This title, originally published in 1988, examines F. Scott Fitzgerald’s Catholic roots and his repudiation of those roots in pursuit of the American dream. The study aims to suggest that an investigation of Fitzgerald’s basic cultural and religious milieu might illuminate what he wrote, and may also illuminate the situation of Catholicism in America at the time. This title will be of interest to students of both literature and religious studies.
Generation Share takes readers on a journey around the globe to meet the people who are changing and saving lives by building a Sharing Economy. Through stunning photography, social commentary and interviews with 200 change-makers, Generation Share showcases extraordinary stories demonstrating the power of Sharing. From the woman transforming the lives of slum girls in India, to the UK entrepreneur who has started a food sharing revolution; you’ll discover the creators of a life-saving human milk bank, a trust cafe and a fashion library who are changing the world. A collaboration between speaker, social innovator and global Sharing Economy expert Benita Matofska and photographer Sophie Sheinwald, Generation Share brings to life the phenomenon causing the most significant shift in society since the Industrial Revolution.
In 1954, one year after Baltimore bought the St. Louis Browns, the New York Yankees hired former Browns executive and owner William O. DeWitt as assistant to general manager George Weiss. "DeWitt," the news announced, "was considered an astute baseball man who would have a definite role to play with the Yankees." Baseball fans had assumed that once the Browns were no longer the American League's doormats, DeWitt would quietly retire. But for DeWitt, a shrewd protege of Branch Rickey, his years with the Browns began a long and fascinating career, including his years as owner and general manager of the Cincinnati Reds. This first ever biography focuses on the career of a baseball executive who contributed greatly to America's pastime.
In this masterful portrait of the poet who dazzled an era and prefigured the modern age of celebrity, noted biographer Benita Eisler offers a fuller and more complex vision than we have yet been afforded of George Gordon, Lord Byron. Eisler reexamines his poetic achievement in the context of his extraordinary life: the shameful and traumatic childhood; the swashbuckling adventures in the East; the instant stardom achieved with the publication ofChilde Harold's Pilgrimage; his passionate and destructive love affairs, including an incestuous liaison with his half-sister; and finally his tragic death in the cause of Greek independence. This magnificent record of a towering figure is sure to become the new standard biography of Byron.
Women, Science and Fiction Revisited is an analysis of selected science fiction novels and short stories written by women over the past hundred years from the point of view of their engagement with how science writes the world. Beginning with Charlotte Perkins Gilman's Herland (1918) and ending with N K Jemisin's The City We Became (2020), Debra Benita Shaw explores the re-imagination of gender and race that characterises women's literary crafting of new worlds. Along the way, she introduces new readings of classics like Ursula Le Guin's The Left Hand of Darkness and Margaret Atwood's The Handmaid's Tale, examining the original novels in the context of their adaptation to new media formats in the twenty-first century. What this reveals is a consistent preoccupation with how scientific ideas can be employed to challenge existing social structures and argue for change.
Diaspora studies continue to expand in range and scope and remain fertile terrain for investigating multiple techniques of myth creation in dance performance, history as performance, dramatic narrative, and staged rituals in the field. Similarly, research in postcoloniality, gender/sexuality, intercultural, and literary studies, among others, all engage and feature core components of performance and myth in articulating and understanding their fields. This sharing of similar components also demonstrates the interrelatedness of these fields. In Myth Performance in the African Diasporas: Ritual, Theatre, and Dance, the authors contend that performance traditions across artistic disciplines reveal a shared—if sometimes varied—journey among diasporic artists to reconnect with their African ancestors. The volume begins with a historical and aesthetic overview of how dramatists, choreographers, and performance artists have approached the task of interpreting African myth. The individual chapters reveal how specific artists, dramatists, and choreographers have interpreted African myth and what performative approaches and traditions they have used. Focusing on theatre practitioners from the nineteenth century through the present, the authors examine performative traditions from Canada, the United States, the Caribbean, and Latin America. Drawing upon research in theatre, dance, and literary texts, Myth Performance in the African Diasporas will be crucial to academics interested in African performance viewed through the prism of myth making and spiritual/ritualistic stagings. Besides those interested in diasporic studies, this book will also be useful to scholars and students of history, drama, theatre, and dance.
