The title 'Son of Man' in the Gospel of John is an apocalyptic reference that highlights, among a number of things, that Jesus is a heavenly figure. Benjamin E. Reynolds analyzes the background of 'Son of Man' from the 'one like a son of man' in Daniel 7 and the interpretations of this figure in Jewish apocalyptic and early Christian literature. Although there is no established 'Son of Man concept', the Danielic son of man is interpreted with common characteristics that suggest there was at least some general understanding of this figure in the Second Temple period. The author shows that these common characteristics are noticeable throughout the Son of Man sayings in John's Gospel. The context and the interpretation of these sayings point to an understanding of the Johannine Son of Man similar to those in the interpretations of the Danielic figure. However, even though these similarities exist, the Johannine figure is distinct from the previous interpretations, just as they are distinct from one another. One obvious difference is the present reality of the Son of Man's role in judgment and salvation. The Johannine Son of Man is an apocalyptic figure, and thus 'Son of Man' does not function to draw attention to Jesus' humanity in the Gospel of John. Nor is the title synonymous with 'Son of God'. 'Son of Man' may overlap in meaning with other titles, particularly 'Son of God' and 'Messiah', but 'Son of Man' points to aspects of Jesus' identity that are not indicated by any other title. Along with the other titles, it helps to present a richer Christological portrait of the Johannine Jesus.
The Gospel of John has long been recognized as being distinct from the Synoptic Gospels. John among the Apocalypses explains John's distinctive narrative of Jesus's life by comparing it to Jewish apocalypses and highlighting the central place of revelation in the Gospel. While some scholars have noted a connection between the Gospel of John and Jewish apocalypses, Reynolds makes the first extensive comparison of the Gospel with the standard definition of the apocalypse genre. Engaging with modern genre theory, this comparison indicates surprising similarities of form, content, and function between John's Gospel and Jewish apocalypses. Even though the Gospel of John reflects similarities with the genre of apocalypse, John is not an apocalypse, but in genre theory terms, John may be described as a gospel in kind and an apocalypse in mode. John's narrative of Jesus's life has been qualified and shaped by the genre of apocalypse, such that it may be called an 'apocalyptic' gospel. In the final two chapters, Reynolds explores the implications of this conclusion for Johannine Studies and New Testament scholarship more broadly. John among the Apocalypses considers how viewing the Fourth Gospel as apocalyptic Gospel aids in the interpretation of John's appeal to Israel's Scriptures and Mosaic authority, and examines the Gospel's relationship with the book of Revelation and the history of reception concerning their writing. An examination of Byzantine iconographic traditions highlights how reception history may offer a possible explanation for reading John as apocalyptic Gospel.
For more than half a century, this book has been a fixture in architecture and construction firms the world over. Twice awarded the AIA's Citation for Excellence in International Architecture Book Publishing, Mechanical and Electrical Equipment for Buildings is recognized for its comprehensiveness, clarity of presentation, and timely coverage of new design trends and technologies. Addressing mechanical and electrical systems for buildings of all sizes, it provides design guidelines and detailed design procedures for each topic covered. Thoroughly updated to cover the latest technologies, new and emerging design trends, and relevant codes, this latest edition features more than 2,200 illustrations--200 new to this edition--and a companion Website with additional resources.
Nellie Y. McKay (1930–2006) was a pivotal figure in contemporary American letters. The author of several books, McKay is best known for coediting the canon-making with Henry Louis Gates Jr., which helped secure a place for the scholarly study of Black writing that had been ignored by white academia. However, there is more to McKay's life and legacy than her literary scholarship. After her passing, new details about McKay's life emerged, surprising everyone who knew her. Why did McKay choose to hide so many details of her past? Shanna Greene Benjamin examines McKay's path through the professoriate to learn about the strategies, sacrifices, and successes of contemporary Black women in the American academy. Benjamin shows that McKay's secrecy was a necessary tactic that a Black, working-class woman had to employ to succeed in the white-dominated space of the American English department. Using extensive archives and personal correspondence, Benjamin brings together McKay’s private life and public work to expand how we think about Black literary history and the place of Black women in American culture.
John among the Apocalypses explains John's distinctive narrative of Jesus's life by comparing it to Jewish apocalypses and highlighting the central place of revelation in the Gospel. By engaging with modern genre theory, Reynolds reveals surprising similarities of form, content, and function between John's Gospel and Jewish apocalypses.
The title 'Son of Man' in the Gospel of John is an apocalyptic reference that highlights, among a number of things, that Jesus is a heavenly figure. Benjamin E. Reynolds analyzes the background of 'Son of Man' from the 'one like a son of man' in Daniel 7 and the interpretations of this figure in Jewish apocalyptic and early Christian literature. Although there is no established 'Son of Man concept', the Danielic son of man is interpreted with common characteristics that suggest there was at least some general understanding of this figure in the Second Temple period. The author shows that these common characteristics are noticeable throughout the Son of Man sayings in John's Gospel. The context and the interpretation of these sayings point to an understanding of the Johannine Son of Man similar to those in the interpretations of the Danielic figure. However, even though these similarities exist, the Johannine figure is distinct from the previous interpretations, just as they are distinct from one another. One obvious difference is the present reality of the Son of Man's role in judgment and salvation. The Johannine Son of Man is an apocalyptic figure, and thus 'Son of Man' does not function to draw attention to Jesus' humanity in the Gospel of John. Nor is the title synonymous with 'Son of God'. 'Son of Man' may overlap in meaning with other titles, particularly 'Son of God' and 'Messiah', but 'Son of Man' points to aspects of Jesus' identity that are not indicated by any other title. Along with the other titles, it helps to present a richer Christological portrait of the Johannine Jesus.
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