Identity, power, and positionality play crucial roles in designing and implementing research critically and ethically across marginalized cultures and communities. Through four unique case studies, this book highlights the dilemmas faced by researchers in the field of education, demonstrating how they grapple with the ethics of research and with their role in the process. Re-searching Margins: Ethics, Social Justice and Education attends to research in four specific marginalized communities, whilst also engaging in a wider dialogue about the complex theories, methodologies and practices of ethical research in communities of difference. This book examines ethical research with cultures and communities as an exchange in which both the researcher and the researched bring complex contextual and biographical factors shaped by their histories, identities, and experiences. Drawing on the lives and research of four renowned scholars, this book will be of interest to researchers and policy makers in education who seek to engage ethically and justly with marginalized communities.
Identity, power, and positionality play crucial roles in designing and implementing research critically and ethically across marginalized cultures and communities. Through four unique case studies, this book highlights the dilemmas faced by researchers in the field of education, demonstrating how they grapple with the ethics of research and with their role in the process. Re-searching Margins: Ethics, Social Justice and Education attends to research in four specific marginalized communities, whilst also engaging in a wider dialogue about the complex theories, methodologies and practices of ethical research in communities of difference. This book examines ethical research with cultures and communities as an exchange in which both the researcher and the researched bring complex contextual and biographical factors shaped by their histories, identities, and experiences. Drawing on the lives and research of four renowned scholars, this book will be of interest to researchers and policy makers in education who seek to engage ethically and justly with marginalized communities.
From an acclaimed cultural critic, a narrative and social history of the Great American Songwriting era. Everybody knows and loves the American Songbook. But it’s a bit less widely understood that in about 1950, this stream of great songs more or less dried up. All of a sudden, what came over the radio wasn’t Gershwin, Porter, and Berlin, but “Come on-a My House” and “How Much Is That Doggie in the Window?” Elvis and rock and roll arrived a few years later, and at that point the game was truly up. What happened, and why? In The B Side, acclaimed cultural historian Ben Yagoda answers those questions in a fascinating piece of detective work. Drawing on previously untapped archival sources and on scores of interviews—the voices include Randy Newman, Jimmy Webb, Linda Ronstadt, and Herb Alpert—the book illuminates broad musical trends through a series of intertwined stories. Among them are the battle between ASCAP and Broadcast Music, Inc.; the revolution in jazz after World War II; the impact of radio and then television; and the bitter, decades-long feud between Mitch Miller and Frank Sinatra. The B Side is about taste, and the particular economics and culture of songwriting, and the potential of popular art for greatness and beauty. It’s destined to become a classic of American musical history.
Despite John Lennon's immense popularity, little attention has been paid to his work apart from the Beatles. Yet his solo artistry not only illuminates what he gave to the Beatles, but also constitutes a significant contribution to popular music in general. Lennon was able to fuse experiments in technology, instrumentation, lyrics, and musical form into recordings that were both artistically and commercially successful. Few singer-songwriters have been his equal. In this long overdue investigation, authors Ben Urish and Ken Bielen give Lennon's artistry the opportunity to speak for itself. After a brief biographical introduction, chronologically arranged chapters discuss his incredible body of work album-by-album and single-by-single. A discography and annotated bibliography conclude the book. Despite John Lennon's immense popularity, little attention has been paid to the overall efforts of his work apart from the Beatles. Yet his solo artistry not only illuminates what he gave to the Beatles (and what the Beatles experience gave to him), but also constitutes a significant contribution to popular music in general. Lennon was able to fuse experiments in technology, instrumentation, lyrics, and musical form into recordings that were both artistically and commercially successful. Whether expressing emotions, explaining philosophies, protesting social situations, or ruminating on the joys and pains of personal entanglements, few singer-songwriters have been his equal. In this long overdue investigation, authors Ben Urish and Ken Bielen give Lennon's artistry the opportunity to speak for itself. After a brief biographical introduction, chronologically arranged chapters discuss his incredible body of work album-by-album and single-by-single. A discography and annotated bibliography conclude the book. Although he is often lauded as a spokesperson for his generation, this praise, however intended, is far too limiting. Lennon was able to transform the intensely personal into the deeply universal (as well as the reverse), often with humor and pointed insight. At their core, his songs are simultaneously humanistic and transcendent. And as such, they-and he-continue to be relevant, and will certainly remain a valuable part of our cultural heritage for a long time to come.
The saga of the legendary Los Angeles band Little Feat is one of rock 'n' roll's great stories. Formed in 1969 by ex-members of Frank Zappa's Mothers of Invention, Little Feat created groove-heavy music that was an irresistible mix of rock, blues, R&B, country, jazz, soul, and funk. Fronted by the charismatic but doomed vocalist and brilliant slide guitarist Lowell George, the band recorded such classic studio albums as Sailin' Shoes and Dixie Chicken, as well as Waiting for Columbus, which many consider to be one of the best live albums of all time. Acclaimed journalist Ben Fong-Torres -- working with Little Feat's surviving members, their friends, and associates -- wrote Willin' based on hours of brand new interviews with the key players. The result? The first definitive biography of this beloved rock 'n' roll institution.
John Moore was a Scottish physician who travelled extensively and wrote immensely popular accounts of these, which brought him international fame. Despite this, his travel writings have not been available since 1820. This collection will be the first in almost two centuries to present his Travel Writings to historians and literary scholars.
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