Offers a new, original way of framing questions about knowledge. Knowledge and Civilization advances detailed criticism of philosophy's usual approach to knowledge and describes a redirection, away from textbook problems of epistemology, toward an ecological philosophy of technology and civilization. Rejecting theories that confine knowledge to language or discourse, Allen situates knowledge in the greater field of artifacts, technical performance, and human evolution. His wide ranging considerations draw on ideas from evolutionary biology, archaeology, anthropology, and the history of cities, art, and technology.
Fifty years ago, Norman Mailer asserted, "William Burroughs is the only American novelist living today who may conceivably be possessed by genius." Few since have taken such literary risks, developed such individual political or spiritual ideas, or spanned such a wide range of media. Burroughs wrote novels, memoirs, technical manuals, and poetry. He painted, made collages, took thousands of photographs, produced hundreds of hours of experimental recordings, acted in movies, and recorded more CDs than most rock bands. Burroughs was the original cult figure of the Beat Movement, and with the publication of his novel Naked Lunch, which was originally banned for obscenity, he became a guru to the 60s youth counterculture. In Call Me Burroughs, biographer and Beat historian Barry Miles presents the first full-length biography of Burroughs to be published in a quarter century-and the first one to chronicle the last decade of Burroughs's life and examine his long-term cultural legacy. Written with the full support of the Burroughs estate and drawing from countless interviews with figures like Allen Ginsberg, Lucien Carr, and Burroughs himself, Call Me Burroughs is a rigorously researched biography that finally gets to the heart of its notoriously mercurial subject.
Read about from our leaders have made a mess of Education (the foundation of America) discussing charter schools, no child left behind, accountability and to the top. For tennis teachers learn the strokes, singles and doubles strategy and the best methods to practice. For health teacher share about - his methods to make every lesson significant and meaning for basketball coaches learn the triangle and two offense taught used by Bernie Red Sarachek long before Phil Jackson, Tex Winter, or Red Helzman knew it. The author has taught and coached 1000’s of tennis and basketball players, produced two city and two national championships, over 50 all American and nine national singles and doubles individual champions. Travel with the author and his wife around the world visiting over 45 nations and three Olympics and participating as a coach despite having the American Dream, in the Moscow Games the best and most beautiful wife, a dream house in Brooklyn, top of the line calls; wonderful twin sons and family and usually enough wealth he experiences and shares with you Forrest Gumps’ statement. “If you live long enough SHIT HAPPENS to everyone. It is not as if it will happen but when and how you cope, deal with, and handles the distress of life.
The Beat Hotel has been closed for nearly forty years. But for a brief period—from just after the publication of Howl in 1957 until the building was sold in 1963—it was home to Allen Ginsberg, William Burroughs, Gregory Corso, Brion Gysin, Peter Orlovsky, Harold Norse, and a host of other luminaries of the Beat Generation. Now, Barry Miles—acclaimed author of many books on the Beats and a personal acquaintance of many of them—vividly excavates this remarkable period and restores it to a historical picture that has, until now, been skewed in favor of the two coasts of America. A cheap rooming house on the bohemian Left Bank, the hotel was inhabited mostly by writers and artists, and its communal atmosphere spurred the Beats to incredible heights of creativity. Its inhabitants followed the Howl obscenity trial, and they corresponded with Jack Kerouac as On the Road was taking off. There Ginsberg wrote “Kaddish,” “To Aunt Rose,” “At Apollinaire’s Grave,” and “The Lion for Real,” and Corso developed the mature voice of The Happy Birthday of Death. The Beat Hotel is where the Cut-up method was invented, and where Burroughs finished and published Naked Lunch and the Cut-up novels. From a party where Ginsberg and Corso drunkenly accosted Marcel Duchamp and Man Ray, to an awestruck audience with Louis-Ferdinand Céline a year before he died; from a drug-addled party on a houseboat on the Seine with Errol Flynn and John Huston, to Burroughs’s near arrest as a heroin dealer: mischief, inspiration, and madness followed the Beats wherever they went. Based on firsthand accounts from diaries, letters, and many original interviews, The Beat Hotel is an intimate look at a crucial period for some of the twentieth century’s most enduring and daring writers.
