What do we mean by 'art'? As a category of objects, the concept belongs to a Western cultural tradition, originally European and now increasingly global, but how useful is it for understanding other traditions? To understand art as a universal human value, we need to look at how the concept was constructed in order to reconstruct it through an understanding of the wider world. Western art values have a pervasive influence upon non-Western cultures and upon Western attitudes to them. This innovative yet accessible new text explores the ways theories of art developed as Western knowledge of the world expanded through exploration and trade, conquest, colonisation and research into other cultures, present and past. It considers the issues arising from the historical relationships which brought diverse artistic traditions together under the influence of Western art values, looking at how art has been used by colonisers and colonised in the causes of collecting and commerce, cultural hegemony and autonomous identities.World Art questions conventional Western assumptions of art from an anthropological perspective which allows comparison between cultures. It treats art as a property of artefacts rather than a category of objects, reclaiming the idea of 'world art' from the 'art world'. This book is essential reading for all students on anthropology of art courses as well as students of museum studies and art history, based on a wide range of case studies and supported by learning features such as annotated further reading and chapter opening summaries.
The Museum of Mankind was an innovative and popular showcase for minority cultures from around the non-Western world from 1970 to 1997. This memoir is a critical appreciation of its achievements in the various roles of a national museum, of the personalities of its staff and of the issues raised in the representation of exotic cultures. Issues of changing museum theory and practice are raised in a detailed case-study that also focuses on the social life of the museum community. This is the first history of a remarkable museum and a memorable interlude in the long history of one of the world’s oldest and greatest museums. Although not presented as an academic study, it should be useful for museum and cultural studies as a well as a wider readership interested in the British Museum.
The New American Poetry: Fifty Years Later is a collection of critical essays on Donald Allen’s 1960 seminal anthology, The New American Poetry, an anthology that Marjorie Perloff once called “the fountainhead of radical American poetics.” The New American Poetry is referred to in every literary history of post-World War II American poetry. Allen’s anthology has reached its fiftieth anniversary, providing a unique time for reflection and reevaluation of this preeminent collection. As we know, Allen’s anthology was groundbreaking—it was the first to distribute widely the poetry and theoretical positions of poets such as Charles Olson, Allen Ginsberg and the Beats, and it was the first to categorize these poets by the schools (Black Mountain, New York School, San Francisco Renaissance, and the Beats) by which they are known today. Over the course of fifty years, this categorization of poets into schools has become one of the major, if not only way, that The New American Poetry is remembered or valued; one certain goal of this volume, as one reviewer invites, is to “pry The New American Poetry out from the hoary platitudes that have encrusted it.” To this point critics mostly have examined The New American Poetry as an anthology; former treatments of The New American Poetry look at it intently as a whole. Though the almost singularly-focused study of its construction and, less often, reception has lent a great deal of documented, highly visible and debated material in which to consider, we have been left with certain notions about its relevance that have become imbued ultimately in the collective critical consciousness of postmodernity. This volume, however, goes beyond the analysis of construction and reception and achieves something distinctive, extendingthose former treatments by treading on the paths they create. This volume aims to discover another sense of “radical” that Perloff articulated—rather than a radical that departs markedly from the usual, we invite consideration of The New American Poetry that isradical in the sense of root, of harboring something fundamental, something inherent, as we uncover and trace further elements correlated with its widespread influence over the last fifty years.
In this autobiographical account of life in Honiara, capital of Solomon Islands, Michael Kwa'ioloa reflects on the challenges of raising a family in town, managing marriage exchanges, and sustaining ties with a distant rural homeland in Malaita island. He also participates in a long tradition of political activism by community leaders or chiefs, whose role was severely tested by the violent conflict between Malaitans and the indigenous Guadalcanal people at the turn of the century. Kwa'ioloa provides a local perspective on the causes and course of this unhappy episode in his country's history.
Part of a series which looks at different civilizations throughout history, this is a book on the Sioux. It provides facts about their origins in North America where they followed the buffalo herds and their encounter with Europeans in the 19th century.
The Kwara'ae and other people of Malaita island in Solomon Islands once dressed for special occasions in ornaments of white shell and pearl shell as well as carved turle shell and strings and straps of shell money-beads. This book provides an account of Malaitan decorative and body arts.
Samantha Gibbons was a tomboy, born and raised in Boston, from a wealthy family who tried in vain to turn her into a 'lady'. Samantha, or Sam as she preferred, was eager to explore and lead a life of adventure, rather the tea and cake circle she was being forced into. Then she read about the Wright Brothers, Wilbur and Orville, and her life would change for ever. Buying her own aeroplane, she headed out into what was still termed as the 'Wild West'. What followed was an adventure filled with thrills, fear, danger and friendships, and a journey she would never forget.
Grails is a full-stack web development framework that enables you to build complete web applications in a fraction of the time and with less code than other frameworks. Grails uses the principle of convention over configuration and the dynamic Groovy programming language. This revised and updated new edition shows you how to use Grails by iteratively building a unique, working application. By the time you're done, you'll have built and deployed a real, functioning website. Using this hands-on, pragmatic approach, you'll explore topics such as Ajax in Grails, custom tags, and plugins. You'll dig into Grails' powerful view technology, Groovy Server Pages, and see how you can easily leverage the help offered by scaffolding to create custom user interfaces faster than you would have thought possible. Along the way, you'll learn about domain classes, controllers, and GSP views. And you'll see how Grails enables you to use powerful frameworks such as Spring and Hibernate. With Grails, you can get a lot done with little effort. With this book, you'll get a lot done as well. Get started with Grails today. What You Need: Grails 2 will run on any machine that supports Java. Grails applications can be deployed on any Java Servlet container, including Tomcat, Jetty, WebLogic, JBoss, and Websphere.
