This book is the humorous, bitter-sweet autobiography of a Canadian Ojibwa who was taken from his family at age ten and placed in Jesuit boarding school in northern Ontario. It was 1939 when the feared Indian agent visited Basil Johnston’s family and removed him and his four-year-old sister to St. Peter Claver’s school, run by the priests in a community known as Spanish, 75 miles from Sudbury. “Spanish! It was a word synonymous with residential school, penitentiary, reformatory, exile, dungeon, whippings, kicks, slaps, all rolled into one,” Johnston recalls. But despite the aching loneliness, the deprivation, the culture shock and the numbing routine, his story is engaging and compassionate. Johnston creates marvelous portraits of the young Indian boys who struggled to adapt to strange ways and unthinking, unfeeling discipline. Even the Jesuit teachers, whose flashes of humor occasionally broke through their stern demeanor, are portrayed with an understanding born of hindsight.
A collection of sacred stories comprises the spiritual teachings and perceptions of the Ojibway people and addresses the living essences that infuse and safeguard every plant and animal.
This book is the humorous, bitter-sweet autobiography of a Canadian Ojibwa who was taken from his family at age ten and placed in Jesuit boarding school in northern Ontario. It was 1939 when the feared Indian agent visited Basil Johnston's family and removed him and his four-year-old sister to St. Peter Claver's school, run by the priests in a community known as Spanish, 75 miles from Sudbury. "Spanish! It was a word synonymous with residential school, penitentiary, reformatory, exile, dungeon, whippings, kicks, slaps, all rolled into one," Johnston recalls. But despite the aching loneliness, the deprivation, the culture shock and the numbing routine, his story is engaging and compassionate. Johnston creates marvelous portraits of the young Indian boys who struggled to adapt to strange ways and unthinking, unfeeling discipline. Even the Jesuit teachers, whose flashes of humor occasionally broke through their stern demeanor, are portrayed with an understanding born of hindsight.
Ojibway Ceremonies provides a unique and fascinating glimpse of Ojibway culture before its disruption by European civilization. It is the story of the Ojibway told through the ceremonies which dominated the most important occasions and stages of their existence. As a young boy grows up, we see him develop through his involvement in the many rituals so important to the Ojibway way of life. From the Naming Ceremony and the Vision Quest to the War Path, from the Marriage Ceremony to the Ritual of the Dead, we see the attitudes and beliefs of the Ojibway people come alive.
A definitive collection of the legends and spiritual teachings of the Ojibway people. These engrossing stories of warriors, lovers, thieves and spirits are filled with the insight and wisdom of an ancient tribe and hold great meaning for modern readers. (1998)
What does it mean to be an Indigenous man today? Between October 2010 and May 2013, Sam McKegney conducted interviews with leading Indigenous artists, critics, activists, and elders on the subject of Indigenous manhood. In offices, kitchens, and coffee shops, and once in a car driving down the 401, McKegney and his participants tackled crucial questions about masculine self-worth and how to foster balanced and empowered gender relations. Masculindians captures twenty of these conversations in a volume that is intensely personal, yet speaks across generations, geography, and gender boundaries. As varied as their speakers, the discussions range from culture, history, and world view to gender theory, artistic representations, and activist interventions. They speak of possibility and strength, of beauty and vulnerability. They speak of sensuality, eroticism, and warriorhood, and of the corrosive influence of shame, racism, and violence. Firmly grounding Indigenous continuance in sacred landscapes, interpersonal reciprocity, and relations with other-than-human kin, these conversations honour and embolden the generative potential of healthy Indigenous masculinities.
This book is the humorous, bitter-sweet autobiography of a Canadian Ojibwa who was taken from his family at age ten and placed in Jesuit boarding school in northern Ontario. It was 1939 when the feared Indian agent visited Basil Johnston’s family and removed him and his four-year-old sister to St. Peter Claver’s school, run by the priests in a community known as Spanish, 75 miles from Sudbury. “Spanish! It was a word synonymous with residential school, penitentiary, reformatory, exile, dungeon, whippings, kicks, slaps, all rolled into one,” Johnston recalls. But despite the aching loneliness, the deprivation, the culture shock and the numbing routine, his story is engaging and compassionate. Johnston creates marvelous portraits of the young Indian boys who struggled to adapt to strange ways and unthinking, unfeeling discipline. Even the Jesuit teachers, whose flashes of humor occasionally broke through their stern demeanor, are portrayed with an understanding born of hindsight.
Honour Earth Mother is an inspiring reminder of the affection and reverence that the Native peoples of North America have had for the land. For Native peoples the earth was special, the dwelling place of manitous and spirits and the repository of the bones of generations of ancestors. And the earth remains today a deep wellspring of revelations and unveiled mysteries for those who take time to watch, listen, and reflect. Celebrated Ojibwa writer Basil Johnston invites us to go into the woods and meadows, mountains, valleys, and seashores to watch miracles still unfolding, to listen to nature's symphonies, to feel the pulse of the earth, to take in the fragrances, and to sense the awesome. His stories of the creatures, seasons, and landscape of the earth reveal a land that has never stopped brimming with beauty, song, and dance.
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