Author Barry B. Witham reclaims the work of Manny Fried, an essential American playwright so thoroughly blacklisted after he defied the House Committee on Un-American Activities in 1954, and again in 1964, that his work all but completely disappeared from the canon. Witham details Manny Fried’s work inside and outside the theatre and examines his three major labor plays and the political climate that both nurtured and disparaged their productions. Drawing on never-before-published interview materials, Witham reveals the details of how the United States government worked to ruin Fried’s career. From Red-Baiting to Blacklisting includes the complete text of Fried’s major labor plays, all long out of print. In Elegy for Stanley Gorski, Fried depicts one of the many red-baiting campaigns that threatened countless unions in the wake of the Taft-Hartley Act and the collusion of the Catholic Church with these activities. In Drop Hammer, Fried tackles the issues of union dues, misappropriation, and potential criminal activities. In the third play, The Dodo Bird, perhaps his most popular, Fried achieves a remarkable character study of a man outsourced from his job by technology and plant closures. Manny Fried’s plays portray the hard edges of capitalism and government power and illuminate present-day struggles with hostility to labor unions and the passage in several states of right-to-work laws. Fried had no illusions about the government’s determination to destroy communism and unionism—causes to which he was deeply committed.
Since its first publication in 1971, Barry Cunliffe's monumental survey has established itself as a classic of British archaeology. This fully revised fourth edition maintains the qualities of the earlier editions, whilst taking into account the significant developments that have moulded the discipline in recent years. Barry Cunliffe here incorporates new theoretical approaches, technological advances and a range of new sites and finds, ensuring that Iron Age Communities in Britain remains the definitive guide to the subject.
It has been said that science and religion aren't friends. Indeed, science and scientists are preferably shunned in conservative religious circles. Seeing God through Science, however, emphatically dispels that notion. This book compellingly shows how science is, in point of fact, a potent support for religious faith. From the powerful, universal, biological drives of living organisms to the unimaginable vastness of the universe, science cogently frames the fundamental questions of meaning and purpose. Answers to these questions, however, lie outside science. It is solely through religious revelation that acceptable answers close the circle of enquiry into truth. In addition, examples from the sciences of genetics and cosmology illustrate the typical pattern of metascience, i.e. the process of science, which advances toward a frontier, only to generate further avenues of exploration, but never reaches a finality of knowledge. Thus, metascience steers enquiry to a supernatural reality, answerable only through religious revelation. This book shows how modern science is now entering a new phase, where what is unattainable by the science of nature constitutes a message to humankind that there exists a supernatural being who created, and controls, the universe. Modern science is now coming to prove God.
In this absorbing narrative, Barry E.C. Boothman traces the history of Abitibi Power & Paper Limited alongside the rise and fall of the newsprint industry and the advent of Canadian corporate capitalism. In the first half of the twentieth century, Abitibi was Canada’s biggest manufacturer – an apparent success story after the Wall Street crash of 1929 and a company deemed "too big to fail" – but the company eventually ended up at the centre of the longest and most controversial bankruptcy in Canadian history. Moving from the frontier areas of northern Ontario to the heart of the continental economy, Corporate Cataclysm shows how competitive strategies, industrial organization, corporate finance, and law combined with the empire-building dreams of entrepreneurs and the concerns of politicians to generate an economic disaster. It then chronicles the disputes and intense strife that plagued Abitibi’s fourteen-year receivership.
Author Barry B. Witham reclaims the work of Manny Fried, an essential American playwright so thoroughly blacklisted after he defied the House Committee on Un-American Activities in 1954, and again in 1964, that his work all but completely disappeared from the canon. Witham details Manny Fried’s work inside and outside the theatre and examines his three major labor plays and the political climate that both nurtured and disparaged their productions. Drawing on never-before-published interview materials, Witham reveals the details of how the United States government worked to ruin Fried’s career. From Red-Baiting to Blacklisting includes the complete text of Fried’s major labor plays, all long out of print. In Elegy for Stanley Gorski, Fried depicts one of the many red-baiting campaigns that threatened countless unions in the wake of the Taft-Hartley Act and the collusion of the Catholic Church with these activities. In Drop Hammer, Fried tackles the issues of union dues, misappropriation, and potential criminal activities. In the third play, The Dodo Bird, perhaps his most popular, Fried achieves a remarkable character study of a man outsourced from his job by technology and plant closures. Manny Fried’s plays portray the hard edges of capitalism and government power and illuminate present-day struggles with hostility to labor unions and the passage in several states of right-to-work laws. Fried had no illusions about the government’s determination to destroy communism and unionism—causes to which he was deeply committed.
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