The murder of Jennifer Southern in her cottage on the outskirts of a Lancashire village re-ignites a legacy of witchcraft that was thought to have ended four hundred years ago when the Pendle Witches were hanged at Lancaster Castle in 1612. But their descendants have lived on, following the old ways and keeping themselves to themselves until now it seems someone is determined to wipe them out. As the death toll rises, events finally force the police to work with the modern-day witches in a bid to hunt down the killer.
A brand new edition of the bestselling book that helps students and young people to develop critical leadership skills The Student Leadership Challenge is based on four decades of research on what people are doing when at their personal-best as leaders. With an approach tailored specifically to young and emerging leaders, this guide introduces The Five Practices of Exemplary Leadership operating system, incorporating stories of leadership development from real students, as well as reflective and critical thinking activities at the end of each chapter. Readers will have opportunities to engage in each of The Five Practices, building leadership skills that translate to real world applications. This fourth edition has been updated with new stories about topics critical to today's youth, including climate change, social justice, mental health, and virtual learning. Included with the book is access to the online Student Leadership Practices Inventory, so readers can achieve insight into their current leadership skills. Learn The Five Practices of Exemplary Leadership, and how they help you succeed while in school and in life Get inspired by stories of students around the world who exhibit exemplary leadership Practice critical leadership behaviors and engage in thought-provoking reflections Assess your own potential with the Student Leadership Practices Inventory As a result of reading and interacting with The Student Leadership Challenge, readers will emerge with a concrete leadership framework and new skills that they can take with them, wherever the future leads.
Hunter Littlejohn was five foot three inches tall, one hundred ten pounds and ablaze with curiosity and the desire for adventure. Her ambitions as well as her disposition were well suited to her flaming red hair. She had a small, upturned nose, sprinkled with freckles and the lilywhite complexion of one of those unique creatures described as a true redhead. Her eyes were emerald green and her lips were full and sensuous, but the set of her jaw usually kept suitors at bay. However, with her shapely legs, full breasts and tiny waist, no man could ignore her, and all would require at least a second look. She treated these admirers with distain, and still they dreamed about her in their most secret fantasies. This was not the case with Nicholas Kane. Hunter couldn’t for the life of her figure out how to handle this tall, handsome and purely ornery mountain man. Kane was as ruthless and dangerous as he was handsome. She wanted to go west to look for her fiancé, and her best friend Quincy had told her Kane was the only man for the job. Her problem was that Kane refused to take her. At their first meeting, they instinctively hated each other. Eventually she kidnapped Kane, and in the company of her best friend, several muleskinners and two soiled doves from a local saloon, they left Chicago and headed for the Nevada goldfields...
A succubus is stalking the streets of Preston. But she's not just giving certain young men erotic dreams: she's leeching the life out of them. With Detective Chief Inspector Alf Stone still on paternity leave after the birth of his son, it's down to DI Alexandra Johnson to investigate. But why are all the victims called Ryan? And how on earth do you bring an entity to justice? With the help of young witch Mary Conway, the newly formed 'Unusual Investigations' team of Ratcliffe and Kat, her new sergeant and a computer whizz of a PCSO, Johnson begins to unravel a web of intrigue that goes back fifteen years. Then Stone returns and starts digging into a cold case...
