British rock historian Barney Hoskyns examines the long and twisted rock 'n' roll history of Los Angeles in its glamorous and debauched glory. The Beach Boys, Buffalo Springfield, the Doors, Little Feat, the Eagles, Steely Dan, Linda Ronstadt, Joni Mitchell, and others (from Charlie Parker right up to Black Flag, the Minutemen, Jane's Addiction, Ice Cube, and Guns N' Roses) populate the pages of this comprehensive and extensively illustrated book.
This book promotes the benefits of the development and application of energy information and control systems. This wave of information technology (IT) and web-based energy information and control systems (web based EIS/ECS) continues to roll on with increasing speed and intensity. This handbook presents recent technological advancements in the field, as well as a compilation of the best information from three previous books in this area. The combined thrust of this information is that the highest level functions of the building and facility automation system are delivered by a web based EIS/ECS system that provides energy management, facility management, overall facility operational management and ties in with the enterprise resource management system for the entire facility or the group of facilities being managed.
The first full commentary on Piers Plowman since the late nineteenth century is inaugurated with the publication of the first two of its five projected volumes. The detailed and wide-ranging Penn Commentary places the allegorical dream-vision of Piers Plowman within the literary, historical, social, and intellectual contexts of late medieval England, and within the long history of critical interpretation of the poem, assessing past scholarship while offering original materials and insights throughout. The authors' line-by-line, section by section, and passus by passus commentary on all three versions of the poem and on the stages of its multiple revisions reveals new aspects of the poem's meaning while assessing and summarizing a complex and often divisive scholarly tradition. The volumes offer an up-to-date, original, and open-ended guide to a poem whose engagement in its social world is unrivaled in English literature, and whose literary, religious, and intellectual accomplishments are uniquely powerful. The Penn Commentary is designed to be equally useful to readers of the A, B, or C texts of the poem. It is geared to readers eager to have detailed experience of Piers Plowman and other medieval literature, possessing some basic knowledge of Middle English language and literature, and interested in pondering further the particularly difficult relationships to both that this poem possesses. Others, with interest in poetry of all periods, will find the extended and detailed commentary useful precisely because it does not seek to avoid the poem's challenges but seeks instead to provoke thought about its intricacy and poetic achievements. Andrew Galloway's Volume 1 treats the poem's first vision, from the Prologue through Passus 4, in all three versions, accepting the C text as the poet's final word but excavating downward through the earlier B and A texts. Stephen Barney's volume completes the framework for the commentary, dealing with the final three passûs of the poem, extant only in the B and C versions. Subsequent volumes will be the work of Ralph Hanna, Traugott Lawler, and Anne Middleton. Overall, The Penn Commentary on Piers Plowman marks a new stage of concentrated yet wide-ranging attention to a text whose repeated revisions and literary and intellectual complexity make it both an elusive object of inquiry and a literary work whose richness has long deserved the capacious and minutely detailed treatment that only a full commentary can allow. Perhaps no poem in English appeals more than Piers Plowman to those readers who understand Yeats's "fascination with things difficult," yet The Penn Commentary will enable generations of readers to share in the pleasures and challenges of experiencing, engaging with, and trying to elucidate the difficulties of one of the towering achievements of English literature.
An indispensable compendium for Steely Dan fans' The Wire At its core a creative marriage between Donald Fagen and Walter Becker, Steely Dan are one of the defining and bestselling American rock acts of the last half-century, recording several of the cleverest and best-produced albums of the '70s - from the breathlessly catchy Can't Buy a Thrill to the sleekly sinister Gaucho. In the '90s they returned to remind us of how sorely we had missed their elegance and erudition, subsequently recording Two Against Nature and Everything Must Go during the following decade. They have sold close to forty-five million albums. 'A lot of people think of them as the epitome of boring '70s stuff,' novelist William Gibson said in 1993, when Becker and Fagen toured for the first time in nineteen years. 'They don't realize this is probably the most subversive material pop has ever thrown up.' Now fully embraced by the 'Yacht Rock' generation - semi-ironic devotees of '70s Southern-California slickness - Steely Dan no longer polarize lo-fi punks and studio geeks in the way they used to. In 2001 they were inducted into the Rock and Roll Hall of Fame. Major Dudes collects some of the smartest and wittiest interviews Becker and Fagen have ever given, along with insightful reviews of - and commentary on - their extraordinary songs. Compiled by Rock's Backpages editor Barney Hoskyns, the book's contributors include Charles Shaar Murray, Robert Palmer, Ian MacDonald, Bud Scoppa, Penny Valentine, Fred Schruers, Sylvie Simmons and Michael Watts.
