Basics Animation- Stop-motion by Barry Purves explores how all the elements of film-making - camera work, design, colour, lighting, editing, music and storytelling - come together in this unique art form. The author is passionate about this medium and his talent and experience have made this book an immediate hit in the world of animation. Students of animation will learn to recognize the particular types of movement, characters and stories that typify stop-motion. The book is packed with tips and suggestions to help you get the most out of your stop-motion films, accompanied by illustrations and case studies demonstrating how film-making masters through the years have used it in feature films, short films and television.
Stop-motion Animation explores how all the elements of film-making – camera work, design, colour, lighting, editing, music and storytelling - come together in this unique art form. With tips and suggestions to help you get the most out of your films, and with examples from some of the masters of the craft, Barry Purves shows how to make the most of the movement, characters and stories that typify stop-motion. With dozens of beautiful new examples from around the world, this new edition includes a project in each chapter, with pointers on finding a story and characters, developing a script and storyboard, constructing puppets and dealing with the practicalities of film-making. These projects combine to lead you through the creation of your first one-minute stop-motion animation.
Stop-motion Animation explores how all the elements of film-making - camera work, design, colour, lighting, editing, music and storytelling - come together in this unique art form. With tips and suggestions to help you get the most out of your films, and with examples from some of the masters of the craft, Barry Purves shows how to make the most of the movement, characters and stories that typify stop-motion.With dozens of beautiful new examples from around the world, this new edition includes a project in each chapter, with pointers on finding a story and characters, developing a script and storyboard, constructing puppets and dealing with the practicalities of film-making. These projects combine to lead you through the creation of your first one-minute stop-motion animation.
Be inspired by award-winning animator Barry Purves' honest insight into the creative process of making stop motion animations, using his own classic films to illustrate every step along the way. With Barry's enthusiasm for puppets in all their many guises and in-depth interviews from some of the world's other leading practitioners, there is advice, inspiration and entertainment galore in Stop Motion: Passion, Process and Performance. And there's more! Many of the artists and craftsmen interviewed have contributed their own specially drawn illustrations - showing their inspirations, heroes and passion for their craft. These beautiful images help make the book a truly personal journey into the heart of the animation industry with broad appeal for anyone with a love of animation.
Animação Básica: Stop-motion oferece uma apresentação ilustrada às características particulares do stop-motion e à maneira como todos os elementos da produção cinematográfica – como o trabalho de câmera, o design, a cor, a iluminação, a música e o enredo – interagem com essa forma de arte. O premiado animador Barry Purves nos conduz em uma jornada pela evolução do stop-motion, de sua descoberta acidental 110 atrás à sua transformação em uma das formas de contar histórias mais adoradas pelo público até hoje. São apresentadas várias dicas e sugestões de como tirar o máximo proveito dessa técnica, além de inúmeras ilustrações que mostram como os grandes mestres do cinema – de Georges Méliès a Tim Burton – usaram e usam o stop-motion em longas e curtas-metragens e em séries de televisão.
Be inspired by award-winning animator Barry Purves' honest insight into the creative process of making stop motion animations, using his own classic films to illustrate every step along the way. With Barry's enthusiasm for puppets in all their many guises and in-depth interviews from some of the world's other leading practitioners, there is advice, inspiration and entertainment galore in Stop Motion: Passion, Process and Performance. And there's more! Many of the artists and craftsmen interviewed have contributed their own specially drawn illustrations - showing their inspirations, heroes and passion for their craft. These beautiful images help make the book a truly personal journey into the heart of the animation industry with broad appeal for anyone with a love of animation.
Stop-motion Animation explores how all the elements of film-making – camera work, design, colour, lighting, editing, music and storytelling - come together in this unique art form. With tips and suggestions to help you get the most out of your films, and with examples from some of the masters of the craft, Barry Purves shows how to make the most of the movement, characters and stories that typify stop-motion. With dozens of beautiful new examples from around the world, this new edition includes a project in each chapter, with pointers on finding a story and characters, developing a script and storyboard, constructing puppets and dealing with the practicalities of film-making. These projects combine to lead you through the creation of your first one-minute stop-motion animation.
Jeffrey Smart's vision, which has altered the way we see the technologies of change that impel us through the fabric of time, curiously searches for an elusive stillness that lies at the heart of it, and may be seen in Master of Stillness, and appreciated with a selection of many of his most important masterpieces.
A heartfelt memoir that captures the meeting of two great minds—and, with boundless generosity, shares the joy of what it's like to make, have, and keep a friend later in life To the world, he was Dr. Sacks, the brilliant neurologist behind bestselling books like Musicophilia and The Man Who Mistook His Wife for a Hat. To professor Susan Barry, he became Dear Oliver—her mentor, friend, and confidant over the course of their unlikely, engrossing ten-year correspondence. It begins with a letter that Sue almost doesn't send. Dear Dr. Sacks . . . You asked me if I could imagine what the world would look like when viewed with two eyes. Sue’s unheard-of case history—as a “stereoblind” patient who acquired 3D vision in adulthood—so fascinates Dr. Sacks that he immediately asks to visit her. As “Stereo Sue,” she becomes the subject of one of his indelible New Yorker pieces—and, as a fellow neuroscientist, his sounding board for every kind of intellectual inquiry. Their shared passions—from classical music to cuttlefish, brain plasticity to bioluminescent plankton—spark a friendship that buoys both of them through life’s crests and falls: as Sue becomes an author in her own right, as she supports her father in his decline, and as Oliver becomes a patient himself—battling cancer that, in a painful twist, robs him of his own vision. Dr. Sacks’s letters to Sue offer his devoted readers an unprecedented glimpse of the man himself—from his legendary compassion and insight to his love of the periodic table (which he kept in his wallet). Throughout Dear Oliver, we are reminded that true friends help each other see the world a little differently.
Morris deploys the incisive tools of anthropology to deconstruct the way neoliberal policies of the 1980s began to reverse the political gains Australian Aborigines had made in the 1970s...This work is of crucial relevance for thinking beyond the present neoliberal impasse." - Gillian Cowlishaw, Sydney University "Morris reveals the lie underpinning so much recent cant but more sets the situation of Aborigines in the context of larger global forces. This is a much overdue work that should contribute to new understanding and which breaks out of some of the enduring categories that continue to inhibit critical thought." - Bruce Kapferer, University of Bergen "Morris is not afraid to study systemic interrelationships; how history brings together structure and events in ways that might be unique but not random." - Andrew Lattas, University of Bergen The 1970s saw the Aboriginal people of Australia struggle for recognition of their postcolonial rights. Rural communities, where large Aboriginal populations lived, were provoked as a consequence of social fragmentation, unparalleled unemployment, and other major economic and political changes. The ensuing riots, protests, and law-and-order campaigns in New South Wales captured the tense relations that existed between indigenous people, the police, and the criminal justice system. In Protests, Land Rights, and Riots, Barry Morris shows how neoliberal policies in Australia targeted those who were least integrated socially and culturally, and who enjoyed fewer legitimate economic opportunities. Amidst intense political debate, struggle, and conflict, new forces were unleashed as a post-settler colonial state grappled with its past. Morris provides a social analysis of the ensuing effects of neoliberal policy and the way indigenous rights were subsequently undermined by this emerging new political orthodoxy in the 1990s. Barry Morris is the author of Domesticating Resistance, Race Matters and Expert Knowledge. He is a Senior Lecturer in Anthropology at the University of Newcastle.
Thank you for visiting our website. Would you like to provide feedback on how we could improve your experience?
This site does not use any third party cookies with one exception — it uses cookies from Google to deliver its services and to analyze traffic.Learn More.