harris, J.B. Haws, Eric D. Huntsman, Benjamin Keogh, Ariel Bybee Laughton, Adam S. Miller, Jenny Reeder, T. Benjamin Spackman, and Joseph M. Spencer
I've struck it!" Mark Twain wrote in a 1904 letter to a friend. "And I will give it away—to you. You will never know how much enjoyment you have lost until you get to dictating your autobiography." Thus, after dozens of false starts and hundreds of pages, Twain embarked on his "Final (and Right) Plan" for telling the story of his life. His innovative notion—to "talk only about the thing which interests you for the moment"—meant that his thoughts could range freely. The strict instruction that many of these texts remain unpublished for 100 years meant that when they came out, he would be "dead, and unaware, and indifferent," and that he was therefore free to speak his "whole frank mind." The year 2010 marks the 100th anniversary of Twain's death. In celebration of this important milestone and in honor of the cherished tradition of publishing Mark Twain's works, UC Press is proud to offer for the first time Mark Twain's uncensored autobiography in its entirety and exactly as he left it. This major literary event brings to readers, admirers, and scholars the first of three volumes and presents Mark Twain's authentic and unsuppressed voice, brimming with humor, ideas, and opinions, and speaking clearly from the grave as he intended. Editors: Harriet E. Smith, Benjamin Griffin, Victor Fischer, Michael B. Frank, Sharon K. Goetz, Leslie Myrick
In his works, Hylden examines both the constraints and the impact of painting.While the medium of painting is typically understood to result in unique pieces, Hylden's working methods focus on serial production based on mechanical repetition and an efficient selection of materials, including unmixed off-the-shelf metallic paints, fluorescent spray paints, stencils, and untreated canvases.The individual work is placed in close relation to a series or to a larger group of works created over a period of time. Each painting is at once an autonomous work and an ongoing working process.Thus images are created that leave no doubt as to their intention of being paintings, while at the same time their very status as paintings might well be their only enduring subject matter.Included a conversation between Nathan Hylden and Martijn van Dijk.English and German text.
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