Friendship. Loyalty. Charity. These are the values of the Native Sons of the Golden West, the organization that, since 1875, has dedicated itself to the mission of preserving the physical vestiges of California history. Through the years, this group has helped to save, memorialize, and restore such treasures as Sutter's Fort, the Monterey Custom House, the Vallejo Petaluma Adobe, and many of the California missions. Starting out in San Francisco, the Native Sons now has 75 “parlors,” or chapters, statewide. With nearly 9,000 history-minded members, the Native Sons are known worldwide for their pageantry, pomp, and parades, as they keep alive the traditions of history.
Once a showcase for amateur athletics, the Olympic Games have become a global entertainment colossus powered by corporate sponsorship and professional participation. Stephen R. Wenn and Robert K. Barney offer the inside story of this transformation by examining the far-sighted leadership and decision-making acumen of four International Olympic Committee (IOC) presidents: Avery Brundage, Lord Killanin, Juan Antonio Samaranch, and Jacques Rogge. Blending biography with historical storytelling, the authors explore the evolution of Olympic commercialism from Brundage's uneasy acceptance of television rights fees through the revenue generation strategies that followed the Salt Lake City bid scandal to the present day. Throughout, Wenn and Barney draw on their decades of studying Olympic history to dissect the personalities, conflicts, and controversies behind the Games' embrace of the business of spectacle. Entertaining and expert, The Gold in the Rings maps the Olympics' course from paragon of purity to billion-dollar profits.
When the Internet began to emerge as a popular new mode of communication, many political scientists and social commentators believed that it would revolutionize our democratic institutions. Today, voter turnout is at an historic low and Internet usage is at an all-time high. Can we still make the claim that new information and communication technologies (ICTs) enhance democratic life in Canada? What effect does the technological mediation of political communication have on the practice of Canadian politics? How have such technologies affected the distribution of power in society?
In this book, Barney explores her family tree, chronicles her friendships and associations through reprinted correspondence and recreated conversations, and evokes the golden age of her salon in gallery of literary portraits.
Think "Woodstock" and the mind turns to the seminal 1969 festival that crowned a seismic decade of sex, drugs, and rock 'n' roll. But the town of Woodstock, New York, the original planned venue of the concert, is located over 60 miles from the site to which the fabled half a million flocked. Long before the landmark music festival usurped the name, Woodstock-the tiny Catskills town where Bob Dylan holed up after his infamous 1966 motorcycle accident-was already a key location in the '60s rock landscape. In Small Town Talk, Barney Hoskyns re-creates Woodstock's community of brilliant dysfunctional musicians, scheming dealers, and opportunistic hippie capitalists drawn to the area by Dylan and his sidekicks from the Band. Central to the book's narrative is the broodingly powerful presence of Albert Grossman, manager of Dylan, the Band, Janis Joplin, Paul Butterfield, and Todd Rundgren-and the Big Daddy of a personal fiefdom in Bearsville that encompassed studios, restaurants, and his own record label. Intertwined in the story are the Woodstock experiences and associations of artists as diverse as Van Morrison, Jimi Hendrix, Tim Hardin, Karen Dalton, and Bobby Charles (whose immortal song-portrait of Woodstock gives the book its title). Drawing on numerous first-hand interviews with the remaining key players in the scene-and on the period when he lived there himself in the 1990s-Hoskyns has produced an East Coast companion to his bestselling L.A. canyon classic Hotel California. This is a richly absorbing study of a vital music scene in a revolutionary time and place.