The New York Yankees were the strongest team in the majors from 1948 through 1960, capturing the American League Pennant 10 times and winning seven World Championships. The average fan, when asked who made the team so dominant, will mention Joe DiMaggio, Yogi Berra, Whitey Ford or Mickey Mantle. Some will insist manager Casey Stengel was the key. But pundits at the time, and respected historians today, consider the shy, often taciturn George Martin Weiss the real genius behind the Yankees' success. Weiss loved baseball but lacked the ability to play. He made up for it with the savvy to run a team better than his competitors. He spent more than 50 years in the game, including nearly 30 with the Yankees. Before becoming their general manager, he created their superlative farm system that supplied the club with talented players. When the Yankees retired him at 67, the newly franchised New York Mets immediately hired him to build their team. This book is the first definitive biography of Weiss, a Hall of Famer hailed for contributing "as much to baseball as any man the game could ever know.
This book covers various aspects of antibody mediated drug delivery systems – theoretical aspects, processing, viral and non-viral vectors, and fields where these systems find and /or are being evaluated for applications as therapeutics and diagnostic treatment. Chapters discuss actual applications of techniques used for formulation and characterization. Applications areas include cancer, pulmonary, ocular diseases; brain drug delivery; and vaccine delivery. The contributing authors represent over 10 different countries, covering recent developments happening around the globe.
Explores the power of scientific ideas, their impact on how we understand the natural world and how successive technological developments have influenced our attitudes to work, art, space, language and the human body.
The Life and Death of ACT UP/LA explores the history of the AIDS Coalition to Unleash Power, Los Angeles, part of the militant anti-AIDS movement of the 1980s and 1990s. ACT UP/LA battled government, medical, and institutional neglect of the AIDS epidemic, engaging in multi-targeted protest in Los Angeles and nationally. The book shows how appealing the direct action anti-AIDS activism was for people across the United States; as well as arguing the need to understand how the politics of place affect organizing, and how the particular features of the Los Angeles cityscape shaped possibilities for activists. A feminist lens is used, seeing social inequalities as mutually reinforcing and interdependent, to examine the interaction of activists and the outcomes of their actions. Their struggle against AIDS and homophobia, and to have a voice in their healthcare, presaged the progressive, multi-issue, anti-corporate, confrontational organizing of the late twentieth century, and deserves to be part of that history.
The first biography in over sixty years of a great American artist whose paintings are more famous than the man who made them. George Catlin has been called the “first artist of the West,” as none before him lived among and painted the Native American tribes of the Northern Plains. After a false start as a painter of miniatures, Catlin found his calling: to fix the image of a “vanishing race” before their “extermination”—his word—by a government greedy for their lands. In the first six years of the 1830s, he created over six hundred portraits—unforgettable likenesses of individual chiefs, warriors, braves, squaws, and children belonging to more than thirty tribes living along the upper Missouri River. Political forces thwarted Catlin’s ambition to sell what he called his “Indian Gallery” as a national collection, and in 1840 the artist began three decades of self-imposed exile abroad. For a time, his exhibitions and writings made him the most celebrated American expatriate in London and Paris. He was toasted by Queen Victoria and breakfasted with King Louis-Philippe, who created a special gallery in the Louvre to show his pictures. But when he started to tour “live” troupes of Ojibbewa and Iowa, Catlin and his fortunes declined: He changed from artist to showman, and from advocate to exploiter of his native performers. Tragedy and loss engulfed both. This brilliant and humane portrait brings to life George Catlin and his Indian subjects for our own time. An American original, he still personifies the artist as a figure of controversy, torn by conflicting demands of art and success.
