Wholly riveting." --New York Times Book Review "Justine Bateman was famous before selfies replaced autographs, and bags of fan mail gave way to Twitter shitstorms. And here's the good news: she took notes along the way. Justine steps through the looking glass of her own celebrity, shatters it, and pieces together, beyond the shards and splinters, a reflection of her true self. The transformation is breathtaking. Revelatory and raucous, fascinating and frightening, Fame is a hell of a ride." --Michael J. Fox, actor, author of A Funny Thing Happened on the Way to the Future "In a new book, Fame: The Hijacking of Reality, the two-time Emmy nominee takes a raw look at the culture of celebrity, reflecting on her stardom at its dizzying peak--and the 'disconcerting' feeling as it began to fade." --People Magazine A Book Soup (Los Angeles, CA) best seller, October 15–21, 2018 "As the title Fame: The Hijacking of Reality more than implies, this is a book about the complicated aspects of all things fame." --Vanity Fair "Bateman digs into the out-of-control nature of being famous, its psychological aftermath and why we all can't get enough of it." --New York Post "The Family Ties alum has written the rawest, bleakest book on fame you're ever likely to read. Bateman's close-up of the celeb experience features vivid encounters with misogyny, painful meditations on aging in Hollywood, and no shortage of theses on social media's wrath." --Entertainment Weekly "Bateman addresses the reader directly, pouring out her thoughts in a rapid-fire, conversational style. (Hunter S. Thompson is saluted in the acknowledgments.)...But her jittery delivery suits the material--the manic sugar high of celebrity and its inevitable crash. Bateman takes the reader through her entire fame cycle, from TV megastar, whose first movie role was alongside Julia Roberts, to her quieter life today as a filmmaker. She is as relentless with herself as she is with others." --Washington Post "While Bateman's new book Fame: The Hijacking of Reality (out now) touches on the former teen starlet's experience in the public eye, it's not a memoir. Far from it, in fact--it's instead an intense meditation on the nature of fame, and a glimpse into the repercussions it has on both the individual experiencing it and the society that keeps the concept alive." --Entertainment Weekly "Bateman takes an unsentimental look at the nature of celebrity worship in her first book, Fame: The Hijacking of Reality." --LA Weekly Entertainment shows, magazines, websites, and other channels continuously report the latest sightings, heartbreaks, and triumphs of the famous to a seemingly insatiable public. Millions of people go to enormous lengths to achieve Fame. Fame is woven into our lives in ways that may have been unimaginable in years past. And yet, is Fame even real? Contrary to tangible realities, Fame is one of those "realities" that we, as a society, have made. Why is that and what is it about Fame that drives us to spend so much time, money, and focus to create the framework that maintains its health? Mining decades of experience, writer, director, producer, and actress Justine Bateman writes a visceral, intimate look at the experience of Fame. Combining the internal reality-shift of the famous, theories on the public's behavior at each stage of a famous person's career, and the experiences of other famous performers, Bateman takes the reader inside and outside the emotions of Fame. The book includes twenty-four color photographs to highlight her analysis.
Writer/director/producer Justine Bateman examines the aggressive ways that society reacts to the aging of women's faces. "Face . . . is filled with fictional vignettes that examine real-life societal attitudes and internal fears that have caused a negative perspective on women's faces as they age." —TODAY, a Best Book of 2021 "There is nothing wrong with your face. At least, that's what Justine Bateman wants you to realize. Her new book, Face: One Square Foot of Skin, is a collection of fictional short stories told from the perspectives of women of all ages and professions; with it, she aims to correct the popular idea that you need to stop what you're doing and start staving off any signs of aging in the face." —W Magazine "Combining the author's intensely personal stories with relevant examples from the culture at large, the book is heartbreaking and hopeful, infuriating and triumphant." —Kirkus Reviews, Starred Review Face is a book of fictional vignettes that examines the fear and vestigial evolutionary habits that have caused women and men to cultivate the imagined reality that older women's faces are unattractive, undesirable, and something to be "fixed." Based on "older face" experiences of the author, Justine Bateman, and those of dozens of women and men she interviewed, the book presents the reader with the many root causes for society's often negative attitudes toward women's older faces. In doing so, Bateman rejects those ingrained assumptions about the necessity of fixing older women's faces, suggesting that we move on from judging someone's worth based on the condition of her face. With impassioned prose and a laser-sharp eye, Bateman argues that a woman's confidence should grow as she ages, not be destroyed by society's misled attitude about that one square foot of skin.