When Russia declared war on the Ottoman Empire in April 1877, it was the fifth time during the nineteenth century that hostilities had broken out between the two empires. On this occasion the other Great Powers had done all they could to prevent it, although public opinion in the West had been shocked by Turkey's brutal repression of the Bulgarian uprising. The war was to be fought in two distinct theaters. In Europe, as on previous occasions, the Russian objective was to cross first the Danube and then the formidable Balkan Mountains before striking for Constantinople. In Asia, over territory also contested many times before, the Russians aimed to seize Kars and then Erzerum. At first all went well for the invaders, the Turks making no serious attempt to hold the line of the Danube, while a thrust south by General Gourko succeeded in crossing the Balkans by a pass not previously considered practicable. At Plevna, however, the Russian advance stalled in the face of the determined defense of the place by the redoubtable Osman Pasha. In Asia, meanwhile, after initial success, the Russian advance was halted by defeat at Zevin. Poor strategic judgment on the part of the Turks led to their failure to take advantage of the opportunity provided by Osman, even after the Russians had suffered three bloody defeats at Plevna. Eventually, after the town was closely invested, it fell to the besiegers. In Asia, the Turks suffered a major defeat in the battle of God's Mountain, and were driven back to Erzerum, while Kars fell to a brilliant assault by the Russian forces. These defeats marked the beginning of the end for the Turks. By January 1878 the Russians were over the Balkans in force, and the last viable Turkish army was surrounded and captured at Shenovo. Armistice negotiations led to a suspension of hostilities and to the treaty of San Stefano. The other Great Powers had watched the conflict with mounting anxiety and were determined to moderate the terms of San Stefano which had imposed harsh conditions on the Ottoman Empire. This, following tortuous diplomatic negotiations, they succeeded in doing at the Congress of Berlin in July 1878. This book, the first military history of the war in English for over a century, traces the course of the campaigns, examining the many occasions on which the outcome of a battle might have gone the other way, and the performance of the combatants, both leaders and led. The book considers the extent to which the parties applied the lessons of recent wars, as well as the conclusions that could be drawn from the experience of combat with the latest weapons. It also explores the complicated motives of the Great Powers in general, and Britain in particular, in bringing about a final settlement, which postponed the dissolution of the Ottoman Empire. The author's detailed text is accompanied by an extensive number of black and white illustrations, an impressive color plate section containing reproductions of paintings by artists such as Vereshchagin, plus black and white and color battle maps. Extensive orders of battle are also provided. This is the latest title in Helion's ground-breaking series of 19th Century studies, and will again appear in hardback as a strictly limited edition printing of 1,000 copies, each individually numbered and signed by the author on a decorative title page.
Thomas De Quincey (1785-1859) is considered one of the most important English prose writers of the early-19th century. This is the first part of a 21-volume set presenting De Quincey's work, also including previously unpublished material.
In a tarn in a country park in the heart of the Lancashire countryside lies the body of a young man. His death causes all sorts of problems for Detective Chief Inspector Alf Stone and his team because, according to the police pathologist, this his not the first time he has appeared on the autopsy slab. The investigation brings to light the ancient 'were' tradition of the county where witches became hares to escape the attention of the law. Now Mary Conway has chosen to learn the art of becoming a were herself for the sole purpose of halting the resurgence of the illegal so called 'sport' of hare coursing. But her intervention uncovers a far more sinister threat: camped not far from the country park are a group of renegade Romani, led by the wolf-witch Daciana Lupescu, who have fled the Carpathian Mountains of Transylvania and plan to set up a colony on Wolf Fell not far from the country park.
The twin crises of illiteracy and youth violence haunt our age; the failure of increasing numbers of young people to attain even minimal levels of literacy signals a catastrophe at the deepest levels of our culture. A is for Ox is an important and impassioned work that both proves this conclusion and suggests what can be done to change it. Sanders argues that because of the omnipresence of electronically generated images and sounds in contemporary culture, children grow up lacking the oral experience of language crucial to attaining true literacy; without the technologies of reading and writing, the development of self is stunted. By tracing the long history of literacy in the West, Sanders demonstrates how the culture of electronic media is changing both cognitive development and social interaction. Taking the issue of literacy out of the narrow context of schooling and education, Sanders compels us to consider it in relation to the fundamental issues of both personal identity and a person's unforced consent to the social contract.
Round In Circles: The Story of Rodgers & Hammerstein's Carousel is intended not only for those who share the author's love of the 'Golden Age' Broadway musicals, but also for students of the genre who want to learn about the trials and tribulations encountered in producing a musical at that time when Rodgers and Hammerstein were transforming such shows into the unique American art form we continue to enjoy today.
