Much of U.S. cultural production since the twentieth century has celebrated the figure of the singular individual, from the lonesome Huckleberry Finn to the cinematic loners John Wayne and Clint Eastwood, but that tradition casts a backward shadow that prohibits seeing how the singular in America was previously marked as unwanted, outcast, excessive, or weird. Feeling Singular: Queer Masculinities in the Early United States examines the paradoxical nature of masculine self-promotion and individuality in the early United States. Through a collection of singular life narratives, author Ben Bascom draws on a queer studies approach that uncovers how fraught private desires shaped a public masculinity increasingly at odds with the disinterested norms of republican public culture. In telling the stories of excessive American masculinities, Feeling Singular presents the Early Republic of the United States as a queer and messy world of social outcasts and eccentric personalities all vying--and in spectacular ways failing--for public attention. These figures include John Fitch (1743-1798), a struggling working-class mechanic; Jeffrey Brace (1742-1827), a formerly enslaved Black Revolutionary War veteran; Timothy Dexter (1747-1806), a self-declared "Lord" who secured a fortune through a risky venture in bedpans and whalebone corsets; Jonathan Plummer (1761-1819), an itinerant peddler and preacher; and William "Amos" Wilson (1762-1821), a reclusive stonecutter who became popularly known as "the Pennsylvania Hermit." Despite leaving behind copious manuscripts and printed autobiographies, they dwindled instead into cultural insignificance, failing to achieve what scholars have called the hallmarks of "republican masculinity." Through closely reading a range of texts--from manuscripts to hastily printed books, and from phonetically spelled pamphlets to sexually explicit broadsides--Bascom uses the language of queer studies to understand what made someone singular in the early United States and how that singularity points at the ruptures in social codes that get normalized through historical analysis. Departing from the likes of Benjamin Franklin, whom tradition positions as a paragon of self-production, this book offers instead typologies of the failed inventor, the tragic outsider, the flamboyant pretender, the farcical exhorter, and the disaffected exile.
By defining folklore as artistic communication in small groups, Dan Ben-Amos led the discipline of Folklore in new directions. In Folklore Concepts, Henry Glassie and Elliott Oring have curated a selection of Ben-Amos's groundbreaking essays that explore folklore as a category in cultural communication and as a subject of scholarly research. Ben-Amos's work is well-known for sparking lively debate that often centers on why his definition intrinsically acknowledges tradition rather than expresses its connection forthright. Without tradition among people, there would be no art or communication, and tradition cannot accomplish anything on its own—only people can. Ben-Amos's focus on creative communication in communities is woven into the themes of the theoretical essays in this volume, through which he advocates for a better future for folklore scholarship. Folklore Concepts traces Ben-Amos's consistent efforts over the span of his career to review and critique the definitions, concepts, and practices of Folklore in order to build the field's intellectual history. In examining this history, Folklore Concepts answers foundational questions about what folklorists are doing, how they are doing it, and why.
There are 7 Kingdoms that are inside the Telestial Kingdom. Adam of the Old Testament breaks this sacred information in the last days. This translation was orginally written in Hebrew. Ben Adam translates it to perfect English. The seven kingdoms are from top to bottom. When one arrives after the 1000 year millenium and after Christ's final judgement, if assigned to this kingdom you start at what Adam calls "Telestial 0". There are 3 kingdoms below Telestial zero and 3 above. Adam says they surpass all understanding and comprehension but gives us the first real indepth look of each kingdom which are all found here: sites.google.com/view/lawsofthetelestialkingdom/ The 3 Kingdom's above are "beyond imagination" but explained in detail The 3 Kingdom's below are "from similarities to earth life with a real purge to take place yearly, however since the body is resurrected, one cannot die". -Adam, Prophet of the Old Testament and first born with Eve
Ben Blue is born prematurely on a kitchen table in Chicago in 1956. As the tiny Ho-Chunk Indian takes his first breath, he has no idea of the challenges that await him in life. Ben grows up amid poverty in his grandparents Wisconsin home where he learns how to fight, face bullies, and play football. As he is shuttled between his alcoholic mothers home and his grandparents, Ben must cling to hope that he can one day overcome the despair that has haunted the American Indians for generations. When Ben moves to California with his mother, his life spirals downward after he is introduced to drugs and alcohol. After his mother dies, Ben journeys through the darkness of addiction and povertyuntil he commits to sobriety, causing his life to take a turn for the better. Even as Ben finds a job, earns a college degree, marries, and has children, he must battle the lures of his addiction. As his path leads him to explore his Ho-Chunk identity and address stereotypical images of Indians, he proudly makes a declaration that changes everything. My Name is Not Chief shares the tale of an American Indians struggles as he attempts to overcome seemingly insurmountable obstacles and find his place in the world.
