One man’s quest to investigate a dismissed eyewitness account of the assassination of President John F. Kennedy. Victoria Elizabeth Adams worked on the fourth floor of the Texas School Book Depository in 1963. She was on the back staircase of the building at the precise moment that Lee Harvey Oswald—according to the Warren Commission’s account—was making his escape. Yet, Adams saw and heard no one. This is the story—both frightening and fascinating—about a journey to seek the truth in the assassination of President John F. Kennedy. After a three-decade quest and an array of obstacles, investigative journalist Barry Ernest brings the full account of the girl on the stairs to life. Ernest, a frequent lecturer on the topic of the Kennedy assassination, won the 2011 Mary Ferrell Pioneer Award, a national honor presented for a lifetime of searching for the truth. David S. Lifton, author of the New York Times bestseller Best Evidence: Disguise and Deception in the Assassination of John F. Kennedy, provides a foreword to this intriguing saga. Praise for The Girl on the Stairs “Beautifully paced writing takes the reader along as Ernst searches for crucial information. . . . Highly recommended.” —Debra Conway, president, JFK Lancer Productions & Publications, Inc. “Ernest demonstrates there are still important lessons to learned and good historical research to be done.” —Larry Hancock, author of Someone Would Have Talked: The Assassination of President John F. Kennedy “Brilliant, utterly compelling, very, very dark, and deeply troubling.” —Dr. Stephen Dorril, author of MI6:Fifty Years of Special Operations “Deserves space on the shelf of every Kennedy assassination buff in the country.” —Maj. Glenn MacDonald, Military Corruption “Totally engrossing and fascinating.” —Terry West, WAXX FM
On the twentieth anniversary of the publication of Barry Gifford's international bestseller, Wild at Heart, as well as the anniversary of the Palme d'Or–winning film adaptation by director David Lynch, Sailor & Lula: The Complete Novels presents all of the novels and novellas that comprise the saga of Sailor Ripley and Lula Pace Fortune, "the Romeo and Juliet of the South": Wild at Heart, Perdita Durango (also made into a feature film), Sailor’s Holiday, Sultans of Africa, Consuelo’s Kiss, Bad Day for the Leopard Man, and The Imagination of the Heart.
It is the Victorian Era. One woman rules the British Empire; virtually all other women rule domains no larger than their kitchens. The widow of Constable Tobias Hudson is determined not to be one of those other women. She uses the lodgings she has leased at 221B Street to recruit the male figurehead she needs for the consulting detective agency that will make use of her investigative skills and observational abilities. It is a definite plus that the most attractive applicant for that role, Sherlock Holmes, brings with him the level-headed Dr. John Watson. This, then, is the first in the Mrs. Hudson of Baker Street series designed to expose and celebrate the genius and achievements of the true sage of Baker Street. The services of the consulting detective agency are requested by Lady Parkerton, whose husband, Sir Stanley, appears to have been poisoned after a family dinner in which he had the same food and drink as all other guests. When the family's coachman, who drinks too much and knows too much, is murdered as well, the game is truly afoot. Mrs. Hudson and her colleagues must not only sort through the motives and movements of the Parkerton family and staff, they must contend, as well, with the threat posed by the unexpected return to England of the White Rajah of Sarawak and the sudden intrusion of headhunters into the English countryside.
This book is about seeing systems. It is about overcoming system blindness and seeing our part in the context of the whole, and the present in the context of the past. It is about seeing ourselves in relationship with others and creating satisfying and productive partnerships in these relationships. It will enable us to create systems with extraordinary capacities for surviving and developing. "Oshry weaves a remarkable explanation for the subtle, and largely unseen ways in which our structures influence our behaviour."Marvin Weisbord, author Productive Workplaces.
The Strand is one of London's most iconic streets - today the bustling and thriving home of West End theatres and the luxurious Savoy hotel; in the Victorian era, the Strand was a much more seedy and destitute part of the city. Barry Anthony here explores the criminal and socially subversive behaviour which abounded in and around the Victorian Strand. He introduces us to a vast range of personalities - from prostitutes, confidence tricksters, vagrants and cadgers to the actors, comedians and music hall stars who trod the boards of the Strand's early theatres.
