(Strum It (Guitar)). With this songbook, you'll be able to strum and sing along with your Beach Boys albums because all of the arrangements are provided in their original keys to match the original recordings! Includes chords, strum patterns, melody and lyrics for 19 tunes, including: Barbara Ann * California Girls * Don't Worry Baby * Fun, Fun, Fun * God Only Knows * Good Vibrations * Help Me Rhonda * I Get Around * Kokomo * Surfer Girl * Surfin' U.S.A. * Wouldn't It Be Nice * and more.
Many coastal communities have built structures at their beaches and added quantities of sand in contoured designs to combat erosion. Are such beach nourishment projects technically and economically sound? Or are they nothing more than building sand castles, as critics claim? Beach Nourishment and Protection provides a sound technical basis for decision-making, with recommendations regarding the utility of beach nourishment, the appropriate role of federal agencies, responsibility for cost, design methodology, and other issues. This volume: Examines the economic and social role of beaches, the history of beach nourishment projects, and management strategies for shore protection. Discusses the role of the U.S. Army Corps of Engineers and other federal agencies, with a close-up look at the federal flood insurance program. Explores the state of the art in project design and prediction of outcomes, including the controversy over the use of traditional and nontraditional shore protection devices. Addresses what is known about the environmental impacts of beach nourishment. Identifies what outcomes should be targeted for continued monitoring by project officials. Beach Nourishment and Protection provides insight into the technical, economic, environmental, and policy implications of beach nourishment and protection, with examples and suggested research directions.
A fitful breeze played among the mesquite bushes. The naked earth, where it showed between the clumps of grass, was baked plaster hard. It burned like hot slag, and except for a panting lizard here and there, or a dust-gray jack-rabbit, startled from its covert, nothing animate stirred upon its face. High and motionless in the blinding sky a buzzard poised; long-tailed Mexican crows among the thorny branches creaked and whistled, choked and rattled, snored and grunted; a dove mourned inconsolably, and out of the air issued metallic insect cries—the direction whence they came as unascertainable as their source was hidden.Although the sun was half-way down the west, its glare remained untempered, and the tantalizing shade of the sparse mesquite was more of a trial than a comfort to the lone woman who, refusing its deceitful invitation, plodded steadily over the waste. Stop, indeed, she dared not. In spite of her fatigue, regardless of the torture from feet and limbs unused to walking, she must, as she constantly assured herself, keep going until strength failed. So far, fortunately, she had kept her head, and she retained sufficient reason to deny the fanciful apprehensions which clamored for audience. If she once allowed herself to become panicky, she knew, she would fare worse—far worse—and now, if ever, she needed all her faculties. Somewhere to the northward, perhaps a mile, perhaps a league distant, lay the water-hole.
Henry M. Beach was a prolific and accomplished upstate New York photographer who documented the North Country during the first quarter of the twentieth century. Although much less known and celebrated, Beach's work is as important to the twentieth-century Adirondacks as Seneca Ray Stoddard's is to the nineteenth century. Illustrated with over 250 examples of his work including ten panoramic foldouts, this book covers the range of Beach's subject matter. Robert Bogdan's lively and accessible approach to the photographer's work encourages the reader to explore the North Country's people and places through Beach's photography and life. Although Beach's postcard pictures and other photographs were taken to sell in bulk to hotel managers, tourist shop owners, and other retail merchants, they are not just mass-produced, stylized, pretty pictures. Beside the bubbling brooks and shady woodland paths are factory boomtowns and paper mills belching pollution. As the rails brought increasing numbers of middle-class tourists to the Adirondacks, the wealthy created their own exclusive wilderness playground. Beach photographed dandy visitors at play as well as manual laborers sweating in the forest, logging camps, factories, mines, and construction sites. Images of "great camps" sit next to modest abodes, small stores, and family-owned resorts. Pictures of trains in scenic surroundings give way to mangled wrecks after tragic railroad accidents. In addition to standard view cards, he produced montages and advertisement postcards serious visual commentary as well as lighthearted picture play. Beach's best works stir the heart and provoke the imagination, and his whimsical, down-to-earth approach to photography produced images that are a treat to the eye.