Selected by Harper's Bazaar as one of the "Best New Books of 2017 (So Far)" A Library Journal Fall Editors' Pick "Nearly 50 years’ worth of critical efforts to solve Mitchell’s mysteries have now been rounded up in Barney Hoskyns’s Joni: The Anthology....what comes through most consistently is a possessive impulse, a desire to really know an artist whose fierce privacy has often seemed at odds with the impression of intimacy conveyed by her music." --The Atlantic Nine Grammys. More than ten million albums sold. Named one of the greatest singers and songwriters of all time by Rolling Stone. Joni: The Anthology is an essential collection of writings on Joni Mitchell that charts every major moment of the famed troubadour's extraordinary career, as it happened. From album reviews, incisive commentary, and candid conversations, Joni: The Anthology includes, among other things, a review of Mitchell's first-ever show at LA's Troubadour in June of 1968, a 1978 interview by musician Ben Sidran on jazz great Charles Mingus, a personal reminiscence by Ellen Sander, a confidant of the Los Angeles singer-songwriter community, and a long "director's cut" version of editor Barney Hoskyns' 1994 MOJO interview. A time capsule of an icon, the anthology spans the entirety of Joni's career between 1967-2007, as well as thoughtful commentary on her early years. In collecting materials long unavailable, rare, or otherwise difficult to find, Joni: The Anthology illuminates the evolution of modern rock journalism while providing an invaluable and accessible guide to appreciating the highs—and the lows—of a twentieth century legend. “Once I crossed the border, I began to write and my voice changed. I no longer was imitative of the folk style. My voice was then my real voice and with a slight folk influence, but from the first album it was no longer folk music. It was just a girl with a guitar that made it look that way.”—Joni Mitchell, 1994
(Book). Preface by Paul Auster * Foreword by Edward Beckett Edited by Lois Oppenheim * Curated by Astrid Myers Rosset "You know, Barney, I think my writing days are over," Beckett writes in 1954 when most of his output was still ahead of him. And later, "Sick of all this old vomit and despair more and more of ever being able to puke again. In a world where writers switch publishers at the first shake of a martini pitcher, our trans-Atlantic communications seemed to float on a sea of tranquility and trust." from Dear Mr. Beckett Through letters, contracts, photos, interviews, speeches, reviews and memorabilia most of which has never before been made public a rare personal and professional friendship unfolds between these two oddly shy daredevils; through their embrace, they shifted and turned the tide of literature in America. Among the many never before published entries: * Beckett's discussion about acting with his long time director, Alan Schneider, as they huddled with Barney Rosset in his East Hampton quonset hut about their upcoming rehearsal with Buster Keaton. * Susan Sontag correspondence on her Godot production in Sarajevo. * The comprehensive Endgame file about the controversial production in Cambridge Mass which proceeded against Beckett's wishes. * Interviews with Eugene Ionesco and Alain Robbe-Grillet about Beckett and Rosset and the Absurdists. * Estelle Parsons correspondence with Beckett about the actress's proposal to perform Godot with Shelley Winters on Broadway. * Comprehensive file on the genesis and development of Beckett's Rockaby with Billie Whitelaw. * Comprehensive file on Rosset's termination from Grove, the press he founded and championed.
When the fridge is looking a little bare, it's useful to have some reserve ingredients in stock that can easily be transformed into a satisfying meal. 101 Storecupboard Suppers is a collection of quick-fix and economical recipes made with everyday ingredients, including Minestrone in minutes, Spaghetti with tomato, chilli and tuna salsa, Beef and bean hotpot and tasty desserts like White chocolate and berry pudding. With all the recipes tested by the Good Food cookery experts, you can be sure of foolproof ideas for every meal. Including: Snacks and starters Speedy pasta Rice, grains and noodles Easy eggs Mains in minutes Delicious desserts With simple step-by-step instructions and a full-colour photograph accompanying every recipe, even the more novice cooks can prepare home-cooked food with confidence.
Shredded, or Death by Publishing, a spirited and disrespectful take on the third oldest profession. And why not? Foul play galore, deadly payoff, petty revenge, personality conflict, scandal, intrigue and much more, lit'ry agents Phil Ford and Gwen Mather live to tell about it. "Nothing is at it seems to be, Philippe," said Ulli Siegfried. "The lesson of life is living it. I tell you, it was Pomeroy Willow who killed Ben Grace. But you must not quote me." Other books by Barney Leason: Rodeo Drive. Scandals. Passions. Grand Illusions. Fortunes. North Rodeo Drive. Rich and Reckless. Richer Than Sin. Grand Cru. Available at iUniverse.
Regardless of whether they owned slaves, Southern whites lived in a world defined by slavery. As shown by their blaming British and Northern slave traders for saddling them with slavery, most were uncomfortable with the institution. While many wanted it ended, most were content to leave that up to God. All that changed with the election of Abraham Lincoln. Rebels in the Making is a narrative-driven history of how and why secession occurred. In this work, senior Civil War historian William L. Barney narrates the explosion of the sectional conflict into secession and civil war. Carefully examining the events in all fifteen slave states and distinguishing the political circumstances in each, he argues that this was not a mass democratic movement but one led from above. The work begins with the deepening strains within Southern society as the slave economy matured in the mid-nineteenth century and Southern ideologues struggled to convert whites to the orthodoxy of slavery as a positive good. It then focuses on the years of 1860-1861 when the sectional conflict led to the break-up of the Union. As foreshadowed by the fracturing of the Democratic Party over the issue of federal protection for slavery in the territories, the election of 1860 set the stage for secession. Exploiting fears of slave insurrections, anxieties over crops ravaged by a long drought, and the perceived moral degradation of submitting to the rule of an antislavery Republican, secessionists launched a movement in South Carolina that spread across the South in a frenzied atmosphere described as the great excitement. After examining why Congress was unable to reach a compromise on the core issue of slavery's expansion, the study shows why secession swept over the Lower South in January of 1861 but stalled in the Upper South. The driving impetus for secession is shown to have come from the middling ranks of the slaveholders who saw their aspirations of planter status blocked and denigrated by the Republicans. A separate chapter on the formation of the Confederate government in February of 1861 reveals how moderates and former conservatives pushed aside the original secessionists to assume positions of leadership. The final chapter centers on the crisis over Fort Sumter, the resolution of which by Lincoln precipitated a second wave of secession in the Upper South. Rebels in the Making shows that secession was not a unified movement, but has its own proponents and patterns in each of the slave states. It draws together the voices of planters, non-slaveholders, women, the enslaved, journalists, and politicians. This is the definitive study of the seminal moment in Southern history that culminated in the Civil War.
