While digital cameras have made photography more accessible than ever, taking full creative control of your equipment should be every photographer's aim. In this book, photography writer Ben Hawkins uses his extensive experience to deliver a unique modular system of learning. Covering all of the key genres, a range of diverse projects will teach every essential skill, technique and technical competency, while also offering inspiration and delivering a beautiful image for your first portfolio. - Master every skill, technique and camera setting essential for great photography. - Learn at your own pace through a difficulty-rated modular system that increases in challenge as your competency grows. - Get to grips with every genre of photography from landscapes to portraits and nature to reportage.
In a world where we are bombarded with visual imagery, making your photos stand out from the crowd is getting harder by the day, but film will give you that edge - and let you discover a whole new way of shooting in the process. In this in-depth and inspirational guide, photography journalist Ben Hawkins, and pro photographer Liza Kanaeva-Hunsicker reveal the techniques, tips and secrets for success when shooting film. - Learn to shoot on film, from the essential basics to advanced techniques - Make the right choices with an in-depth guide to buying second-hand cameras - Master the language of film with jargon-free guides to all the vital processes - Be inspired by advice from a top pro who shoots on film - Discover the amazing imagery of the new school of analogue photographers
For fans of "Once Upon A Time In Hollywood"! A tale of murder, motorcycle gangs, Charlie Manson, and the man who starred as Marshal Hondo Bradley. After three years away, Rory Hawkins, a novelist, Korean War veteran, and ex-member of the MONGRELS motorcycle gang is back in Los Angeles to conduct research for his next novel. As part of his interview with George Clayton, an actor who played Marshal Hondo Bradley in the 1950s TV show Outlaw Pass, the two visit the Spahn movie ranch where Charles Manson and members of his "family" are secretly plotting a series of high profile celebrity murders. Unbeknownst to Hawkins and Clayton, Manson has a hit list, and Clayton's visit to the ranch has moved him to the top of it. Though this comic is fiction many of the characters are real, and the story is rooted in historical fact, specifically Manson's desire to target celebrities for violence and his infamous residence at the Spahn movie ranch. Also, this book takes place during a very specific historical timeline (Saturday, August 2 - Monday, August 11, 1969), and the events are intertwined with the Sharon Tate and LaBianca family murders that took place during those terrifying days. The book creators have meticulously researched the Manson murders and the book narrative has been developed in a way so that the events in the story can be historically plausible and a resolution is reached without contradicting the historical record that is known today. A Caliber Comics release.
For fans of "Once Upon A Time In Hollywood"! A tale of murder, motorcycle gangs, Charlie Manson, and the man who starred as Marshal Hondo Bradley. After three years away, Rory Hawkins, a novelist, Korean War veteran, and ex-member of the MONGRELS motorcycle gang is back in Los Angeles to conduct research for his next novel. As part of his interview with George Clayton, an actor who played Marshal Hondo Bradley in the 1950s TV show Outlaw Pass, the two visit the Spahn movie ranch where Charles Manson and members of his "family" are secretly plotting a series of high profile celebrity murders. Unbeknownst to Hawkins and Clayton, Manson has a hit list, and Clayton's visit to the ranch has moved him to the top of it. Though this comic is fiction many of the characters are real, and the story is rooted in historical fact, specifically Manson's desire to target celebrities for violence and his infamous residence at the Spahn movie ranch. Also, this book takes place during a very specific historical timeline (Saturday, August 2 - Monday, August 11, 1969), and the events are intertwined with the Sharon Tate and LaBianca family murders that took place during those terrifying days. The book creators have meticulously researched the Manson murders and the book narrative has been developed in a way so that the events in the story can be historically plausible and a resolution is reached without contradicting the historical record that is known today. THIS ISSUE: News of more brutal murders in Los Angeles spread as Rory, Mossy, and George decide that they have to take action before Charlie Manson and his "Family" show up again. Before they can confront the Family directly, they decide to head to the Spahn movie ranch to raid Manson's armory of weapons. But all does not go as planned. A Caliber Comics release.
