Wonder Memories book was created by Beatriz Albuquerque and is part of a project that maps, documents and disseminates the memories of the Portuguese diaspora around the world. The project's intentions are to archive the present history of the communities and the place, the richness of experiences, the living heritage, durable materiality and immateriality, Portuguese traceability, with dialogues of opinions and synergetic exchanges between the artist and Portuguese emigrants from the host countries. It started in 2022 with Lille-Roubaix-Tourcoing, France, and in 2023 it was developed in New York and New Jersey, USA; in 2024 in Porto, Portugal where she invites Portuguese emigrants (current or former) who want to share their experience and add their testimony to the “Wonder Memories” project. This multidisciplinary project has taken various media forms, such as this book.
How can videogame glitches foment critical thinking and self-directed learning in adults? How do Super Mario World videogame glitches contribute to this skill set? This book pinpoints the range of skills called into play and challenged when an individual encounters glitches while playing video games; more specifically, it is concerned with which media literacy skills are attained or developed independently of supervision.These are a few of the questions examined by Beatriz Albuquerque in this text, with the core of this study being the question of how encounters with arbitrary glitches can motivate and elicit critical thinking. In addition to that, the book investigates how self-directed learning can be explored in the classroom. This book considers how experimentation through forms of play fosters profound and complex connections in adults between creativity, productivity, imagination, knowledge, and coping strategies. It is in the joining of these two main areas of research (new media literacies and the educational importance of play) and by taking glitches seriously that this study emerges in support of self-directed learning as a facilitator for critical thinking.
Are you up for the challenge? Unlock and open up with games. Games can be used as a tool to learn and create. Do you want to rethink games, innovative pedagogy, critical thinking? Do you think that an innovative pedagogical approach increases the likelihood that marginalized students will acquire media literacy skills? How do you unlock your-Self and the world of game glitches? Do you want to rethink how we play? Join us in reading this book and activate the gamer in you.
This book describes on how the Internet in the 90s affected and influenced the art world, specifically in the field of performance. This topic is explored at the level of development, context and influence in the realm of the historical, cultural, social, philosophical and creative approaches. The question/problem statements are deconstructed, rethought, analyzed and developed with an emphasis in performance art and the 90s are explored using the concept of influences/impacts of the introduction of the Internet and consequently within the art world. This book will bring a new light to this subject matter and is useful to anyone interested in learning the relationship, co-relations between Performance Art and the Internet realm in the beginning of the 90s.
A guide to quartz crystals from both an ancestral and scientific point of view, with the mission of helping readers identify their mind patterns and wounds to reconnect with the authentic self. It's estimated that 10 billion quartz crystals are used every year in electronic devices--from smartphones to computers, credit cards, watches, digital cameras, TVs, cars, and much more. When you think about it, it's almost impossible to imagine life without crystals. These same crystals we see in so much of our technology have been used over the course of many centuries, and by many different cultures around the world, for healing. In fact, crystal healing is alive and well today, with modern-day healers harnessing the energy of quartz crystals to help alleviate suffering. What is it that has drawn scientists and healers around the world to crystal technology, and what are the similarities between the ways these two groups have used the stones? In this book, crystal healer and holistic therapist Beatriz Singer answers these questions--and more. She takes readers on a journey to understand the many wonders of quartz crystals, so that we can use their powers to bring peace and healing to ourselves and the world.
Ayahuasca is a psychoactive drink used for healing and divination among religious groups in the Brazilian Amazon. 'Ayahuasca, Ritual and Religion in Brazil' is the first scholarly volume in English to examine the religious rituals and practices surrounding ayahuasca. The use of ayahuasca among religious groups is analysed, alongside Brazilian public policies regarding ayahuasca and the handling of substance dependence. 'Ayahuasca, Ritual and Religion in Brazil' will be of interest to scholars of anthropology and religion and all those interested in the role of stimulants in religious practice.
The Republic of the Rio Grande had a brief and tenuous existence (1838–1840) before most of it was reabsorbed by Mexico and the remainder annexed by the United States, yet this region that straddles the Rio Grande has retained its distinctive cultural identity to the present day. Born on one side of the Rio Grande and raised on the other, Beatriz de la Garza is a product of this region. Her birthplace and its people are the subjects of this work, which fuses family memoir and borderlands history. From the Republic of the Rio Grande brings new insights and information to the study of transnational cultures by drawing from family papers supplemented by other original sources, local chronicles, and scholarly works. De la Garza has fashioned a history of this area from the perspective of individuals involved in the events recounted. The book is composed of nine sections spanning some two hundred years, beginning in the mid-1700s. Each section covers not only a chronological period but also a particular theme relating to the history of the region. De la Garza takes a personal approach, opening most sections with an individual observation or experience that leads to the central motif, whether this is the shared identity of the inhabitants, their pride in their biculturalism and bilingualism, or their deep attachment to the land of their ancestors.