Canada has become a leader among the modern nations of the world. It has emerged as a modern industrial nation, and as a key player in the resource, commodities, and financial institutions that make up today’s world. This third edition of the Historical Dictionary of Canada contains a chronology, an introduction, and an extensive bibliography. It includes over 700 cross-referenced entries on a wide range of topics, covering the broad sweep of Canadian history from long before European contact until present day. Topics include Indigenous peoples, women, religion, regions, politics, international affairs, arts and culture, the environment, the economy, language, and war. This is an excellent resource for students, researchers, and anyone wanting to know more about Canada. It introduces readers to the successes and failures, the conflicts and accommodations, the events and trends that have shaped Canadian history.
This is the first biography of Ralph Peer, the adventurous—even revolutionary—A&R man and music publisher who saw the universal power locked in regional roots music and tapped it, changing the breadth and flavor of popular music around the world. It is the story of the life and fifty-year career, from the age of cylinder recordings to the stereo era, of the man who pioneered the recording, marketing, and publishing of blues, jazz, country, gospel, and Latin music. The book tracks Peer’s role in such breakthrough events as the recording of Mamie Smith’s “Crazy Blues” (the record that sparked the blues craze), the first country recording sessions with Fiddlin’ John Carson, his discovery of Jimmie Rodgers and the Carter Family at the famed Bristol sessions, the popularizing of Latin American music during World War II, and the postwar transformation of music on the airwaves that set the stage for the dominance of R&B, country, and rock ‘n’ roll. But this is also the story of a man from humble midwestern beginnings who went on to build the world’s largest independent music publishing firm, fostering the global reach of music that had previously been specialized, localized, and marginalized. Ralph Peer redefined the ways promising songs and performers were identified, encouraged, and promoted, rethought how far regional music might travel, and changed our very notions of what pop music can be. This enhanced e-book includes 49 of the greatest songs Ralph Peer was involved with, from groundbreaking numbers that changed the history of recorded music to revelatory obscurities, all linked to the text so that the reader can hear the music while reading about it.
Everything I have to say about race and religion and politics is in the novels," declares Barry Gifford. The Rooster Trapped in the Reptile Room gathers generous portions of all thirteen novels and novellas, as well as first-person essays, generous helpings of poetry, journalism, and a new interview with the author. The broad contours of an episodic output emerge—a full-length view of the freaks and freakish incidents that populate Gifford’s unique human comedy. A world, as Lula, the author’s favorite of all his characters, reflects, "wild at heart and weird on top." The Rooster Trapped in the Reptile Room provides essential reading for anyone after the soul of American writing.
As the foundational theory of modern psychological practice, psychoanalysis and its attendant assumptions predominated well through most of the twentieth century. The influence of psychoanalytic theories of development was profound and still resonates in the thinking and practice of today’s mental health professionals. Guide to Psychoanalytic Developmental Theories provides a succinct and reliable overview of what these theories are and where they came from. Ably combining theory, history, and biography it summarizes the theories of Freud and his successors against the broader evolution of analytic developmental theory itself, giving readers a deeper understanding of this history, and of their own theoretical stance and choices of interventions. Along the way, the authors discuss criteria for evaluating developmental theories, trace persistent methodological concerns, and shed intriguing light on what was considered normative child and adolescent behavior in earlier eras. Each major paradigm is represented by its most prominent figures such as Freud’s drive theory, Erikson’s life cycle theory, Bowlby’s attachment theory, and Fonagy’s neuropsychological attachment theory. For each, the Guide provides: biographical information a conceptual framework contributions to theory a clinical illustration or salient excerpt from their work. The Guide to Psychoanalytic Developmental Theories offers a foundational perspective for the graduate student in clinical or school psychology, counseling, or social work. Seasoned psychiatrists, analysts, and other clinical practitioners also may find it valuable to revisit these formative moments in the history of the field.
In Meeting Jimmie Rodgers, the first book to explore the deep legacy of "The Singing Brakeman" from a twenty-first century perspective, Barry Mazor offers a lively look at Rodgers' career, tracing his rise from working-class obscurity to the pinnacle of renown that came with such hits as "Blue Yodel" and "In the Jailhouse Now." As Mazor shows, Rodgers brought emotional clarity and a unique sense of narrative drama to every song he performed, whether tough or sentimental, comic or sad. His wistful singing, falsetto yodels, bold flat-picking guitar style, and sometimes censorable themes--sex, crime, and other edgy topics--set him apart from most of his contemporaries. But more than anything else, Mazor suggests, it was Rodgers' shape-shifting ability to assume many public personas--working stiff, decked-out cowboy, suave ladies' man--that connected him to such a broad public and set the stage for the stars who followed him. In reconstructing this far-flung legacy, Mazor enables readers to meet Rodgers and his music anew-not as an historical figure, but as a vibrant, immediate force.