A cookbook with a focus on entertaining family and friends, featuring photographs of table settings and meals, as well inspirational quotes and Scriptures. God intends for us, as sacred life travelers, to celebrate and enjoy His bounty. Every man should eat and drink and enjoy the good of all his labor for it is the gift of God. This celebration of life was intended by God to be a way of life now and as preparation for a future event in which as followers of Christ, all are invited to participate. God intends for us to enjoy his blessings in abundance. Come to the Table is a threefold feast. For the mind, there are thought-provoking quotations from great poets and thinkers. For the spirit, stunning photographs and inspirational Scriptures transport you to another realm. For the body, there are hearty and delectable recipes. Inside the collection, you’ll find soothing dishes for the soul including . . . Parmesan Grits Casserole, Grilled Lemon Chicken, Cheddar Squash Strata, Lamb Kabobs and much more! Throughout Come to the Table, very few people appear. This is our personal way of inviting you to claim each setting as your own. “That the mountains shall drip with new wine, the hills shall flow with milk, and all the brooks of Judah shall be flooded with water” [Joel 3:18].
Canadian universities have an ongoing history of colonialism and racism in this white-settler society. Racialized students (Indigenous, Black and students of colour), who would once have been forbidden from academic spaces and who still feel out of place, must navigate these repressive structures in their educational journeys. Through the genres of essay, art, poetry and photography, this book examines the experiences of and effects on racialized students in the Canadian academy, while exposing academia’s lack of capacity to promote students’ academic well-being. The book emphasizes the crucial connections that racialized students forge, which transform an otherwise hostile environment into a space of intellectual collaboration, community building and transnational kinship relations. Meticulously curated by Dr. Benita Bunjun, this book is a living example of mentorship, reciprocity and resilience.
Of baseball there have been countless books, but, surprisingly, relatively few about the owners, the men and women who invested their time--and, frequently, their fortunes--in baseball teams. What has been written tends to concentrate on the financial aspects of ownership or individual owners and their private lives, and pays less attention to the enduring contributions certain owners have made. Eight owners and their lasting influences on the game are the focus of this book. Charles Ebbets, Barney Dreyfuss, Helene Britton, Clark Griffith, Walter O'Malley, Bill Veeck, Charles Finley and August Busch were chosen for inclusion not only because of their larger contributions but also because they were hands-on owners who ran their teams decisively. For instance, Helene Britton proved that a knowledgable woman could successfully run a ball club, even if she couldn't vote; Bill Veeck hired the first black player in the American League, introduced exploding scoreboards and was the first owner to put his players' names on the backs of their uniforms; Walter O'Malley relocated his Dodgers to the West Coast and convinced Giants owner Horace Stoneham to bring his team out too.
No cultural phenomenon of the 1970s and 1980s in Britain was more curious than the Raj revival, with its slew of films and fictions, its rage for memorabilia of imperial rule in India, and its strange nostalgia for a time and a world long since past. Today, with the arrival of so-called postcolonial studies, that revival lives on in a strange afterlife of critical study. Writing some years before Raj nostalgia became all the rage, and out of the rather different political and intellectual climate of 1960s national liberation struggles, Benita Parry produced what remains one of the landmark studies of British attitudes towards India. Available for the first time in Paper, Delusions and Discoveries authoritatively surveys the mix of racist and jingoistic prejudices that dominated the writings of Anglo-Indians from Flora Annie Steele and Maud Diver to Kipling and beyond. The book also includes treatments of more liberal thinkers like Edmund Candler, Edward James Thompson and E. M. Forster, as well as a new preface by the author situating her work in relation to recent studies of the culture of colony and empire.
The author of "Come to the Table" inspires readers to open their hearts and home. Long encourages and celebrates family and friendship with easy-to-follow recipes. Beautiful photography, inspiring Scripture and quotes, and prayers of gratitude will feed bodies and souls.
Almost 24 years his junior, Georgia O'Keeffe became for Alfred Stieglitz a near icon of American art--as well as his wife. In a marvelous, multileveled biography, Benita Eisler traces the epic and stormy relationship of these incomparable artists, from their consuming ambition to their sexual experimentation.