Indian Point is a deeply disturbing, action-packed thriller about a desperate struggle, a holy war, and the most formidable terrorist movement to confront the civilized world in a thousand years¿a movement that glorifies death and grows stronger with each bloody event. The martyr straps on the explosive-laden vest and goes to a better life, beyond the reach of his enemies. He is untouchable. When Marco Frost has an ice pick shoved into his throat, his brother, Nicholas, a hard case with a checkered past, throws in with an old Jew and goes after the killer. The trail leads both men to the French Riviera where ten people are slaughtered in the middle of a nice lunch at the Carlton Hotel in Cannes. Nicholas quickly finds himself knee deep in a hair-raising scheme to destroy a nuclear plant in the United States. All hell breaks loose as he stirs the pot and becomes a target of opportunity for people out to stop him from stopping them. This masterfully choreographed story, which leaves little to the imagination, soars through seven countries and across two continents: from the Hindu Kush in Afghanistan to a secret Russian ordnance base near the Mongolian border, to Prickly Pear Hill Road, a fork in the road on the outskirts of Chimney Corners, in Upstate New York. It cuts through La Turbie, where three hippies are executed on a mountain overlooking Monaco; through Genoa, Milan, London, New Jersey, and Florida; and ends in Westchester, under the containment dome of the number three reactor at the Indian Point Nuclear Plant.
Jones, Barry Owen (1932– ). Australian politician, writer and lawyer, born in Geelong. Educated at Melbourne High School and Melbourne University, he was a public servant, high school teacher, television and radio performer, university lecturer and lawyer before serving as a Labor MP in the Victorian Parliament 1972–77 and the Australian House of Representatives 1977–98. He took a leading role in reviving the Australian film industry and abolishing the death penalty in Australia, and was the first politician to raise public awareness of global warming, the ‘post‑industrial’ society, the IT revolution, biotechnology, the rise of ‘the Third Age’ and the need to preserve Antarctica as a wilderness. In the *Hawke Government, he was Minister for Science 1983–90, Prices and Consumer Affairs 1987, Small Business 1987–90 and Customs 1988–90. He became a member of the Executive Board of UNESCO, Paris 1991–95 and National President of the Australian Labor Party 1992–2000, 2005–06. He was Deputy Chairman of the Constitutional Convention 1998. His books include Decades of Decision 1860– (1965), Joseph II (1968) and Age of Apocalypse (1975), and he edited The Penalty Is Death (1968, revised and expanded 2022). Sleepers, Wake! Technology and the Future of Work was published by Oxford University Press in 1982, became a bestseller and has been translated into Chinese, Japanese, Korean, Swedish and braille. The fourth edition was published in 1995. Knowledge Courage Leadership: Insights & Reflections, a collection of speeches and essays, appeared in 2016. He received a DSc in 1988 for his services to science and a DLitt in 1993 for his work on information theory. Elected FTSE (1992), FAHA (1993), FAA (1996) and FASSA (2003), he is the only person to have become a Fellow of four of Australia’s five learned Academies. Awarded an AO in 1993, named as one of Australia’s 100 ‘living national treasures’ in 1997, he was elected a Visiting Fellow Commoner of Trinity College, Cambridge in 1999. His autobiography, A Thinking Reed, was published in 2006 and The Shock of Recognition, about music and literature, in 2016. In 2014 he received an AC for services ‘as a leading intellectual in Australian public life’. What Is to Be Done was published by Scribe in 2020.
Here, now, listen, I'll tell you a tale . . . Daffodils are in bloom as dawn breaks over the foothills of Ballycumber, ushering in hope for a new day and stirring the ghosts of a past fraught with sorrow, anguish and emptiness. In search of advice, young Evans Stafford calls at the home of friend and strong-minded traditionalist, Nicholas Farquhar. The following day, as Farquhar learns the devastating consequences of this meeting, he discovers that his memories and words are governed by a buried history; a force far greater than himself. Sebastian Barry's Tales of Ballycumber premiered at the Abbey Theatre, Dublin, in September 2009.
THE STORY: From her hospital bed in 1950's Dublin, Mai O'Hara recalls her life through morphine-induced memories and hallucinations. Dying of liver cancer caused by alcoholism, Mai reminisces on her youthful promise as a member of the Galway bourge
In this wonderful exploration of the meaning of laughter, Barry Sanders queries its uses from the ancient Hebrews to Lenny Bruce, turning up evidence of its age-old power to subvert authority and give voice to the voiceless.