Since its first publication in 1971, Barry Cunliffe's monumental survey has established itself as a classic of British archaeology. This fully revised fourth edition maintains the qualities of the earlier editions, whilst taking into account the significant developments that have moulded the discipline in recent years. Barry Cunliffe here incorporates new theoretical approaches, technological advances and a range of new sites and finds, ensuring that Iron Age Communities in Britain remains the definitive guide to the subject.
Beginning with the Weathermen explosion in Greenwich Village and ending with punk, the seventies was the age of extremes; sex, drugs and, of course, rock 'n' roll. With an extraordinary cast of characters, and even more extraordinary anecdotes, In The Seventies tells, firsthand, the story - and stories - of the decade. From Allen Ginsberg's hippie commune in upstate New York to the time Miles spent cataloguing William Burroughs' archives in London, from David Bowie in drag to Grace Jones naked at Studio 54, it's all here. Vivid, compelling, intimate and, sometimes, insane, Barry Miles reveals the truth behind this legendary era.
When Russia declared war on the Ottoman Empire in April 1877, it was the fifth time during the nineteenth century that hostilities had broken out between the two empires. On this occasion the other Great Powers had done all they could to prevent it, although public opinion in the West had been shocked by Turkey's brutal repression of the Bulgarian uprising. The war was to be fought in two distinct theaters. In Europe, as on previous occasions, the Russian objective was to cross first the Danube and then the formidable Balkan Mountains before striking for Constantinople. In Asia, over territory also contested many times before, the Russians aimed to seize Kars and then Erzerum. At first all went well for the invaders, the Turks making no serious attempt to hold the line of the Danube, while a thrust south by General Gourko succeeded in crossing the Balkans by a pass not previously considered practicable. At Plevna, however, the Russian advance stalled in the face of the determined defense of the place by the redoubtable Osman Pasha. In Asia, meanwhile, after initial success, the Russian advance was halted by defeat at Zevin. Poor strategic judgment on the part of the Turks led to their failure to take advantage of the opportunity provided by Osman, even after the Russians had suffered three bloody defeats at Plevna. Eventually, after the town was closely invested, it fell to the besiegers. In Asia, the Turks suffered a major defeat in the battle of God's Mountain, and were driven back to Erzerum, while Kars fell to a brilliant assault by the Russian forces. These defeats marked the beginning of the end for the Turks. By January 1878 the Russians were over the Balkans in force, and the last viable Turkish army was surrounded and captured at Shenovo. Armistice negotiations led to a suspension of hostilities and to the treaty of San Stefano. The other Great Powers had watched the conflict with mounting anxiety and were determined to moderate the terms of San Stefano which had imposed harsh conditions on the Ottoman Empire. This, following tortuous diplomatic negotiations, they succeeded in doing at the Congress of Berlin in July 1878. This book, the first military history of the war in English for over a century, traces the course of the campaigns, examining the many occasions on which the outcome of a battle might have gone the other way, and the performance of the combatants, both leaders and led. The book considers the extent to which the parties applied the lessons of recent wars, as well as the conclusions that could be drawn from the experience of combat with the latest weapons. It also explores the complicated motives of the Great Powers in general, and Britain in particular, in bringing about a final settlement, which postponed the dissolution of the Ottoman Empire. The author's detailed text is accompanied by an extensive number of black and white illustrations, an impressive color plate section containing reproductions of paintings by artists such as Vereshchagin, plus black and white and color battle maps. Extensive orders of battle are also provided. This is the latest title in Helion's ground-breaking series of 19th Century studies, and will again appear in hardback as a strictly limited edition printing of 1,000 copies, each individually numbered and signed by the author on a decorative title page.
The Puritans hounded the Baptists out of Massachusetts Bay Colony. Four hundred years later, Baptists are the second-largest religious group in America, and their influence matches their numbers. Yet the historical legacy, and the inherently fractured nature of their faith, makes Baptists ever wary of threats from within as well as without. Kidd and Hankins, both practicing Baptists, weave the threads of Baptist history alongside those of American history to show how one religious denomination was transformed from persecuted minority into a leading actor on the national stage, with profound implications for American society and culture.