Reproduction of the original. The publishing house Megali specialises in reproducing historical works in large print to make reading easier for people with impaired vision.
The Cambridge Introduction to Twentieth-Century American Poetry is designed to give readers a brief but thorough introduction to the various movements, schools, and groups of American poets in the twentieth century. It will help readers to understand and analyze modern and contemporary poems. The first part of the book deals with the transition from the nineteenth-century lyric to the modernist poem, focussing on the work of major modernists such as Robert Frost, T. S. Eliot, Ezra Pound, Wallace Stevens, Marianne Moore, and W. C. Williams. In the second half of the book, the focus is on groups such as the poets of the Harlem Renaissance, the New Critics, the Confessionals, and the Beats. In each chapter, discussions of the most important poems are placed in the larger context of literary, cultural, and social history.
Interweaves the story of Edward L. Beach and the crew of his boat, the USS Trigger, with other battle-hardened submarines and the brave men who fought on them.
Universally praised for its powerfully authentic depiction of submarine warfare, Run Silent, Run Deep was an immediate success when published in 1955 and shot to the top of best-seller lists nationwide. In 1958, Hollywood adapted the novel for the big screen starring Clark Gable and Burt Lancaster. The New York Timessaid of the novel, “If ever a book had a ring of reality, this is it . . . combat passages rank with the most exciting written about any branch of the service.” The Saturday Review called the book “a classic,” and many reviewers compared its author to such greats as C. S. Forester and Erich Remarque. Today these accolades still ring true for Edward L. Beach’s gripping first novel of American submariners confronting a formidable Japanese navy in a vicious battle to control the Pacific. Beach’s taut and dramatic narrative, told with the intimacy of a confession, deals with two strong-headed men, Edward Richardson, the commander of the USS Walrus, and his executive officer, Jim Bledsoe. Bound together by wartime duty, the two are divided by jealousy, pride, and love for a beautiful woman. But long after the details of this famous novel fade from memory, what remains with us is a startling realization of the way it was, really was, in the silent service during World War II. Unlike many war novels, here is a story that deals with war from the perspective of command. With fidelity, Beach creates the anguish, agony, and triumphs of command decisions. Commander Richardson embodies all that is fine and human in an excellent naval officer. This is a monument, not to the misfits and the mistakes, but to those men who rose to greatness under the sometimes unbearable tensions of action.
J. Mark Beach untersucht die Bundestheologie Francis Turretins und entdeckt dabei einen Strang in der reformatorischen Theologie des 16. Jahrhunderts, der sich grundlegend von seiner Ausprägung im 17. Jahrhundert unterscheidet. Die jeweilige Interpretation lässt bedeutende Rückschlüsse auf die Bundestheologie zu.
Sylvia Beach was intimately acquainted with the expatriate and visiting writers of the Lost Generation, a label that she never accepted. Like moths of great promise, they were drawn to her well-lighted bookstore and warm hearth on the Left Bank. Shakespeare and Company evokes the zeitgeist of an era through its revealing glimpses of James Joyce, Ernest Hemingway, Scott Fitzgerald, Sherwood Anderson, Andre Gide, Ezra Pound, Gertrude Stein, Alice B. Toklas, D. H. Lawrence, and others already famous or soon to be. In his introduction to this new edition, James Laughlin recalls his friendship with Sylvia Beach. Like her bookstore, his publishing house, New Directions, is considered a cultural touchstone.
Discover the history of Palm Beach in this book as we see the evolution of the area in stunning images. Once referred to as a "veritable paradise" by Florida developer Henry M. Flagler, Palm Beach has transformed from a small frontier community to a remarkably picturesque historic town. The seaside resort's charm is found in its diverse architecture, landmarks, mega-mansions, beaches, and land and streetscapes.