For fans of "Once Upon A Time In Hollywood"! A tale of murder, motorcycle gangs, Charlie Manson, and the man who starred as Marshal Hondo Bradley. After three years away, Rory Hawkins, a novelist, Korean War veteran, and ex-member of the MONGRELS motorcycle gang is back in Los Angeles to conduct research for his next novel. As part of his interview with George Clayton, an actor who played Marshal Hondo Bradley in the 1950s TV show Outlaw Pass, the two visit the Spahn movie ranch where Charles Manson and members of his "family" are secretly plotting a series of high profile celebrity murders. Unbeknownst to Hawkins and Clayton, Manson has a hit list, and Clayton's visit to the ranch has moved him to the top of it. Though this comic is fiction many of the characters are real, and the story is rooted in historical fact, specifically Manson's desire to target celebrities for violence and his infamous residence at the Spahn movie ranch. Also, this book takes place during a very specific historical timeline (Saturday, August 2 - Monday, August 11, 1969), and the events are intertwined with the Sharon Tate and LaBianca family murders that took place during those terrifying days. The book creators have meticulously researched the Manson murders and the book narrative has been developed in a way so that the events in the story can be historically plausible and a resolution is reached without contradicting the historical record that is known today. THIS ISSUE: Rory and Franny go on their first date, but shortly after Rory is ambushed in an alley by the Straight Satans motorcycle gang. After two attacks in as many days, one of them by followers of Charlie Manson, Rory enlists the help of his old friend Mossy, the President of the Mongrels Motorcycle Club. A Caliber Comics release.
For fans of "Once Upon A Time In Hollywood"! A tale of murder, motorcycle gangs, Charlie Manson, and the man who starred as Marshal Hondo Bradley. After three years away, Rory Hawkins, a novelist, Korean War veteran, and ex-member of the MONGRELS motorcycle gang is back in Los Angeles to conduct research for his next novel. As part of his interview with George Clayton, an actor who played Marshal Hondo Bradley in the 1950s TV show Outlaw Pass, the two visit the Spahn movie ranch where Charles Manson and members of his "family" are secretly plotting a series of high profile celebrity murders. Unbeknownst to Hawkins and Clayton, Manson has a hit list, and Clayton's visit to the ranch has moved him to the top of it. Though this comic is fiction many of the characters are real, and the story is rooted in historical fact, specifically Manson's desire to target celebrities for violence and his infamous residence at the Spahn movie ranch. Also, this book takes place during a very specific historical timeline (Saturday, August 2 - Monday, August 11, 1969), and the events are intertwined with the Sharon Tate and LaBianca family murders that took place during those terrifying days. The book creators have meticulously researched the Manson murders and the book narrative has been developed in a way so that the events in the story can be historically plausible and a resolution is reached without contradicting the historical record that is known today. THIS ISSUE: News of the murder of actress Sharon Tate and four others breaks, and Ophelia shows up at Rory's apartment asking for help. Mossy and Rory fear that George is in immediate danger, but soon learn that they could have been set up from the beginning. A Caliber Comics release.
For fans of "Once Upon A Time In Hollywood"! A tale of murder, motorcycle gangs, Charlie Manson, and the man who starred as Marshal Hondo Bradley. After three years away, Rory Hawkins, a novelist, Korean War veteran, and ex-member of the MONGRELS motorcycle gang is back in Los Angeles to conduct research for his next novel. As part of his interview with George Clayton, an actor who played Marshal Hondo Bradley in the 1950s TV show Outlaw Pass, the two visit the Spahn movie ranch where Charles Manson and members of his "family" are secretly plotting a series of high profile celebrity murders. Unbeknownst to Hawkins and Clayton, Manson has a hit list, and Clayton's visit to the ranch has moved him to the top of it. Though this comic is fiction many of the characters are real, and the story is rooted in historical fact, specifically Manson's desire to target celebrities for violence and his infamous residence at the Spahn movie ranch. Also, this book takes place during a very specific historical timeline (Saturday, August 2 - Monday, August 11, 1969), and the events are intertwined with the Sharon Tate and LaBianca family murders that took place during those terrifying days. The book creators have meticulously researched the Manson murders and the book narrative has been developed in a way so that the events in the story can be historically plausible and a resolution is reached without contradicting the historical record that is known today. THIS ISSUE: The epic conclusion to the Ballad of Rory Hawkins story! Before Rory can settle things with Charlie Manson, he has to protect himself and Franny as they are chased through Los Angeles and into the surrounding mountains where they find themselves at the mercy of DeGuerres, a member of the Straight Satans biker gang. A Caliber Comics release.
