This compilation of poems is a result of ten years work since leaving Africa. It shares the journey, from memory and loss into discovery and new voice. The writing is mostly chronological and is taken from the eight anthologies Bart has created since his departure from Zimbabwe in February of 2003.
The spirit of time and place connects us, influences our memories. Not only that but specific and historic events write themselves into our collective psyche. These poems are all directly connected with that. Evoking the atmosphere and impressions that the traveller in this world and beyond collects, the words written here tell of the exotic and familiar, of continents and cities, locations and the journeys undertaken. They are a celebration of differences and diversity. They have a universal voice.
Well recognised as the leading light in one-man shows in Zimbabwe, here is a collection of the majority of Bart Wolffe's published works for the stage including three two-handers, a thrilling mix of thirteen dramatic pieces with male and female parts that all have a common quality: an intimate exploration of the human condition in the most unique assembly of characters for performance you could possibly ever meet. They are all plays designed to travel, without much fuss, low-cost productions with maximum impact, in comedy and drama, satires and absurdist theatre pieces, physical theatre also; these plays have been performed throughout Southern Africa and in London, Edinburgh and Dublin, used for masterclasses and workshops, for festivals and for main stage venues right through to intimate and private performances in people's homes.
The idea that the 'insane' and the 'mad' may well have the true insights that the 'sane' do not has a long pedigree (especially when the 'sane' represent the ranks of officialdom). Bart Wolffe's novel features an everyman by the name of John Citizen incarcerated in a Harare lunatic asylum sometime in the 1990's. An alien worm by the name of Varg has invaded John's brain. Varg is the repository of secrets far ahead of our time. As he yields them to John, the latter fears for his sanity. The dim-witted and time-serving beaurocratic representatives of officialdom take him to be insane and commit him to an asylum. As time progresses, John's emotional and psychological delirium clears as he comes to understand his condition. The relationship between parasite and host is transformed into a partnership. In an act of pure altruism, the worm literally turns against its own alien masters and facilitates John's relationship with a psychiatric nurse who provides his redemption. Franco Henwood, for THE ZIMBABWEAN
A thriller about land, the struggle for ownership, the occupier and the inheritor, God's Own Country is set in Rhodesia and tells a story of faith and fear, superstition and intrigue. It is a love story but also a tale of conflict and magic, of the darkest kind.
When a poet speaks, it is a gift from his heart. In fact, his soul leaks its essence, he dies a little in the act of giving himself.These poems are from within and laid naked on the page. They are personal glimpses, insights into the private life of an artist trying to go beyond the words themselves into an intimate expression of truth.
The late medieval German trade with the North Atlantic islands, in the margins of the Hanseatic trade network, has received only limited scholarly attention. Merchants from predominantly Hamburg and Bremen established direct trade relations with these islands in the late 15th century, and managed to control the international trade with Iceland, the Faroes and Shetland for much of the 16th century. However, the Hanseatic commercial infrastructure was absent in the North Atlantic, which forced these merchants to develop new trade strategies. Besides a critical re-evaluation of the economic and political conditions, this volume offers a comprehensive study of the organisation of the trade and the methods used to establish and maintain networks between islanders and German merchants. Moreover, it analyses the role and socio-economic position of the communities of merchants with the North Atlantic in their home towns. The book shows that the North Atlantic trade was anything but insignificant. It was a dynamic and integral part of the trade network of the northern German cities, and its study is highly relevant for the economic history of Northern Europe.
Well recognised as the leading light in one-man shows in Zimbabwe, here is a collection of the majority of Bart Wolffe's published works for the stage including three two-handers, a thrilling mix of thirteen dramatic pieces with male and female parts that all have a common quality: an intimate exploration of the human condition in the most unique assembly of characters for performance you could possibly ever meet. They are all plays designed to travel, without much fuss, low-cost productions with maximum impact, in comedy and drama, satires and absurdist theatre pieces, physical theatre also; these plays have been performed throughout Southern Africa and in London, Edinburgh and Dublin, used for masterclasses and workshops, for festivals and for main stage venues right through to intimate and private performances in people's homes.
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