Die Publikation mit dem Titel 'Out there' geht zurück auf eine gleichnamige Ausstellung von Bea Otto, die 2013 im Ludwig Forum in Aachen stattgefunden hat. Es ist der Ort der ehemaligen Schirmfabrik und dessen Architektur, den sich die Künstlerin aneignet, um dort skulptural und installativ Eingriffe vorzunehmen. Dabei produziert sie überraschende Ein- und Ausblicke, indem sie den Museumsraum an Stellen öffnet, an denen man Schutz und Abschirmung vermutet und anderenorts Teile verbaut, an denen für gewöhnlich Durchlässigkeit geboten wäre.00Der Katalog stellt das Projekt in Aachen ins Zentrum, präsentiert und dokumentiert die Ausstellung jedoch im Gesamtkontext der künstlerischen Arbeit von Bea Otto bis 2014.0.
Has anyone ever told you that you look like a celebrity? Elvis or Marilyn? Cher or Madonna? Bush or Donald Trump, perhaps? The 4th in her series of Entertainment books, author Bea Fogelman introduces the role of the Actor into the world of the Impersonator, the Look-alike, the Voice-Over and the Impressionist. With her assortment of photographs, the novice and professional performer receives a view of the Artists and how they came to emulate the celebrities. ShowTime provides a Directory of Agents, Producers other forms of entertainment as well as allied services to the Industry. This is an “open door” to the wonderful World of Entertainment.
Quest is the new and different approach to teaching History at Key Stage 3. A World of Change 1900-2000 provides detailed and accessible coverage of the sixth area of study in the revised National Curriculum - A World study after 1900.
Max Brewman is in a deep crisis. The loss of his beloved mother, the breakdown of his marriage and bankruptcy have shattered his world and his hopes. To make matters worse, his long-time friend turns out to be an insidious enemy, and his own children are shrouded in a mysterious silence. In a desperate attempt to get his life back on track, Max makes the brave decision to go on a journey. But what is meant to be a quest for adventure and a new beginning takes a completely unexpected turn. His fate changes dramatically when he survives a plane crash in the unexplored Bolivian rainforest. There, far from civilisation, his path crosses with that of a little girl who, like him, survived the accident. These unlikely companions become inseparable. Together they face the dangerous challenges of the impenetrable jungle. Once on the brink of collapse, Max now faces a test of survival in a merciless environment. The search for food and water becomes a daily struggle, his fragile belief in himself a constant companion. As he struggles to survive, Max also carries the responsibility of the little girl on his shoulders. A remarkable bond develops between the dwindling supplies and the threatening wilderness. In these dark hours of struggle and loneliness, Max discovers an unexpected strength within himself and a deep bond with his companion. In the vastness of the unknown rainforest, where the laws of nature set the pace, Max finds a new meaning to his life. Every step through the thicket becomes a journey of self-fulfilment, every obstacle a springboard for his transformation. The unexpected alliance between Max and the girl becomes a reflection of his own struggle - the search for a new beginning and the rebirth of hope that comes in life's darkest hours.
This book describes African Theology/ies and the Bible as a "contemporary mosaic." The book is shaped in the form of a "mosaic" with three patterns. One pattern deals with the Bible and Culture. The second deals with Hermeneutics (interpretations of various biblical texts) as they relate to African cultural contexts and the third part deals with general issues of Gender Missiology and practical Christianity. Some of the themes treated in the book are reading and hearing scripture as a "hermeneutic of grafting", marriage in the Bible, HIV/AIDS care and intervention, Gender challenges and many more. This book is very easy to read and throws light on some aspects of African cultural and theological practices that may even have universal application. Seminaries, Theological/Divinity Schools will find this book very educative and resourceful. People who want to know more about the worldviews expressed in African Theology/ies will appreciate this Book.