Folktales from Eastern Europe presents 71 tales from Ashkenasic culture in the most important collection of Jewish folktales ever published. It is the second volume in Folktales of the Jews, the five-volume series to be released over the next several years, in the tradition of Louis Ginzberg's classic, Legends of the Jews. The tales here and the others in this series have been selected from the Israel Folktale Archives at The University of Haifa, Israel (IFA), a treasure house of Jewish lore that has remained largely unavailable to the entire world until now. Since the creation of the State of Israel, the IFA has collected more than 20,000 tales from newly arrived immigrants, long-lost stories shared by their families from around the world. The tales come from the major ethno-linguistic communities of the Jewish world and are representative of a wide variety of subjects and motifs, especially rich in Jewish content and context. Each of the tales is accompanied by in-depth commentary that explains the tale's cultural, historical, and literary background and its similarity to other tales in the IFA collection, and extensive scholarly notes. There is also an introduction that describes the Ashkenasic culture and its folk narrative tradition, a world map of the areas covered, illustrations, biographies of the collectors and narrators, tale type and motif indexes, a subject index, and a comprehensive bibliography. Until the establishment of the IFA, we had had only limited access to the wide range of Jewish folk narratives. Even in Israel, the gathering place of the most wide-ranging cross-section of world Jewry, these folktales have remained largely unknown. Many of the communities no longer exist as cohesive societies in their representative lands; the Holocaust, migration, and changes in living styles have made the continuation of these tales impossible. This volume and the others to come will be monuments to a rich but vanishing oral tradition
The Black Hawk War was the final conflict east of the Mississippi River between American Indian communities and the United States regular troops and militia. Exploring the museums, wayside markers and parks relating to that struggle is not just a journey of historic significance through beautiful natural scenery. It is also an amazing convergence of legendary personalities, from Abraham Lincoln to Jefferson Davis. Follow the fallout of the war from the Quad Cities on the Illinois/Iowa border, through the "Trembling Lands" along the Kettle Morraine and into the Driftless Area of southern Wisconsin. Pairing local insight with big-picture perspective, Ben Strand charts an overlooked quadrant of America's frontier heritage.
The American Musical is a comprehensive history of an American art form. It delivers a detailed and definitive portrait of the American musical’s artistic evolution over the course of seven distinct, newly defined eras, with a unique perspective gleaned from research at more than twenty different archives across the United States. Individual in both its approach and coverage, The American Musical traces the form’s creative journey from its 19th century beginnings, through its 20th century maturation, and to the turn of the 21st century, shedding new light on a myriad of authors, directors, and craftspeople who worked on Broadway and beyond. This book actively addresses the form’s often overlooked female and African-American artists, provides an in-depth accounting of such outside influences as minstrelsy, vaudeville, nightclubs, and burlesque, and explores the dynamic relationship between the form and the consciousness of its country. The American Musical is a fascinating and insightful read for students, artists, and afficionados of the American musical, and anyone with an interest in this singular form of entertainment.
Representing Texas is a compendium of biographies of the men and women who have represented the state in the United States and Confederate Congresses. These biographies include information about the representative's birth, education, marriages, family, experiences, profession, elections, congressional record, and death records including burial site. In addition to the biographies there are lists of U.S. Senators by succession, U.S. Representatives by district, Representatives and Senators to the Confederate Congresses, Confederate Congressional Districts by county, Confederate Congress session dates, U.S. Congress session dates, and U.S. Congressional Districts by county. A complete set of U.S. Senator election returns and U.S. Representative election returns from Texas completes the work. Also included is a bibliography. The work was completed following interviews with living ex-members of Congress and current, sitting members of Congress from Texas. The work is the only one to address the topic specific to Texas and is a valuable reference for any Texas library and any history or political researcher.
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