Hoskyns brings a genuine love as well as an outsider's keen eye to the rise and fall of the California scene. . . . This is a riveting story, sensitively told." —Anthony DeCurtis, Contributing Editor, Rolling Stone From enduring musical achievements to drug-fueled chaos and bed-hopping antics, the L.A. pop music scene in the sixties and seventies was like no other, and journalist Barney Hoskyns re-creates all the excitement and mayhem. Hotel California brings to life the genesis of Crosby, Stills, and Nash at Joni Mitchell’s house; the Eagles’ backstage fistfights after the success of "Hotel California"; the drama of David Geffen and the other money men who transformed the L.A. music scene; and more.
With his trademark growl, carnival-madman persona, haunting music, and unforgettable lyrics, Tom Waits is one of the most revered and critically acclaimed singer-songwriters alive today. After beginning his career on the margins of the 1970s Los Angeles rock scene, Waits has spent the last thirty years carving out a place for himself among such greats as Bob Dylan and Neil Young. Like them, he is a chameleonic survivor who has achieved long-term success while retaining cult credibility and outsider mystique. But although his songs can seem deeply personal and somewhat autobiographical, fans still know very little about the man himself. Notoriously private, Waits has consistently and deliberately blurred the line between fact and fiction, public and private personas, until it has become impossible to delineate between truth and self-fabricated legend. Lowside of the Road is the first serious biography to cut through the myths and make sense of the life and career of this beloved icon. Barney Hoskyns has gained unprecedented access to Waits’s inner circle and also draws on interviews he has done with Waits over the years. Spanning his extraordinary forty-year career from Closing Time to Orphans, from his perilous “jazzbo” years in 1970s LA to such shape-shifting albums as Swordfishtrombones and Rain Dogs to the Grammy Award winners of recent years, this definitive biography charts Waits’s life and art step by step, album by album. Barney Hoskyns has written a rock biography—much like the subject himself—unlike any other. It is a unique take on one of rock’s great enigmas.
A scholarly analysis of how state capture unfolded in South Africa and how it was contested by a range of actors in civil society, political organizations and within the state itself.
Every business discipline has a unique vantage point on value creation and destruction, and while specialists have devised solutions, leaders rarely use them because of the inherent complexity in trying to understand which parts fit together to help them achieve goals. The result is a sort of business 'Tower of Babel' for practicing leaders and organizational scientists alike. Leading Value Creation fills this void as the first book to take organizational science and place it into one coherent and useful model. Barney integrates vastly different areas of organizational science into his Cue See Model, which builds upon his experience developing global leaders at companies like Motorola, Merck, and Infosys. The model is a way to help leaders better create value and mitigate risk. It highlights the flow of value across four perspectives quality, cost, quantity, and cycle time, and also looks across levels of analysis for a holistic view on the bottlenecks to value creation as the best focal point for organizations to succeed. Barney provides numerous practical examples from pharmaceuticals to barbershops, and summarizes six empirical studies demonstrating the model's usefulness.
• An accessible and distinctive anthology of texts to support preaching and enhance individual devotion • Consulting editors include former Presiding Bishop Frank Griswold, Cynthia Kitteridge, Mark Oakley (Canon Chancellor, St. Paul’s Cathedral, London) • Volume 1 covers Advent to Ascension, Volume 2 Pentecost to end of Church Year The great themes of faith are also the great themes of literature and the arts. As we come to terms with God, hope, faith, tragedy, guilt, fear, and love, so the poets, writers, musicians, and artists pick up the same themes, and their understanding can enrich and deepen our own. Words That Listen brings these two worlds together. For each gospel, Markham and Hawkins offer four connecting resource suggestions—e.g., a poem, extract from a novel, a film/television/sporting illustration, and/or a humorous story—to illuminate, make connections, and spark new ways of looking at familiar stories. The suggestions for each Sunday include a brief summary and explanation of the extracts.
In this fascinating history of Cold War cartography, Timothy Barney considers maps as central to the articulation of ideological tensions between American national interests and international aspirations. Barney argues that the borders, scales, projections, and other conventions of maps prescribed and constrained the means by which foreign policy elites, popular audiences, and social activists navigated conflicts between North and South, East and West. Maps also influenced how identities were formed in a world both shrunk by advancing technologies and marked by expanding and shifting geopolitical alliances and fissures. Pointing to the necessity of how politics and values were "spatialized" in recent U.S. history, Barney argues that Cold War–era maps themselves had rhetorical lives that began with their conception and production and played out in their circulation within foreign policy circles and popular media. Reflecting on the ramifications of spatial power during the period, Mapping the Cold War ultimately demonstrates that even in the twenty-first century, American visions of the world--and the maps that account for them--are inescapably rooted in the anxieties of that earlier era.