The Met Gala or Met Ball is one of the world's biggest events for celebrity, fashion and pop culture. Founded by Eleanor Lambert, and organised by Vogue, it began in 1948 as an annual fundraising gala held for the benefit of the Metropolitan Museum of Art's Costume Institute in New York, raising more than $200 million to date. And Anna Wintour is in charge. An irresistible invitation to this annual stunning spectacle, Fashion's Big Night Out is the perfect gift for celebrity and fashion fans alike. Just as important as the costume exhibition is the star-studded red-carpet and the depth of global interest this generates. Alongside the costumes, couture story, and social/celebrity context, the book showcases all the extravagant and risk-taking fashion and celebrity moments that have graced this fabulous red carpet in the 21st century.
An original folktale full of wit, magic, and leprechauns, that is sure to delight for St. Patrick’s Day as well as all year round. The luck of the Irish has waned after the greedy Leprechaun King has taken all the good fortune in Ireland and locked it away. It is up to one cunning girl, Fiona to come up with a plan to get the luck and good tidings back from the leprechauns to help the people of Ireland. Through clever charades, Fiona uses her wit to outsmart the powerful Leprechaun King and restore luck to the Emerald Isle. Luminous and enchanting illustrations add to the wonder of this original folktale, that is sure to charm readers young and old who are looking for a bit of magic to spark their story time.
Bateman's scintillating first Bow Street Bachelors Regency is full of intense emotions and dramatic twists. Intelligent, affable characters make this fast-paced novel shine, especially for fans of clever women and the men who sincerely admire them. Future installments will be eagerly anticipated by Regency readers." -- Publishers Weekly (Starred Review) Introducing the Bow Street Bachelors—men who work undercover for London’s first official police force—and the women they serve to protect. . .and wed? WILL A FALSE MARRIAGE Shipping heiress Georgiana Caversteed is done with men who covet her purse more than her person. Even worse than the ton’s lecherous fortune hunters, however, is the cruel cousin determined to force Georgie into marriage. If only she could find a way to be . . . widowed? Georgie hatches a madcap scheme to wed a condemned criminal before he’s set to be executed. All she has to do is find an eligible bachelor in prison to marry her, and she’ll be free. What could possibly go wrong? LEAD TO TRUE AND LASTING LOVE? Benedict William Henry Wylde, scapegrace second son of the late Earl of Morcott and well-known rake, is in Newgate prison undercover, working for Bow Street. Georgie doesn’t realize who he is when she marries him—and she most certainly never expects to bump into her very-much-alive, and very handsome, husband of convenience at a society gathering weeks later. Soon Wylde finds himself courting his own wife, hoping to win her heart since he already has her hand. But how can this seductive rogue convince brazen, beautiful Georgie that he wants to be together...until actual death do they part?
Kate Bateman's writing sparkles." - USA Today bestselling author Laura Lee Guhrke Meet the Davies and Montgomery families - two households locked in an ancient feud, destined to be on opposing sides forever. Until now... CAN LIFELONG HATE Madeline Montgomery grew up despising––and secretly loving––the roguish Gryffud “Gryff” Davies. Their families have been bitter rivals for hundreds of years, but even if her feelings once crossed the line between love and hate, she’s certain Gryff never felt the same. Now, she’s too busy saving her family from ruin to think about Gryff and the other “devilish” Davies siblings. Since he’s off being scandalous in London, it’s not like she’ll ever see him again... TURN TO TRUE LOVE As the new Earl of Powys, Gryff Davies planned on spending his post-war life enjoying the pleasures of London. But when an illegal duel forces him to retreat to his family’s Welsh castle, he realizes the only exciting thing in the dull countryside will be seeing the fiery Maddie Montgomery. Thoughts of his nemesis sustained Gryff throughout the war; but the girl he loved to tease has grown into a gorgeous, headstrong woman – who loathes him just as much as she ever did. Will secret tunnels, dangerous smugglers, and meddling from their feuding families be enough to make Maddie and Gryff realize that their animosity is really attraction...and maybe even love? A Reckless Match is the first in a new regency romance series by Kate Bateman about two feuding families, and reunited childhood enemies whose hatred turns to love.