Portraits of one hundred recipients of the United States’ highest honor in the folk and traditional arts, caputred in their element. Discover one hundred of the greatest folk artists practicing in the United States in Folk Masters: A Portrait of America. Over the past twenty-five years, photographer Tom Pich has traveled the country to the homes and studios of recipients of the National Endowment for the Arts’ National Heritage Fellowship, the highest honor given to folk and traditional artists in the nation. His portraits give us a glimpse into their art, their process, and their culture. While each image tells a story on its own, Barry Bergey, former Director of Folk and Traditional Arts at the National Endowment for the Arts, provides further insight into the lives of each featured artist as well as the remarkable stories behind each photograph. Folk Masters honors again the extraordinary women and men who simultaneously take the traditional arts to new heights while ensuring their continuation from generation to generation. “This beautiful, informative, and exquisitely produced book features 100 extraordinary traditional artists from across America, each a recipient of the National Endowment for the Arts National Heritage Fellowship—the nation’s highest award for excellence in the folk and traditional arts. Folk Masters is a stunning tribute to the great diversity of cultures and artistic traditions that enrich our country.” —Marjorie Hunt, Folklife Curator, Smithsonian Center for Folklife and Cultural Heritage “Folk Masters documents and honors the extraordinary women and men who take traditional arts to new heights while also ensuring their continuation from generation to generation.” —The Library of Congress “Folk Masters is visual, emotional, and inspirational. Here is a portrait of America many Americans never see and may not believe actually exists. Pich and Bergey have done an admirable job of conveying their vision.” —Journal of Folklore Research
The Power in the Dark is Book One of The Ancient Bloodlines Trilogy Fanatical soldiers invade Britain in 1112 AD to hunt down the remaining survivors of an ancient bloodline and retrieve a mysterious sword. What is the Power? Thirteen years after Crusaders seized Jerusalem, a mysterious band of soldiers invades southwest Britain. They are led by two giant men with terrifying powers bent on hunting down the last survivors of a sacred bloodline and retrieving a magical sword. Who will be able to stop them? Swept up in the struggle against the invaders, John and Gwen experience brutal captures, fierce chases and terrifying visions. Questions about their heritage haunt them. What is their bloodline? What does it mean to be the 'Keeper of the Grail'? And who is Owl?
This is the story of the remarkable, intersecting careers of the two greatest writers on British naval history in the twentieth century the American professor Arthur Marder, son of immigrant Russian Jews, and Captain Stephen Roskill, who knew the Royal Navy from the inside. Between them, these contrasting characters were to peel back the lid of historical secrecy that surrounded the maritime aspects of the two world wars, based on the privileged access to official papers they both achieved through different channels. Initially their mutual interests led to a degree of friendly rivalry, but this was to deteriorate into a stormy academic feud fought out in newspaper columns and the footnotes of their books much to the bemusement (and sometimes amusement) of the naval history community. Out of it, surprisingly, emerged some of the best historical writing on naval themes, and a central contribution of this book is to reveal the process by which the two historians produced their literary masterpieces. Anyone who has read Marders From the Dreadnought to Scapa Flow or Roskills The War at Sea and they were both bestsellers in their day will be entertained and enlightened by this story of the men A J P Taylor called our historical dreadnoughts. This is the story of the remarkable, intersecting careers of the two greatest writers on British naval history in the twentieth century the American professor Arthur Marder, son of immigrant Russian Jews, and Captain Stephen Roskill, who knew the Royal Navy from the inside. Between them, these contrasting characters were to peel back the lid of historical secrecy that surrounded the maritime aspects of the two world wars, based on the privileged access to official papers they both achieved through different channels. Initially their mutual interests led to a degree of friendly rivalry, but this was to deteriorate into a stormy academic feud fought out in newspaper columns and the footnotes of their books much to the bemusement (and sometimes amusement) of the naval history community. Out of it, surprisingly, emerged some of the best historical writing on naval themes, and a central contribution of this book is to reveal the process by which the two historians produced their literary masterpieces. Anyone who has read Marders From the Dreadnought to Scapa Flow or Roskills The War at Sea and they were both bestsellers in their day will be entertained and enlightened by this story of the men A J P Taylor called our historical dreadnoughts.