The World Health Organisation estimates that, by 2030, six out of every ten people in the world will live in a city. But what does it mean to inhabit the city in the twenty-first century? Posthuman Urbanism evaluates the relevance and usefulness of posthuman theory to understanding the urban subject and its conditions of possibility. It argues that contemporary science and technology is radically changing the way that we understand our bodies and that understanding ourselves as 'posthuman' offers new insights into urban inequalities. By analysing the relationship between the biological sciences and cities from the nineteenth-century onward as it is expressed in architecture, popular culture and case studies of contemporary insurgent practices, a case is made for posthuman urbanism as a significant concept for changing the meaning of urban space. It answers the question of how we can change ourselves to change the way we live with others, both human and non-human, in a rapidly urbanising world.
This powerful selection of essays proposes practices of reading and criticism to make the field of postcolonial studies more fully attentive to historical circumstances and socio-material conditions. Benita Parry points to 'directions and dead ends' in the discipline she has helped to shape, with a first series of essays vigorously challenging colonial discourse theory and postcolonialism as we have known them. She then turns to literature with a series of detailed readings that not only demonstrate her theoretical position at work, but also give new dimensions to widely studied texts by Rudyard Kipling, Joseph Conrad, H. G. Wells and E. M. Forster. Parry argues throughout that the material impulses of colonialism, its appropriation of physical resources, exploitation of human labour and institutional repression have too long been allowed to recede from view.
Benita Epstein's cartoons have been making librarians laugh at themselves and their work for more than five years. Her style has amused readers in over 130 publications, from Punch to The Saturday Evening Post. This collection of 114 cartoons is in four parts: "Inside the Library," "Outside the Library," "Technology" and "Writers, Scholars and Artists": In each, your funny bone is sure to be tickled and your professional sensibilities tweaked.
A cookbook with a focus on entertaining family and friends, featuring photographs of table settings and meals, as well inspirational quotes and Scriptures. God intends for us, as sacred life travelers, to celebrate and enjoy His bounty. Every man should eat and drink and enjoy the good of all his labor for it is the gift of God. This celebration of life was intended by God to be a way of life now and as preparation for a future event in which as followers of Christ, all are invited to participate. God intends for us to enjoy his blessings in abundance. Come to the Table is a threefold feast. For the mind, there are thought-provoking quotations from great poets and thinkers. For the spirit, stunning photographs and inspirational Scriptures transport you to another realm. For the body, there are hearty and delectable recipes. Inside the collection, you’ll find soothing dishes for the soul including . . . Parmesan Grits Casserole, Grilled Lemon Chicken, Cheddar Squash Strata, Lamb Kabobs and much more! Throughout Come to the Table, very few people appear. This is our personal way of inviting you to claim each setting as your own. “That the mountains shall drip with new wine, the hills shall flow with milk, and all the brooks of Judah shall be flooded with water” [Joel 3:18].
She promised to protect her sister - no matter what the cost... The Promise is a heart-wrenching and powerful story of two young sisters caught up in an underworld of corruption and deceit, from popular saga author Benita Brown. Perfect for fans of Kitty Neale and Rosie Goodwin. When her father, a journalist, is murdered, Marion Brookfield vows to care for her younger sister Annette. The girls believe they have found a refuge when charming businessman Victor Bateman proposes to Marion and they move into his luxurious home. But Marion's friend, Daniel Brady, is conducting his own investigation into Henry Brookfield's death. He learns the journalist was closing in on the head of a child prostitution racket when he was killed. And now his precious daughters may not be so safe, after all... What readers are saying about The Promise: 'Benita meets all the criteria which make a good book... the research that goes into her books, and the clarity of style' 'I love Benita Brown's books and this one is no exception, it's hard to put it down, I have been trying to read it at every spare moment' 'For anyone who enjoys a Catherine Cookson novel this book is an absolute must. I have read all of Benita Brown's novels and find her style of writing engaging with good plots and characters
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