Originally published in English in 1950 this is one of the most revealing works by one of Italy’s foremost philosophers of the 20th century, who was also a courageous and effective opponent of Fascism. Following the Allied landing at Salerno, Croce was called upon by kings, princes, generals and politicians and asked to decide question of vital importance to Italy. This book records the notes Croce made on political matters in 1943 and 1944 and includes some of the many documents Croce possessed which referred to the attempt in Naples (noted in the Autumn of 1943) to form a Corps of Italian volunteers.
The Italian philosopher Benedetto Croce (1866-1952) spent most of his life as a private scholar in Naples. His Estetica, which first appeared in 1902, has remained a seminal work not only for aesthetics but also for general linguistics. As the full title indicates, this is not a narrow work dealing with the theory of art and criticism. For Croce intended this to be the first part of his "philosophy of the spirit" and he thus presents a systematic general theory intended to solve all philosophical problems. The work presents an account of the structure of the human mind and shows how art arises naturally from that structure, as well as introducing the influential notion of the organic unity of a work of art. As a result, art is shown to be integral to any life and an essential aspect of what it is to be human. This new translation of the first and most important part of the work (Theory) supersedes the defective translation by D. Ainslie, first published in 1909. It is based on the most recent Italian edition (1990). In his foreword the translator addresses the difficulties in translating certain key words in the Italian original, "scienza", "fantasia", and of course, "estetica" itself. He also furnishes the reader with helpful explanatory annotation. This publication will be of cardinal importance for all those interested in the philosophy of art, the history of criticism, and the history of linguistics.
Croce admired Goethe partly because the latter possessed a knowledge of human nature in all its aspects but nonetheless kept his mind above and beyond political sympathies and the quarrels of nations. In this volume originally published in English in 1923, Croce distils his critical ideas about Goethe with the aim of helping readers to better understand the German poet's work.
Benedetto Croce (1866-1952) is perhaps best known as the author, in 1902, of Aesthetics, a work of enduring influence. "History as the Story of Liberty" was written in 1938 when the Western world had succumbed to the notion that history is a creature of blind force. A reviewer at the time noted the importance of Croce's belief that "the central trend in the evolution of man is the unfolding of new potentialities, and that the task of the historian is to discover and emphasize this trend: the story of liberty." As Croce himself writes, "Even in the darkest and crassest times liberty trembles in the lines of poets and affirms itself in the pages of thinkers and burns, solitary and magnificent, in some men who cannot be assimilated by the world around them." The first edition in English of "History as the Story of Liberty" appeared in London in 1941. The new Liberty Fund edition includes modest improvements to the translation by Folke Leander and arranged by Claes Ryn.Claes G. Ryn is a Professor of Politics at the Catholic University of America.
Benedetto Croce (1866-1952) was an Italian critic, idealist philosopher, and politician. He wrote on numerous topics, including philosophy of history and aesthetics, and was a prominent liberal, although he opposed laissez-faire free trade. He was made Minister of Public Education, and later moved to the Italian Senate, a lifelong position. He was an open critic of Italy's participation in World War I, feeling that it was a suicidal trade war. Though this made him initially unpopular, his reputation was restored after the war and he became a well-loved public figure. He was also instrumental in the Biblioteca Nazionale Vittorio Emanuele III's move to the Palazzo Reale in 1923. Heavily influenced by Hegel and other German Idealists, such as Fichte, Croce produced what was called, by him, the Philosophy of Spirit. He was an ardent idealist, and denied any reality other than "pure concept," or simply ideas. He rejected all forms of religion as not logical enough and came to view most metaphysics in the same manner. He also held great esteem for Vico, and shared his view that history should be written by philosophers.
“My Philosophy” is a 1949 work by Benedetto Croce containing many of his essays on philosophy together with various writings on the subjects of morality ad politics. Contents include: “Discourses on Philosophy”, “Philosophy of Politics”, “Problems of Ethics and Aesthetics”, “Philosophy of History”, and “Various Thoughts”. Benedetto Croce (1866–1952) was an Italian historian, philosopher, and politician. A prolific writer, he who wrote on many different subjects including history, philosophy, aesthetics, and historiography. This vintage book is highly recommended for those with an interest in philosophy and is not to be missed by fans and collectors of Croce's seminal work. Many vintage books such as this are becoming increasingly scarce and expensive. It is with this in mind that we are republishing this volume now in an affordable, modern, high-quality edition complete with an introduction to Croce's philosophy by Raffaello Piccoli.
**** Featured in BCL3. A new translation of a work, originally published in 1913, by Benedetto Croce (1866-1952), Abruzzian philosopher, historian, statesman, critic, editor, publicist, and courageous opponent of Fascism. Heavily influenced by Giambattista Vico, German idealism, and Francesco De Sanctis, he is said to have singlehandedly made the field of aesthetics philosophically respectable. Extensive introduction and notes. Annotation copyright by Book News, Inc., Portland, OR
Benedetto Croce (1866-1952) was an Italian critic, idealist philosopher, and politician. He wrote on numerous topics, including philosophy of history and aesthetics, and was a prominent liberal, although he opposed laissez-faire free trade. He was made Minister of Public Education, and later moved to the Italian Senate, a lifelong position. He was an open critic of Italy's participation in World War I, feeling that it was a suicidal trade war. Though this made him initially unpopular, his reputation was restored after the war and he became a well-loved public figure. He was also instrumental in the Biblioteca Nazionale Vittorio Emanuele III's move to the Palazzo Reale in 1923. Heavily influenced by Hegel and other German Idealists, such as Fichte, Croce produced what was called, by him, the Philosophy of Spirit. He was an ardent idealist, and denied any reality other than "pure concept," or simply ideas. He rejected all forms of religion as not logical enough and came to view most metaphysics in the same manner. He also held great esteem for Vico, and shared his view that history should be written by philosophers.
The literary criticism of Benedetto Croce is considered by many to be the vital part of his thought. These essays, some of which appear for the first time in English, show the breadth and depth of Croces work as literary critic and presuppose his mature theory of art. The writings are here arranged chronologically according to their subjects, helping to lend coherence to the great variety of subjects Croce treated. Unlike other renderings, these works are annotated and include translations of Latin, Renaissance Italian, and German passages. Also included is a clear and cogent introduction to Crocean aesthetics and an up-to-date bibliography.
A Croce Reader brings together the author's most important works across the fields of aesthetics, philosophy, history, literary criticism, and the Baroque and presents the "other" Croce that has been erased by scholarly tradition, including by Croce himself.
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