Alaric, King of the Western Goths, entered Rome with his army, by the Salarian Gate -- outside of which Hannibal had encamped long ago--and took the Imperial City. Eleven hundred and sixty-four years had passed since its legendary foundation under Romulus; four hundred and forty-one since the battle of Actium, which made Augustus Lord in deed, if not in name, of the Roman world. When the Gothic trump sounded at midnight, it announced that ancient history had come to an end, and that our modern time was born. St. Jerome, who in his cell at Bethlehem saw the Capitol given over to fire and flame, was justified from an historical point of view when he wrote to the noble virgin Demetrias, "Thy city, once the head of the universe, is the sepulchre of the Roman people." Even in that age of immense and growing confusion, the nations held their breath when these tidings broke upon them. Adherents of the classic religion who still survived felt in them a judgment of the gods; they charged on Christians the long sequel of calamities which had come down upon the once invincible Empire. Christians retorted that its fall was the chastisement of idolatry. And their supreme philosopher, the African Father St. Augustine, wrote his monumental work, "Of the City of God," by way of proving that there was a Divine kingdom which heathen Rome could persecute in the martyrs, but the final triumph of which it could never prevent. This magnificent conception, wrought out in a vein of prophecy, and with an eloquence which has not lost its power, furnished to succeeding times an Apocalypse no less than a justification of the Gospel. Instead of heathen Rome, it set up an ideal Christendom. But the center, the meeting-place, of old and new, was the City on the Seven Hills.
Francis Bacon's Contribution to Shakespeare advocates a paradigm shift away from a single-author theory of the Shakespeare work towards a many-hands theory. Here, the middle ground is adopted between competing so-called Stratfordian and alternative single-author conspiracy theories. In the process, arguments are advanced as to why Shakespeare’s First Folio (1623) presents as an unreliable document for attribution, and why contemporary opinion characterised Shakspere [his baptised name] as an opportunist businessman who acquired the work of others. Current methods of authorship attribution are critiqued, and an entirely new Rare Collocation Profiling (RCP) method is introduced which, unlike current stylometric methods, is capable of detecting multiple contributors to a text. Using the Early English Books Online database, rare phrases and collocations in a target text are identified together with the authors who used them. This allows a DNA-type profile to be constructed for the possible contributors to a text that also takes into account direction of influence. The method brings powerful new evidence to bear on crucial questions such as the author of the Groats-worth of Witte (1592) letter, the identifiable hands in 3 Henry VI, the extent of Francis Bacon’s contribution to Twelfth Night and The Tempest, and the scheduling of Love’s Labour’s Lost at the 1594–5 Gray’s Inn Christmas revels for which Bacon wrote entertainments. The treatise also provides detailed analyses of the nature of the complaint against Shakspere in the Groats-worth letter, the identity of the players who performed The Comedy of Errors at Gray’s Inn in 1594, and the reasons why Shakspere could not have had access to Virginia colony information that appears in The Tempest. With a Foreword by Sir Mark Rylance, this meticulously researched and penetrating study is a thought-provoking read for the inquisitive student in Shakespeare Studies.
