Pound, Frost, Moore and Poetic Precision: Science in American Modernist Poetry examines three major poets in light of the demand that poetry aspire to scientific precision. The critical insistence that poetry be precise affected every one of these poets, and looking at how they responded to this insistence offers a new perspective on their achievements and, by extension, twentieth-century poetry in general. Ezra Pound sought to associate poetry with the precision of modern science, technology and mathematics as a way to eliminate or reduce error. Robert Frost, however, welcomed imprecision as a fundamental aspect of existence that the poet could use. Marianne Moore appreciated the value of both precision and imprecision, especially with respect to her religious perspective on human and natural phenomena. By analyzing these particular poets’ reaction to the value placed on precision, Barry Ahearn explores how that emphasis influenced the broader culture, literary culture and twentieth-century Modernist American poetry.
Many critics have noticed the paradoxes and contradictions in the work of William Carlos Williams but few have analyzed them in detail. Professor Ahearn argues that Williams criticism has not gone far enough in recognizing the uses Williams saw for contradiction. He contends that Williams began to acquire his own voice as a poet when he recognized that he could be a vehicle for contending voices. His reading departs from previous examinations of the early poetry in the emphasis it places on the poems as expressions of Williams' social position. We find a Williams whose contribution to modernism came not through a radical break with tradition or a rejection of inherited poetic norms alone, but rather in a cultivation of tension, conflict, and a kind of poetic "crisis" that could be held forth as the metier of the modernist writer.
Many critics have noticed the paradoxes and contradictions in the work of William Carlos Williams but few have analyzed them in detail. Professor Ahearn argues that Williams criticism has not gone far enough in recognizing the uses Williams saw for contradiction. He contends that Williams began to acquire his own voice as a poet when he recognized that he could be a vehicle for contending voices. His reading departs from previous examinations of the early poetry in the emphasis it places on the poems as expressions of Williams' social position. We find a Williams whose contribution to modernism came not through a radical break with tradition or a rejection of inherited poetic norms alone, but rather in a cultivation of tension, conflict, and a kind of poetic "crisis" that could be held forth as the metier of the modernist writer.
Pound, Frost, Moore and Poetic Precision: Science in American Modernist Poetry examines three major poets in light of the demand that poetry aspire to scientific precision. The critical insistence that poetry be precise affected every one of these poets, and looking at how they responded to this insistence offers a new perspective on their achievements and, by extension, twentieth-century poetry in general. Ezra Pound sought to associate poetry with the precision of modern science, technology and mathematics as a way to eliminate or reduce error. Robert Frost, however, welcomed imprecision as a fundamental aspect of existence that the poet could use. Marianne Moore appreciated the value of both precision and imprecision, especially with respect to her religious perspective on human and natural phenomena. By analyzing these particular poets’ reaction to the value placed on precision, Barry Ahearn explores how that emphasis influenced the broader culture, literary culture and twentieth-century Modernist American poetry.
From Barry Reed, New York Times best-selling author of The Choice, The Indictment, and The Verdict, comes a suspenseful psychological thriller and courtroom drama involving medical malpractice and sexual intrigue. At seventeen, Donna DiTullio was a highly ranked tennis player with world-class potential. At twenty-one, she's hospitalized as a suicidal manic-depressive. But under the care of Dr. Robert Sexton and with the help of some experimental medication, Donna is ready to be discharged. Then, unexpectedly, she leaps from a fifth-floor balustrade, leaving herself paralyzed and near death. Attorney Dan Sheridan is called in to sue the hospital and its owner, the Archdiocese of Boston. Sheridan presses his investigation against the powerful interests of the Church and the medical establishment, an investigation and subsequent trial that test all of his skill as a lawyer and lead to an ethical dilemma that will nearly cost him his life.
No city in the world has seen more intense political battles between bosses and reformers than New York, which is home to America's original party machine, Tammany Hall, and its most spectacular urban corruption scandals. In these battles, reformers have always presented themselves as white knights, gallantly crusading for good government against the petty and corrupt hacks who are driven by self-interest. So it remains today. But, as The Scandal of Reform makes clear, this good versus evil storyline is mostly mythù an urban legend perpetuated by a reform community that has always been more selfrighteous than right and more interested in power than in democracy. The Scandal of Reform pulls the curtain back on New York's reformers past and present, revealing the bonds they have always shared with the bosses they disdain, the policy failures they still refuse to recognize, and the transition they have made from nonpartisan outsiders to ideological insiders. Francis S. Barry examines the evolution of political reform from the frontlines of New York City's recent reform wars. He offers an insider's account and analysis of the controversial 2003 referendum debate on nonpartisan elections, and he challenges reformersùand members of both partiesùto reconsider their faith in reforms that are no longer serving the public interest.
This is the only textbook in the field to combine text, cases, and articles. It is unmatched in both comprehensiveness and flexibility, with the chapters distinct enough to be taught independent of one another. With two chapters on the nature of morality and ethical theory, an entire chapter devoted to economic justice, and thorough treatment of applied issues this text is ideal for any course in business ethics.
By the year 2050, the population of the United States is projected to be approximately half white and half non-white. Yet the knowledge of child development within ethnic minority groups lags markedly behind knowledge of child development for white Americans, and it is increasingly clear that the rich diversity within minority groups is masked by studies focusing on between-group comparisons. Children of Color: Research, Health, and Public Policy Issues , a collection of original essays, brings together researchers from the fields of education, family and child ecology, nursing, psychology, sociology, pediatrics, anthropology, and social work to explore the rich cultural, familial, and individual diversity of all ethnic minority groups. The essays were generated by round table discussions sponsored by the Society for Research in Child Development and the Irving Harris Foundation, and they cover a broad range of topics including immigration policy, social policy, health status of immigrant infants, children and families, and educational policies related to minority children.
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