This book is a manual for self-application of the Attachment-Based Compassion Therapy (ABCT) protocol, that can be either self-applied by any individual in a psychoeducational context or as a support for a therapeutic process guided by a professional. Compassion therapy is a third-generation psychotherapy that has been used in association with mindfulness in recent years. In particular, attachment-based compassion therapy (ABCT) is a protocol that can be used in both the general and psychiatric population with the aim of promoting compassion and self-compassion. ABCT is based on attachment theory and, therefore, includes practices to raise awareness and/or address maladaptive aspects, where appropriate, of the attachment styles developed with parents. This process is taught as a form of both compassion and self-compassion in order to improve present-day interpersonal relationships and well-being in general. In the face-to-face group format, ABCT has been demonstrating efficacy and applicability for healthy people and for the treatment of fibromyalgia, depression, anxiety and adjustment disorders. This book presents a self-applied version of ABCT that operates along the lines of the original model and has been adapted and developed to be fully self-applied via the Internet in 8 sequential modules: Introduction to attachment-based compassion therapy Preparing ourselves for compassion: kind attention Discovering our compassionate world Developing our compassionate world Understanding our relationship with compassion Working on ourselves Understanding the importance of forgiveness Consolidating the practice of compassion The content is presented through texts, pictures, tables and figures, including links to downloadable audio files for formal meditation practices with specific guides and instruction for each meditation. The transcripts to each guided meditation are also included as appendices.
Antimatter is one of the most fascinating aspects of Particle Physics, and matter-antimatter annihilation the most energetic process in the universe. If they existed, everyday objects made of antimatter would look exactly like those made of ordinary matter, as would antimatter stars. We live surrounded by antimatter, since showers of matter and antimatter particles fall incessantly on the Earth's surface, some of them penetrating our buildings. Furthermore, many things around us - bananas, for example - actually emit antielectrons. This book first introduces the essentials of particle physics and the nature of particles and antiparticles. It describes the discovery of antimatter particles and explains how they are produced, where they are found, and how antistars could be spotted; it also introduces cosmic rays, particle accelerators, dark matter, dark energy and nuclear reactions in stars. The enigma of the matter-antimatter asymmetry in the Universe is discussed as are the very real applications of antimatter in hospitals, in industry and in cutting-edge research and technology, Non-specialist readers will find here a wealth of fascinating and accessible information to deepen their appreciation of antimatter.
No es otra cosa que un sueño que se amarra a tu piel, y en su brillo de estrella te transporta a un universo de emociones. Donde el amor, la soledad, la tristeza, la ausencia, la euforia...se conjugan de manera que realicen el milagro de convertirlo en una realidad. Que simplemente no es otra que el propio placer de poder escribir...de poder transmitir a través de la palabra, poder darle forma, cuerpo...a todos las emociones que nos recorren el alma.
Fish ageing methods based on growth increments in oroliths are described in detail. A short introduction describes otolith extraction, preparation and viewing techniques, emphasizing the study of microscopic daily growth increments. Light and scanning electron microscope viewing methods and criteria for interpretation are described. The need to test the findings is explained and age validation techniques described.