Shapeshifter Camille Solomon and XCEL agent Griffin Mercer learn to trust each other as they infiltrate a shifter faction in Las Vegas-only to find that their growing passion for each other puts their hearts and their lives in danger.
A rollicking memoir from the linebacker at the heart of the most famous Alabama football play of all time No university has won more football championships than Alabama, and Barry Krauss played a key role in one of them. The linebacker’s fourth down stop of Penn State’s Mike Guman in the Sugar Bowl on January 1, 1979, was recently named by ESPN as one of the ten most important plays of the 20th century. The Goal Line Stand, as the play became known, immortalized Krauss among legions of fans. More than twenty-five years later, people still tell him exactly what they were doing and how they felt when he collided in mid-air with Guman that New Year’s Day—and almost never mention his twelve-year career in the NFL. In this entertaining and well-illustrated memoir, Krauss tells of scrimmaging on front lawns with friends as a kid in Pompano Beach, Florida, and of his childhood dream to play for Don Shula. He acknowledges how Coach Bear Bryant tamed his free spirit and shaped him into the football player—and the man—he became. In addition, he emphasizes the importance of team, weaving together the personal stories of his Alabama teammates on the field during the Goal Line Stand, and acknowledges their significant roles in winning the game and the championship. Ain’t Nothin’ But a Winner offers an insider’s look at how a team is built, tested, and becomes a national champion—and how that process sometimes calls upon an individual to rise to the challenge presented by his own personal gut check.
Bad girl Perdita Durango and her dealer boyfriend Romeo Dolorosa get their kicks on a journey from Louisiana to Los Angeles that involves santeria rituals and kidnapping.
A scientist who tortures apes in a mountain lab. A corpse in a locked study. A super-hacker called Black Swann. These send Sherlock Holmes from Switzerland to the English countryside – plunging him into an Orwellian world where tabloids, government and police have made a devil’s pact to hack the private lives of citizens. With animal and human rights threatened, Holmes moves to end the mad experiments of Professor Droon, find what killed Sylvia Swann, and save Inspector Lestrade from corrupt superiors. Quick and quirky as ever, Sherlock is fully recovered from the icy journey that carried him from 1914 to the present day. And in this fourth adventure he proves yet again the superiority of mind over megabytes.
Accessible, full of real-life examples, and beautifully written by a pioneer in systems thinking A systems framework based not on hopes and dreams but on thirty years of research on what systems really are Speaks to leadership in the family, community, organization, and nation For over thirty years, Barry Oshry has uncovered core truths about how we operate in large organizations through the Power Lab, an experiential program that has been called "The World Series of Leadership Development Activities." In Leading Systems, Oshry reveals the lessons he has derived from his Power Lab experiences-experiences that have been central to his innovative insights about human systems and system leadership. Oshry maintains that the next evolutionary challenge for human beings is to recognize ourselves as system creatures, see how system processes shape our experiences, and develop the knowledge and skills to master these processes rather than be victims of them. Drawing on his Power Lab experiences, he reveals the possibilities of systems leadership and how effective leadership can provide the basis for creating sane, healthy, effective social systems. Challenging conventional thinking, Oshry shows the limitations of consensus, the importance of unilateral action, and the restrictions that our values-such as egalitarianism, liberalism, conservatism-can place on power. He reveals how the problems we often believe are personal or peculiar to our system or circumstances are in factsystemic, limiting the possibilities of both individuals and the system as a whole-and he demonstrates what it takes to break out and elevate ourselves and our systems to higher levels of possibility. Perhaps most importantly, Oshry shares his experience in discovering what he calls "exhilarating concepts," and shows how these concepts offer unusual insights into the nature of systems, shedding light on everything from organizational dysfunction to the conflicts that occur along lines of race,gender, sexual orientation, and ethnicity. It is only through this deep knowledge, Oshry says, that system leaders can elevate their systems to those higher levels of possibility to which we aspire. Offering new directions, Leading Systems is essential reading for anyone who wants a deep understanding of how systems work and how to exert enlightened leadership.
