Rendezvous In Paris is a series of practical devotionals and personal meditations written by a Maine pastor as he traveled to the Charles De Gaulle Aero port to meet his daughter who was returning home sick from a summer missionary trip to Togo, West Africa. As he traveled on buses and planes through forty hours of wondering why, this pastor was inspired by everything from a fly on the flight to the plight the world was in during the thirteen days of the Cuban Missile Crisis in 1962. The book includes the opinions and observations of a tourist in France and the spiritual insights he drew from the Eiffel Tower, Notre Dame Cathedral, and the Parc Du Champ De Mars. Traveling just weeks before 9-11, there are also some considerations on just what happened and how it happened that terrorists were able to get through national security and attack the Twin Towers and the Pentagon. The book also includes the miraculous events required to take this trip, the ultimate purpose of God when He calls us suddenly out of our comfort zone, and the blessings and pleasures that come by letting go and letting God. On a personal note, this group of short stories reveals the deep emotion and loving connection between a father and his daughter and the extraordinary adventure they shared together in a day in Paris!
The most ambitious and personal account ever written about Hollywood's most gracious star-Audrey Hepburn by Barry Paris is a "moving portrayal" (The New York Times Book Review) that truly captures the woman who captured our hearts... With the insights of family and friends who never before spoke to a Hepburn biographer-and never-before-published photographs-Paris has created an in-depth portrait of the actress, from her childhood in Nazi-occupied Europe, through her legendary career, and into her UN ambassadorship.
The Beat Hotel has been closed for nearly forty years. But for a brief period—from just after the publication of Howl in 1957 until the building was sold in 1963—it was home to Allen Ginsberg, William Burroughs, Gregory Corso, Brion Gysin, Peter Orlovsky, Harold Norse, and a host of other luminaries of the Beat Generation. Now, Barry Miles—acclaimed author of many books on the Beats and a personal acquaintance of many of them—vividly excavates this remarkable period and restores it to a historical picture that has, until now, been skewed in favor of the two coasts of America. A cheap rooming house on the bohemian Left Bank, the hotel was inhabited mostly by writers and artists, and its communal atmosphere spurred the Beats to incredible heights of creativity. Its inhabitants followed the Howl obscenity trial, and they corresponded with Jack Kerouac as On the Road was taking off. There Ginsberg wrote “Kaddish,” “To Aunt Rose,” “At Apollinaire’s Grave,” and “The Lion for Real,” and Corso developed the mature voice of The Happy Birthday of Death. The Beat Hotel is where the Cut-up method was invented, and where Burroughs finished and published Naked Lunch and the Cut-up novels. From a party where Ginsberg and Corso drunkenly accosted Marcel Duchamp and Man Ray, to an awestruck audience with Louis-Ferdinand Céline a year before he died; from a drug-addled party on a houseboat on the Seine with Errol Flynn and John Huston, to Burroughs’s near arrest as a heroin dealer: mischief, inspiration, and madness followed the Beats wherever they went. Based on firsthand accounts from diaries, letters, and many original interviews, The Beat Hotel is an intimate look at a crucial period for some of the twentieth century’s most enduring and daring writers.
This book examines how France's revolutionary authorities handled political opposition in the year following the fall of the Bastille. Though demands for more severe treatment of the enemies of the new regime were frequently and loudly expressed, and though portents and warning signs of the coming unwillingness to tolerate opposition were hardly lacking, political justice in 1789-90 was in fact characterized by a remarkable degree of indulgence and forbearance. Through an investigation of the judicial affairs, which attracted the most public attention in Paris during this period, this study seeks to identify the factors, which produced a temporary victory for policies of mildness and restraint.
