The Nature of Hate and the Hatred of Nature in Hispanic Literatures retraces the “nature of hatred” and the “hatred of nature” from the earliest traditions of Western literature including Biblical texts, Medieval Spanish literature, early Spanish Renaissance texts, to nineteenth- and twentieth-century Iberian and Latin American literatures. The nature of hate is neither hate in its weakened form, as in disliking or loving less, nor hate in its righteous form, as in “I hate hatred,” rather hate in its primal form as told and conveyed in so many culturally influential Bible stories that are at the root of hatred as it manifests itself today. The hatred of nature is not only contempt for the natural world, but also the idea of nature hating in return, thus inspiring even more hatred of nature. While some chapters, such as the one dedicated to La Celestina, focus more on the nature of hate and the hatred of love, they do address the hatred of nature, as when Celestina conjures Pluto, who happens to be closer to nature than to Satan. Other chapters, such as the ones dedicated to the Latin American novels set in the jungle, focus more on the hatred of nature but ultimately turn to the nature of hatred by analyzing hatred and the descent into madness. In the final chapters Beatriz Rivera-Barnes simultaneously addresses the nature of hatred and the hatred of nature as well as the ecophilia/ecophobia debate in twentieth-century Latin American literatures and considers, if not an assimilation of hate, possibly the cannibalizing of hate.
When Rebecca, a well-to-do Cuban-American woman, decides that sheÍd like to revive the old Cuban tradition of the tertulia, or womenÍs get-together, her best friend dashes her hopes, explaining that in todayÍs career-driven world even her friends require a compelling reason to come from all over Miami to casually meet and chat. At last, the ingenious Becky hits upon the idea of a reading group, and the book selected is a historical novel about nineteenth-century Cuba: the saga of an aristocratic dress-manufacturing clan, the Santa Cruz family. The novel is called . . . Playing with Light. Oddly, as they get ever deeper into the story of the Santa Cruzesespecially Tico and Lolostrange things begin to happen to the reading group. Everyone seems to be . . . sucked in . . . and affected (not necessarily pleasantly) by the saga. (ñWhatÍs for dinner, Mommy?î ñGet a slice of salami out of the refrigerator, dear. CanÍt you see IÍm reading?î) As two worlds, from two different centuries, begin to intertwine in odd ways, and her friends begin to . . . well, to disappear, actually . . . Rebecca canÍt help but wonder what sheÍs gotten herself into. Beatriz Rivera has written an entrancing and wonderfully ambitious novel that places her in the first rank of writers of her generation.
When Rebecca, a well-to-do Cuban-American woman, decides that sheÍd like to revive the old Cuban tradition of the tertulia, or womenÍs get-together, her best friend dashes her hopes, explaining that in todayÍs career-driven world even her friends require a compelling reason to come from all over Miami to casually meet and chat. At last, the ingenious Becky hits upon the idea of a reading group, and the book selected is a historical novel about nineteenth-century Cuba: the saga of an aristocratic dress-manufacturing clan, the Santa Cruz family. The novel is called . . . Playing with Light. Oddly, as they get ever deeper into the story of the Santa Cruzesespecially Tico and Lolostrange things begin to happen to the reading group. Everyone seems to be . . . sucked in . . . and affected (not necessarily pleasantly) by the saga. (ñWhatÍs for dinner, Mommy?î ñGet a slice of salami out of the refrigerator, dear. CanÍt you see IÍm reading?î) As two worlds, from two different centuries, begin to intertwine in odd ways, and her friends begin to . . . well, to disappear, actually . . . Rebecca canÍt help but wonder what sheÍs gotten herself into. Beatriz Rivera has written an entrancing and wonderfully ambitious novel that places her in the first rank of writers of her generation.