A History of Latinx Performing Arts in the U.S. provides a comprehensive overview of the development of the Latinx performing arts in what is now the U.S. since the sixteenth century. This book combines theories and philosophical thought developed in a wide spectrum of disciplines—such as anthropology, sociology, gender studies, feminism, and linguistics, among others—and productions’ reviews, historical context, and political implications. Split into two volumes, these books offer interpretations and representations of a wide range of Latinxs’ lived experiences in the U.S. Volume I provides a chronological overview of the evolution of the Latinx community within the U.S., spanning from the 1500s to today, with an emphasis on the Chicano artistic renaissance initiated by Luis Valdez and the Teatro Campesino in the 1960s. Volume II continues, looking more in depth at the experiences of Latinx individuals on theatre and performance, including Miguel Piñero, Lin-Manuel Miranda, María Irene Fornés, Nilo Cruz, and John Leguizamo, as well as the important role of transnational migration in Latinx communities and identities across the U.S. A History of Latinx Performing Arts in the U.S. offers an accessible and comprehensive understanding of the field and is ideal for students, researchers, and instructors of theatre studies with an interest in the diverse and complex history of Latinx theatre and performance.
TO ALL THE MIGRANTS IN THE COUNTRY" AND I ASK ALL MIGRANTS WHO HAVE AN IMMIGRATION STATUS UNDOCUMENTED ("UNDOCUMENTED") NOT ME GO TO FAIL, BECAUSE YOU THEIR ANCESTORS ARE FROM EUROPE, YOU ALSO ARE OF THE FAMILY OF THE AMERICAN PILGRIMS, NOW STOP ALREADY COMPARED THE UNDOCUMENTED AFRICAN. YOU SHARE DROPS OF BLOOD FROM THE REPUBLICANS, AND COULD NEVER LIVE IN THE SAME HOUSE WITH THE UNDOCUMENTED AFRICAN BECAUSE TO YOU, TO US, WE LIKE TO DO THE SEX, AND NOT CAN HAVE THE INSOLENT WATCHING CREATURE FROM THE OTHER ROOMS TO COPY US ACCORDING TO, OR TO ROB US, BECAUSE MONEY IT HAS UNTIL NOW, IS PRODUCT OF ALMS THEY HAVE GIVEN YOU, AND THE EXTRABAGANTES LUXURY THAT IS STEALING, ARE WITH MONEY FROM YOU ALL AS PAYERS OF TAXES AND LUXURIES THAT NO PRESIDENT HAD TAKEN IN THE HISTORY, BUT THAT THIS UNDOCUMENTED AFRICAN IS SPENDING THE MONEY ON TO ADVERTISING AND BUYING EXPENSIVE THINGS WITH DESPAIR TO SEE IF SO IS DONE AS YOU, AS THE PILGRIMS THAT CAME FROM EUROPE TO CONQUER THESE LANDS, SOMETHING THAT IS IMPOSSIBLE, BECAUSE THE MERE CENTRE OF AFRICA IS BLACK AND MOMBASA, KENYA, AFRICA IS BLACK; AND NOBODY HAS ANY BLAME FOR THAT AND YOU, THE HISPANIC MOST AND OTHERS, NOT HAVE NO BLACK DROP, AND YOU USE DIFFERENT COSMETICS OF HIM, SO ENOUGH WITH THAT YOU INVESTIGATE YOUR OWN ANCESTORS AND YOU ONLY WILL FIND A HERNAN CORTES AND A CUAHUTEMOC. "The Nina, the Pinta and the Santa Maria" or "I am a descendant of Cuahutemoc, Mexican pride.
This book applies Thorstein Veblen’s cultural theory to a qualitative study of the charro cowboy culture and community in Mexico. Drawing on Veblen’s arguments regarding cultural lag, the peaceable and the barbaric, predatory culture, vested interest, and pecuniary interest, it examines the comportment, clothing, mannerisms, and adherence to the norms that are unique to this subculture, while considering the cultural changes within race, class, and gender dynamics of this community in relation to mainstream Mexico. With close attention to the impact of business principles and standardization on the charro, leading to changes in practices and social interactions, the author considers generational differences and the tensions that exist between newer and older charros as a result of the developing emphasis on business. A close study of the nature of cultural adaptability and the persistence of inequality regardless of mainstream illusions of equality, this volume sheds new light on our understanding of what culture is rather than what culture does, while reintroducing the neglected ethnographic streak in Veblen’s work as an important methodological and theoretical tool in the interpretation of culture.