This bibliography is a comprehensive compilation of the literature on ant systematics. Covering the period 1758 to 1995, it contains entries for approximately 8,000 publications on the taxonomy, evolution, and comparative biology of ants. Most of the literature citations have been carefully verified and precisely dated. An introductory chapter discusses the problems associated with dating a citation of taxonomic literature. A list of all serials cited (more than 1,300 titles) and their abbreviations accompanies the bibliography.
This book draws on the stories of thirty-two young Australians to identify the barriers and obstacles they face in ‘getting a job’ in precarious times and from their vantage point. It maps the kinds of educational policies and practices that need to be created and more widely sustained to assist their career aspirations and life chances. It is timely in terms of contributing to an alternative set of possibilities based on a commitment to the principles and values of social justice, respect, trust, care, democracy and citizenship. In constructing an alternative vision and practice for education and training it advocates the right of all young people to have a say in these broader public debates. In pursuing this agenda, it deliberately sets out to listen to what young people themselves have to say with a view to interrupting the way things are. In other words, the book seeks to identify and explain the dreams, desires and aspirations of young people with a view to creating a new imaginary and socially just future.
In Coward on Film: The Cinema of Noël Coward, author Barry Day documents every film based on Coward's work and/or in which he appeared. The result is an astounding list of film credits, including--on occasion--that of composer. Judged on his contribution to cinema alone, Noël Coward would have left a legacy matched by very few. With this detailed chronicle--which includes quotes from Coward himself and a complete filmography--Coward on Film stands as a fitting tribute to that legacy.
Leopold Kerney was one of the most influential diplomats of twentieth-century Irish history. This book presents the first comprehensive biography of Kerney's career in its entirety from his recruitment to the diplomatic service to his time in France, Spain, Argentina, and Chile. Barry Whelan’s work provides fascinating new perceptions of Irish diplomatic history at seminal periods of the twentieth century, including the War of Independence, the Irish Civil War, the Anglo-Irish Economic War, the Spanish Civil War, and World War II, from an eyewitness to those events. Drawing on over a decade of archival research in repositories in France, Germany, Britain, Spain, and Ireland, as well as through unique and unrestricted access to Kerney's private papers, Whelan successfully challenges previously published analyses of Kerney's work and debunks many of the perceived controversies surrounding his career. Ireland's Revolutionary Diplomat brings to life Kerney's connections with leading Irish figures from the revolutionary generation including Michael Collins, Ernest Blythe, George Gavan Duffy, Desmond FitzGerald, Arthur Griffith, and Seán T. O’Kelly, as well as his diplomatic colleagues in the service. More importantly, the book illuminates the decades-long friendship Kerney enjoyed with Éamon de Valera—the most important Irish political figure of the twentieth century—and shows how the "Chief" trusted and rewarded his friend throughout their long association. The book offers a fresh understanding of the Department of External Affairs and critically assesses the roles of Joseph Walshe, secretary of the department, as well as Colonel Dan Bryan, director of G2 (Irish Army Military Intelligence), who both conspired to destroy Kerney's reputation and career during and after World War II. Whelan sheds new light on other events in Kerney's career, such as his confidential reports from fascist Spain that exposed General Francisco Franco's crimes against his people. Whelan challenges other events previously seen by some historians as controversial, including Kerney’s major role in the Frank Ryan case, his contact with senior Nazi figures, especially Dr. Edmund Veesenmayer and German military intelligence, and his libel case against an acclaimed Irish historian Professor Desmond Williams. This book offers new observations on how Nazi Germany tried to utilize Kerney, unsuccessfully, as a liaison between the Irish government and Hitler’s regime. Captured German documents reveal the extent of this secret plan to alter Irish neutrality during World War II, which concerned both Adolf Hitler and the leading Nazis of his regime.
A New York Times Notable Book of the Year, winner of the Southern Book Critics Circle Award and the Lillian Smith Award. An American epic of science, politics, race, honor, high society, and the Mississippi River, Rising Tide tells the riveting and nearly forgotten story of the Great Mississippi Flood of 1927. The river inundated the homes of almost one million people, helped elect Huey Long governor and made Herbert Hoover president, drove hundreds of thousands of African Americans north, and transformed American society and politics forever. The flood brought with it a human storm: white and black collided, honor and money collided, regional and national powers collided. New Orleans’s elite used their power to divert the flood to those without political connections, power, or wealth, while causing Black sharecroppers to abandon their land to flee up north. The states were unprepared for this disaster and failed to support the Black community. The racial divides only widened when a white officer killed a Black man for refusing to return to work on levee repairs after a sleepless night of work. In the powerful prose of Rising Tide, John M. Barry removes any remaining veil that there had been equality in the South. This flood not only left millions of people ruined, but further emphasized the racial inequality that have continued even to this day.