In Prometheus Wired, Darin Barney debunks claims that a networked society will provide the infrastructure for a political revolution and shows that the resources we need for understanding and making sound judgments about this new technology are surprisingly close at hand. By looking to thinkers who grappled with the relationship of society and technology, such as Plato, Aristotle, Marx, and Heidegger, Barney critically examines such assertions about the character of digital networks.
Set against the drama of the Great Depression, the conflict of American race relations, and the inquisitions of the House Un-American Activities Committee, Cafe Society tells the personal history of Barney Josephson, proprietor of the legendary interracial New York City night clubs Cafe Society Downtown and Cafe Society Uptown and their successor, The Cookery. Famously known as "the wrong place for the Right people," Cafe Society featured the cream of jazz and blues performers--among whom were Billie Holiday, boogie-woogie pianists, Big Joe Turner, Lester Young, Buck Clayton, Big Sid Catlett, and Mary Lou Williams--as well as comedy stars Imogene Coca, Zero Mostel, and Jack Gilford, and also gospel and folk singers. A trailblazer in many ways, Josephson welcomed black and white artists alike to perform for mixed audiences in a venue whose walls were festooned with artistic and satiric murals lampooning what was then called "high society." Featuring scores of photographs that illustrate the vibrant cast of characters in Josephson's life, this exceptional book speaks richly about Cafe Society's revolutionary innovations and creativity, inspired by the vision of one remarkable man.
Location is vital to the efficiency and profitability of industrial activity. Industrial Location presents a comprehensive introduction to and critical review of this field of growing academic and business interest. In business, the right choices have to be made to produce profit. Industrial location is a fixed investment, crucial to the strategy and capital investment of any organization. Location also impacts upon non-investors, directly affecting employment, the environment, and economic activity in the locale. Focusing chiefly on the United States, but drawing on an international range of cases, the authors explain the economic, social and political forces which have shaped comtemporary patterns of industrialization and examines the changing nature of production and systems.
Barney Danson began as a twenty-one-year-old sergeant in the Canadian army and rose to the lofty heights of parliamentary secretary to Pierre Trudeau and, eventually, Minister of National Defence. In these positions, he gained insights into previously unknown facts about this remarkable prime minister, and he gives an insider’s view of Canadian politicians and world leaders. Danson’s own story, told in a touching and often humorous tone, is also the story of a generation of Canadians who faced the hardships of the Depression, the reality of war, and the many changes that followed.
Think "Woodstock" and the mind turns to the seminal 1969 festival that crowned a seismic decade of sex, drugs, and rock 'n' roll. But the town of Woodstock, New York, the original planned venue of the concert, is located over 60 miles from the site to which the fabled half a million flocked. Long before the landmark music festival usurped the name, Woodstock-the tiny Catskills town where Bob Dylan holed up after his infamous 1966 motorcycle accident-was already a key location in the '60s rock landscape. In Small Town Talk, Barney Hoskyns re-creates Woodstock's community of brilliant dysfunctional musicians, scheming dealers, and opportunistic hippie capitalists drawn to the area by Dylan and his sidekicks from the Band. Central to the book's narrative is the broodingly powerful presence of Albert Grossman, manager of Dylan, the Band, Janis Joplin, Paul Butterfield, and Todd Rundgren-and the Big Daddy of a personal fiefdom in Bearsville that encompassed studios, restaurants, and his own record label. Intertwined in the story are the Woodstock experiences and associations of artists as diverse as Van Morrison, Jimi Hendrix, Tim Hardin, Karen Dalton, and Bobby Charles (whose immortal song-portrait of Woodstock gives the book its title). Drawing on numerous first-hand interviews with the remaining key players in the scene-and on the period when he lived there himself in the 1990s-Hoskyns has produced an East Coast companion to his bestselling L.A. canyon classic Hotel California. This is a richly absorbing study of a vital music scene in a revolutionary time and place.