The extrovert of interior design and the definition of 'more is more', maximalism is an exuberant celebration of pattern, colour and texture that deliberately clash. Its roots lie in 1930s Hollywood Regency style, Rococo and Neoclassicism, as well as Greek, Egyptian and Asian styles. With a historical overview of the decor, and illustrated with examples of notable interiors and key elements of lighting, furniture, colour palette, texture and textile, the book offers practical advice on how to recreate the look in your own home.
What is psychoanalysis? Is it relevant to today’s mental health crisis? How can psychoanalysis help people suffering from psychological distress and illness? This vital new book examines how psychoanalysis has changed since its inception, and how it has adapted to the needs and concerns of 21st-century mental health professionals and patients. The first part of this book provides a concise and unbiased account of the origins of psychoanalysis, and the theories which characterise the main post-Freudian schools – neo-Freudian, Kleinian, interpersonal, self-psychological, Lacanian – and the ways in which they agree and diverge. The second part uses clinical illustrations to examine the practicalities of psychoanalytic technique in the consulting room – assessment, free association, dream analysis, transference, and counter-transference. Whatever their allegiance or role, mental health professionals – psychologists, psychiatrists, social workers, child mental health professionals, mental health nurses – need to be conversant with the strengths, relevance, and limitations of the psychoanalytic approach. This book provides an indispensable, up-to-date, and accessible account of psychoanalysis today. Shaped throughout by considering the viewpoint of an interested 21st-century reader, it is of great interest to psychoanalysts and related mental health professionals, as well as students and all those interested in the treatment of mental health.
Since its emergence in the 1970s, microfinance has risen to become one of the most high-profile policies to address poverty in developing and transition countries. It is beloved of rock stars, movie stars, royalty, high-profile politicians and ‘troubleshooting’ economists. In this provocative and controversial analysis, Milford Bateman reveals that microfinance doesn’t actually work. In fact, the case for it has been largely built on hype, on egregious half-truths and – latterly – on the Wall Street-style greed of those promoting and working in microfinance. Using a multitude of case studies, from India to Cambodia, Bolivia to Uganda, Serbia to Mexico, Bateman demonstrates that microfi nance actually constitutes a major barrier to sustainable economic and social development, and thus also to sustainable poverty reduction. As developing and transition countries attempt to repair the devastation wrought by the global financial crisis, Why Doesn’t Microfinance Work? argues forcefully that the role of microfinance in development policy urgently needs to be reconsidered.
A young person who saves $2,000 each year between the ages of 9 and 14, at an interest rate of 9 percent, will have one million dollars at age 65. And that is just by saving! This guide explains the language of business and the skill of investing, so that children can grow up business-literate and get an early start at making their money grow. The concepts of money and simple and compound interest show how saving works; then children learn where Wall Street is, what stocks and bonds do, and, with the help of an adult, the right way to buy or sell a stock, mutual fund, or savings bond. Dozens of activities teach how to balance a checkbook, read stock tables, and know what people are talking about when they mention inflation, recession, and the Federal Reserve Board.
In this rom com from the author of Someone Else's Summer, a hopeless romantic juggles senior year stress, family problems, and faulty friendships around the end of senior year and prom. Quincy Walker is a hopeless romantic, so when she's kissed by a stranger in a dark theater, her rom-com obsessed imagination begins plotting the perfect movie-version ending to her senior year (which ends, like all great high school rom-coms, with the prom). With the help of her friends, Operation Mystery Kisser is born: a plan to set Quin up on dates with all the guys who were at the theater that night so she can discover who kissed her. The only problem? Her friends insist on blind dates, and Quin hates letting go of control--just ask the members of her group for her final project for film class. As prom draws nearer, Quin is no closer to finding who her mystery kisser was, and she's not sure she wants to continue looking. Maybe it's her dad's failing health and her brother's absence; maybe it's the fact that she's fighting with her best friend; or maybe--just maybe--it's that she's falling for a guy who definitely isn't the one she's been looking for.
