The authors of CITY VIEWS, CITY VISIONS, New Yorkers all, have been inspired by the worldwide blend of peoples and cultures that are a dominant feature of life in our city. Because each of us experiences his/her own mixture of life styles here, it follows that, collectively, we speak in a variety of literary voices. CITY VIEWS, CITY VISIONS is our second book. Readers of our first, N.Y. LIFE Times TEN, will find herein several of the contributors to the earlier volume. Eight additional writers have been added in this new collection of stories and poems, fiction and non-fiction. We invite you to enjoy their fresh slices of the Big Apple.
Mara Moseley decides to study auto mechanics in a vocational high school and finds her road to acceptance in a male-oriented field a struggle to overcome.
New Haven Connecticut was a different world in the 1920's. It had deli's with real pickle barrels and gas-lit candy stores. This is the world my mom, Muriel Shutan-Davidoff, grew up in and this is her story about a book she wrote and illustrated in 1947.
A compendium of family scenarios for those dealing with the guilt, worry, and difficult decisions that come with eldercare. Is it time for your aging father to stop driving? How can you balance your career opportunities with your mother’s care needs? Can your parents cope on their own? Is it time for long-term care? Given their reluctance, is that even an option? Millions of people are dealing with aging parents and are stunned by the complexities and demands of their care. As demographics change and societies adapt, that caring — that parenting — isn’t getting any simpler. In the fourth edition of this eldercare classic, advocate Bart J. Mindszenthy and geriatrician Dr. Michael Gordon present twenty-four case studies of families working through the eldercare puzzle. With new scenarios, such as legalized marijuana and medical assistance in dying, this revised and updated edition makes the case for good planning, family unity, and being aware of your loved ones’ health. With the help of Gordon and Mindszenthy’s expert advice, care providers are able to shed guilt and worry and become confident that they have done all they can to make their parents’ latter years as fulfilling and comfortable as possible.
In this first volume the text focuses on the letters and journal entries of his experiences during the Peninsular War. As one of the few engineers with the Duke’s army, he was given important assignments during the sieges that dominated the movements of the Allied forces; his notes are all the more important for their commentary of the siege operations such as Badajoz and Ciudad Rodrigo that were undertaken from his expert knowledge. Notwithstanding the high casualty rates amongst the Engineers, Sir John survived the War to be employed on the disastrous expedition to New Orleans in 1814. His post-Napoleonic career was stunted by lack of potential advancement, so much so that he became involved in civil engineering and work on fortifications. He was posted to Ireland where he endeavoured to improve the conditions of the poor, particularly straining all his influence during the disastrous potato famine. Whilst doing this he was also a frequent correspondent with the military establishment over improvements and clashed with the indifference of politicians and their budgets. The first volume ends with the beginnings of the tension with Russia and his coming employment in the Crimea.
The book consists of five chapters. The introductory chapter deals with the study of cyclicity, the literary context of the Lancelot Compilation, and the manuscript tradition. In the following three chapters the ten romances are studied one by one. Each analysis consists of two parts: a description of the compiler's source and a survey of his interventions. In the fifth and last chapter the Lancelot Compilation is characterized as a narrative cycle and compared with French, English and German cycles. The monograph concludes with an attempt to describe the essence of the compilation."--BOOK JACKET.
First published in 1904, this volume emerged during a split within the Liberal Unionist Party over Joseph Chamberlain’s advocacy of Protectionism through Tariff Reform. Having originally broken with the Liberal Party over Home Rule in 1885, 1904 saw some Liberal Unionists return to the Liberal fold. The authors here constitute those departing Liberal Unionists in a multifaceted rallying call for Free Trade in the face of Protectionism. Their articles, on subjects such as Shipping, Agriculture and Engineering, assess the implications of Free Trade with a focus on each author’s specialist industry. The authors unanimously declare in favour of the system under which, they maintain, Great Britain developed unparalleled prosperity and taught other nations her industrial success. In the process, they demonstrate that trade cannot improve whilst fettered and focus on the potential for real improvements through Free Trade.
Were the 1970s really `the devils decade'? Images of strikes, galloping inflation, rising unemployment and bitter social divisions evoke a period of unparalleled economic decline, political confrontation and social fragmentation. But how significant were the pessimism and self-doubt of the 1970s, and what was the legacy of its cultural conflicts? Covering the entire spectrum of the arts - drama, television, film, poetry, the novel, popular music, dance, cinema and the visual arts - The Arts in the 1970s challenges received perceptions of the decade as one of cultural decline. The collection breaks new ground in providing the first detailed analysis of the cultural production of the decade as a whole, providing an invaluable resource for all those involved in cultural, media and communications studies.