A revealing look at U.S. imperialism through the lens of visual culture and portraiture In 1898, the United States seized territories overseas, ushering in an era of expansion that was at odds with the nation’s founding promise of freedom and democracy for all. This book draws on portraiture and visual culture to provide fresh perspectives on this crucial yet underappreciated period in history. Taína Caragol and Kate Clarke Lemay tell the story of 1898 by bringing together portraits of U.S. figures who favored overseas expansion, such as William McKinley and Theodore Roosevelt, with those of leading figures who resisted colonization, including Eugenio María de Hostos of Puerto Rico; José Martí of Cuba; Felipe Agoncillo of the Philippines; Padre Jose Bernardo Palomo of Guam; and Queen Lili‘uokalani of Hawai‘i. Throughout the book, Caragol and Lemay also look at landscapes, naval scenes, and ephemera. They consider works of art by important period artists Winslow Homer and Armando Menocal as well as contemporary artists such as Maia Cruz Palileo, Stephanie Syjuco, and Miguel Luciano. Paul A. Kramer’s essay addresses the role of the Smithsonian Institution in supporting imperialism, and texts by Jorge Duany, Theodore S. Gonzalves, Kristin L. Hoganson, Healoha Johnston, and Neil Weare offer critical perspectives by experts with close personal or scholarly relations to the island regions. Beautifully illustrated, 1898: Visual Culture and U.S. Imperialism in the Caribbean and the Pacific challenges us to reconsider the Spanish-American War, the Philippine-American War, and the annexation of Hawai‘i while shedding needed light on the lasting impacts of U.S. imperialism. Published in association with the Smithsonian’s National Portrait Gallery, Washington, DC Exhibition Schedule National Portrait Gallery, Washington, DC April 28, 2023–February 25, 2024
Inspired by Édouard Glissant’s and Marta Aponte Alsina’s critical-creative work, this book explores how Puerto Rico’s affective archive of Caribbean relations, from the nineteenth century through the twenty-first, has envisioned and embodied decolonization and sovereignty in relation to the archipelagic, the sea, and Caribbean regionalism. The book’s transdisciplinary archive includes historical figures and their legacies; political and activist thought, textuality, and action as performative interventions; and performance and live arts pieces, objects, materialities, and texts as political/activist actions. Affect, Archive, Archipelago begins by delving into the historical-political figures of Ramón Emeterio Betances, Luisa Capetillo, and Pedro Albizu Campos. It then encounters the work of the live arts collective Agua, Sol y Sereno; the political/activist work of Amigxs del MAR, Comuna Caribe, Mujeres que Abrazan la Mar, and Coalición 8M; and Teresa Hernández’s transdisciplinary artistic trajectory. Finally, stemming from the book’s argument and the immediate historical-political-affective context of Puerto Rico’s summer 2019 rebellion (Verano Boricua), the book offers some reflections and proposals for furthering decolonial, sovereign, archipelagic, and reparatory horizons for Puerto Rico
Coloniality, La Zona del Estar, and Yucatan's Maya heritage -- Making the matrix -- Modernity : problem and promise of Mexican psychiatry -- Psychiatric encounters -- In the heart of madness.
An assessment of "the microfinance revolution" from an economics perspective that draws on lessons from academia and international practice to challenge conventional assumptions.
María Zambrano is widely regarded as one of the most original Spanish thinkers of the twentieth century. Her biggest contribution to intellectual history is, without doubt, her poetic reason and unique attempt to overcome the limiting coordinates of the framework of rationality established by the Enlightenment. Having spent forty-five years in exile, the relevance of this Spanish Republican thinker has only been recognised in recent decades, and this monograph explores the political dimension present throughout her work to argue for it as one of her key motivations. This monograph, therefore, reveals the political dimension inherent to Zambrano’s proposal for an alternative rationality – that is, poetic reason – and, to this end, this book questions existing assumptions regarding Zambrano’s thought and reframes it with its emphasis on the pivotal role of reason.
Feminist Literary and Filmic Cultures for Social Action: Gender Response-able Labs examines teaching and research practices under feminist new materialisms, affect theories and response-ability through literary and visual products, and offers possible bridges between academia and activism to create feminist interventions in contemporary neoliberal structures. Featuring chapters from contributors across a wide range of disciplines, this book follows a methodological framework that blends traditionally opposite categories, such as theory and practice, and explores contemporary literature and films as case studies within innovative “feminist response-able labs”. In Feminist Literary and Filmic Cultures for Social Action readers will encounter a collaborative trans-disciplinary toolbox which can be of use to multiple disciplines and an invaluable resource to advanced undergraduate students, postgraduate researchers and scholars in literary studies, film studies, feminist theories, new materialisms, and affective pedagogies
A History of Latinx Performing Arts in the U.S. provides a comprehensive overview of the development of the Latinx performing arts in what is now the U.S. since the sixteenth century. This book combines theories and philosophical thought developed in a wide spectrum of disciplines—such as anthropology, sociology, gender studies, feminism, and linguistics, among others—and productions’ reviews, historical context, and political implications. Split into two volumes, these books offer interpretations and representations of a wide range of Latinxs’ lived experiences in the U.S. Volume I provides a chronological overview of the evolution of the Latinx community within the U.S., spanning from the 1500s to today, with an emphasis on the Chicano artistic renaissance initiated by Luis Valdez and the Teatro Campesino in the 1960s. Volume II continues, looking more in depth at the experiences of Latinx individuals on theatre and performance, including Miguel Piñero, Lin-Manuel Miranda, María Irene Fornés, Nilo Cruz, and John Leguizamo, as well as the important role of transnational migration in Latinx communities and identities across the U.S. A History of Latinx Performing Arts in the U.S. offers an accessible and comprehensive understanding of the field and is ideal for students, researchers, and instructors of theatre studies with an interest in the diverse and complex history of Latinx theatre and performance.