A revealing history of the Beatles’ experimental record label, as told by the label’s manager. In August 1968, the Beatles launched their greatest business enterprise, Apple Records, to international fanfare. The less well-known story is the introduction of their Zapple label about nine months later. If Apple represented artists with new, commercial opportunities, Zapple offered more cutting-edge freedom; its mission was to distribute experimental music and spoken word recordings from the leading avant-garde figures of the time. The brainchild of Paul McCartney, the label captured the counterculture spirit of the 1960s by collaborating with Yoko Ono alongside John Lennon, Allen Ginsberg, Richard Brautigan, Charles Bukowski, Lawrence Ferlinghetti, and Charles Olson. The Zapple Diaries is the first full-length look at the enterprise, as well as a true insider account from Barry Miles, the label’s manager who went on to become a leading authority and chronicler of ‘60s culture. He provides insight into the colorful lives and working methods of the artists and discloses the fascinating story of the experimental venture, ultimately offering up a revealing and engaging account of this little-known chapter of Beatles history.
Written by a leading scholar of juvenile justice, this book examines the social and legal changes that have transformed the juvenile court in the last three decades from a nominally rehabilitative welfare agency into a scaled-down criminal court for young offenders. It explores the complex relationship between race and youth crime to explain both the Supreme Court decisions to provide delinquents with procedural justice and the more recent political impetus to "get tough" on young offenders. This provocative book will be necessary reading for criminal and juvenile justice scholars, sociologists, legislators, and juvenile justice personnel.
Based on hitherto unused sources in English and Spanish in British and American archives, in this book naval historian Barry Gough and legal authority Charles Borras investigate a secret Anglo-American coercive war against Spain, 1815-1835. Described as a war against piracy at the time, the authors explore how British and American interests – diplomatic and military – aligned to contain Spanish power to the critically influential islands of Cuba and Puerto Rico, facilitating the forging of an enduring but unproclaimed Anglo-American alliance which endures to this day. Due attention is given to United States Navy actions under Commodore David Porter, to this day a subject of controversy. More significantly though, through the juxtaposition of British, American and Spanish sources, this book uncovers the roots of piracy – and suppression– that laid the foundation for the tortured decline of the Spanish empire in the Americas and the subsequent rise of British and American empires, instrumental in stamping out Caribbean piracy for good.
This volume is the first English-language survey of Homeric studies to appear for more than a generation, and the first such work to attempt to cover all fields comprehensively. Thirty leading scholars from Europe and America provide short, authoritative overviews of the state of knowledge and current controversies in the many specialist divisions in Homeric studies. The chapters pay equal attention to literary, mythological, linguistic, historical, and archaeological topics, ranging from such long-established problems as the "Homeric Question" to newer issues like the relevance of narratology and computer-assisted quantification. The collection, the third publication in Brill's handbook series, The Classical Tradition, will be valuable at every level of study - from the general student of literature to the Homeric specialist seeking a general understanding of the latest developments across the whole range of Homeric scholarship.
A bold argument that “and” always means “&,” the truth-functional sentential connective. In this book, Barry Schein argues that “and” is always the sentential logical connective with the same, one, meaning. “And” always means “&,” across the varied constructions in which it is tokened in natural language. Schein examines the constructions that challenge his thesis, and shows that the objections disappear when these constructions are translated into Eventish, a neo-Davidsonian event semantics, and, enlarged with Cinerama Semantics, a vocabulary for spatial orientation and navigation. Besides rescuing “and” from ambiguity, Eventish and Cinerama Semantics solve general puzzles of grammar and meaning unrelated to conjunction, revealing the book's central thesis in the process: aspects of meaning mistakenly attributed to “and” are discovered to reflect neighboring structures previously unseen and unacknowledged. Schein argues that Eventish and Cinerama Semantics offer a fundamental revision to clause structure and what aspects of meaning are represented therein. Eventish is distinguished by four features: supermonadicity, which enlarges verbal decomposition so that every argument relates to its own event; descriptive event anaphora, which replaces simple event variables with silent descriptive pronouns; adverbialization, which interposes adverbials derived from the descriptive content of every DP; and AdrPs, which replace all NPs with Address Phrases that locate what nominals denote within scenes or frames of reference. With 'And,' Schein rehabilitates an old rule of transformational, generative grammar, answering the challenges to it exhaustively and meticulously.
While most biographies of Arnold concentrate on his revolutionary exploits and subsequent treason, Wilson explores his role in Canadian history and the routes that brought him to Canada. He takes the reader into rural Quebec in the 1760s and 1770s when Arnold toured the area as a Yankee trader and goes behind the scenes in 1775-76 when Arnold's American forces almost captured Quebec after an amazing trek through the Maine wilderness. Wilson explores Arnold's business exploits in Saint John, New Brunswick, the emerging Loyalist port town where for six years Arnold commanded an international trading network before returning to England. Written for those interested in unexpected tales from Canada's colourful history, Benedict Arnold follows Arnold's life from the battlefields of New England to the siege of Quebec, from the high seas to the day-to-day details of running a trading company in Saint John. Wilson offers a detailed, sometimes sympathetic, portrait of this controversial and complex man.