Collected writings by one of the most influential Black Brazilian intellectuals of the twentieth century Beatriz Nascimento (1942–1995) was a poet, historian, artist, and political leader in Brazil’s Black movement, an innovative and creative thinker whose work offers a radical reimagining of gender, space, politics, and spirituality around the Atlantic and across the Black diaspora. Her powerful voice still resonates today, reflecting a deep commitment to political organizing, revisionist historiography, and the lived experience of Black women. The Dialectic Is in the Sea is the first English-language collection of writings by this vitally important figure in the global tradition of Black radical thought. The Dialectic Is in the Sea traces the development of Nascimento’s thought across the decades of her activism and writing, covering topics such as the Black woman, race and Brazilian society, Black freedom, and Black aesthetics and spirituality. Incisive introductory and analytical essays provide key insights into the political and historical context of Nascimento’s work. This engaging collection includes an essay by Bethânia Gomes, Nascimento’s only daughter, who shares illuminating and uniquely personal insights into her mother’s life and career.
The startling coming-of-age story of famed anthropologist Margaret Mead whose radical ideas challenged the social and sexual norms of her time. The story begins in 1923, when twenty-two year old Margaret Mead is living in New York City, engaged to her childhood sweetheart and on the verge of graduating from college. Seemingly a conventional young lady, she marries, but shocks friends when she decides to keep her maiden name. After starting graduate school at Columbia University, she does the unthinkable: she first enters into a forbidden relationship with a female colleague, then gets caught up in an all-consuming and secret affair with a brilliant older man. As her sexual awakening continues, she discovers it is possible to be in love with more than one person at the same time. While Margaret’s personal explorations are just beginning, her interest in distant cultures propels her into the new field of anthropology. Ignoring the constraints put on women, she travels alone to a tiny speck of land in the South Pacific called Samoa to study the sexual behavior of adolescent girls. Returning home on an ocean liner nine months later, a chance encounter changes the course of her life forever. Now, drawing on letters, diaries, and memoirs, Deborah Beatriz Blum reconstructs these five transformative years of Margaret Mead’s life, before she became famous, revealing the story that she hid from the world –during her lifetime and beyond.
Du site de l'éd.: This book highlights the theme of music in the ayahuasca religions of Santo Daime (both the Cefluris and Alto Santo groups) and the União do Vegetal (UDV). Although most studies of the ayahuasca religions recognize the centrality of music in their rituals, the study of the music itself has generally been secondary to other themes, rather than the central focus that it is here. A rich cultural manifestation, ayahuasca music reveals multiple connections with Brazilian religiosity and with the musical expression of the Northeast and Amazonia, and has been one of the principal elements highlighted by recent efforts to designate ayahuasca as immaterial cultural heritage of the Brazilian nation. The book explores the key role that music plays in the everyday life of these religions, in the production of religious meanings, and in the construction of the bodies and the subjectivity of adepts. Through a description of each group's musicality and a comparison among them, the authors seek to understand these groups' ethos. This book represents an important contribution to an area of study that is still little explored in Brazil: the use of music in ritual and religious contexts.
An account of the violence and repression that defined the murderous Guatemalan civil war of the 1980s. Manz, an anthropologist, spent over two decades studying the Mayan highlands and remote rain forests of Guatemala. In a political portrait of Santa María Tzejá, where highland Maya peasants seeking land settled in the 1970s, Manz describes these villagers' plight as their isolated, lush, but deceptive paradise became one of the centers of the war convulsing the entire country. After their village was viciously sacked in 1982, desperate survivors fled into the surrounding rain forest and eventually to Mexico, and some even further, to the United States, while others stayed behind and fell into the military's hands. Manz follows their flight and eventual return to Santa María Tzejá, where they sought to rebuild their village and their lives. From publisher description.
The tango is easily the most iconic dance of the last century, its images as familiar as an old friend. But are they the whole story? Peeling back the poster propaganda that has always characterized the tango publicly, this intimate study shows the invisible heart of the dance and the culture that raised it. Drawing on direct experience and conversations with dancers, it reveals much about the role of the tango in Argentinean culture. Instructors considering this book for use in a course may request an examination copy here.