Death Penalty Cases provides an unbiased collection of seminal death penalty cases in the United States. It offers full but carefully edited excerpts from 25 different US Supreme Court cases along with helpful introductory materials specially prepared by the editor. It also includes the latest statistical data on capital punishment [and a useful sampling of death penalty statutes]. Together, this material is invaluable for a full understanding of this fascinating subject. Without taking sides on this controversial issue, the author illuminates the arguments and presents the cases that form the framework for US law on capital punishment. The keen selection of the material and the quality and extent of the commentary make this unique textbook a superb resource and an outstanding educational tool. * Carefully edited excerpts from 25 landmark US Supreme Court cases * Outstanding original interpretation and analysis from the author * A wealth of impartial material on ethics and historical controversies
“At a time when policing in America is at a crossroads, Barry Friedman provides much-needed insight, analysis, and direction in his thoughtful new book. Unwarranted illuminates many of the often ignored issues surrounding how we police in America and highlights why reform is so urgently needed. This revealing book comes at a critically important time and has much to offer all who care about fair treatment and public safety.” —Bryan Stevenson, founder and Executive Director of the Equal Justice Initiative and author of Just Mercy: A Story of Justice and Redemption In June 2013, documents leaked by Edward Snowden sparked widespread debate about secret government surveillance of Americans. Just over a year later, the shooting of Michael Brown, a black teenager in Ferguson, Missouri, set off protests and triggered concern about militarization of law enforcement and discriminatory policing. In Unwarranted, Barry Friedman argues that these two seemingly disparate events are connected—and that the problem is not so much the policing agencies as it is the rest of us. We allow these agencies to operate in secret and to decide how to police us, rather than calling the shots ourselves. And the courts, which we depended upon to supervise policing, have let us down entirely. Unwarranted tells the stories of ordinary people whose lives were torn apart by policing—by the methods of cops on the beat and those of the FBI and NSA. Driven by technology, policing has changed dramatically. Once, cops sought out bad guys; today, increasingly militarized forces conduct wide surveillance of all of us. Friedman captures the eerie new environment in which CCTV, location tracking, and predictive policing have made suspects of us all, while proliferating SWAT teams and increased use of force have put everyone’s property and lives at risk. Policing falls particularly heavily on minority communities and the poor, but as Unwarranted makes clear, the effects of policing are much broader still. Policing is everyone’s problem. Police play an indispensable role in our society. But our failure to supervise them has left us all in peril. Unwarranted is a critical, timely intervention into debates about policing, a call to take responsibility for governing those who govern us.
(FAQ). The Sound of Music FAQ is a comprehensive, encyclopedia-like reference to the world's most popular movie musical. Rather than focusing on the often-told stories of this classic movie, this book looks at the 1965 Oscar-winner in relation to its source, including the true von Trapp family story and the Broadway musical from which it was derived. The Sound of Music FAQ explores such facts and trivia as the movie's phenomenal original run in cinemas, during which it dominated the box office for a staggering amount of time and became the highest grossing movie of the 1960s and of all time; its long and varied life on home video and primetime television; the bestselling soundtrack and many other related recordings; information behind the stunning Austrian locations; the critical feedback; the many stage revivals; and the continuing references, homages, reunions, and tributes related to it over the many decades since its release.
Consummate painter, draftsman, sculptor, and architect, Michelangelo Buonarroti (1475–1564) was celebrated for his disegno, a term that embraces both drawing and conceptual design, which was considered in the Renaissance to be the foundation of all artistic disciplines. To his contemporary Giorgio Vasari, Michelangelo was “the divine draftsman and designer” whose work embodied the unity of the arts. Beautifully illustrated with more than 350 drawings, paintings, sculptures, and architectural views, this book establishes the centrality of disegno to Michelangelo’s work. Carmen C. Bambach presents a comprehensive and engaging narrative of the artist’s long career in Florence and Rome, beginning with his training under the painter Domenico Ghirlandaio and the sculptor Bertoldo and ending with his seventeen-year appointment as chief architect of Saint Peter’s Basilica at the Vatican. The chapters relate Michelangelo’s compositional drawings, sketches, life studies, and full-scale cartoons to his major commissions—such as the ceiling frescoes and the Last Judgment in the Sistine Chapel, the church of San Lorenzo and its New Sacristy (Medici Chapel) in Florence, and Saint Peter’s—offering fresh insights into his creative process. Also explored are Michelangelo’s influential role as a master and teacher of disegno, his literary and spiritual interests, and the virtuoso drawings he made as gifts for intimate friends, such as the nobleman Tommaso de’ Cavalieri and Vittoria Colonna, the marchesa of Pescara. Complementing Bambach’s text are thematic essays by leading authorities on the art of Michelangelo. Meticulously researched, compellingly argued, and richly illustrated, this book is a major contribution to our understanding of this timeless artist.
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