A revealing look at U.S. imperialism through the lens of visual culture and portraiture In 1898, the United States seized territories overseas, ushering in an era of expansion that was at odds with the nation’s founding promise of freedom and democracy for all. This book draws on portraiture and visual culture to provide fresh perspectives on this crucial yet underappreciated period in history. Taína Caragol and Kate Clarke Lemay tell the story of 1898 by bringing together portraits of U.S. figures who favored overseas expansion, such as William McKinley and Theodore Roosevelt, with those of leading figures who resisted colonization, including Eugenio María de Hostos of Puerto Rico; José Martí of Cuba; Felipe Agoncillo of the Philippines; Padre Jose Bernardo Palomo of Guam; and Queen Lili‘uokalani of Hawai‘i. Throughout the book, Caragol and Lemay also look at landscapes, naval scenes, and ephemera. They consider works of art by important period artists Winslow Homer and Armando Menocal as well as contemporary artists such as Maia Cruz Palileo, Stephanie Syjuco, and Miguel Luciano. Paul A. Kramer’s essay addresses the role of the Smithsonian Institution in supporting imperialism, and texts by Jorge Duany, Theodore S. Gonzalves, Kristin L. Hoganson, Healoha Johnston, and Neil Weare offer critical perspectives by experts with close personal or scholarly relations to the island regions. Beautifully illustrated, 1898: Visual Culture and U.S. Imperialism in the Caribbean and the Pacific challenges us to reconsider the Spanish-American War, the Philippine-American War, and the annexation of Hawai‘i while shedding needed light on the lasting impacts of U.S. imperialism. Published in association with the Smithsonian’s National Portrait Gallery, Washington, DC Exhibition Schedule National Portrait Gallery, Washington, DC April 28, 2023–February 25, 2024
This book provides a complete study of the Central Andean volcanism and its most distinctive features, from the lower Paleozoic to the Cenozoic times in the framework of its processes, eruptive mechanisms and geodynamic conditions. It helps readers understand the nature of the volcanic geology and the volcaniclastic related deposits linked to the evolution of the Andean continental margin. Special attention is paid to the analysis of the ancient volcanic successions and the difficulties in recognition of the original rock type caused by the effects of deformation, metamorphism and alteration. The authors use distinctive cases to describe how to apply different tools in analysis and interpretation. The selected representative, well exposed and preserved volcanic records of the Southern Central Andes analyzed in this book open new perspectives in the understanding of the volcanic processes linked to active continental margins as the Central Andes. This book will be of special interest to volcanologists and specialists in the earth sciences and appeal to both undergraduate and graduate students in geology.
The height of the Roman Empire�s power was during the reign of Hadrian. While endless predecessors and their rivals fought for expansion, Hadrian focused on sustaining his domain and his people�s livelihood. Readers will learn how even such an internal focus can lead to tragedy, specifically by intersecting religion with absolute statesmanship, as the Bar Kokhbah Revolt demonstrated. Regardless, conducting massive city-building projects, fortifying the borders of the empire, and other feats christen Hadrian as the third of the Five Good Emperors. Santillian and Morgan�s exhaustive research culminates in a comprehensive examination of all that Hadrian left in his wake.
A History of Latinx Performing Arts in the U.S. provides a comprehensive overview of the development of the Latinx performing arts in what is now the U.S. since the sixteenth century. This book combines theories and philosophical thought developed in a wide spectrum of disciplines—such as anthropology, sociology, gender studies, feminism, and linguistics, among others—and productions’ reviews, historical context, and political implications. Split into two volumes, these books offer interpretations and representations of a wide range of Latinxs’ lived experiences in the U.S. Volume I provides a chronological overview of the evolution of the Latinx community within the U.S., spanning from the 1500s to today, with an emphasis on the Chicano artistic renaissance initiated by Luis Valdez and the Teatro Campesino in the 1960s. Volume II continues, looking more in depth at the experiences of Latinx individuals on theatre and performance, including Miguel Piñero, Lin-Manuel Miranda, María Irene Fornés, Nilo Cruz, and John Leguizamo, as well as the important role of transnational migration in Latinx communities and identities across the U.S. A History of Latinx Performing Arts in the U.S. offers an accessible and comprehensive understanding of the field and is ideal for students, researchers, and instructors of theatre studies with an interest in the diverse and complex history of Latinx theatre and performance.
Proteins are considered supremely important for the organization, survival, and functioning of living organisms. They were considered stable and static molecules until the early 1940s, when RudolphSchoenheimer demonstrated that proteins exist in a constant dynamic process of synthesis and degradation (proteostasis), absolutely essential for life. Since then, general and limited protein degradation became some of the most fascinating aspects of biological sciences. This book is focused on a particular aspect of protein degradation, namely, limited proteolysis, which gives rise to bioactive peptides as a result of the enzymatic action of proteinases and peptidases, which are enzymes that hydrolyze specific peptide bonds of proteins and peptides, respectively. In a broad sense, bioactive peptides are any fragment of endogenous or exogenous proteins able to elicit either physiological or pathological activities. Here, we aim at presenting to the readers that bioactive peptides are not merely produced through random processes during protein degradation, but rather through a well-organized enzymatic process that is deeply integrated in the homeostatic processes of living organisms. Table of Contents: Overview and Historical Background / Bioactive Peptides Produced by Extracellular Proteolysis / Bioactive Peptides Generated by Intracellular Proteolysis / Proteolytic Enzymes / Concluding Remarks / References / Author Biographies
This book offers a historic and anthropological perspective from which to understand the fragility of isolated indigenous groups in the face of contact with outside society. It helps us appreciate the importance, in terms of cultural and biological diversity, of safeguarding their territories for both their future and that of the human race." "Drawing on scientific and legal principles, international agreements, and primarily from the perspective of human rights, Beatriz Huertas Castillo presents solid arguments concerning the urgent need for national and international efforts to defend the territories, cultural integrity and life ways of isolated indigenous peoples."--BOOK JACKET.