Regardless of whether they owned slaves, Southern whites lived in a world defined by slavery. As shown by their blaming British and Northern slave traders for saddling them with slavery, most were uncomfortable with the institution. While many wanted it ended, most were content to leave that up to God. All that changed with the election of Abraham Lincoln. Rebels in the Making is a narrative-driven history of how and why secession occurred. In this work, senior Civil War historian William L. Barney narrates the explosion of the sectional conflict into secession and civil war. Carefully examining the events in all fifteen slave states and distinguishing the political circumstances in each, he argues that this was not a mass democratic movement but one led from above. The work begins with the deepening strains within Southern society as the slave economy matured in the mid-nineteenth century and Southern ideologues struggled to convert whites to the orthodoxy of slavery as a positive good. It then focuses on the years of 1860-1861 when the sectional conflict led to the break-up of the Union. As foreshadowed by the fracturing of the Democratic Party over the issue of federal protection for slavery in the territories, the election of 1860 set the stage for secession. Exploiting fears of slave insurrections, anxieties over crops ravaged by a long drought, and the perceived moral degradation of submitting to the rule of an antislavery Republican, secessionists launched a movement in South Carolina that spread across the South in a frenzied atmosphere described as the great excitement. After examining why Congress was unable to reach a compromise on the core issue of slavery's expansion, the study shows why secession swept over the Lower South in January of 1861 but stalled in the Upper South. The driving impetus for secession is shown to have come from the middling ranks of the slaveholders who saw their aspirations of planter status blocked and denigrated by the Republicans. A separate chapter on the formation of the Confederate government in February of 1861 reveals how moderates and former conservatives pushed aside the original secessionists to assume positions of leadership. The final chapter centers on the crisis over Fort Sumter, the resolution of which by Lincoln precipitated a second wave of secession in the Upper South. Rebels in the Making shows that secession was not a unified movement, but has its own proponents and patterns in each of the slave states. It draws together the voices of planters, non-slaveholders, women, the enslaved, journalists, and politicians. This is the definitive study of the seminal moment in Southern history that culminated in the Civil War.
(Book). This is a vivid and rollicking account of The Band's journey across three decades. Spanning the history of American rock and boasting a supporting cast that includes Dylan, Janis Joplin, and U2, the book brilliantly captures the raw magic and complex personalities of a group George Harrison called "the best band in the history of the universe." This revised U.S. edition includes a postscript, together with an obituary of Rick Danko and a brand-new interview with Robbie Robertson.
Despite major international investment in biofuels, the invasive risks associated with these crops are still unknown. A cohesive state-of-the-art review of the invasive potential of bioenergy crops, this book covers the identified risks of invasion, distributions of key crops and policy and management issues. Including a section on developing predictive models, this book also assesses the potential societal impact of bioenergy crops and how to mitigate invasive risks.
This volume explores the multiple ways in which people experience time-space compression in varying historical and geographical circumstances. Including economic, cultural, social, political and psychological dimensions of time-space compression.
In 1972-73, Barney Childs embarked on an ambitious attempt to survey the landscape of new American concert music. He recorded freewheeling conversations with fellow composers, most of them under forty, all of them important but most not yet famous. Though unable to publish the interviews in his lifetime, Childs had gathered invaluable dialogues with the likes of Robert Ashley, Olly Wilson, Harold Budd, Christian Wolff, and others. Virginia Anderson edits the first published collection of these conversations. She pairs each interview with a contextual essay by a contemporary expert that shows how the composer's discussion with Childs fits into his life and work. Together, the interviewees cover a broad range of ideas and concerns around topics like education, notation, developments in electronic music, changing demands on performers, and tonal music. Innovative and revealing, Interviews with American Composers is an artistic and historical snapshot of American music at an important crossroads.
Selected by Harper's Bazaar as one of the "Best New Books of 2017 (So Far)" A Library Journal Fall Editors' Pick "Nearly 50 years’ worth of critical efforts to solve Mitchell’s mysteries have now been rounded up in Barney Hoskyns’s Joni: The Anthology....what comes through most consistently is a possessive impulse, a desire to really know an artist whose fierce privacy has often seemed at odds with the impression of intimacy conveyed by her music." --The Atlantic Nine Grammys. More than ten million albums sold. Named one of the greatest singers and songwriters of all time by Rolling Stone. Joni: The Anthology is an essential collection of writings on Joni Mitchell that charts every major moment of the famed troubadour's extraordinary career, as it happened. From album reviews, incisive commentary, and candid conversations, Joni: The Anthology includes, among other things, a review of Mitchell's first-ever show at LA's Troubadour in June of 1968, a 1978 interview by musician Ben Sidran on jazz great Charles Mingus, a personal reminiscence by Ellen Sander, a confidant of the Los Angeles singer-songwriter community, and a long "director's cut" version of editor Barney Hoskyns' 1994 MOJO interview. A time capsule of an icon, the anthology spans the entirety of Joni's career between 1967-2007, as well as thoughtful commentary on her early years. In collecting materials long unavailable, rare, or otherwise difficult to find, Joni: The Anthology illuminates the evolution of modern rock journalism while providing an invaluable and accessible guide to appreciating the highs—and the lows—of a twentieth century legend. “Once I crossed the border, I began to write and my voice changed. I no longer was imitative of the folk style. My voice was then my real voice and with a slight folk influence, but from the first album it was no longer folk music. It was just a girl with a guitar that made it look that way.”—Joni Mitchell, 1994
Today, roughly 2 billion people use the internet, and its applications have flourished in number and importance. This volume will examine the growth and geography of the internet from a political economy perspective. Its central motivation is to illustrate that cyberspace does not exist in some aspatial void, but is deeply rooted in national and local political and cultural contexts. Toward that end, it will invoke a few major theorists of cyberspace, but apply their perspectives in terms that are accessible to readers with no familiarity with them. Beyond summaries of the infrastructure that makes the internet possible and global distributions of users, it delves into issues such as the digital divide to emphasize the inequalities that accompany the growth of cyberspace. It also addresses internet censorship, e-commerce, and e-government, issues that have received remarkably little scholarly attention, particularly from a spatial perspective. Throughout, it demonstrates that in cyberspace, place matters, so that no comprehensive understanding of the internet can be achieved without considering how it is embedded within, and in turn changes, local institutional and political contexts. Thus the book rebuts simplistic “death of distance” views or those that assert there is, or can be, a “one-size-fits-all, cookie-cutter” model of the internet applicable to all times and places.
