Life isn’t perfect, but dogs certainly make it better Meet the incredible dogs in this inspiring collection of true stories, championing the often underestimated role of man’s best friend Daisy, the tiny Dachshund who put her life on the line to save her humans from a bear. Charco, the veteran sniffer dog who has saved countless human lives, and yet still keeps his tail wagging. Delta, the dog who died trying to protect her young owner from a volcano – after already having saved his life three times. It’s a truth universally acknowledged that dogs are pretty great. But when it comes to facing peril, these loyal creatures always seem willing to step up to the mark and become true doggy heroes. Whether they’re saving humans from dangerous people or situations, helping the sick, fighting crime or just following their animal instincts to do good, the true stories featured in this expanded and updated collection prove that dogs aren’t just man’s best friend – they’re also inspirational, courageous and selfless companions to us all.
Swansea Jack, the Labrador who saved more than 25 people from drowning. Maya, the pit bull who defended her owner from a brutal attack. Max, the police German shepherd who chased and caught two convicted criminals. Connie, the Newfoundland who cares for her disabled owner. These are just a few of the incredible canine characters whose true stories are recounted in this inspiring collection of dog tales. Hounds from all walks of life are united within these pages in the search for the world's most devoted dogs. Heart-melting, dramatic, and often deeply moving, Dog Heroes champions the often underestimated role of man's best friend and gives a unique insight into the lives of both working dogs and personal companions. Each loyal dog has its own story to tell and each owner or handler has individual reasons for loving them, but these dogs have one thing in common: they are all truly dog heroes. Perfect for lovers of Marley & Me, From Baghdad with Love, and Walking Ollie.
In this witty, candid memoir, Ben Bradlee, the most important, glamorous, and famous newspaperman of modern times, traces his path from Harvard to the battles of the Pacific war to the pinnacle of success as the editor of The Washington Post--during the Watergate scandal and every other important event of the last three decades. of photos.
Ben-Zion Gold's memoir brings to life the world of a million Jews in pre-World War II Poland who were later destroyed by the Nazis. Warmly recalling the relationships, rituals, observances, and celebrations, Gold evokes the sense of family and faith that helped him through the catastrophe that followed. With him we experience the life and institutions of the time: the Heder and hooky playing, his encounter with Hassidism, the courtship and marriage of his oldest sister, and the author's own first inkling of love. And with him, we recapture the memories that made life worth living in the face of disaster, along with the experience of the human capacity for evil that tested and transformed his faith as it devastated his world. Finally, Gold tells of the fate of his family and of his own escape from that fate.
Bringing together four of the most popular and widely studied of Ben Jonson's plays, this anthology focuses on the city comedies for which Jonson is best known today: The Alchemist (edited by Elizabeth Cook), Volpone (edited by Robert N. Watson), Bartholmew Fair (edited by G.R. Hibbard) and Epicoene or The Silent Woman (edited by Roger Holdsworth). Today Jonson's works are widely considered to be amongst the best produced in his period. The new introduction by Robert N. Watson explores the plays in the context of early modern theatre, culture and politics, as well as providing a guide to the language, characters and themes. On-page commentary notes gloss the text in greater detail, making this the ideal edition for study and classroom use.
Not as well known today as Volpne and The Alchemist, this comedy of London’s lower classes was a great favorite of Ben Jonson’s contemporaries. The richness of its comic invention and the complexity of its plot and satirical view have returned it to its former high repute, and Professor Waith’s skillful and illuminating critical Introduction vividly demonstrates its artistic excellence. The high standards for textual accuracy and critical apparatus set for Volpone, the first volume of the Yale edition of Ben Jonson, are maintained here, and the format is identical. In addition, the editor has supplied an appendix and the original staging of the play that assists the reader greatly and is in itself a valuable contribution to studies of Elizabethan and Jacobean stagecraft. Eugene M. Waith is professor of English at Yale University. The Yale Ben Jonson, 2.
Early modern London - too foggy and Protestant to have a carnival - offered its inhabitants commercial events during which to indulge their need for bodily delights and festival exuberance. The fair of St Bartholmew, held anually in Smithfield on 24 August, served Jonson as an opportunity to dissect a wide cross-section of Londoners and their various reasons for spending a day out among the booths, stalls, smells and noises of the fair. Unusually magnanimous for a Jonsonian city comedy, the main thrust of the satire is not against fools, madmen, fortune-hunters, cuckolds or prostitutes, but against hypocrisy and bigotry. This edition shows that the play can be read as a comprehensive refutation of puritanism and the London magistracy, both of whom were attacking the theatre (and the festive culture of which it was still part) as idolatrous, seditious and disorderly.
These uplifting stories share true accounts of some extra special cats and reminds us that even the smallest creatures can have the biggest impact on our lives. Whether you're a cat owner or simply appreciate the magic of these adorable creatures, this book is sure to warm your heart and remind you of the power of their love and companionship.
Providing a clear, critical analysis of the history of Aboriginal law, A Reconciliation without Recollection? exposes the limitations of the current constitutional framework of reconciliation by following the lines of descent underlying the relationship between Crown and Aboriginal sovereignty.
In one of his last plays, Jonson atypically wrote of love, which is also a story of family reunion and a typical Jonsonian banquet of humors. Hattaway characterizes the play as a tribute to Shakespeare, and as a belated recognition that the fantasies of romance contain profound truths. In this new edition, the spelling has been modernized, the text updated, and a critical introduction has been added. It also contains helpful appendices and a commentary that explains difficult or significant passages.
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