The Republic of the Rio Grande had a brief and tenuous existence (1838–1840) before most of it was reabsorbed by Mexico and the remainder annexed by the United States, yet this region that straddles the Rio Grande has retained its distinctive cultural identity to the present day. Born on one side of the Rio Grande and raised on the other, Beatriz de la Garza is a product of this region. Her birthplace and its people are the subjects of this work, which fuses family memoir and borderlands history. From the Republic of the Rio Grande brings new insights and information to the study of transnational cultures by drawing from family papers supplemented by other original sources, local chronicles, and scholarly works. De la Garza has fashioned a history of this area from the perspective of individuals involved in the events recounted. The book is composed of nine sections spanning some two hundred years, beginning in the mid-1700s. Each section covers not only a chronological period but also a particular theme relating to the history of the region. De la Garza takes a personal approach, opening most sections with an individual observation or experience that leads to the central motif, whether this is the shared identity of the inhabitants, their pride in their biculturalism and bilingualism, or their deep attachment to the land of their ancestors.
The Nature of Hate and the Hatred of Nature in Hispanic Literatures retraces the “nature of hatred” and the “hatred of nature” from the earliest traditions of Western literature including Biblical texts, Medieval Spanish literature, early Spanish Renaissance texts, to nineteenth- and twentieth-century Iberian and Latin American literatures. The nature of hate is neither hate in its weakened form, as in disliking or loving less, nor hate in its righteous form, as in “I hate hatred,” rather hate in its primal form as told and conveyed in so many culturally influential Bible stories that are at the root of hatred as it manifests itself today. The hatred of nature is not only contempt for the natural world, but also the idea of nature hating in return, thus inspiring even more hatred of nature. While some chapters, such as the one dedicated to La Celestina, focus more on the nature of hate and the hatred of love, they do address the hatred of nature, as when Celestina conjures Pluto, who happens to be closer to nature than to Satan. Other chapters, such as the ones dedicated to the Latin American novels set in the jungle, focus more on the hatred of nature but ultimately turn to the nature of hatred by analyzing hatred and the descent into madness. In the final chapters Beatriz Rivera-Barnes simultaneously addresses the nature of hatred and the hatred of nature as well as the ecophilia/ecophobia debate in twentieth-century Latin American literatures and considers, if not an assimilation of hate, possibly the cannibalizing of hate.
When Rebecca, a well-to-do Cuban-American woman, decides that sheÍd like to revive the old Cuban tradition of the tertulia, or womenÍs get-together, her best friend dashes her hopes, explaining that in todayÍs career-driven world even her friends require a compelling reason to come from all over Miami to casually meet and chat. At last, the ingenious Becky hits upon the idea of a reading group, and the book selected is a historical novel about nineteenth-century Cuba: the saga of an aristocratic dress-manufacturing clan, the Santa Cruz family. The novel is called . . . Playing with Light. Oddly, as they get ever deeper into the story of the Santa Cruzesespecially Tico and Lolostrange things begin to happen to the reading group. Everyone seems to be . . . sucked in . . . and affected (not necessarily pleasantly) by the saga. (ñWhatÍs for dinner, Mommy?î ñGet a slice of salami out of the refrigerator, dear. CanÍt you see IÍm reading?î) As two worlds, from two different centuries, begin to intertwine in odd ways, and her friends begin to . . . well, to disappear, actually . . . Rebecca canÍt help but wonder what sheÍs gotten herself into. Beatriz Rivera has written an entrancing and wonderfully ambitious novel that places her in the first rank of writers of her generation.
This volume presents an in-depth discussion of the work of Steven Spielberg, an American director of Jewish origin. It offers a careful study of the audiovisual and documentary material in Spielberg’s filmography, exploring both the biographical and sociological parameters that influence his cinematographic work and his values, and the director’s own personal testimony and critics’ comments on the value of dignity and other subjects prevalent in his work. The book then goes on to analyse the formal elements used by the filmmaker in his work, and his maturity in relation to anthropological matters.