Founder of the Left Bank bookstore Shakespeare and Company and the first publisher of James Joyce's Ulysses, Sylvia Beach had a legendary facility for nurturing literary talent. In this first collection of her letters, we witness Beach's day-to-day dealings as bookseller and publisher to expatriate Paris. Friends and clients include Ernest Hemingway, Gertrude Stein, H. D., Ezra Pound, Janet Flanner, William Carlos Williams, F. Scott Fitzgerald, James Joyce, and Richard Wright. As librarian, publicist, publisher, and translator, Beach carved out a unique space for herself in English and French letters. This collection reveals Beach's charm and resourcefulness, sharing her negotiations with Marianne Moore to place Joyce's work in The Dial; her battle to curb the piracy of Ulysses in the United States; her struggle to keep Shakespeare and Company afloat during the Depression; and her complicated affair with the French bookstore owner Adrienne Monnier. These letters also recount Beach's childhood in New Jersey; her work in Serbia with the American Red Cross; her internment in a German prison camp; and her friendship with a new generation of expatriates in the 1950s and 1960s. Beach was the consummate American in Paris and a tireless champion of the avant-garde. Her warmth and wit made the Rue de l'Odéon the heart of modernist Paris.
With Christian Ethics in the Protestant Tradition, Waldo Beach provides a basic introductory text on Christian ethics. He has designed a challenging work that grapples with the ethical questions surrounding modern day problems from the perspective of Protestant theology and tradition. His two-part format is especially helpful for study.
Reproduction of the original. The publishing house Megali specialises in reproducing historical works in large print to make reading easier for people with impaired vision.
Boynton Beach, located on South Floridas Atlantic coast, is known as the Gateway to the Gulf Stream. Ernest Hemingway once called these great ocean currents the last wild country left. Fishermen who study navigational charts understand that Boynton Beach is unique as the closest community to the Gulf Stream. Just minutes from the Boynton Inlet, water reaches a depth of 800 feet. Maj. Nathan Boynton came to the area in 1894, built a hotel, and envisioned a prosperous future for the idyllic village. Today Boynton Beach celebrates its diverse population, ideal location, and a rich and fascinating history that includes Henry Flaglers railroad, land booms, hurricanes, shipwrecks, and steadfast farmers.
Byron is situated between Milton, whose suffering Satan retained more than a hint of nobility even though God's ways were supposedly justified, and Nietzsche's ubermench who in suffering the laughter of rejection and the pain of alienated righteousness, destroys the old gods and brings in the new. Byron's duality is couched within a will to do and the weakness to do not - always with the hanging question, does either path really matter? This conflict keeps Byron's humanity locked, like Pascal's paradoxical pronouncement, in "a mid-point between nothing and everything." Pope could assert in the 18th century that "Man was created half to rise and half to fall," while Byron had to struggle with if humanity was created at all, and by whom, and for what purpose? The most distilled revelation of this conflicted search for meaning within, and behind, the human condition comes in Byron's confessional narrative Childe Harold's Pilgrimage (1812-1819). In this aspiring epic, Byron presents the Visionary's "compulsive search for an ideal and a perfection that do[es] not exist in the world of reality...the unquenchable thirst for ideality and the dissatisfaction with reality.
Redondo Beach in the 1910s and 1920s was one of the best-attended weekend getaway spots in America. The beaches, pier, and downtown were jammed with vacationers and the Hollywood crowd. Water sports mavens drawn to the area included the great surfing pioneer George Freeth, who became a local icon. At one time, Redondo Beach boasted the worlds largest indoor plunge along with visionary tycoon Henry Huntingtons enormous Hotel Redondo overlooking the Pacific Ocean. The town grew as an import-export point for the City of Los Angeles until political powers decided to put its main port in nearby San Pedro. Since World War II, Redondo Beach has evinced a quaint charm as the jewel city of Santa Monica Bays southerly shores.
In Rex Beach's ‘The Ne'er-Do-Well’ Kirk Anthony is a rich, playboy who enjoys the lavish lifestyle of expensive dinners, fancy cars, and the New York Night Life, despite his father’s pleas for him to settle down and do some real work. Kirk won’t stop having a good time with his father’s money until one of his drunken friends is persuaded, by a man trying to escape the law, to play a fun ‘trick’ on Kirk. Kirk is kidnapped by his own friends and put on a ship to Panama with no money and the wanted man’s identity. Working to earn his passage home, Kirk is shocked to find that his father is tired of his irresponsible lifestyle and refuses to help him out of this situation. The perfect novel for fans of ‘Windfall’ starring Jason Segal and Jesse Plemons, or ‘All the Money in the World’. Rex Beach, was an American novelist, playwright, and Olympic water polo player. His novels, most of which were adventure novels, were influenced by Jack London – author of ‘White Fang’ – and they were very popular during the early 1900s. His second novel, ‘The Spoilers’ which was based on a true experience he witnessed while in Alaska of corrupt government officials stealing gold mines from prospectors, became one of the best-selling novels of 1906.