Innovations create both opportunities and dilemmas. They provide new and supposedly better opportunities, but — because of their newness — they are often more uncertain and potentially worse than existing options. Recent inventions and discoveries include new drugs, new energy sources, new foods, new manufacturing technologies, new toys and new pedagogical methods, new weapon systems, new home appliances and many other discoveries and inventions. Is it better to use or not to use a new and promising but unfamiliar and hence uncertain innovation? That dilemma faces just about everybody. The paradigm of the innovation dilemma characterizes many situations, even when a new technology is not actually involved. The dilemma arises from new attitudes, like individual responsibility for the global environment, or new social conceptions, like global allegiance and self-identity transcending nation-states. These dilemmas have far-reaching implications for individuals, organizations, and society at large as they make decisions in the age of innovation. The uncritical belief in outcome-optimization — "more is better, so most is best" — pervades decision-making in all domains, but is often irresponsible when facing the uncertainties of innovation. There is a great need for practical conceptual tools for understanding and managing the dilemmas of innovation. This book offers a new direction for a wide audience. It discusses examples from many fields, including e-reading, bipolar disorder and pregnancy, disruptive technology in industry, stock markets, agricultural productivity and world hunger, military hardware, military intelligence, biological conservation, on-line learning, and more.
With its gentle humour, bumbling escapades, and endearing charm, Last of the Summer Wine became a cultural phenomenon around the globe. Step into the picturesque Yorkshire countryside and prepare for a delightful exploration of this long-running and iconic sitcom. This book is a treasure trove of fascinating trivia about the show that captured the hearts of millions. So grab a cup of tea and a sticky bun, sit back, and immerse yourself in 1000 facts all about one of television's most beloved shows.
Stephen Sondheim is one of the best-known and most-loved musical theatre composers, but also one of the most misunderstood, often being labelled as 'distant' or 'cynical'. Careful the Spell You Cast instead argues that Sondheim firmly belongs to the Broadway aspirational tradition, in that many of his characters are defined by their dreams: to abandon one's dream (as Ben does in Follies, Frank does in Merrily We Roll Along, and Addison does in Road Show) is to lose one's soul. Rather than take the established view of Sondheim as a cynic, this book contends that throughout Sondheim's work, letting go of one's illusions is a process that his characters need to go through, that they must cast off illusions and false dreams, without becoming cynical and destroying their genuine dreams in the process. In turn this view aligns Sondheim's work as being aspirational and a logical continuation from the work of his mentor, Oscar Hammerstein II. Following the trajectory of Sondheim's career, Careful the Spell You Cast shows how Sondheim has dramatized this process throughout his writing life alongside different collaborators. From his work as a lyricist with the musicals Gypsy and West Side Story through to his later collaborations with Hal Prince (Company, Follies) and James Lapine (Into the Woods, Sunday in the Park with George), this book reframes the established view through lyrical and structural analysis in relation to the characters within each of these celebrated works of musical theatre, arguing that Sondheim is, in the popular sense of the word, a romantic within the tradition of the Broadway musical.
Parenting is one of the most stressful fulltime jobs around. School, lessons, sports, homework, hormones, dinner, dishes. . . . Parents want to know how to be calm and enjoy these wonder years. Dr. Ben Bernstein, celebrated performance coach for CEOs, professional athletes, and musicians, takes on parents this time around in his book Stressed Out! For Parents. Focusing on his nine steps to optimize performance during stressful situations, Dr. B. teaches parents in clear, entertaining, and thoughtful writing how to be calm, confident, and focused in all that they do. So, say good-bye to anxiety and optimize your parenting performance today!
Ben Sheldons diary, which he kept over many years, takes you on a series of fascinating, fantastic, and unusual adventures that he enjoyedor suffered throughwhile sleeping. He also shares the dreams of a former roommate, Adrian, who he lived with from 1971 to 1973. Sheldon recorded his own dreams shortly after waking up, and hed listen to Adrians tales during morning chats while they were fresh in his memory. Some of the dreams are hilarious, others are disturbing, and some are downright unusual. In one dream, Adrian is at a party when he passes Sonny and Cher having sex on top of a piano. The scene irks him so much that he says, How could you do this, with all these people watching? Sonny nonchalantly continues with his sex act, but they both seem bored. Cher is even chewing gum and blowing bubbles. In another dream, the author finds himself in a drug-infested ghetto. All of a sudden, someone rushes over to him trying to give him a fix. He stumbles around before leaving in a hurry. Whether you study, interpret, and evaluate dreams or want to enjoy a series of unexpected adventures, youll love the Dream Diary.
History is always written by the winners and about the winners. But what about the poor souls lurking in the shadows of history, the ones who were just as remarkable but perhaps didn’t stick their chests out as they crossed the line? In Second Best, Australia’s foremost historian and comedian Ben Pobjie celebrates the nobility and altogether more fascinating stories of the silver-medal getters. What drove them on their incredible feats, why did they just miss out, and how did they cope with the oblivion of finishing second? From the Second Fleet, the second man on the moon and Australia’s second prime minister whose name we consistently forget, Second Best shines a light on those plucky men and women who, through no fault of their own – or at least only a little bit of fault of their own – didn’t quite get there before everyone else, but did get there before almost everyone else.
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