Mentalizing - the ability to understand oneself and others by inferring the mental states that lie behind overt behavior - develops during childhood within the context of a secure attachment relationship. It is crucial to self-regulation and constructive, intimate relationships. Failure to retain mentalizing, particularly in the midst of emotional interactions, is a core problem in borderline personality disorder and results in severe emotional fluctuations,impulsivity, and vulnerability to interpersonal and social interactions. Mentalization-based treatment for borderline personality disorder is a How to Do It book outlining a clinically proven treatment for Borderline Personality Disorder. Containing illustrative clinical examples, it details precisely how to develop and implement treatment and is a companion to the highly successful book Psychotherapy for Borderline Personality Disorder - mentalization based treatment.This practical guide explains how to treat borderline patients by helping them develop a more robust mentalizing capacity within the context of an attachment relationship. It provides the practitioner with everything they need to know about how to practise mentalizing treatment in day patient and out-patient settings. Enough theory is provided to orientate the clinician and there is step-by-step practical advice on the assessment of mentalizing and interpersonal relationships, how to structuretreatment, the use of basic mentalizing interventions and how to apply them, as well as information on what not to do. In addition, it includes a check list to be used in the assessment of mentalizing and a self-rating exercise for practitioners to evaluate their adherence tomentalizing.
In this major reexamination of the southern industrial economy and its failure to progress during the antebellum period, Fred Bateman and Thomas Weiss show that slavery and its consequences were not alone in inhibiting industrialization. They argue, rather, that the planters hesitated to invest in high-risk enterprises and worried that industrialization would undermine their authority. Underpinning this study is a massive data collection from census reports, which permits an economic analysis that was previously not feasible.
This fourth edition of Introduction to Psychotherapy builds on the success of the previous three editions and remains an essential purchase for trainee psychotherapists, psychiatrists and other professionals. It has been revised and extended to capture some of the current themes, controversies and issues relevant to psychotherapy as it is practised today. Bateman has added new chapters on attachment theory and personality disorder and has developed further the research sections on selection and outcome. His new chapter on further therapies covers a variety of therapeutic movements and establishes links between these and classical psychoanalytical therapies. Introduction to Psychotherapy is a classic text that has been successfully updated to provide a relevant and essential introduction for anyone interested in psychotherapy.
Already frustrated by the incorrigible students she teaches on the Kansas frontier, Tarah is further troubled when Anthony Greene, the one man she has always loved, returns to town. And she is certainly not ready to graciously accept his apparent preference for the simpering Louisa Thomas, the banker's daughter who obviously has designs for the handsome young preacher. But the appearance of two abused children in the community changes everyone. How will Tarah be able to win the trust of Laney and Ben and help them to build a new life? Will she be able to accept the gifts of friendship from Anthony, if that is all he is willing to offer? And will her heart be open to lessons God has for her in a situation that seems to offer only heartache and loneliness?
In his important contribution to the growing field of sports literature, Anthony Bateman traces the relationship between literary representations of cricket and Anglo-British national identity from 1850 to the mid 1980s. Examining newspaper accounts, instructional books, fiction, poetry, and the work of editors, anthologists, and historians, Bateman elaborates the ways in which a long tradition of literary discourse produced cricket's cultural status and meaning. His critique of writing about cricket leads to the rediscovery of little-known texts and the reinterpretation of well-known works by authors as diverse as Neville Cardus, James Joyce, the Great War poets, and C.L.R. James. Beginning with mid-eighteenth century accounts of cricket that provide essential background, Bateman examines the literary evolution of cricket writing against the backdrop of key historical moments such as the Great War, the 1926 General Strike, and the rise of Communism. Several case studies show that cricket simultaneously asserted English ideals and created anxiety about imperialism, while cricket's distinctively colonial aesthetic is highlighted through Bateman's examination of the discourse surrounding colonial cricket tours and cricketers like Prince Kumar Shri Ranjitsinhji of India and Sir Learie Constantine of Trinidad. Featuring an extensive bibliography, Bateman's book shows that, while the discourse surrounding cricket was key to its status as a symbol of nation and empire, the embodied practice of the sport served to destabilise its established cultural meaning in the colonial and postcolonial contexts.