There may be no group in American society that is more talked about but so little understood as Evangelical Christians. Sometimes dismissed as violent fundamentalists and ignorant flat earthers, few can doubt the political, cultural, and religious significance of the Evangelicals. Barry Hankins puts the Evangelical movement in historical perspective, reaching back to its roots in the Great Awakening of the eighteenth century and leading up to the formative moments of contemporary conservative Protestantism. Taking on key topics such as the standing of science, the authority of scripture, and gender and racial equality, Hankins analyzes what is most essential for us to understand today about this potent movement.
This is the story of the remarkable, intersecting careers of the two greatest writers on British naval history in the twentieth century the American professor Arthur Marder, son of immigrant Russian Jews, and Captain Stephen Roskill, who knew the Royal Navy from the inside. Between them, these contrasting characters were to peel back the lid of historical secrecy that surrounded the maritime aspects of the two world wars, based on the privileged access to official papers they both achieved through different channels. Initially their mutual interests led to a degree of friendly rivalry, but this was to deteriorate into a stormy academic feud fought out in newspaper columns and the footnotes of their books much to the bemusement (and sometimes amusement) of the naval history community. Out of it, surprisingly, emerged some of the best historical writing on naval themes, and a central contribution of this book is to reveal the process by which the two historians produced their literary masterpieces. Anyone who has read Marders From the Dreadnought to Scapa Flow or Roskills The War at Sea and they were both bestsellers in their day will be entertained and enlightened by this story of the men A J P Taylor called our historical dreadnoughts. This is the story of the remarkable, intersecting careers of the two greatest writers on British naval history in the twentieth century the American professor Arthur Marder, son of immigrant Russian Jews, and Captain Stephen Roskill, who knew the Royal Navy from the inside. Between them, these contrasting characters were to peel back the lid of historical secrecy that surrounded the maritime aspects of the two world wars, based on the privileged access to official papers they both achieved through different channels. Initially their mutual interests led to a degree of friendly rivalry, but this was to deteriorate into a stormy academic feud fought out in newspaper columns and the footnotes of their books much to the bemusement (and sometimes amusement) of the naval history community. Out of it, surprisingly, emerged some of the best historical writing on naval themes, and a central contribution of this book is to reveal the process by which the two historians produced their literary masterpieces. Anyone who has read Marders From the Dreadnought to Scapa Flow or Roskills The War at Sea and they were both bestsellers in their day will be entertained and enlightened by this story of the men A J P Taylor called our historical dreadnoughts.
The fourth edition of this internationally acclaimed, seminal textbook on the subject of clinical pediatric urology is completely updated. World-renowned experts in the field present state-of-the-art developments in all areas of clinical pediatric urology, from diagnosis to treatment and from theory to practice. Clinical Pediatric Urology is clinical in orientation and practical in presentation, covering every illness, diagnostic method and appropriate treatment in pediatric urology from the embryo onwards. Each chapter is lavishly illustrated with full color photographs and medical artwork. Tables, graphs and charts lend further support to the detailed and comprehensive text, all in a single, easily accessed volume. This is a useful and informative reference for students and specialists alike.
(Screen World). The 2006 edition of Screen World highlights the surprise Academy Award-winner for Best Picture, Crash, featuring Matt Dillon, Terrence Howard, and Sandra Bullock, which also won Academy Awards for Best Original Screenplay and Best Film Editing; the groundbreaking gay love story Brokeback Mountain, winner of three Academy Awards, with Oscar-nominated performances by Heath Ledger and Jake Gyllenhaal; the Johnny Cash biopic Walk the Line, which earned a Best Actress Academy Award for Reese Witherspoon and a Best Actor nomination for Joaquin Phoenix; Philip Seymour Hoffman's uncanny, Oscar-winning Best Actor impersonation of Truman Capote in Capote; Best Supporting Actress winner Rachel Weisz in The Constant Gardener; plus George Clooney's Good Night, and Good Luck, and Syriana, the former bringing him Oscar nominations as director and writer, the latter the Academy Award for Best Supporting Actor. Screen World's outstanding features include: * A color section of highlights and a comprehensive index. Full-page photograph s of the four Acadmey Award-winning actors as well as photos of all acting nominees; A look at the year's most promising new screen personalities; Complete film information: cast and characters, credits, production company, date released, rating, capsule plot summary, and running time; Biographical entries: a priceless reference on over 2,400 living stars, including real name, school, and date and place of birth; Obituraries for 2005; The top box office stars and top 100 box office films. Includes over 1000 color and b&w photos.
