In 1995, America was in the throes of downsizing fever. Many thousands then, as now, were losing their jobs to the corporate demand of more money for the top, by tightening the belt below. Unable to sell his latest novel, Ben Cheever started to think about what employment opportunities were out there. Selling Ben Cheever is the frank, self-effacing, and enlightening chronicle of his five years in the service industry. As we watch Ben confront his own demons about what a particular job means to him, we are compelled to consider how our egos are affected by not only what we do, but how we do it. Through his experiences, we begin to think about our approach to our own jobs and to confront our fears about what we would do if we didn't have them.
To express his growing frustration, a diet book editor whose attempts to lose weight have all failed begins to write angry letters to companies that have let him down. Coincidentally, bombs start exploding after each letter is received.
In a deeply personal history of running, the novelist-author of The Plagiarist traces the evolution of the sport from the ancient world to the present day while reflecting on his personal, decades-long devotion to and experiences of the sport.
After losing his editing job, Stuart and his wife Andie find themselves envying, resentful, and distrustful of their perfect nanny, Miss Washington, a woman who is a talented painter, cooking whiz, and a natural with their children, feelings that set in motion a series of bizarre events that include both a suspected kidnapping and a lucrative book deal. Reprint. 10,000 first printing.
Jonas Collingwood, a prolific novelist, finds his life changing when a corporation takes over the press that publishes his works and asks him to pen a book about his World War II experiences.--
What would you write if no one knew who you were? In the spirit of the demolition derby, where drivers take heedless risks with reckless abandon, welcome to the first convocation of the Secret Society of Demolition Writers. Here is a one-of-a-kind collection by famous authors writing anonymously–and dangerously. With the usual concerns about reputations and renown cast aside, these twelve daredevils have each contributed an extreme, no-holds-barred unsigned story, each shining as brightly and urgently as hazard lights. Unconventional and unapologetic, this publishing equivalent of a whodunit features an eclectic group of fictional characters, including a delusional schizophrenic narrator, an egg donor with second thoughts about her decision, a pharmacist who forms a weird crush on a woman who beat both of her parents to death, and a little girl who understands that an old safe is the threshold to another, ghostly, world. Equally diverse and surprising are the authors themselves: Aimee Bender, Benjamin Cheever, Michael Connelly, Sebastian Junger, Elizabeth McCracken, Rosie O’Donnell, Chris Offutt, Anna Quindlen, John Burnham Schwartz, Alice Sebold, Lauren Slater, and Marc Parent, the editor of the collection. Never before has such a wide-ranging and talented group of authors been assembled to such explosive and entertaining effect. The Secret Society of Demolition Writers is an intriguing puzzle in itself, but it’s also an important addition to the careers of some of our finest storytellers–even if we never really know who wrote what. Its boundary-smashing fiction offers exhilarating proof that for an artist, withholding your identity can mean gaining your freedom.
In 1995, America was in the throes of downsizing fever. Many thousands then, as now, were losing their jobs to the corporate demand of more money for the top, by tightening the belt below. Unable to sell his latest novel, Ben Cheever started to think about what employment opportunities were out there. Selling Ben Cheever is the frank, self-effacing, and enlightening chronicle of his five years in the service industry. As we watch Ben confront his own demons about what a particular job means to him, we are compelled to consider how our egos are affected by not only what we do, but how we do it. Through his experiences, we begin to think about our approach to our own jobs and to confront our fears about what we would do if we didn't have them.
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