A new and provocative take on the formerly classified history of accelerating superpower military competition in space in the late Cold War and beyond. In March 1983, President Ronald Reagan shocked the world when he established the Strategic Defense Initiative (SDI), derisively known as “Star Wars,” a space-based missile defense program that aimed to protect the US from nuclear attack. In Weapons in Space, Aaron Bateman draws from recently declassified American, European, and Soviet documents to give an insightful account of SDI, situating it within a new phase in the militarization of space after the superpower détente fell apart in the 1970s. In doing so, Bateman reveals the largely secret role of military space technologies in late–Cold War US defense strategy and foreign relations. In contrast to existing narratives, Weapons in Space shows how tension over the role of military space technologies in American statecraft was a central source of SDI’s controversy, even more so than questions of technical feasibility. By detailing the participation of Western European countries in SDI research and development, Bateman reframes space militarization in the 1970s and 1980s as an international phenomenon. He further reveals that even though SDI did not come to fruition, it obstructed diplomatic efforts to create new arms control limits in space. Consequently, Weapons in Space carries the legacy of SDI into the post–Cold War era and shows how this controversial program continues to shape the global discourse about instability in space—and the growing anxieties about a twenty-first-century space arms race.
This valuable book focuses on a collection of powerful methods of analysis that yield deep number-theoretical estimates. Particular attention is given to counting functions of prime numbers and multiplicative arithmetic functions. Both real variable (”elementary”) and complex variable (”analytic”) methods are employed. The reader is assumed to have knowledge of elementary number theory (abstract algebra will also do) and real and complex analysis. Specialized analytic techniques, including transform and Tauberian methods, are developed as needed.Comments and corrigenda for the book are found at www.math.uiuc.edu/~diamond/.
Kate Bateman's To Catch an Earl continues her historical Regency Romance Bow Street Bachelors series. Working undercover for London’s first official police force, the Bow Street Bachelors have an obligation to serve the city’s best interests—even while they’re falling for the city’s most alluring women... SHE KNOWS HOW TO STEAL A KISS. Alex Harland, Earl of Melton and dedicated rake, never pictured himself as an agent of inquiry. But the thrill of investigation is a challenge he now embraces. When he’s asked to pursue the Nightjar, a notorious thief who is reclaiming France’s crown jewels, the case throws him into the path of the beautiful and equally elusive Emmy Danvers, reminding him of the only puzzle he’s never solved: the identity of the mysterious woman who once stole a kiss from him—and left him wanting so much more... WILL HE SURRENDER HIS HEART? The daughter of a thief, Emmy learned long ago how to keep her secrets safeguarded—and, as the notorious Nightjar, her love for Alex Harland is one of them. With the determined earl hot on her trail—and making her hot under the collar—Emmy has no choice but to keep her distance. But when a moment’s danger threatens Emmy’s life as well as her name, will Alex finally discover that he’s followed every clue...to true love? “Full of intense emotions and dramatic twists....Future installments will be eagerly anticipated by Regency readers.”—Publishers Weekly (starred review) on This Earl of Mine
A feisty counterfeiter and a cocky British agent clash in this sultry Secrets and Spies novel by K. C. Bateman, whose witty, intelligent, and sexy historical romances have become her signature. As Sabine de la Tour tosses piles of forged banknotes onto a bonfire in a Paris park, she bids a reluctant farewell to her double life as a notorious criminal. Over the course of Napoleon’s reign, her counterfeits destabilized the continent and turned scoundrels into rich men, but now she and her business partner must escape France—or face the guillotine. Her only hope of surviving in England is to strike a deal with the very spy she’s spent her career outrunning. Now after meeting the arrogant operative in the flesh, Sabine longs to throw herself upon his mercy—and into his arms. Richard Hampden, Viscount Lovell, is prepared to take any risk to safeguard England from the horrors of the French Revolution. To lure the insurgents out from the