For fans of "Once Upon A Time In Hollywood"! A tale of murder, motorcycle gangs, Charlie Manson, and the man who starred as Marshal Hondo Bradley. After three years away, Rory Hawkins, a novelist, Korean War veteran, and ex-member of the MONGRELS motorcycle gang is back in Los Angeles to conduct research for his next novel. As part of his interview with George Clayton, an actor who played Marshal Hondo Bradley in the 1950s TV show Outlaw Pass, the two visit the Spahn movie ranch where Charles Manson and members of his "family" are secretly plotting a series of high profile celebrity murders. Unbeknownst to Hawkins and Clayton, Manson has a hit list, and Clayton's visit to the ranch has moved him to the top of it. Though this comic is fiction many of the characters are real, and the story is rooted in historical fact, specifically Manson's desire to target celebrities for violence and his infamous residence at the Spahn movie ranch. Also, this book takes place during a very specific historical timeline (Saturday, August 2 - Monday, August 11, 1969), and the events are intertwined with the Sharon Tate and LaBianca family murders that took place during those terrifying days. The book creators have meticulously researched the Manson murders and the book narrative has been developed in a way so that the events in the story can be historically plausible and a resolution is reached without contradicting the historical record that is known today. THIS ISSUE: Rory gets a mysterious call in the middle of the night from an unidentified girl who wants to meet with him. The next day at the Mongrel's biker bar, she warns Rory that Charlie Manson has a hit list and that George Clayton has moved to the top of it. But things get complicated when one of the Straight Satans biker gang shows up at Rory's apartment. A Caliber Comics release.
For fans of "Once Upon A Time In Hollywood"! A tale of murder, motorcycle gangs, Charlie Manson, and the man who starred as Marshal Hondo Bradley. After three years away, Rory Hawkins, a novelist, Korean War veteran, and ex-member of the MONGRELS motorcycle gang is back in Los Angeles to conduct research for his next novel. As part of his interview with George Clayton, an actor who played Marshal Hondo Bradley in the 1950s TV show Outlaw Pass, the two visit the Spahn movie ranch where Charles Manson and members of his "family" are secretly plotting a series of high profile celebrity murders. Unbeknownst to Hawkins and Clayton, Manson has a hit list, and Clayton's visit to the ranch has moved him to the top of it. Though this comic is fiction many of the characters are real, and the story is rooted in historical fact, specifically Manson's desire to target celebrities for violence and his infamous residence at the Spahn movie ranch. Also, this book takes place during a very specific historical timeline (Saturday, August 2 - Monday, August 11, 1969), and the events are intertwined with the Sharon Tate and LaBianca family murders that took place during those terrifying days. The book creators have meticulously researched the Manson murders and the book narrative has been developed in a way so that the events in the story can be historically plausible and a resolution is reached without contradicting the historical record that is known today. THIS ISSUE: Rory meets Franny, a young artist who shares more in common with him than he realizes. However, the next evening while Rory is continuing to interview George Clayton for his novel, Rory realizes that they are being watched. When Rory and George confront the trespassers, they're shocked at what they find and how quickly things can escalate to violence. As Charlie Manson has now set his evil sites on the duo. A Caliber Comics release.
For fans of "Once Upon A Time In Hollywood"! A tale of murder, motorcycle gangs, Charlie Manson, and the man who starred as Marshal Hondo Bradley. After three years away, Rory Hawkins, a novelist, Korean War veteran, and ex-member of the MONGRELS motorcycle gang is back in Los Angeles to conduct research for his next novel. As part of his interview with George Clayton, an actor who played Marshal Hondo Bradley in the 1950s TV show Outlaw Pass, the two visit the Spahn movie ranch where Charles Manson and members of his "family" are secretly plotting a series of high profile celebrity murders. Unbeknownst to Hawkins and Clayton, Manson has a hit list, and Clayton's visit to the ranch has moved him to the top of it. Though this graphic novel is fiction many of the characters are real, and the story is rooted in historical fact, specifically Manson's desire to target celebrities for violence and his infamous residence at the Spahn movie ranch. Also, this book takes place during a very specific historical timeline (Saturday, August 2 - Monday, August 11, 1969), and the events are intertwined with the Sharon Tate and LaBianca family murders that took place during those terrifying days. The book creators have meticulously researched the Manson murders and the book narrative has been developed in a way so that the events in the story can be historically plausible and a resolution is reached without contradicting the historical record that is known today. Collects comic issues 1-7. A Caliber Comics release.