Sin Permiso Para Entrar – en palabras de la misma autora- “...es una recopilación de escritos logrados gracias a la magia de la invisibilidad, condición que tengo la dicha de poseer, a voluntad, desde hace años. Cruzar puertas sin ser vista siempre fue algo que desee poder hacer. Ahora, simplemente, puedo....” “....La única diferencia entre las dos secciones de “Sin Permiso Para Entrar” es que, la primera es un compendio de diálogos escuchados y transcritos textualmente dentro de algunos lugares que, en ese momento, se encontraban habitados. En la segunda parte no hago más que compartir mis experiencias tras abrir puertas que me llevan a espacios no habitados, donde, es el alma de aquellos ausentes, la que me habla. Siempre dejamos atrás indicios inequívocos de lo que realmente somos cuando no estamos. Cuando hemos salido a ganar el pan, siempre dejamos el alma en casa. Yo no toco nada. Solo escucho o descubro....”
Architect and designer Sig Bergamin is known for his eclectic vision and vivid interiors that are the perfect mélanges of chic. A constant traveller, Bergamin loves collecting treasures wherever he goes—totems that inspire and evolve his craft. He is also an avid art collector, a tendency that comes across in each of his meticulously designed spaces, where Warhols, Hirsts and Lichtensteins are seamlessly blended with minimalist and maximalist decor from around the world.
God's banker, is a play written by the young writer Olga Ricart, whose plot is based on a true story that was the biggest scandal that rocked the Holy See, the case of the Ambrosiano bank Complot that interfered with members of the IOR , of Freemasonry and the Italian bank, which had as its main architect of Roberto Calvi, known as the Banker of God (in the years 1974 to 1982). What makes this novel special is the documents and how they worked to bring out the scam, but the writer goes into the mood and psychology of the protagonists, thereby trying to unravel the reasons beyond the ambition that led them to commit such fraud, fraud in the Church without prescedentes moving higher flow of wealth such as the Catholic Church, wealth that sometimes fails to really help people who are in extreme poverty or in nations recovering from a disaster.
En esta obra, los autores narran la historia de Oilime Aícrag, un poeta escritor muy famoso en Montepec. Oilime conquista, sin querer, a muchas de sus lectoras, quienes fantasean con sus poemas creyéndolos escritos sólo para ellas. Cada libro publicado de poemas y de historias románticas estimula el envío de una extraordinaria cantidad de cartas de pasión que asedian al autor en todo momento. Sin embargo, ninguna de las seguidoras logra convencerlo a ceder su amor hasta que aparece Zirtaeb Azodnem, una misteriosa poetisa que lo enamora a base de poemas llenos de palabras de ternura salidas de lo profundo de su corazón.
This book is a manual for self-application of the Attachment-Based Compassion Therapy (ABCT) protocol, that can be either self-applied by any individual in a psychoeducational context or as a support for a therapeutic process guided by a professional. Compassion therapy is a third-generation psychotherapy that has been used in association with mindfulness in recent years. In particular, attachment-based compassion therapy (ABCT) is a protocol that can be used in both the general and psychiatric population with the aim of promoting compassion and self-compassion. ABCT is based on attachment theory and, therefore, includes practices to raise awareness and/or address maladaptive aspects, where appropriate, of the attachment styles developed with parents. This process is taught as a form of both compassion and self-compassion in order to improve present-day interpersonal relationships and well-being in general. In the face-to-face group format, ABCT has been demonstrating efficacy and applicability for healthy people and for the treatment of fibromyalgia, depression, anxiety and adjustment disorders. This book presents a self-applied version of ABCT that operates along the lines of the original model and has been adapted and developed to be fully self-applied via the Internet in 8 sequential modules: Introduction to attachment-based compassion therapy Preparing ourselves for compassion: kind attention Discovering our compassionate world Developing our compassionate world Understanding our relationship with compassion Working on ourselves Understanding the importance of forgiveness Consolidating the practice of compassion The content is presented through texts, pictures, tables and figures, including links to downloadable audio files for formal meditation practices with specific guides and instruction for each meditation. The transcripts to each guided meditation are also included as appendices.
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