Celebrated historian Barry Gough brings a defining era of Pacific Northwest history into focus in this biography of Richard Blanshard, the first governor of Vancouver Island—illuminating with intriguing detail the genesis and early days of Canada's westernmost province. Early one wintry day in March 1850, after seven weary weeks out of sight of land, a well-dressed Londoner, a bachelor aged thirty-two, stood at the ship’s rail taking in the immensity of the unfolding scene. From Her Britannic Majesty’s paddlewheel sloop-of-war Driver, steadily thumping forth on Imperial purpose, all that Richard Blanshard could make out to port, in reflected purple light upon the northern side, was a forested, rock-clad island rising to considerable height. Vancouver’s Island they called it in those far-off days. This was his destination. Richard Blanshard was only governor of the young colony for three short, unhappy years—only one and a half of which were spent in the colony itself. From the very beginning he was at odds with the vastly influential Hudson’s Bay Company, run by its Chief Factor James Douglas, who succeeded Blanshard as governor of the colony of Vancouver Island and later became the first governor of the colony of British Columbia. While James Douglas is remembered, for better or worse, as a founding father of British Columbia, Richard Blanshard’s name is now largely forgotten, despite his vitally important role in warning London of American cross-border aggressions, including a planned takeover of Haida Gwaii. However, his failures highlight the fascinating struggles of the time—the supreme influence of commerce, the disparity between expectations and reality, and the bewildering collision of European and Pacific Northwest culture.
This book presents new insights into the production and reception of Irish drama, its internationalisation and political influences, within a pivotal period of Irish cultural and social change. From the 1950s onwards, Irish theatre engaged audiences within new theatrical forms at venues from the Pike Theatre, the Project Arts Centre, and the Gate Theatre, as well as at Ireland’s national theatre, the Abbey. Drawing on newly released and digitised archival records, this book argues for an inclusive historiography reflective of the formative impacts upon modern Irish theatre as recorded within marginalised performance histories. This study examines these works' experimental dramaturgical impacts in terms of production, reception, and archival legacies. The book, framed by the device of ‘archival memory’, serves as a means for scholars and theatre-makers to inter-contextualise existing historiography and to challenge canon formation. It also presents a new social history of Irish theatre told from the fringes of history and reanimated through archival memory.
This first book-length story and study of philosopher, activist, inventor, and philanthropist Lewis Gompertz--co-founder of both the Society for the Prevention of Cruelty to Animals (1824, ousted in 1832) and the Animals' Friend Society (1832-52)--charts his struggle against likely and unlikely enemies on behalf of other species, women, the poor, apprentices, prisoners, and slaves. Outraging fearful, elitist Christians, his classic Moral Inquiries on the Situation of Man and of Brutes (1824) reveals influences, tenets, and indeed his own situation in attempting to formulate and live by a rational morality for others' benefit, defying religious and structural forces that wanted far less. Power, class, philosophy, history, education, reform, and revolution all play their part in this account of his campaigning work and works (including Fragments in Defence of Animals and The Animals' Friend periodical), exposing the racist, sectarian rhetoric and scheming he endured at a defining moment. This attritional action, by which humane progress was obstructed and for more than a century fixed, is more disturbing than has been made widely detailed until now, in this much-needed, critical introduction.
In Writers, great American storyteller Barry Gifford paints portraits of famous writers caught in imaginary vulnerable moments in their lives. In prose that is funny, grotesque, and a touch brutal, Gifford shows these writers at their most human, which is to say at their worst: they are liars, frauds, lousy lovers, and drunks. This is a world in which Ernest Hemingway drunkenly sets explosive trip wires outside his home in Cuba, Marcel Proust implores the angel of death as a delirious Arthur Rimbaud lies dying in a hospital bed, and Albert Camus converses with a young prostitute while staring at himself in the mirror of a New York City hotel room. In Gifford's house of mirrors, we are offered a unique perspective on this group of literary greats. We see their obsessions loom large, and none more than a shared needling preoccupation with mortality. And yet these stories, which are meant to be performed as plays, are also tender and thoughtful exercises in empathy. Gifford asks: What does it means to devote oneself entirely to art? And as an artist, what defines success and failure?
