In 2007, Becky Hendrick publicly --- in a multi-part art work, of course --- "retired from the practice of Art," capital A. Since then, she has continued to explore many creative arenas, and photography is one of them: where she used to MAKE pictures, she now TAKES pictures. Using a simple automatic camera set on the most basic setting, looking and locating compositions in her day-to-day world has become a major part of her art, lower case "a." She considers herself to be an amateur, but her pictures show that walking and looking --- undisturbed and solitary --- reveal that art-worthy imagery is everywhere. Unintentionally, her subjects tend to fall into a few categories: passages (doorways, windows, and stairs), primary colors, and simple asymmetrical compositions where "ugly" subject matter display a formal beauty. An online search of her name will lead you to websites and videos demonstrating her wide-ranging Art and art, writing, performance, and other creative endeavors.
Painter, arts writer, and educator Becky Hendrick reveals the impact of the terrorist attacks of 9/11/2001 on her art and her overall creative processes. She demonstrates various intentions of her lengthy art career and compares painting in order to pay attention to painting (as well as creating in other genres) to say, as if in prayer, "please, please, please..." She details the discovery of the image and the changes made to it --- and the changes the work made to her --- of the small medieval manuscript page titled "Apocalypse." Finally, she shares how she announced her "official retirement from the practice of Art" in a 2007 art piece, and the resulting amateur efforts in photography and poetry/lyrics as a serious yet amateur creative person.
From previously published essays and articles, artist, writer, and educator Becky Hendrick puts together several talks/writings about Art, capital A. These memoirs document essays given at College Art Association, lessons learned from 50 years of creative work, and specifics on her peripheral (and rarely shown/seen) portraits and self-portraits. It also reproduces a previously published catalogue designed by Jud Burgess (El Paso) about her unintended "series" of Holocaust paintings, as well as Chapter 13: "Mondrian and I," from her highly praised text "Getting It, A Guide to Understanding and Appreciating Art," published in 1999 by Houghton-Mifflin Company, now available from Lulu.com online. This is the first volume of a potential six-pack of small books --- some with words, some with images --- that will eventually sum up this holistic artist's creative work.
A collection of critical writings about the El Paso "art scene" of the late 1980s and 1990s, featuring contemporary art in museum, university, and gallery venues, by artist and arts writer Becky Hendrick. Articles appeared in the El Paso Herald-Post, The El Paso Times, Artweek, Artlies, Artspace, and numerous other regional and national arts publications.
Artist, writer, and educator Becky Hendrick uses this volume to conclude an eventual seven-part "memoir" about what making art and talking about it has taught her. Over the years she has written numerous essays on wide ranging topics --- mostly art-related, but as this collection reveals --- including responses to deaths and dying and the lessons learned from both art and life that make living more appreciated and dying more a meditation.
In brief and cumulative chapters, artist and educator Becky Hendrick provides readers with a personal introduction to Art's most valuable lessons. This little book offers basic information about objective looking, appropriate subjective responses, the lessons art history teaches, and a style-by-style tour of Modern Art and current Postmodern trends. "Getting It" enables novices and experts alike to connect with the value of Art throughout history and to acknowledge its continuing importance in contemporary life.
The Book of Kayiané Rebecca was an "art piece" that came out in book form back in the late 20th century. It presumes to depict the ideas and questions of an ancient character who interacts, quite significantly, with the historic Moses.
In 2007, Becky Hendrick publicly --- in a multi-part art work, of course --- "retired from the practice of Art," capital A. Since then, she has continued to explore many creative arenas, and photography is one of them: where she used to MAKE pictures, she now TAKES pictures. Using a simple automatic camera set on the most basic setting, looking and locating compositions in her day-to-day world has become a major part of her art, lower case "a." She considers herself to be an amateur, but her pictures show that walking and looking --- undisturbed and solitary --- reveal that art-worthy imagery is everywhere. Unintentionally, her subjects tend to fall into a few categories: passages (doorways, windows, and stairs), primary colors, and simple asymmetrical compositions where "ugly" subject matter display a formal beauty. An online search of her name will lead you to websites and videos demonstrating her wide-ranging Art and art, writing, performance, and other creative endeavors.
