Faith and Criticism addresses a central problem in the Church today - the tension between traditionalists and progressives. Traditionalists want above all to hold fast to traditional foundations in belief and to ensure that nothing of value is lost, even at the risk of a clash with 'modern knowledge'. Progressives are concerned above all to proclaim a faith that is credible today, even at the risk of sacrificing some elements of traditional doctrine. They are often locked in uncomprehending conflict. Basil Mitchell argues that, not only in theology but in any other serious intellectual pursuit, faith and criticism are interdependent. A tradition which is not open to criticism will eventually ossify; and without faith in some established tradition criticism has nothing to fasten upon. This interdependence of faith and criticism has implications for society at large. Religious education can be Christian without ceasing to be critical, and a liberal society can espouse Christian values.
Outrageous, unfashionable, politically incorrect though many of Plato's opinions undoubtedly are, we should not just dismiss them as thoughts now unthinkable, but think through them, recognising the force of the arguments that led Plato to enunciate them and consider the counter-arguments he might have marshalled to meet contemporary objections. This book encourages today's students to engage in Plato's thought, grapple with Plato's arguments, and explore the relevance of his arguments in contemporary terms. A text only comes alive if we make it our own; Plato's great work The Republic, often reads as though it were addressing the problems of the day rather than those of ancient Athens. Treating The Republic as a whole and offering a comprehensive introduction to Plato's arguments, Mitchell and Lucas draw students into an exploration of the relevance of Plato's thought to our present ideas about politics, society and education, as well as the philosophy of mathematics, science and religion. The authors bring The Republic to life. The first chapters help the reader to make sense of the text, either in translation or the original Greek. Later chapters deal with the themes that Plato raises, treating Plato as a contemporary. Plato is inexhaustible: he speaks to many different people of different generations and from different backgrounds. The Republic is not just an ancient text: it never ceases to be relevant to contemporary concerns, and it demands fresh discussion in every age.
The first book-length treatment of artistic ecphrasis in Roman literature, The Captor's Image challenges pervasive views to argue for it as a site of subtle, ongoing competition between Greek and Roman cultures.
The third edition of Government and Politics in Ireland has been updated to take account of the political developments that have taken place in Ireland between 1981 and 1991. Amongst the topics covered are political parties, pressure groups, the government and the Dail and local government.
This study of the Bach Choir provides a much-needed overview of one of the major choral societies in London. Dr Basil Keen examines the background that led to the formation of an ad hoc body to give the first performance in England of J.S. Bach's B minor Mass. The musical and organizational effects of a permanent choral society drawn from one social group are traced during the first twenty years, after such time the pressures of social change led to a complete review followed by a restructuring of the methods of recruitment and internal organization. The rebuilding of the choir at the opening of the twentieth century, the expansion of the repertoire, the upheaval resulting from the First World War and the impact of these events on preparation and performance, are all considered. The book is essentially structured around the tenure of successive Musical Directors: Otto Goldschmidt, Charles Villiers Stanford, Walford Davies, Hugh Allen, Ralph Vaughan Williams, Adrian Boult, Reginald Jacques and David Willcocks, since their varied tastes and interests inevitably had a decisive influence on policy. Keen draws upon previously unpublished material, including minutes and correspondence of the Bach Choir, interviews with relatives and descendants, and examination of family records and correspondence. To date, there has been no survey of a major London choir that encompasses the full history of the organization in context. In this study, Dr Basil Keen provides a thorough examination of the Bach Choir, including the response of the choir to social changes; the influence of conductors and officials; changes in musical taste; relationships with composers and composition; major national and international events; and the effect of these matters on organization and repertoire.
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