Documentary films constitute a major part of film history. Cinema's origins lie, arguably, more in non-fiction than fiction, and documentary represents the other - often submerged and barely visible - 'half' of cinema history. Historically, documentary cinema has always been an important point of reference for fiction cinema, and the two have often overlapped. Over the last two decades, documentary cinema has enjoyed a revival in critical and commercial success. 100 Documentary Films is the first book to offer concise and authoritative individual critical commentaries on some of the key documentary films - from the Lumière brothers and the beginnings of cinema through to recent films such as Bowling for Columbine and When the Levees Broke - and is global in perspective. Many different types of documentary are discussed, as well as films by major documentary directors, including Robert Flaherty, Humphrey Jennings, Jean Rouch, Dziga Vertov, Errol Morris, Nick Broomfield and Michael Moore. Each entry provides concise critical analysis, while frequent cross reference to other films featured helps to place films in their historical and aesthetic contexts. Barry Keith Grant is Professor of Film Studies and Popular Culture at Brock University, Ontario, Canada. He is the author of Film Genre: From Iconography to Ideology (2007), Voyages of Discovery: The Cinema of Frederick Wiseman (1992) and co-author, with Steve Blandford and Jim Hillier, of The Film Studies Dictionary (2001). Jim Hillier is Visiting Lecturer in Film at the University of Reading. He is the author of The New Hollywood (1993), the co-author of The Film Studies Dictionary (2001) and, with Alan Lovell, of Studies in Documentary (1972). His edited books include American Independent Cinema (2001) and two volumes of the English translation of the selected Cahiers du cinema (1985, 1986).
In Child Composers and Their Works: A Historical Survey, Barry Cooper examines over 100 composers born before 1900 who wrote substantial musical works before age 16. The book provides a general overview of the subject, examining the ways and identifying possible reasons these works have been marginalized in the general literature. The book also contains an annotated checklist of over 100 notable child composers, presenting a valuable and handy reference of these creators and their early works. The annotated checklist presents a chronological listing of child composers born before 1900 and features a descriptive list of what they wrote, often including analytical commentary and offering occasional music examples for illustration. The list also includes a select catalog of works, suggestions for further reading, and recordings when available. Complete with a bibliography and an index of composers, this resource is invaluable to scholars and historians.
Charlie Chaplin grew up in and around the music hall. His parents, aunt and their friends all earned their precarious livings on the stage and Chaplin himself started out his career touring music halls with a dance troupe. His experiences of the culture of the music hall were a major influence, shaping his style of acting and the films he made, most famously Limelight, which tells the story of a failing variety performer and which evoked painful memories of his own past. Chaplin was horrified to see how performers' lives were ruined when their audience turned against them and he was relieved to exchange the stresses of live performance for screen comedy. Barry Anthony here tells the story of the lives and careers of Chaplin's family and their music-hall circle - from 'dashing' Eva Lester to the great Fred Karno and from Chaplin's parents Hannah Hill and Charles Chaplin to 'The Great Calvero' himself. He reveals the difficult and often-tragic lives of London's variety community in the late-Victorian and Edwardian years, a time of great change in the music hall and entertainment scene, and in doing so sheds important new light on the inspiration behind Chaplin's genius, providing a fascinatingly fresh perspective on this popular cultural icon of the twentieth century.
Music of the bars and clubs of Austin, Texas has long been recognized as defining one of a dozen or more musical "scenes" across the country. In Dissonant Identities, Barry Shank, himself a musician who played and lived in the Texas capital, studies the history of its popular music, its cultural and economic context, and also the broader ramifications of that music as a signifying practice capable of transforming identities. While his focus is primarily on progressive country and rock, Shank also writes about traditional country, blues, rock, disco, ethnic, and folk musics. Using empirical detail and an expansive theoretical framework, he shows how Austin became the site for "a productive contestation between two forces: the fierce desire to remake oneself through musical practice, and the equally powerful struggle to affirm the value of that practice in the complexly structured late-capitalist marketplace.