In brief and cumulative chapters, artist and educator Becky Hendrick provides readers with a personal introduction to Art's most valuable lessons. This little book offers basic information about objective looking, appropriate subjective responses, the lessons art history teaches, and a style-by-style tour of Modern Art and current Postmodern trends. "Getting It" enables novices and experts alike to connect with the value of Art throughout history and to acknowledge its continuing importance in contemporary life.
Painter, arts writer, and educator Becky Hendrick reveals the impact of the terrorist attacks of 9/11/2001 on her art and her overall creative processes. She demonstrates various intentions of her lengthy art career and compares painting in order to pay attention to painting (as well as creating in other genres) to say, as if in prayer, "please, please, please..." She details the discovery of the image and the changes made to it --- and the changes the work made to her --- of the small medieval manuscript page titled "Apocalypse." Finally, she shares how she announced her "official retirement from the practice of Art" in a 2007 art piece, and the resulting amateur efforts in photography and poetry/lyrics as a serious yet amateur creative person.
From previously published essays and articles, artist, writer, and educator Becky Hendrick puts together several talks/writings about Art, capital A. These memoirs document essays given at College Art Association, lessons learned from 50 years of creative work, and specifics on her peripheral (and rarely shown/seen) portraits and self-portraits. It also reproduces a previously published catalogue designed by Jud Burgess (El Paso) about her unintended "series" of Holocaust paintings, as well as Chapter 13: "Mondrian and I," from her highly praised text "Getting It, A Guide to Understanding and Appreciating Art," published in 1999 by Houghton-Mifflin Company, now available from Lulu.com online. This is the first volume of a potential six-pack of small books --- some with words, some with images --- that will eventually sum up this holistic artist's creative work.
A collection of critical writings about the El Paso "art scene" of the late 1980s and 1990s, featuring contemporary art in museum, university, and gallery venues, by artist and arts writer Becky Hendrick. Articles appeared in the El Paso Herald-Post, The El Paso Times, Artweek, Artlies, Artspace, and numerous other regional and national arts publications.
Artist, writer, and educator Becky Hendrick uses this volume to conclude an eventual seven-part "memoir" about what making art and talking about it has taught her. Over the years she has written numerous essays on wide ranging topics --- mostly art-related, but as this collection reveals --- including responses to deaths and dying and the lessons learned from both art and life that make living more appreciated and dying more a meditation.
Troy is situated on the banks of the Hudson River, just ten miles from the state capital of Albany. Well known as the Collar City, it is the home of Uncle Sam and of the largest annual Flag Day parade. It is less well known as being the home of two National Baseball Hall of Famers, Johnny "the Trojan" Evers and Michael "King" Kelly. In its prime, Troy had more than sixty churches, fifteen breweries, and at least a dozen theaters. Troy in Vintage Postcards reveals through the postcard photographer's eyes what the city was like from the early to the mid-1900s, with a few added surprises from the late 1800s. It shows not only how much of Troy has changed but also how much has remained the same.
This exceptional book is the first full-length study on the 1951 Festival of Britain. As a consciously constructed cultural and educational event, or rather series of events, the Festival provides an opportunity to see a society and a government struggling to recast national identity after the experience of World War II. Primarily an examination of how Britain and Britishness were portrayed in the 1951 Festival’s exhibitions and events, Becky E. Conekin considers the Festival’s history and historiography, its purpose, its representations of the future and the past, the role of London and the "local", the British Empire and finally its legacy.
Becky shares her story of marriage--one that went from selfishness, temptation, and despair, to hope, joy, and unconditional love. She beautifully points to the true Prince, Jesus Christ, who is concerned with every longing heart! She teaches women how to first get their needs met by the Lord, then how to love their husbands.