Making Animals Public: television, animality and political engagement focuses on the proliferation of animal content on television and how this has transformed how animals are known and encountered, generating unique modes of televisual animality. The book examines the multiplicity of public realities and knowledges that animals on TV have constituted: from scientific objectivity, to the unique Australian environment, to controversial victims of gross exploitation. Just as television has made animals public in very particular ways, it has also made new publics that have learnt to be affected by them. Thanks to extraordinary access to the ABC’s Natural History and general archives, the authors are able to investigate the dynamic relation between making animals public and making publics over time.
A tale of murder, motorcycle gangs, Charlie Manson, and the man who starred as Marshal Hondo Bradley After three years away, Rory Hawkins, a novelist, Korean War veteran, and ex-member of the MONGRELS motorcycle gang is back in Los Angeles to conduct research for his next novel. As part of his interview with George Clayton, who played Marshal Hondo Bradley in the 1950s TV show Outlaw Pass, the two visit the Spahn movie ranch where Charles Manson and members of his "family" are plotting a series of high profile celebrity murders. Unbeknownst to Hawkins and Clayton, Manson has a hit list, and Clayton's visit to the ranch has moved him to the top.
A classic memoir of North Carolina’s Outer Banks penned by native Ben Dixon MacNeill and winner of the 1958 Mayflower Award, The Hatterasman is part nature story, part historical narrative, part adventure story, and part rhetorical farce.
Scottish inventor and mechanical engineer James Watt (1736–1819) is best known for his pioneering work on the steam engine that became fundamental to the incredible changes and developments wrought by the Industrial Revolution. But in this new biography, Ben Russell tells a much bigger, richer story, peering over Watt’s shoulder to more fully explore the processes he used and how his ephemeral ideas were transformed into tangible artifacts. Over the course of the book, Russell reveals as much about the life of James Watt as he does a history of Britain’s early industrial transformation and the birth of professional engineering. To record this fascinating narrative, Russell draws on a wide range of resources—from archival material to three-dimensional objects to scholarship in a diversity of fields from ceramics to antique machine-making. He explores Watt’s early years and interest in chemistry and examines Watt’s partnership with Matthew Boulton, with whom he would become a successful and wealthy man. In addition to discussing Watt’s work and incredible contributions that changed societies around the world, Russell looks at Britain’s early industrial transformation. Published in association with the Science Museum London, and with seventy illustrations, James Watt is not only an intriguing exploration of the engineer’s life, but also an illuminating journey into the broader practices of invention in the eighteenth and early nineteenth centuries. Published in association with the Science Museum, London
What is music in the age of the cloud? Today, we can listen to nearly anything, at any time. It is possible to flit instantly across genres and generations, from 1980s Detroit techno to 1890s Viennese neo-romanticism. This new age of listening brings with it astonishing new possibilities--as well as dangers. In Every Song Ever, the veteran New York Times music critic Ben Ratliff reimagines the very idea of music appreciation for our times. In the age of the cloud, the genre of the recording and the intention of the composer matter less and less. Instead, we can savor our own listening experience more directly, taking stock of qualities like repetition, speed, density, or loudness. The result is a new mode of listening that can lead to unexpected connections. When we listen for slowness, we may detect surprising affinities between the drone metal of Sunn O))), the mixtape manipulations of DJ Screw, and the final works of Shostakovich. And if we listen for more elusive qualities like closeness, we might notice how the tight harmonies of bluegrass vocals illuminate the virtuosic synchrony of John Coltrane's quartet. Encompassing the sounds of five continents and several centuries, Ratliff's book is a definitive field guide to our musical habitat, and a foundation for the new aesthetics our age demands.