Franco Albini’s works of architecture and design, produced between 1930 and 1977, have enjoyed a recent revival but to date have received only sporadic scholarly attention from historians and critics of the Modern Movement. A chorus of Italian voices has sung his praises, none more eloquently than his protégé, Renzo Piano. Kay Bea Jones’ illuminating study of selected works by Studio Albini will reintroduce his contributions to one of the most productive periods in Italian design. Albini emerged from the ideology of Rationalism to produce some of Italy’s most coherent and poetic examples of modern design. He collaborated for over 25 years with Franca Helg and at a time when professional male-female partnerships were virtually unknown. His museums and installation motifs changed the way Italians displayed historic artifacts. He composed novel suspension structures for dwellings, shops, galleries and his signature INA pavilions where levity and gravity became symbolic devices for connoting his subjects. Albini clarified the vital role of tradition in modern architecture as he experimented with domestic space. His cohort defied CIAM ideologies to re-socialize postwar housing and speculate on ways of reviving Italian cities. He explored new fabrication technologies, from the scale of furniture to wide-span steel structures, yet he never abandoned the rigors of craft and detail in favor of mass-production. Suspending Modernity follows the evolution of Albini’s most important buildings and projects, even as they reveal his apprehensive attitudes about the modern condition. Jones argues here that Albini’s masterful use of materials and architectural expression mark an epic paradigm shift in the modern period.
This book benefits users, manufacturers and engineers by drawing together an overall view of the technology. It attempts to give the reader an appreciation of the extent to which slurry transport is presently employed, the theoretical basis for pipeline design, the practicalities of design and new developments.
O WOMAN is a collection of stories of ordinary women recalled from their vivid memories of abuse, hardships and struggles awakened from the secret corners of the past. For several women, this book presented an opportunity to relive the difficult paths taken to acquire the success they deserved in the industry of their choice and accept happiness, love and joy in their lives. All of the women in this book are indeed extraordinary women who, together, have created a legacy of faith and extreme courage...an inspiration for the young women of today who seek a haven from their problems.
Examining the social and political significance of football in Cameroon, author Bea Vidacs's anthropological study goes beyond sports. Encompassing the period between 1994 and 2006, the work throws light upon changes in Cameroonians' political attitudes and interpretations of politics and of football as the revolutionary fervor of the early 1990s waned over time and increasingly turned into political disillusionment. Taking the ethos of sport as an ethnographic starting point she addresses such issues as politics, power, powerlessness, identity construction on a local, national and international scale, as well as the meaning of the postcolonial experience both on an individual and national level. Rich in ethnographic detail and command of relevant literature, the study demonstrates how, and with what consequences, Cameroonian football impinges upon and is influenced by local, national and global socio-cultural, economic and political realities.
To my dear Pieternelletje describes a ten-year period in the lives of Pieternella van Hoorn and her grandfather Willem van Outhoorn, former governor-general of the Dutch East Indies. Eleven years old, Pieternella left for Amsterdam and the only contact possible was by mail. Numerous letters have survived and combined with contemporaneous documents, most of them never published before, they offer a vivid and clear picture of their private life and feelings, forming a most welcome addition to official VOC-history. Van Outhoorn not only acted as Pieternella’s mentor while she tried to adjust to her new but unknown fatherland, but also sent her numerous exquisite presents, the greater part of which has been traced and described in full, thus offering new insight in the cultural history of Asia.
In Proverbs and the African Tree of Life Dorothy BEA Akoto-Abutiate juxtaposes chosen sayings from Proverbs and selected Ewe Folk proverbs using the agricultural metaphor of “grafting,” which she calls a “hermeneutic of grafting.” Though these two sets of sayings come from completely different cultural contexts, Akoto argues that folk sayings/proverbs, which abound in Africa, should be considered as an already mature, established tree on to which a piece of the biblical tree is spliced or engrafted to produce hybridized fruits that have uniquely different tastes than the fruits of each tree individually. This metaphorical grafting process allows the message of the Bible (in Proverbs) to be understood, imbibed and appropriated in Africa.
The Rough Guide to Devon and Cornwall is the ultimate insider''s handbook to one of the most beautiful and popular regions of the UK. In this new edition, there is a 24-page full-colour introduction to the author''s pick of the attractions and activities, from the cliff-top Minack theatre to a helicopter ride to the Isles of Scilly. The guide provides expert coverage of all the major sights, from the wild expanses of Dartmoor to the Eden project and critical reviews of the best restaurants, pubs and accommodation in every area. There is also practical advice for the host of outdoor activities available, from surfing to rambling and horse riding to diving.
The Brazilian Constitution provides a remarkable set of social rights, including the right to housing. Despite this fact, struggles for decent living conditions have become key issues in the daily urban lives of many people in Brazil. Contesting the differentiated access to housing, social movements occupy empty buildings in the cities to challenge historically-rooted and excluding urban politics. Exploring the occupants' agency, Bea Wittger draws attention to the important role of female actors within the buildings. Through oral histories of participants of two squats in Rio de Janeiro, the book delivers a deep insight "from below" into their own perspectives on citizenship and gender.
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