Pirates, time travel, forever love . . . “[Weyrich] has taken several threads and woven them into a fabric of startling beauty and magic” (Romantic Times). Julianna Doran experiences her first heated spark of desire in a haunted Hudson River mansion. Though she knows the days of pirate ships are over, she cannot stop yearning for the enticingly handsome and boldly dangerous Brom Vanderzee, the ghostly sea captain she gets but a mere glimpse of while playing with a Ouija board. Years later, even as Julianna prepares to wed, she still dreams of the achingly forbidden specter of her past. Seizing her last chance to understand her longing heart, she returns to the place she first saw Brom and is granted an exquisite night of passion with him before he disappears again. Determined not to lose him again, she crosses the boundaries of her world to join him in his, and solidify their love—this time for good.
This book seeks to add to common representations in the scholarship on almsgiving in late antiquity concerning the remission of post-baptismal sin, efforts to reform society, and competition between monks and bishops. It demonstrates that John Chrysostom conceptualized almsgiving as not only expiating the sins of the rich, relieving the suffering of the poor, or securing power for its promoters, but also expiating the sins of the poor, unifying the members of his congregation, and making humans like God. Although it could indeed save one from eternal death and physical hunger, it was salvific and transformative on other levels as well.
Core Curriculum for Interdisciplinary Lactation Care continues to be a trustworthy source for lactation-specific information and education in a thoroughly updated second edition. Published in association with the Lactation Education Accreditation and Approval Review Committee (LEAARC), it presents the core curriculum required to practice as a beginning lactation consultant in an easy-to-read format. Written by an interdisciplinary team of clinical lactation experts, it reflects the current state of practice and offers evidence-based information regardless of discipline or specialty. The updated Second Edition includes new information on scientific evidence supporting breastfeeding, the biochemistry of human milk, breastfeeding multiplies or a preterm infant, lactation and maternal mental health, breast pathology, and more.
From a veteran Fortune 500 executive, how women can reach and succeed in top leadership positions Though women hold a majority of the managerial and professional jobs in the workforce, they occupy a mere 14% of C-suite positions at Fortune 500 firms. To break through this stubborn glass ceiling, women must learn to take bold steps when career-defining moments arise. During her 33-year career at Southern Company, a Fortune 500 utility company, Becky Blalock rose to become CIO in a traditionally male industry. Now she offers her own hard-won advice, as well as that of 28 top female executives, to show all aspiring women how to dare to reach the highest tier of leadership and C-suite positions. Includes advice and mentoring lessons from top women business leaders such as: Anna Maria Chávez, CEO of the Girl Scouts of the USA; Kat Cole, President of Cinnabon; Carol Tomé, CFO of Home Depot; Dr. Beverly Tatum, president of Spelman College, and Jeanette Horan, CIO of IBM, among many others Features straightforward, honest advice on gaining confidence, speaking up, finding mentors, learning to fail, building a network of allies, managing others, and more Written by pioneering business leader Becky Blalock, with a Foreword by Anne Mulcahy, former chairperson and CEO of Xerox Corporation Dare is must-needed guide for women everywhere, at every level, striving to develop the character, skills, and relationships that deliver greater success in the workplace.
This timely history explores the entry, reception and resettlement of refugees across twentieth-century Britain. Focusing on four cohorts of refugees – Jewish and other refugees from Nazism; Hungarians in 1956; Ugandan Asians expelled by Idi Amin; and Vietnamese 'boat people' who arrived in the wake of the fall of Saigon – Becky Taylor deftly integrates refugee history with key themes in the history of modern Britain. She thus demonstrates how refugees' experiences, rather than being marginal, were emblematic of some of the principal developments in British society. Arguing that Britain's reception of refugees was rarely motivated by humanitarianism, this book reveals the role of Britain's international preoccupations, anxieties and sense of identity; and how refugees' reception was shaped by voluntary efforts and the changing nature of the welfare state. Based on rich archival sources, this study offers a compelling new perspective on changing ideas of Britishness and the place of 'outsiders' in modern Britain.
Through the analysis of forty ethical dilemmas drawn from real-life situations, Ethics in Action guides the reader through a process of moral deliberation that leads to the resolution of a variety of moral dilemmas. Fosters critical thinking by evaluating the reasons people give to support their choices and actions Challenges the paradigm of moral relativism that often impedes efforts to resolve moral dilemmas Incorporates international perspectives often lacking in texts published for a U.S. audience
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