This book explores the IMF's role within the politics of austerity by providing a path-breaking comprehensive analysis of how the IMF approach to fiscal policy has evolved since 2008, and how the IMF worked to alter advanced economy policy responses to the global financial crisis (GFC) and the Eurozone crisis. It updates and refines our understanding of how the IMF seeks to wield ideational power by analysing the Fund's post-crash their ability to influence what constitutes legitimate knowledge, and their ability fix meanings attached to economic policies within the social process of constructing economic orthodoxy.This book is interested in the politics of economic ideas, focused on the assumptive foundations of different approaches to economic policy, and how the interpretive framework through which authoritative voices evaluate economic policy is an important site of power in world politics. After establishing the internal conditions of possibility for new fiscal policy thinking to emerge and prevail, detailed case studies of IMF interactions with the UK and French governments during the Great Recession drill down into how Fund seeks to shape the policy possibilities of advanced economy policy-makers and account for the scope and limits of Fund influence. The Fund's reputation as a technocratic, scientific source of economic policy wisdom is important to for its intellectual authority. Yet, as this book demonstrates, the Fund makes normatively driven interventions in ideologically charged economic policy debates. The analysis reveals the malleability of conventional wisdoms about economic policy, and the processes of their social construction.
Arkansas in Modern America since 1930 represents a significant rewriting of and elaboration on the earlier Arkansas in Modern America, published in 2000. This book offers an overview of the factors that moved Arkansas from a primarily rural society to one more in step with the modern economy and perspectives of the nation as a whole. The narrative covers the roles of Bill Clinton, Daisy Bates, Sam Walton, Don Tyson, and other influential figures in the state's history, placing them in the context of women's movements, music and literature, religious influences, environmental trends, and other important cultural phenomena"--
Hours of great reading await, with tales from some of the 20th century's most renowned science fiction authors, Here are 25 science fiction stories: WHAT’S HE DOING IN THERE? by Fritz Leiber THE MARCHING MORONS, by C.M. Kornbluth GHOST, by Darrell Schweitzer DEATH WISH, by Robert Sheckley THE WAVERIES, by Fredric Brown ADAM AND NO EVE, by Alfred Bester FOXY LADY, by Lawrence Watt-Evans THIN EDGE, by Randall Garrett COMPANDROID, by Nina Kiriki Hoffman POSTMARK GANYMEDE, by Robert Silverberg KEEP OUT, by Fredric Brown THE HATE DISEASE, by Murray Leinster UNIVERSAL DONOR, by Nina Kiriki Hoffman THE GREEN BERET, by Tom Purdom MR. SPACESHIP, by Philip K. Dick BRKNK'S BOUNTY, by Jerry Sohl THE BATTLE OF LITTLE BIG SCIENCE, by Pamela Rentz THE EGO MACHINE, by Henry Kuttner THE MAN FROM TIME, by Frank Belknap Long THE SENSITIVE MAN, by Poul Anderson REVOLUTION, by Mack Reynolds THE THING IN THE ATTIC, by James Blish KNOTWORK, by Nina Kiriki Hoffman THE DUELING MACHINE, by Ben Bova and Myron R. Lewis THE PLANET SAVERS, by Marion Zimmer Bradley And don't forget to check out all the other volumes in the "Wildside Megapack" series! Search on "Wildside Megapack" in the ebook store to see the complete list...covering adventure stories, military, fantasy, ghost stories, and more!