In 1972, following the huge success of Run Silent, Run Deep, Edward L. Beach's second novel of submarine warfare was published to great acclaim. Like its predecessor, Dust on the Sea was lauded for its authentic portrayal of what it meant to be a submariner during the desperate years of World War II. Tense, dramatic and rich in technical and tactical detail, the book draws on Beach's experience as a submariner in the US Navy to describe the commander and crew of the fictitious USS Eel as they battle overwhelming odds to destroy Japanese ships and save American lives. With no margin for error, the men withstand storms, depth charges and even hand-to-hand combat to defend their boat and themselves. Mistakes, as the title reminds us, result in the debris which serves as a brief grave maker for sunken ships: dust on the sea.
The image that appears on the movie screen is the direct and tangible result of the joint efforts of the director and the cinematographer. A Hidden History of Film Style is the first study to focus on the collaborations between directors and cinematographers, a partnership that has played a crucial role in American cinema since the early years of the silent era. Christopher Beach argues that an understanding of the complex director-cinematographer collaboration offers an important model that challenges the pervasive conventional concept of director as auteur. Drawing upon oral histories, early industry trade journals, and other primary materials, Beach examines key innovations like deep focus, color, and digital cinematography, and in doing so produces an exceptionally clear history of the craft. Through analysis of several key collaborations in American cinema from the silent era to the late twentieth centuryÑsuch as those of D. W. Griffith and Billy Bitzer, William Wyler and Gregg Toland, and Alfred Hitchcock and Robert BurksÑthis pivotal book underlines the importance of cinematographers to both the development of cinematic technique and the expression of visual style in film.
Analyzes the films and filmmaking career of director Hal Ashby, placing his work in the cultural context of filmmaking in the 1970s. Hal Ashby directed eleven feature films over the course of his career and was an important figure in the Hollywood Renaissance of the late 1960s and 1970s. Though he was a member of the same generation of filmmakers as Martin Scorsese, Francis Ford Coppola, and Robert Altman, Ashby has received comparatively little critical or scholarly validation for his work. Author Christopher Beach argues that despite his lower profile, Ashby was an exceptionally versatile and unusually creative director. Beach focuses primarily on Ashby's first seven films—The Landlord, Harold and Maude, The Last Detail, Shampoo, Bound for Glory, Coming Home, and Being There—to analyze Ashby's contributions to filmmaking culture in the 1970s. The first two chapters of this volume provide an overview of Ashby's filmmaking career, as Beach makes the case for Ashby's status as an auteur and provides a biographical survey of Ashby's most productive and successful decade, the 1970s. In the following chapters, Beach analyzes groups of films to uncover important thematic concerns in Ashby's work, including the treatment of a young male protagonist in The Landlord and Harold and Maude, the representation of the U.S. military in The Last Detail and Coming Home, and the role of television and mass media in Shampoo and Being There. Beach also examines the crucial role of the musical score in Ashby's films, as well as the rapid decline of the director's career after Being There. The Films of Hal Ashby is based on Beach's extensive use of unpublished archival materials, as well as a number of interviews with actors, directors, producers, cinematographers, and others involved in the making of Ashby's films. This volume will interest film and television scholars, as well as readers interested in filmmakers of the 1970s.
This book examines the evolution of American film comedy through the lens of language and the portrayal of social class. Christopher Beach argues that class has been an important element in the development of sound comedy as a cinematic form. With the advent of sound in the late 1920s and early 1930s, filmmakers recognized that sound and narrative enlarged the semiotic and ideological potential of film. Analyzing the use of language in the films of the Marx Brothers, Frank Capra, Woody Allen and the Coen brothers, among others, Class, Language, and American Film Comedy traces the history of Hollywood from the 1930s to the present, while offering a new approach to the study of class and social relationships through linguistic analysis.
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