Crusades covers seven hundred years from the First Crusade (1095-1102) to the fall of Malta (1798) and draws together scholars working on theatres of war, their home fronts and settlements from the Baltic to Africa and from Spain to the Near East and on theology, law, literature, art, numismatics and economic, social, political and military history. Routledge publishes this journal for The Society for the Study of the Crusades and the Latin East. Particular attention is given to the publication of historical sources in all relevant languages - narrative, homiletic and documentary - in trustworthy editions, but studies and interpretative essays are welcomed too. Crusades appears in both print and online editions. Peter W. Edbury again features in an issue of Crusades, this time with his piece on The French translation of William of Tyre's Historia: the manuscript tradition.
The fields of organizational climate and organizational culture have co-existed for several decades with very little integration between the two. In Organizational Climate and Culture: An Introduction to Theory, Research, and Practice, Mark G. Ehrhart, Benjamin Schneider, and William H. Macey break down the barriers between these fields to encourage a broader understanding of how an organization’s environment affects its functioning and performance. Building on in-depth reviews of the development of both the organizational climate and organizational culture literatures, the authors identify the key issues that researchers in each field could learn from the other and provide recommendations for the integration of the two. They also identify how practitioners can utilize the key concepts in the two literatures when conducting organizational cultural inquiries and leading change efforts. The end product is an in-depth discussion of organizational climate and culture unlike anything that has come before that provides unique insights for a broad audience of academics, practitioners, and students.
This entertaining novel from Benjamin Farjeon deftly combines elements of Victorian supernatural fiction, light humor, and satire of British middle-class pretensions. The mad dash to secure respectable real estate leads to unintended consequences for one London couple.
With the passage into law of the Canadian Charter of Rights and Freedoms in 1982, rights took on new legal, political, and social significance in Canada. In the decades following, Canadian jurisprudence has emphasised the importance of rights, determining their shape and asserting their centrality to legal ideas about what Canada represents. At the same time, an increasing number of Canadian novels have also engaged with the language of human rights and civil liberties, reflecting, like their counterparts in law, the possibilities of rights and the failure of their protection. In A Culture of Rights, Benjamin Authers reads novels by authors including Joy Kogawa, Margaret Atwood, Timothy Findley, and Jeanette Armstrong alongside legal texts and key constitutional rights cases, arguing for the need for a more complex, interdisciplinary understanding of the sources of rights in Canada and elsewhere. He suggests that, at present, even when rights are violated, popular insistence on Canada’s rights-driven society remains. Despite the limited scope of our rights, and the deferral of more substantive rights protections to some projected, ideal Canada, we remain keen to promote ourselves as members of an entirely just society.
Benjamin Disraeli was perhaps the most colourful Prime Minister in British history. This seventh volume of the highly acclaimed Benjamin Disraeli Letters edition shows also that he was a dedicated, resourceful, and farsighted statesman. It contains 670 letters written between 1857 and 1859. They address friends, family, political colleagues, and, not least, Queen Victoria and Prince Albert. During this period, Disraeli shepherded a fragile Conservative government through the Indian Mutiny, the Second Opium War with China, the Orsini bomb plot, and the Franco-Austrian-Piedmontese War, only to fail at home over parliamentary reform. Day-by-day politics and behind-the-scenes strategy dominate, while lighter-hearted letters to friends and family reveal the private Disraeli's charm and wit. With an appendix of 115 newly found letters dating from 1825, as well as information on 219 unfound letters, full annotations to each letter, an exhaustive name-and-subject index and a comprehensive introduction, this volume will be a vital resource for new understanding of this enigmatic statesman.
Prevailing stories about law and religion place great faith in the capacity of legal multiculturalism, rights-based toleration, and conceptions of the secular to manage issues raised by religious difference. Yet the relationship between law and religion consistently proves more fraught than such accounts suggest. In Law’s Religion, Benjamin L. Berger knocks law from its perch above culture, arguing that liberal constitutionalism is an aspect of, not an answer to, the challenges of cultural pluralism. Berger urges an approach to the study of law and religion that focuses on the experience of law as a potent cultural force. Based on a close reading of Canadian jurisprudence, but relevant to all liberal legal orders, this book explores the nature and limits of legal tolerance and shows how constitutional law’s understanding of religion shapes religious freedom. Rather than calling for legal reform, Law’s Religion invites us to rethink the ethics, virtues, and practices of adjudication in matters of religious difference.
The author was on the faculty of the International Christian University in Tokyo for many years retiring as Professor Emeritus. He holds the Ph.D. from the Pennsylvania State University and the Ph.D. from the University of London. He has written books on education in Japan including The Japanese School, Ten Great Educators from Modern Japan, A History of the Japan Teachers Union, and Th e History of Modern Japanese Education: Constructing the National School System 1872-1890. He and his wife live in Pennsylvania.
11 in '11 is a thoroughly reported chronicle of an unparalleled season, packed with interviews with key players, team executives, broadcasters, and more Of the 11 World Series titles the St. Louis Cardinals have won in their formidable history, 2011's victory stands out as something different, something magical. It was the work of a team that seemingly had no business even playing in October yet one that stared down defeat over and over again, refusing to back down until the trophy was theirs.? St. Louis Post-Dispatch columnist Benjamin Hochman offers on-the-ground and behind-the-scenes perspective as he brings to life a cast of characters including Albert Pujols in his final year as a Card, team ace Chris Carpenter, Yadier Molina showing his might both behind and at the plate, and of course the unlikely hero David Freese. Go inside the front office to see how this roster was constructed; relive the blistering final stretch of the regular season which saw the team winning 20 of its last 28 games; experience the palpable energy of Busch Stadium during Game 6, where Hochman watched enthralled as a fan. This is the definitive account of a championship run no Cardinals fan will ever forget.
The black heritage of radical faith, fervency, and vehement boldness is an important aspect of Adventist history. In stories that excite, provoke, and instruct, Benjamin Baker portrays the 12 most significant events in the history of black Seventh-day Adventists.
Documentary filmmakers have been making films about music for a half-century. American Music Documentary looks at five key films to begin to imagine how we might produce, edit, and watch films from an ethnomusicological point of view. Reconsidering Albert and David Maysles's Gimme Shelter, Jill Godmilow's Antonia: A Portrait of the Woman, Shirley Clarke's Ornette: Made in America, D.A. Pennebaker's and Chris Hegedus's Depeche Mode: 101, and Jem Cohen's and Fugazi's Instrument, Harbert lays the foundations for the study and practice of "ciné-ethnomusicology." Interviews with directors and rich analysis from the disciplinary perspectives of film studies and ethnomusicology make this book a critical companion to some of the most celebrated music documentaries of the twentieth century. Hardcover is un-jacketed.
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