NEW YORK TIMES BESTSELLER • The celebrated author of Double Cross and Rogue Heroes returns with a thrilling Americans-era tale of Oleg Gordievsky, the Russian whose secret work helped hasten the end of the Cold War. “The best true spy story I have ever read.”—JOHN LE CARRÉ Named a Best Book of the Year by The Economist • Shortlisted for the Bailie Giffords Prize in Nonfiction If anyone could be considered a Russian counterpart to the infamous British double-agent Kim Philby, it was Oleg Gordievsky. The son of two KGB agents and the product of the best Soviet institutions, the savvy, sophisticated Gordievsky grew to see his nation's communism as both criminal and philistine. He took his first posting for Russian intelligence in 1968 and eventually became the Soviet Union's top man in London, but from 1973 on he was secretly working for MI6. For nearly a decade, as the Cold War reached its twilight, Gordievsky helped the West turn the tables on the KGB, exposing Russian spies and helping to foil countless intelligence plots, as the Soviet leadership grew increasingly paranoid at the United States's nuclear first-strike capabilities and brought the world closer to the brink of war. Desperate to keep the circle of trust close, MI6 never revealed Gordievsky's name to its counterparts in the CIA, which in turn grew obsessed with figuring out the identity of Britain's obviously top-level source. Their obsession ultimately doomed Gordievsky: the CIA officer assigned to identify him was none other than Aldrich Ames, the man who would become infamous for secretly spying for the Soviets. Unfolding the delicious three-way gamesmanship between America, Britain, and the Soviet Union, and culminating in the gripping cinematic beat-by-beat of Gordievsky's nail-biting escape from Moscow in 1985, Ben Macintyre's latest may be his best yet. Like the greatest novels of John le Carré, it brings readers deep into a world of treachery and betrayal, where the lines bleed between the personal and the professional, and one man's hatred of communism had the power to change the future of nations.
In the United States, race and police were founded along with a capitalist economy dependent on the enslavement of workers of African descent. Race and Police builds a critical theory of American policing by analyzing a heterodox history of policing, drawn from the historiography of slavery and slave patrols. Beginning by tracing the historical origins of the police mandate in British colonial America, the book shows that the peculiar institution of racialized chattel slavery originated along with a novel, binary conception of race. On one side, for the first time Europeans from various nationalities were united in a single racial category. Inclusion in this category was necessary for citizenship. On the other, Blacks were branded as slaves, cast as social enemies, and assumed to be threats to the social order. The state determined not only that it would administer slavery, but that it would regulate slaves, authorizing the use of violence by agents of the state and white citizens to secure the social order. In doing so, slavery, citizenship, and police mutually informed one another, and together they produced racial capitalism, a working class defined and separated by the color line, and a racial social order. Race and Police corrects the Eurocentrism in the orthodox history of American police and in predominating critical theories of police. That orthodoxy rests on an origin story that begins with Sir Robert Peel and the London Metropolitan Police Service. Predating the Met by more than a century, America’s first police, often called slave patrols, did more than maintain order—it fabricated a racial order. Prior to their creation, all white citizens were conscripted to police all Blacks. Their participation in the coercive control of Blacks gave definition to their whiteness. Targeted as threats to the security of the economy and white society, being policed defined Blacks who, for the first time, were treated as a single racial group. The boundaries of whiteness were first established on the basis of who was required to regulate slaves, given a specific mandate to prevent Black insurrection, a mandate that remains core to the police role to this day.
‘There is no one-volume book in print that carries so much valuable information on London and its history’ Illustrated London News The London Encyclopaedia is the most comprehensive book on London ever published. In its first new edition in over ten years, completely revised and updated, it comprises some 6,000 entries, organised alphabetically, cross-referenced and supported by two large indexes – one for the 10,000 people mentioned in the text and one general – and is illustrated with over 500 drawings, prints and photographs. Everything of relevance to the history, culture, commerce and government of the capital is documented in this phenomenal book. From the very first settlements through to the skyline of today, The London Encyclopaedia comprehends all that is London. ‘Written in very accessible prose with a range of memorable quotations and affectionate jokes...a monumental achievement written with real love’ Financial Times
Criminal Law Perspectives: From Principles to Practice is an engaging introduction to the criminal law in New South Wales, Victoria, the Australian Capital Territory and the Commonwealth Criminal Code. It takes a comparative approach to the law in these jurisdictions, focusing on prevalent summary offences, substantive federal offences and criminal procedure. Complex concepts are explained and contextualised by linking them to practical applications. Each chapter is supported by tools for self-assessment: review questions; case boxes summarising and extracting key historical and contemporary cases; and longer, narrative end-of-chapter problems that promote student engagement and help students develop problem-solving skills and independent thinking. Criminal Law Perspectives explores the development of criminal law principles in Australia, and provides a comprehensive and accessible overview of criminal law for students studying in the area for the first time.
This groundbreaking commentary is the first to provide a detailed social and rhetorical analysis of the book of Acts. At the same time it gives detailed attention to major theological and historical issues.
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