Two estranged brothers, one stolen car and a road trip from Texas to New York. What could possibly go wrong? For fans of Nick Hornby, David Nicholls and Jonathan Tropper. Jaded music journalist Rick McLennan knows his life is going south when he loses his job, his apartment and his long-term girlfriend all on the same day. But then he is thrown a lifeline – a commission to write the story of his ex-rock-star brother, Stevie, and drive him from Austin, Texas, to New York to play one final gig. One small problem: the brothers haven't spoken in thirty years. Rick knows it's a bad idea. But he's out of choices. So he gets behind the wheel of a beaten-up 1985 Nissan Stanza and drives towards his destiny. He's about to find everything he didn't know he was missing. It's September 2001. From award-winning journalist and author Barry Divola comes a glorious, music-infused, rollicking road-trip novel – think High Fidelity meets The Big Lebowski meets The Darjeeling Limited. A smart, funny and wholly endearing story about how, though we may at times lose ourselves along the way, the road always leads back to family and the things that bring us joy. 'Of course this road trip comes with a top-quality mix-tape – it's by Barry Divola – but it's the layers to this story, and its humour and its heart, that make this journey irresistible.' – Nick Earls 'This book is the super f***ing gnarly lead break of rock-lit novels.' – John Birmingham 'Driving Stevie Fracasso reads as great as the fifth Replacements album sounds. It's a New York–centric, music-obsessive tale of humour and poignancy, the literary equivalent of hanging with folks who think going to church is finding a record fair. A+' – Stuart Coupe An interpreter of the listening experience forced to listen to experience? This novel will be read in between flippin' records. Go for the ride. You'll be spent, you'll be grateful.' – Tim Rogers 'If I could go back in time and take a different fork in the road, I would have lived like Barry Divola. But poor choices can't be unmade, and if Driving Stevie Fracasso is the only ride available I'll take it. Damn you, Barry Divola, you've been having everyone else's fun.' – Malcolm Knox
The space programme has finally lost its novelty, and a jaded public hardly notices another moon launch. Skilful PR men preserve the illusion that the missions have become routine. But astronaut Richard Martin can tell a different story. Of panic in deep space, of crewmen pushed beyond breaking point, of official indifference towards his own shattered life. Martin is effectively put under wraps - until the pilot of a moon capsule, loaded with nuclear weaponry goes beserk and a nightmare develops, threatening to engulf the world - a nightmare that only Martin could end.
Music of the bars and clubs of Austin, Texas has long been recognized as defining one of a dozen or more musical "scenes" across the country. In Dissonant Identities, Barry Shank, himself a musician who played and lived in the Texas capital, studies the history of its popular music, its cultural and economic context, and also the broader ramifications of that music as a signifying practice capable of transforming identities. While his focus is primarily on progressive country and rock, Shank also writes about traditional country, blues, rock, disco, ethnic, and folk musics. Using empirical detail and an expansive theoretical framework, he shows how Austin became the site for "a productive contestation between two forces: the fierce desire to remake oneself through musical practice, and the equally powerful struggle to affirm the value of that practice in the complexly structured late-capitalist marketplace.
First Published in 1981. The objective of this study is to reconstruct the difficulty faced by American and British policy-makers in ‘determining the capabilities and intentions’ of their two main wartime allies regarding the Middle East. Specifically, it seeks to explore the role of great power relations in the Middle East in the breakdown of the wartime alliance and in the origins of the Cold War.
This will help us customize your experience to showcase the most relevant content to your age group
Please select from below
Login
Not registered?
Sign up
Already registered?
Success – Your message will goes here
We'd love to hear from you!
Thank you for visiting our website. Would you like to provide feedback on how we could improve your experience?
This site does not use any third party cookies with one exception — it uses cookies from Google to deliver its services and to analyze traffic.Learn More.