Despite the musical and social roles they play in many parts of the world, wind bands have not attracted much interest from sociologists. The Sociology of Wind Bands seeks to fill this gap in research by providing a sociological account of this musical universe as it stands now. Based on a qualitative and quantitative survey conducted in northeastern France, the authors present a vivid description of the orchestras, the backgrounds and practices of their musicians, and the repertoires they play. Their multi-level analysis, ranging from the cultural field to the wind music subfield and to everyday life relationships within bands and local communities, sheds new light on the social organisation, meanings and functions of a type of music that is all too often taken for granted. Yet they go further than merely portraying a musical genre. As wind music is routinely neglected and socially defined in terms of its poor musical quality or even bad taste, the book addresses the thorny issue of the effects of cultural hierarchy and domination. It proposes an imaginative and balanced framework which, beyond the specific case of wind music, is an innovative contribution to the sociology of lowbrow culture.
This book is about two very different kinds of company. On the one hand it concerns Shakespeare's poet-playwright contemporaries, such as Marlowe, Jonson, and Fletcher. On the other, it examines the contribution of his fellow actors, including Burbage, Armin, and Kemp. Traditionally, criticism has treated these two influences in separation, so that Shakespeare is considered either in relation to educated Renaissance culture, or as a man of the theatre. Shakespeare in Company unites these perspectives. Bart van Es argues that Shakespeare's decision, in 1594, to become an investor (or 'sharer') in the newly formed Chamberlain's acting company had a transformative effect on his writing, moving him beyond the conventions of Renaissance dramaturgy. On the basis of the physical distinctiveness of his actors, Shakespeare developed 'relational drama', something no previous dramatist had explored. This book traces the evolution of that innovation, showing how Shakespeare responded to changes in the personnel of his acting fellowship and to competing drama, such as that produced for the children's companies after 1599. Covering over two decades of theatrical history, van Es explores the playwright's career through four distinct phases, ending on the conditions that shaped Shakespeare's late style. Paradoxically, Shakespeare emerges as a playwright unique 'in company'—special, in part, because of the unparalleled working conditions that he enjoyed.
This monograph is an anthropological study of the social significance of English among Kru residents of Monrovia, the capital city of Liberia. The volume contributes to our understanding of how contemporary Africans use language to negotiate conflicts and aspirations based on socioeconomic position and ethnic solidarity. aftermath of the first modern war.
#1nspiring offers guidance to entrepreneurs and small business owners by providing them an overview and snapshot of their next steps as they build and grow their business. #1nspiring delivers clarity and ease of use and methods on how to move from purpose to profit. It offers a step-by-step approach beginning from the moment when an idea for a business is formulated to those who want to improve their business that is already up and running. In the start-up age and the era of the Internet of things, new methods to grow and improve businesses are available and required. #1nspiring offers these with tools and maps entrepreneurs can use to get going, determine where they should focus, and move from purpose to profit. Whether you are a self-employed professional or a small business owner, #1nspiring is invaluable for everyone who aspires to start, build and grow a business.
Yodel in Hi-Fi explores the vibrant and varied traditions of yodelers around the world. Far from being a quaint and dying art, yodel is a thriving vocal technique that has been perennially renewed by singers from Switzerland to Korea, from Colorado to Iran. Bart Plantenga offers a lively and surprising tour of yodeling in genres from opera to hip-hop and in venues from cowboy campfires and Oktoberfests to film soundtracks and yogurt commercials. Displaying an extraordinary versatility, yodeling crosses all borders and circumvents all language barriers to assume its rightful place in the world of music. “If Wisconsin wasn’t on the yodel music map before, this book puts it there.”—Wisconsin State Journal
The story - in stories - of one ordinary priesthood, one ordinary priest, an ordinary priest who knew he was doing mostly ordinary things, day in and day out, and who attempted most of his days to do them extraordinarily well. The stories, some brief, others a little longer, are stories from personal life and ministry, from 35 years of parish ministry. Some are humorous, some reflect a serious measure of pathos. All are true.
Mara Moseley decides to study auto mechanics in a vocational high school and finds her road to acceptance in a male-oriented field a struggle to overcome.
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