shadows, he’s even willing to make a pact with his archenemy: Philippe Lacorte, the greatest counterfeiter in Europe. But when a cheeky, gamine-faced beauty proves herself to be Lacorte, Richard is shocked—and more than a little aroused. Unlike the debutantes who so often hurl themselves at him, this cunning minx offers a unique and irresistible challenge. Richard will help her. But in return, he wants something that even Sabine cannot fake. Look for all of K. C. Bateman’s delightful Secrets and Spies novels: TO STEAL A HEART | A RAVEN’S HEART | A COUNTERFEIT HEART “Scintillating! Clever characters and sizzling romance!” - Publishers Weekly, STARRED REVIEW on This Earl Of Mine. “Rich with espionage and suspense . . . Multidimensional believable characters and fast-paced plotting propel the story forward to its moving conclusion.”—Publishers Weekly, on To Steal a Heart “I couldn’t ask for much more in an historical romance and I’m eagerly awaiting whatever Ms. Bateman comes up with next.”—All About Romance, on To Steal a Heart Perfect for readers who love Loretta Chase, Julia Quinn, Caroline Linden, Janna MacGregor, Scarlett Peckham, Laura Kinsale, Kerrigan Byrne, Lisa Kleypas, Courtney Milan, Tessa Dare, Eloisa James, Grace Burrowes, Madeline Hunter, Lenora Bell, Sophie Jordan, Lorraine Heath, Eva Leigh, Mary Jo Putney, Jo Beverley, Joanna Shupe, Sarah MacLean, Shana Galen, Stephanie Laurens and Sabrina Jeffries. Keywords: Historical romance, Regency romance, Victorian romance, action-adventure, sexy, bodyguard, best friend’s sister, enemies to lovers, friends to lovers, second chance romance, Napoleonic romance, fake relationship, marriage of convenience, Sexy, spies, Bow Street, spicy, funny, charming, Bestseller, Kindle, Nook, Ebook.
Mentalizing - the ability to understand oneself and others by inferring mental states that lie behind overt behaviour - develops within the context of attachment relationships. It is crucial to self-regulation and constructive, intimate relationships, both of which are impaired in personality disorders because of sensitivity to losing mentalizing at times of anxiety and attachment stress. Loss of mentalizing leads to interpersonal and social problems, emotional variability, impulsivity, self-destructive behaviours, and violence. This practical guide on mentalization-based treatment (MBT) of personality disorders outlines the mentalizing model of borderline and antisocial personality disorders and how it translates into clinical treatment. The book, divided into four parts - the mentalizing framework, basic mentalizing practice, mentalizing and groups, and mentalizing systems - covers the aims and structure of treatment, outlines how patients are introduced to the mentalizing model so that their personality disorder makes sense to them, explains why certain interventions are recommended and others are discouraged, and systematically describes the process of treatment in both group and individual therapy to support more stable mentalizing. People with personality disorders commonly have comorbid mental health problems, such as depression and eating disorders, which complicate clinical treatment. Therefore, the book advises the clinician on how to manage comorbidity in treatment. In addition, mentalizing problems in families and social systems, for example, schools and mental health services are also covered. A families and carers training and support guide is provided as families and others are often neglected during the treatment of people with personality disorder. The book is a valuable guide for all mental health workers on how to effectively treat personality disorders.
A princess in disguise is forced to live with a rogue in order to protect her from danger in this fun, sexy regency romance from Kate Bateman. In The Princess and the Rogue, Bow Street agent Sebastien Wolff, Earl of Mowbray, doesn’t believe in love—until a passionate kiss with a beautiful stranger in a brothel forces him to reconsider. When the mysterious woman is linked to an intrigue involving a missing Russian princess, however, Seb realizes her air of innocence was too good to be true. Princess Anastasia Denisova has been hiding in London as plain ‘Anna Brown’. With a dangerous traitor hot on her trail, her best option is to accept Wolff’s offer of protection—and accommodation—at his gambling hell. But living in such close quarters, and aiding Wolff in his Bow Street cases, fans the flames of their mutual attraction. If Anya’s true identity is revealed, does their romance stand a chance? Could a princess ever marry a rogue?
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