Yun Buyi died of a terminal illness, woke up again, and became a spiritual herb in the world of immortals. It looks like a mimosa but has the power of a devil. The body is indestructible and invulnerable. It can freely extend its branches and leaves, control its body size, and has almost infinite spiritual power. A single purification level A can cancel the opponent's flash-increasing move.
A generalization of the Diffie-Hellman key exchange to semigroup actions was proposed in [6] by Maze, Monico and Rosenthal. In this article, it was stated that it is unknown if there exist square root attacks for this generalized protocol. Using the Diffie-Hellman key exchange and the Diffie-Hellman semigroup action problem outlined in [3], we evaluate how Shanks' algorithm may be adapted in this more general situation and investigate some of the problems that are encountered. We also show that in the case of a cyclic semigroup acting on a set we are able to exploit the generalized Diffie-Hellman key exchange more efficiently than the original Diffie-Hellman key exchange.
Longlisted for the Samuel Johnson Prize for Non-Fiction 2014 Ben Watt's father was a working-class Glaswegian jazz musician-a politicized left-wing bandleader and composer-whose heyday in the late 1950s took him into the glittering heart of London's West End. His mother, Romany, the daughter of a Methodist parson, was a Shakespearean actress who had triplets in her first marriage before becoming a leading showbiz feature writer and columnist in the '60s and '70s. They were both divorced and from very different backgrounds, and they came together at a fateful New Year's Day party in 1957 like colliding trains. Romany and Tom is Ben Watt's honest, sometimes painful, and often funny portrait of his parents' exceptional lives and marriage, depicted in a personal journey from his own wide-eyed London childhood, through years as an adult with children and a career of his own, to that inevitable point when we must assume responsibility for our own parents in their old age. Spanning several decades-and drawing on a rich seam of family letters, souvenirs, photographs, public archives, and personal memories-it is a vivid story of the postwar years, ambition and stardom, family roots and secrets, big band jazz, depression and drink, life in clubs and nursing homes. It is also about who we are, where we come from, and how we love and live with each other for the long term.
A life-enhancing tour through classic and contemporary poems that have made men cry: “The Holdens remind us that you don’t have to be an academic or a postgraduate in creative writing to be moved by verse….It’s plain fun” (The Wall Street Journal). Grown men aren’t supposed to cry…Yet in this fascinating anthology, one hundred men—distinguished in literature and film, science and architecture, theater and human rights—confess to being moved to tears by poems that continue to haunt them. Although the majority are public figures not prone to crying, here they admit to breaking down, often in words as powerful as the poems themselves. Their selections include classics by visionaries, such as Walt Whitman, W.H. Auden, and Philip Larkin, as well as modern works by masters, including Billy Collins, Seamus Heaney, Derek Walcott, and poets who span the globe from Pablo Neruda to Rabindranath Tagore. The poems chosen range from the sixteenth century to the twenty-first, with more than a dozen by women, including Mary Oliver, Elizabeth Bishop, and Gwendolyn Brooks. Their themes range from love in its many guises, through mortality and loss, to the beauty and variety of nature. All are moved to tears by the exquisite way a poet captures, in Alexander Pope’s famous phrase, “what oft was thought, but ne’er so well express’d.” From J.J. Abrams to John le Carré, Salman Rushdie to Jonathan Franzen, Daniel Radcliffe to Nick Cave to Stephen Fry, Stanley Tucci to Colin Firth to the late Christopher Hitchens, this collection delivers private insight into the souls of men whose writing, acting, and thinking are admired around the world. “Everyone who reads this collection will be roused: disturbed by the pain, exalted in the zest for joy given by poets” (Nadine Gordimer, winner of the Nobel Prize for literature).
Jamie Waterman's discovery of cliff dwellings on Mars opened up a whole new scientific frontier. Now, as science and politics clash, Jamie desperately tries to save the Mars program and uncover as much information as possible about the fate of the planet's vanished inhabitants.
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