To commemorate the 150th Anniversary of the end of the Civil War, Diversion Books is publishing seminal works of the era: stories told by the men and women who led, who fought, and who lived in an America that had come apart at the seams. For those who did not die on the battlefield, but who were instead taken prisoner, the Civil War presented an even more intense version of hell. Prison conditions were abysmal, and the prisoners frequently died of starvation and disease. These accounts of prison escapes show what desperate men will do, fleeing unequivocal peril to land behind enemy lines, struggling to get back to their own side and live to fight another day. Searing and difficult, this account puts readers into the minds of men at the precipice, willing to risk death for freedom.
First published in 1989, An Illustrated Dictionary of British Steel Engravers contains more than 600 entries and an extensive plate section, providing examples of work referenced in the text and adding a clear chronological dimension to the subject. The book makes use of an array of surviving accounts and correspondence of engravers and publishers and adopts a comprehensive and systematic approach to identifying different types and variants of steel engravings over time. Equipped with a detailed introduction to the history of steel engravings, An Illustrated Dictionary of British Steel Engravers will be of great use to those interested in illustration, graphic art, Victorian literature, and the history of printing.
This book, originally published in 1943, presents an account of the lives and careers of John Carteret (1690-1763) and Thomas Pelham-Holles (1693-1768).
This work has been selected by scholars as being culturally important, and is part of the knowledge base of civilization as we know it. This work was reproduced from the original artifact, and remains as true to the original work as possible. Therefore, you will see the original copyright references, library stamps (as most of these works have been housed in our most important libraries around the world), and other notations in the work. This work is in the public domain in the United States of America, and possibly other nations. Within the United States, you may freely copy and distribute this work, as no entity (individual or corporate) has a copyright on the body of the work. As a reproduction of a historical artifact, this work may contain missing or blurred pages, poor pictures, errant marks, etc. Scholars believe, and we concur, that this work is important enough to be preserved, reproduced, and made generally available to the public. We appreciate your support of the preservation process, and thank you for being an important part of keeping this knowledge alive and relevant.
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