Cooperative cataloging is "the original cataloging of bibliographic items through the joint action of a group of independent libraries which make bibliographic records accessible to group members and sometimes to nonparticipating libraries as well." (ALA Glossary) The papers in this volume provide an historical perspective, discuss current programs and issues, and suggest possible answers to the issues which will have a major impact on the ability of libraries to provide bibliographic access to information resources. Also published as Cataloging and Classification Quarterly, v.17, nos. 3/4, 1993. Annotation copyright by Book News, Inc., Portland, OR
With thousands of outlets worldwide and growing, audio drama is the new frontier in storytelling. From family dramas tales to epic space battles and period pieces to large-cast musicals, it is a medium without limits, because the audience creates the visual world in their mind. In Stories Told through Sound, audio-dramatist Barry M. Putt, Jr. lays out the essentials of the form in an engaging, easy-to-understand manner. He offers dozens of tactics and strategies: the top reasons audiences don’t connect with a character and how to avoid them, ways to create exciting plot twists, career pitfalls to watch out for, and how to draft a dynamic marketing plan that will keep your work in the forefront of any industry professional’s mind. It includes tips from a number of top-tier professionals to help give a deeper understanding of how to find success in a new and exciting creative industry. Dust off that story idea you’ve been wanting to develop and learn how to craft an engaging script that can become a fully realized production. In audio drama, everything is possible!
The classic guide to creative ideas, strategies, and campaigns in advertising, now in a revised and updated third edition In creative advertising, no amount of glossy presentation will improve a bad idea. That’s why this book is dedicated to the first and most important lesson: concept. Structured to provide both a complete course on advertising and a quick reference on specific industry topics, it covers every aspect of the business, from how to write copy and learn the creative process to how agencies work and the different strategies used for all types of media. This edition has been updated to include expanded chapters on interactive advertising and integrative advertising, a new chapter on branded social media, and fifty specially drawn new roughs of key campaigns. Pete Barry outlines simple but fundamental rules about how to “push” an ad to turn it into something exceptional, while exercises throughout help readers assess their own work and that of others. Fifty years’ worth of international, award-winning ad campaigns—in the form of over 450 “roughs” specially produced by the author, fifty of which are new to this edition—also reinforce the book’s core lesson: that a great idea will last forever.
In R.C. Hutchinson, Barry Webb reclaims the legacy of a highly-acclaimed, yet often forgotten writer. Despite having been awarded the Sunday Times Gold medal for fiction, the W.H.Smith award for the best novelist of the year, being short-listed for the Booker Prize, and several of his 17 novels becoming best-sellers in the UK and America, Hutchinson has not withstood the test of time compared to his contemporaries. Combining Hutchinson's own reflections with insightful critical analysis, Webb traces Hutchinson's thoughtful, observational life alongside his extraordinary literary output. He draws out how Hutchinson's firmly held Christian beliefs allowed him to eschew didacticism for nuanced reflections on the nature of human suffering. Part biography, part critical study, R.C. Hutchinson sheds light on this influential and gifted writer, contextualising his work and highlighting his genius. He was described by Sebastian Faulks as deserving to be 'compared to Balzac or Tolstoy, and is not embarrassed by the comparison', and Cecil Day Lewis as 'one of the very few living novelists who will be read fifty - even a hundred years hence'. Webb offers readers the opportunity to re-discover this exceptional writer.
[A] well-plotted survey." Total Film In 100 American Horror Films, Barry Keith Grant presents entries on 100 films from one of American cinema's longest-standing, most diverse and most popular genres, representing its rich history from the silent era - D.W. Griffith's The Avenging Conscience of 1915 - to contemporary productions - Jordan Peele's 2017 Get Out. In his introduction, Grant provides an overview of the genre's history, a context for the films addressed in the individual entries, and discusses the specific relations between American culture and horror. All of the entries are informed by the question of what makes the specific film being discussed a horror film, the importance of its place within the history of the genre, and, where relevant, the film is also contextualized within specifically American culture and history. Each entry also considers the film's most salient textual features, provides important insight into its production, and offers both established and original critical insight and interpretation. The 100 films selected for inclusion represent the broadest historical range, and are drawn from every decade of American film-making, movies from major and minor studios, examples of the different types or subgenres of horror, such as psychological thriller, monster terror, gothic horror, home invasion, torture porn, and parody, as well as the different types of horror monsters, including werewolves, vampires, zombies, mummies, mutants, ghosts, and serial killers.
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