Analysis of Latin America's economy focusing on development, covering the colonial roots of inequality, boom and bust cycles, labor markets, and fiscal and monetary policy. Latin America is richly endowed with natural resources, fertile land, and vibrant cultures. Yet the region remains much poorer than its neighbors to the north. Most Latin American countries have not achieved standards of living and stable institutions comparable to those found in developed countries, have experienced repeated boom-bust cycles, and remain heavily reliant on primary commodities. This book studies the historical roots of Latin America's contemporary economic and social development, focusing on poverty and income inequality dating back to colonial times. It addresses today's legacies of the market-friendly reforms that took hold in the 1980s and 1990s by examining successful stabilizations and homemade monetary and fiscal institutional reforms. It offers a detailed analysis of trade and financial liberalization, twenty–first century-growth, and the decline in poverty and income inequality. Finally, the book offers an overall analysis of inclusive growth policies for development—including gender issues and the informal sector—and the challenges that lie ahead for the region, with special attention to pressing demands by the vibrant and vocal middle class, youth unemployment, and indigenous populations.
The Political Logic of Poverty Relief places electoral politics and institutional design at the core of poverty alleviation. The authors develop a theory with applications to Mexico about how elections shape social programs aimed at aiding the poor. They also assess whether voters reward politicians for targeted poverty alleviation programs.
Paradise in Ashes is a deeply engaged and moving account of the violence and repression that defined the murderous Guatemalan civil war of the 1980s. In this compelling book, Beatriz Manz—an anthropologist who spent over two decades studying the Mayan highlands and remote rain forests of Guatemala—tells the story of the village of Santa María Tzejá, near the border with Mexico. Manz writes eloquently about Guatemala's tortured history and shows how the story of this village—its birth, destruction, and rebirth—embodies the forces and conflicts that define the country today. Drawing on interviews with peasants, community leaders, guerrillas, and paramilitary forces, Manz creates a richly detailed political portrait of Santa María Tzejá, where highland Maya peasants seeking land settled in the 1970s. Manz describes these villagers' plight as their isolated, lush, but deceptive paradise became one of the centers of the war convulsing the entire country. After their village was viciously sacked in 1982, desperate survivors fled into the surrounding rain forest and eventually to Mexico, and some even further, to the United States, while others stayed behind and fell into the military's hands. With great insight and compassion, Manz follows their flight and eventual return to Santa María Tzejá, where they sought to rebuild their village and their lives.
Through artistic imaginaries, media productions, social practices and spatial mappings, this book offers an insightful and original contribution to the understanding of Rio de Janeiro, one of the highly contested urban terrains in the world. Offering a rich diversity of examples extracted from lived experience, iconographic materials, and narratives, it provides innovative and compelling connections between theoretical questions and urban vignettes. Throughout the essays, the specificity of Rio de Janeiro is highlighted but framed in relation to theoretical questions that are relevant to major contemporary cities. The book underlines the dilemmas of a city that attempts to compete globally while confronting social inequality, violence, and novel forms of democratic agency. It retraces Rio de Janeiro’s modernist memories as the former political/cultural capital of Brazilian intelligentsia and national culture. It explores Rio as a city of popular culture, mestizo legacies, media productions, and cultural innovation.
The Technical Imagination explores how technology entered the popular imagination in the Argentina of the 1920s and 1930s and how its products helped to shape modern thinking at all levels of Argentine society.
Good Schools in Poor Neighborhoods contrasts highly effective schools serving urban, low-income, minority youth with their more typical, struggling counterparts. Highlighted are two disparate schools: one serving predominately African American students in a large northeastern city and one serving Latino students in a southwestern urban area. Through solid data from original research, as well as lively vignettes and vivid quotes from principals, teachers, parents, and students, a picture of exceptional schools emerges to guide policymakers and practitioners.