New Books Network: Modernization Dreams, Lusotropical Promises What history and motivations make up the discourses we are taught to hold, and spread, as common sense? As a member of Brazil's upper middle class, Ana Beatriz Ribeiro grew up with the image that to be developed was to be as European as possible. However, as a researcher in Europe during her country's Workers' Party era, she kept reading that Africans should be repaid for developing Brazilian society – via Brazil's "bestowal" of development upon Africa as an "emerging power." In Modernization Dreams, Lusotropical Promises, the researcher investigates where these two worldviews might intersect, diverge and date back to, gauging relations between representatives and projects of the Brazilian and Mozambican states, said to be joined in cooperation more than others.
The histories of the Dirty Wars in Mexico and Argentina (1960s–1980s) have largely erased how women experienced and remember the gendered violence during this traumatic time. Viviana Beatriz MacManus restores women to the revolutionary struggle at the heart of the era by rejecting both state projects and the leftist accounts focused on men. Using a compelling archival blend of oral histories, interviews, human rights reports, literature, and film, MacManus illuminates complex narratives of loss, violence, and trauma. The accounts upend dominant histories by creating a feminist-centered body of knowledge that challenges the twinned legacies of oblivion for the victims and state-sanctioned immunity for the perpetrators. A new Latin American feminist theory of justice emerges—one that acknowledges women's strength, resistance, and survival during and after a horrific time in their nations' histories. Haunting and methodologically innovative, Disruptive Archives attests to the power of women's storytelling and memory in the struggle to reclaim history.
A revealing look at U.S. imperialism through the lens of visual culture and portraiture In 1898, the United States seized territories overseas, ushering in an era of expansion that was at odds with the nation’s founding promise of freedom and democracy for all. This book draws on portraiture and visual culture to provide fresh perspectives on this crucial yet underappreciated period in history. Taína Caragol and Kate Clarke Lemay tell the story of 1898 by bringing together portraits of U.S. figures who favored overseas expansion, such as William McKinley and Theodore Roosevelt, with those of leading figures who resisted colonization, including Eugenio María de Hostos of Puerto Rico; José Martí of Cuba; Felipe Agoncillo of the Philippines; Padre Jose Bernardo Palomo of Guam; and Queen Lili‘uokalani of Hawai‘i. Throughout the book, Caragol and Lemay also look at landscapes, naval scenes, and ephemera. They consider works of art by important period artists Winslow Homer and Armando Menocal as well as contemporary artists such as Maia Cruz Palileo, Stephanie Syjuco, and Miguel Luciano. Paul A. Kramer’s essay addresses the role of the Smithsonian Institution in supporting imperialism, and texts by Jorge Duany, Theodore S. Gonzalves, Kristin L. Hoganson, Healoha Johnston, and Neil Weare offer critical perspectives by experts with close personal or scholarly relations to the island regions. Beautifully illustrated, 1898: Visual Culture and U.S. Imperialism in the Caribbean and the Pacific challenges us to reconsider the Spanish-American War, the Philippine-American War, and the annexation of Hawai‘i while shedding needed light on the lasting impacts of U.S. imperialism. Published in association with the Smithsonian’s National Portrait Gallery, Washington, DC Exhibition Schedule National Portrait Gallery, Washington, DC April 28, 2023–February 25, 2024
A captivating Cold War page-turner." — Real Simple The New York Times bestselling author of The Summer Wives returns with a gripping and profoundly human story of Cold War espionage and family devotion. In the autumn of 1948, Iris Digby vanishes from her London home with her American diplomat husband and their two children. The world is shocked by the family’s sensational disappearance. Were they eliminated by the Soviet intelligence service? Or have the Digbys defected to Moscow with a trove of the West’s most vital secrets? Four years later, Ruth Macallister receives a postcard from the twin sister she hasn’t seen since their catastrophic parting in Rome in the summer of 1940, as war engulfed the continent and Iris fell desperately in love with an enigmatic United States Embassy official named Sasha Digby. Within days, Ruth is on her way to Moscow, posing as the wife of counterintelligence agent Sumner Fox in a precarious plot to extract the Digbys from behind the Iron Curtain. But the complex truth behind Iris’s marriage defies Ruth’s understanding, and as the sisters race toward safety, a dogged Soviet KGB officer forces them to make a heartbreaking choice between two irreconcilable loyalties.
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