Moving from the absurdity of the First World War to the chaos of today's cities, where men share beds, bottles of ouzo, and shade from willow trees, these poems ask questions: If your lover speaks in his sleep, how do you know "you" is you? Can you wake him to move his arm? What if you think of the perfect comeback to a six-year-old argument? Otter fails, with style, to find answers. Ben Ladouceur is a writer originally from Ottawa, now based in Toronto. His work has been featured in The Best Canadian Poetry 2013, and he was awarded the Earle Birney Poetry Prize in 2013.
Mad Long Emotion wants to talk flora to fauna like you. It talks by dancing, as bumblebees do. In its dances, loosestrife shoos humans away, green carnations flirt with handsome men beyond the shade, and “dogbanes though dead bloom.” Meanwhile, in better-discerned motion, numerous species both spiny and spineless prove invasive, from Great Lake lampreys to hydraulic triceratopses. But they’re just looking for better homes. The book concludes with a long poem about distance, desire and the difficulty of combining the two. Lend this book your eyes and nose; mouth its contents to your house plants. The poetry of Mad Long Emotion wants to live forever, and you can make that happen with your face.
Moving from the absurdity of the First World War to the chaos of today's cities, where men share beds, bottles of ouzo, and shade from willow trees, these poems ask questions: If your lover speaks in his sleep, how do you know "you" is you? Can you wake him to move his arm? What if you think of the perfect comeback to a six-year-old argument? Otter fails, with style, to find answers. Ben Ladouceur is a writer originally from Ottawa, now based in Toronto. His work has been featured in The Best Canadian Poetry 2013, and he was awarded the Earle Birney Poetry Prize in 2013.
Mad Long Emotion wants to talk flora to fauna like you. It talks by dancing, as bumblebees do. In its dances, loosestrife shoos humans away, green carnations flirt with handsome men beyond the shade, and “dogbanes though dead bloom.” Meanwhile, in better-discerned motion, numerous species both spiny and spineless prove invasive, from Great Lake lampreys to hydraulic triceratopses. But they’re just looking for better homes. The book concludes with a long poem about distance, desire and the difficulty of combining the two. Lend this book your eyes and nose; mouth its contents to your house plants. The poetry of Mad Long Emotion wants to live forever, and you can make that happen with your face.
This groundbreaking commentary is the first to provide a detailed social and rhetorical analysis of the book of Acts. At the same time it gives detailed attention to major theological and historical issues.
In Betrayals and Treason Nachman Ben-Yehuda identifies the universal structure of betrayals as the violation of trust and loyalty and charts the different manifestations and constructions of these violations, all within numerous cases across time, place, and cultures. Betrayals do not just lie in the eyes of the beholder, completely relative. While the very idea of betrayals is a social construct, underlying it is a universal structure of violations of both trust and loyalty. Whenever this structure materializes, the label "betrayal" is invoked and applied.
This novel relates the life of immigrants in Montréal, Canada. Guided by a patriarch Daniel Sahel, known as the dean of the United Nations, a neighborhood dominated by newcomers. He was their eyes, their ears, their advisor. He defended them, comforted them in difficult moments. But eventually the integration became problematic, with diplomas and careers going unrecognized, and soon rags burn at the United Nations. A novel full of suspense to discover.
In 73 A.D., legend has it, 960 Jewish rebels under siege in the ancient desert fortress of Masada committed suicide rather than surrender to a Roman legion. Recorded in only one historical source, the story of Masada was obscure for centuries. In The Masada Myth, Israeli sociologist Nachman Ben-Yehuda tracks the process by which Masada became an ideological symbol for the State of Israel, the dramatic subject of movies and miniseries, a shrine venerated by generations of Zionists and Israeli soldiers, and the most profitable tourist attraction in modern Israel. Ben-Yehuda describes how, after nearly 1800 years, the long, complex, and unsubstantiated narrative of Josephus Flavius was edited and augmented in the twentieth century to form a simple and powerful myth of heroism. He looks at the ways this new mythical narrative of Masada was created, promoted, and maintained by pre-state Jewish underground organizations, the Israeli army, archaeological teams, mass media, youth movements, textbooks, the tourist industry, and the arts. He discusses the various organizations and movements that created “the Masada experience” (usually a ritual trek through the Judean desert followed by a climb to the fortress and a dramatic reading of the Masada story), and how it changed over decades from a Zionist pilgrimage to a tourist destination. Placing the story in a larger historical, sociological, and psychological context, Ben-Yehuda draws upon theories of collective memory and mythmaking to analyze Masada’s crucial role in the nation-building process of modern Israel and the formation of a new Jewish identity. An expert on deviance and social control, Ben-Yehuda looks in particular at how and why a military failure and an enigmatic, troubling case of mass suicide (in conflict with Judaism’s teachings) were reconstructed and fabricated as a heroic tale.
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