The Republic of the Rio Grande had a brief and tenuous existence (1838–1840) before most of it was reabsorbed by Mexico and the remainder annexed by the United States, yet this region that straddles the Rio Grande has retained its distinctive cultural identity to the present day. Born on one side of the Rio Grande and raised on the other, Beatriz de la Garza is a product of this region. Her birthplace and its people are the subjects of this work, which fuses family memoir and borderlands history. From the Republic of the Rio Grande brings new insights and information to the study of transnational cultures by drawing from family papers supplemented by other original sources, local chronicles, and scholarly works. De la Garza has fashioned a history of this area from the perspective of individuals involved in the events recounted. The book is composed of nine sections spanning some two hundred years, beginning in the mid-1700s. Each section covers not only a chronological period but also a particular theme relating to the history of the region. De la Garza takes a personal approach, opening most sections with an individual observation or experience that leads to the central motif, whether this is the shared identity of the inhabitants, their pride in their biculturalism and bilingualism, or their deep attachment to the land of their ancestors.
Mateo Irigaray has come home to end his miserable life. A child prodigy, he was the pride of Hudson County. Born to a Colombian mother who died giving birth to him, he was raised by his older sister and surrounded by an assortment of unusual family members. Though young and inexperienced, it didnÍt take his sister long to realize that Mateo was unusual. By the age of two, he could read and write. As a boy, he could learn a foreign language in a matter of weeks. But now heÍs depressed and ready to end it all. Learning that the famous genius has returned, Melody More, a reporter with the local newspaper, agrees to try and convince him to give the paper an interview. But the only quote heÍll give her is, ñAll I want to do is die!î In spite of his anger and rudeness, she finds herself strangely attracted to the surly, slovenly man who begs her to leave and not interrupt his plans. As their relationship developsMelody returns every day with an assortment of tempting food and winethey realize that they share a complicated history of family secrets and betrayals. From New Jersey to Havana to Switzerland, Rivera peppers this off-beat love story with a range of eccentric characters: MelodyÍs boss and former lover Xoan Xavier Contreras, known to the newspaperÍs readers as Triple X for his triple x-rated expos?s; her sister Odette, who went unnamed for an entire year because of her motherÍs revulsion at her Thalidomide-deformed hands; and most importantly, MelodyÍs mother, who was obsessed with perfection and having a child prodigy of her very own.
African Passions, Beatriz RiveraÍs first collection of stories, is peopled by Hispanic women in the thrall of love of varying sorts, but always of overwhelming intensity. Passion, obsession, raucous humor, and satire are in store for the reader of this tour-de-force examination of Latina womanhood. A series of strong-minded women relentlessly pursue love and success as they move in and out of the reality of the New Jersey Hispanic barrio that bonds them: a frustrated professional woman who unsuccessfully strives for a wedding ring from her mamaÍs-boy lover, a recent college graduate applies for dead-end jobs while pursuing a traditional macho lover, an Italian-Puerto Rican princess gets caught up in a vicious cycle of destructive relationships, and a young Cuban matron wrecks husband, children, and her own well-being as she seeks the nirvana of material wealth and status.
Story about Puerto Rican children in New York City getting ready for the visit of the Three Kings. Encourages awareness and appreciation of Hispanic American cultures.
This book offers a historic and anthropological perspective from which to understand the fragility of isolated indigenous groups in the face of contact with outside society. It helps us appreciate the importance, in terms of cultural and biological diversity, of safeguarding their territories for both their future and that of the human race." "Drawing on scientific and legal principles, international agreements, and primarily from the perspective of human rights, Beatriz Huertas Castillo presents solid arguments concerning the urgent need for national and international efforts to defend the territories, cultural integrity and life ways of isolated indigenous peoples."--BOOK JACKET.
Is the castle of Trevejo the living vestige that confirms the mythical relationship between Templars and Masons? What were the Civil War and the post-war periods like in Acebo? Was the horrible crime between families that took place in San Martín de Trevejo fair? Who were those persecuted by the Holy Office in Perales and Hoyos? The answers to these questions, and others, are revealed throughout the successive passages that make up this work, where the reader can immerse himself in the past, crossing the frontier of time. This new work by B. Maestro is the story of those who suffered from unemployment and the bad conditions of an iniquitous life, but it is also the story of those who revealed themselves and fought so that this circumstance would change, without forgetting those who defended the democratic government in its day, even when they were the ones who put an end to it. In the pages that make up this work of historical research, the reader will be able to immerse himself fully in a turbulent Contemporary Age, covering its totality, and dividing the chapters following the order of the centuries that conform it (XVIII, XIX and XX).
Spanning the whole of Latin America, including Brazil, from its beginnings in 1492 up to the present time, Rivera-Barnes and Hoeg analyze the relationship between literature and the environment in both literary and testimonial texts, asking questions that contribute to the on-going dialogue between the arts and the sciences.
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