Rendezvous In Paris is a series of practical devotionals and personal meditations written by a Maine pastor as he traveled to the Charles De Gaulle Aero port to meet his daughter who was returning home sick from a summer missionary trip to Togo, West Africa. As he traveled on buses and planes through forty hours of wondering why, this pastor was inspired by everything from a fly on the flight to the plight the world was in during the thirteen days of the Cuban Missile Crisis in 1962. The book includes the opinions and observations of a tourist in France and the spiritual insights he drew from the Eiffel Tower, Notre Dame Cathedral, and the Parc Du Champ De Mars. Traveling just weeks before 9-11, there are also some considerations on just what happened and how it happened that terrorists were able to get through national security and attack the Twin Towers and the Pentagon. The book also includes the miraculous events required to take this trip, the ultimate purpose of God when He calls us suddenly out of our comfort zone, and the blessings and pleasures that come by letting go and letting God. On a personal note, this group of short stories reveals the deep emotion and loving connection between a father and his daughter and the extraordinary adventure they shared together in a day in Paris!
This book examines how France's revolutionary authorities handled political opposition in the year following the fall of the Bastille. Though demands for more severe treatment of the enemies of the new regime were frequently and loudly expressed, and though portents and warning signs of the coming unwillingness to tolerate opposition were hardly lacking, political justice in 1789-90 was in fact characterized by a remarkable degree of indulgence and forbearance. Through an investigation of the judicial affairs, which attracted the most public attention in Paris during this period, this study seeks to identify the factors, which produced a temporary victory for policies of mildness and restraint.
The Beat Hotel is a delightful chronicle of a remarkable moment in American literary history. From the Howl obscenity trial to the invention of the cut-up technique, Barry Miles's extraordinary narrative chronicles the feast of ideas that was Paris, where the Beats took awestruck audiences with Duchamp and Celine, and where some of their most important work came to fruition--Ginsberg's "Kaddish" and "To Aunt Rose"; Corso's The Happy Birthday of Death; and Burroughs's Naked Lunch. Based on firsthand accounts from diaries, letters, and many original interviews, The Beat Hotel is an intimate look at an era of spirit, dreams, and genius.
Henri Labrouste is one of the few nineteenth-century architects consistently lionized as a precursor of modern architecture throughout the twentieth century and into our own time. The two magisterial glass-and-iron reading rooms he built in Paris gave form to the idea of the modern library as a collective civic space. His influence was both immediate and long-lasting, not only on the development of the modern library but also on the exploration of new paradigms of space, materials and luminosity in places of great public assembly. Published to accompany the first exhibition devoted to Labrouste in the United States--and the first anywhere in the world in nearly 40 years--this publication presents nearly 225 works in all media, including drawings, watercolors, vintage and modern photographs, film stills and architectural models. Essays by a range of international architecture scholars explore Labrouste's work and legacy through a variety of approaches.
`A lucid and wide-ranging survey of the changing role of women in insurgent movements in nineteenth-century France that will be invaluable for those interested in both women's studies and French history' - Pamela M. Pilbeam, Royal Holloway, University of London. This book provides a broad survey of the development of female insurgency in France between 1789 and 1871, and lays particular emphasis on the conflicts of 1830-51. Drawing on unused archival material, Barry demonstrates that a tradition of women's protest evolved from the 1789 Revolution, assuming particular forms associated with the exclusion of females from political and civil rights, and inviting both praise and vilification. The conclusions challenge the view that in nineteenth-century France women retreated altogether from popular movements.
Barry Halpern, a hard-working, successful New Jersey surgeon, is finally starting to see clearly about everything in his life. After twenty-three years of living with his narcissistic wife's indiscretions, he decides he can no longer tolerate her obsessive behavior. As he reenters bachelorhood, Barry refuses to be socially stagnant--a choice eventually leads him in a completely new direction. After a lengthy, self-imposed hiatus from committed relationships, Barry travels to France, where he suddenly falls in love with Monique Girard, a beautiful art conservator and the widow of a French government agent mysteriously killed a year earlier. For a time, he shuttles between New Jersey and France and attempts to convince Monique and her teenage daughter to emigrate to America. and then Monique suddenly disappears one day, leaving Barry with no answers or idea of what has happened. Driven by fear of losing his last chance at true love, Barry returns to Paris and partners with a French agent to find her, unaware of what they are about to uncover. As an American doctor on a dangerous chase to locate his French lover is unwittingly led straight into the clutches of an international mob, he soon discovers he can count on only one person: himself.
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