What role does memory play in migrants’ adaption to the emotional challenges of migration? How are migrant selfhoods remade in relation to changing cultural myths? This book, the first to apply Popular Memory Theory to the Irish Diaspora, opens new lines of critical enquiry within scholarship on the Irish in modern Britain. Combining innovative use of migrant life histories with cultural representations of the post-war Irish experience, it interrogates the interaction between lived experience, personal memory and cultural myth to further understanding of the work of memory in the production of migrant subjectivities. Based on richly contextualised case studies addressing experiences of emigration, urban life, work, religion, and the Troubles in England, chapters shed new light on the collective fantasies of post-war migrants and the circumstances that formed them, as well as the cultural and personal dynamics of subjective change over the life course. At the core of the book lie the processes by which migrants ‘recompose’ the self as part of ongoing efforts to adapt to the transition between cultures and places. Life history and the Irish migrant experience offers a fresh perspective on the significance of England’s largest post-war migrant group for current debates on identity and difference in contemporary Britain. Integrating historical, cultural and psychological perspectives in an innovative way, it will be essential reading for academics and students researching modern British and Irish social and cultural history, ethnic and migration studies, oral history and memory studies, cultural studies and human geography.
In the wake of an unparalleled housing crisis at the end of the Second World War, Glasgow Corporation rehoused the tens of thousands of private tenants who were living in overcrowded and unsanitary conditions in unimproved Victorian slums. Adopting the designs, the materials and the technologies of modernity they built into the sky, developing high-rise estates on vacant sites within the city and on its periphery. This book uniquely focuses on the people's experience of this modern approach to housing, drawing on oral histories and archival materials to reflect on the long-term narrative and significance of high-rise homes in the cityscape. It positions them as places of identity formation, intimacy and well-being. With discussions on interior design and consumption, gender roles, children, the elderly, privacy, isolation, social networks and nuisance, Glasgow examines the connections between architectural design, planning decisions and housing experience to offer some timely and prescient observations on the success and failure of this very modern housing solution at a moment when high flats are simultaneously denigrated in the social housing sector while being built afresh in the private sector. Glasgow is aimed at an academic readership, including postgraduate students, scholars and researchers. It will be of interest to social, cultural and urban historians particularly interested in the United Kingdom.
What role does memory play in migrants’ adaption to the emotional challenges of migration? How are migrant selfhoods remade in relation to changing cultural myths? This book, the first to apply Popular Memory Theory to the Irish Diaspora, opens new lines of critical enquiry within scholarship on the Irish in modern Britain. Combining innovative use of migrant life histories with cultural representations of the post-war Irish experience, it interrogates the interaction between lived experience, personal memory and cultural myth to further understanding of the work of memory in the production of migrant subjectivities. Based on richly contextualised case studies addressing experiences of emigration, urban life, work, religion, and the Troubles in England, chapters shed new light on the collective fantasies of post-war migrants and the circumstances that formed them, as well as the cultural and personal dynamics of subjective change over the life course. At the core of the book lie the processes by which migrants ‘recompose’ the self as part of ongoing efforts to adapt to the transition between cultures and places. Life history and the Irish migrant experience offers a fresh perspective on the significance of England’s largest post-war migrant group for current debates on identity and difference in contemporary Britain. Integrating historical, cultural and psychological perspectives in an innovative way, it will be essential reading for academics and students researching modern British and Irish social and cultural history, ethnic and migration studies, oral history and memory studies, cultural studies and human geography.
In the wake of an unparalleled housing crisis at the end of the Second World War, Glasgow Corporation rehoused the tens of thousands of private tenants who were living in overcrowded and unsanitary conditions in unimproved Victorian slums. Adopting the designs, the materials and the technologies of modernity they built into the sky, developing high-rise estates on vacant sites within the city and on its periphery. This book uniquely focuses on the people's experience of this modern approach to housing, drawing on oral histories and archival materials to reflect on the long-term narrative and significance of high-rise homes in the cityscape. It positions them as places of identity formation, intimacy and well-being. With discussions on interior design and consumption, gender roles, children, the elderly, privacy, isolation, social networks and nuisance, Glasgow examines the connections between architectural design, planning decisions and housing experience to offer some timely and prescient observations on the success and failure of this very modern housing solution at a moment when high flats are simultaneously denigrated in the social housing sector while being built afresh in the private sector. Glasgow is aimed at an academic readership, including postgraduate students, scholars and researchers. It will be of interest to social, cultural and urban historians particularly interested in the United Kingdom.
Completely revised and updated with newly commissioned articles, the 20th anniversary edition ofThe Writer's Handbookis an indispensible companion for everyone in the writing profession. Containing over 6,000 entries covering every area of writing, with provocative articles and useful advice from leading representatives of the trade, this practical, straightforward guide provides full details on the core markets. In addition to the key areas of UK and US book publishers, agents, magazines, screenwriting, theater and poetry, writer's courses and circles, festivals, and grants and prizes, the guide also offers invaluable expert advice on contracts, copyright, and taxation.
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