Passions is a humorous look at the high-flying world of Parisian haute couture designers, foreign correspondents, political intrigue, and the demands of the big egos involved.
Find out how bold actions by visionary leaders can inspire powerful stories that drive culture change. Data indicates that most strategic efforts to change a company's culture fail. So how do companies succeed in this endeavor? A top strategy professor and two highly successful CEOs found that, in companies that had successfully changed their culture, leaders had taken dramatic actions that embodied the new cultural values. These actions inspired stories that became company legends, repeated in every department and handed on to new employees. Through compiling and analyzing 150 stories from business leaders who have achieved change, they identified 6 attributes that every successful culture change story has in common: 1. The actions are authentic; 2. They revolve around the CEO; 3. They signal a clean break with the past, and a clear path to the future; 4. They appeal to employee heads and hearts; 5. They're often theatrical or dramatic; 6. They're told, and re-told, throughout the organization. With extensive and inspiring examples of stories containing these attributes, the authors illustrate how readers can harness the power of stories within their company in order to change or create a winning culture to align with any strategy"--
Describes the history and variations of the mullet hairstyle which is worn short in front and long in the back and is exemplified by Billy Ray Cyrus, Michael Bolton, and Barry White.
This anthology of essays, interviews, and autobiographical pieces provides an invaluable overview of the evolution of contemporary music—from chromaticism, serialism, and indeterminacy to jazz, vernacular, electronic, and non-Western influences. Featuring classic essays by Stravinsky, Stockhausen, and Reich, as well as writings by lesser-known but equally innovative composers such as Jack Beeson, Richard Maxfield, and T. J. Anderson, this collection covers a broad range of styles and approaches. Here you will find Busoni's influential "Sketch of a New Esthetic of Music"; Partch's exploration of a new notation system; Babbitt's defense of advanced composition in his controversial "Who Cares If You Listen?"; and Pauline Oliveros's meditations on sound. Now updated with fifteen new composers including Michael Tippet, György Ligeti, Gunther Schuller, Ben Johnston, Sofia Gubaidulina, and William Bolcom, this important book gathers together forty-nine pieces—many out of print and some newly written for this volume—which serve as a documentary history of twentieth-century music, in theory and practice. Impassioned, provocative, and eloquent, these writings are as exciting and diverse as the music they discuss.
Theatre has a funny way of getting to the heart of who we are now and – particularly in the case of Connections – who we are going to be. Drawing together the work of nine leading playwrights, National Theatre Connections 2018 features work by some of the most exciting contemporary playwrights. Gathered together in one volume, the plays offer young performers an engaging selection of material to perform, read or study. From friends building bridges and siblings breaking down walls; girls making their voice heard and boys searching for home; and not forgetting a band of unlikely action heroes taking control of the weather. The anthology contains nine play scripts along with imaginative production notes and exercises, as well as a short introduction to the writing process for the tenth Connections play [ BLANK ] by Alice Birch. National Theatre Connections is an annual festival which brings new plays for young people to schools and youth theatres across the UK and Ireland. Commissioning exciting work from leading playwrights, the festival exposes actors aged 13-19 to the world of professional theatre-making, giving them full control of a theatrical production - from costume and set design to stage management and marketing campaigns. NT Connections have published over 150 original plays and regularly works with 500 theatre companies and 10,000 young people each year.
Volume 4, by Traugott Lawler, creates a complete vade mecum for readers, identifying and translating all Latin quotations, uncovering allusions, providing full cross-reference to other parts of the poem, drawing in relevant scholarship, discussing all differences between the B and C texts, and unraveling difficult passages.
They are the glamorous glitterati . . . the rich and infamous. From their magnificent mansions in Port London to the fabulous facades of Park avenue, their lives are an endless parade of hidden corruption and shocking sexuality, a world of intimacies, obsessions, and Grand Illusions!
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