Invigorating and timely, this book provides a thorough overview of the geographies of cosmopolitanism, an ethical and political philosophy that views humanity as one community. Barney Warf charts the origins and developments of this line of thought, exploring how it has changed over time, acquiring many variations along the way.
Biomechanics of Human Motion: Basics and Beyond for the Health Professions presents a straightforward approach to the basic principles, theories and applications of biomechanics and provides numerous techniques and examples for approaching biomechanical situations enhanced by healthcare professionals. Building on his previous work, Dr. Barney LeVeau uses clearly defined, concise terms and real-life applications rather than advanced mathematics to make teaching and learning biomechanics easier. Based upon the concept of force, the text illustrates how force is applied to the human body and how the body applies force to various objects. The emphasis is upon the pertinent factors that guide the reader to an understanding of biomechanics at a beginning level. Chapter Topics Include: • Strength of material such as loading and stress-strain relationships • Composition and Resolution of Forces such as graphic method and mathematical method • Equilibrium such as static, first condition and second condition • Dynamics such as kinematics and kinetics • Application such as stability and balance, motion analysis, and gait What’s Inside: • Simple explanations of biological & mechanical concepts • Contemporary articles at the end of each chapter providing readers with information beyond the basics • Over 240 images illustrate biomechanical situations and computations • User-friendly, uncomplicated mathematical formulas and examples Biomechanics of Human Motion: Basics and Beyond for the Health Professions provides students and clinicians of all allied health professions with a basic background and solid foundation on which to build a solid understanding of force and biomechanics.
This book explores how the youth experience, viscerally felt and deeply ingrained at a time of substantial physical, psychological and emotional changes, serves to authenticate that youth experience to the exclusion of that of ensuing youth generations. Using Cohen’s concept of moral panic to frame the intergenerational conflict, notions of generational exclusivity and authenticity are explored through Bourdieu’s concept of habitus – how each generation privileges its own youth experience as the ‘standard’ by which other youth generations can be judged. Shared authenticated ‘generational understandings’ act as the benchmark by which ensuing youth generations can be assessed and found wanting. Intergenerational conflict has been brought into sharp focus by the emergence of the Millennial generation, digital natives, with their obsession with digital technology and particularly mobile phones. The book will be of interest for the field of youth studies in general, particularly upper-level undergraduate youth studies courses and postgrads and social scientists. In addition, it will be of interest for scholars interested in the work of Pierre Bourdieu and Stanley Cohen and subject areas: intergenerational conflict, social change, popular culture, music, media and cultural studies, and social theory.
The first full commentary on Piers Plowman since the late nineteenth century is inaugurated with the publication of the first two of its five projected volumes. The detailed and wide-ranging Penn Commentary places the allegorical dream-vision of Piers Plowman within the literary, historical, social, and intellectual contexts of late medieval England, and within the long history of critical interpretation of the poem, assessing past scholarship while offering original materials and insights throughout. The authors' line-by-line, section by section, and passus by passus commentary on all three versions of the poem and on the stages of its multiple revisions reveals new aspects of the poem's meaning while assessing and summarizing a complex and often divisive scholarly tradition. The volumes offer an up-to-date, original, and open-ended guide to a poem whose engagement in its social world is unrivaled in English literature, and whose literary, religious, and intellectual accomplishments are uniquely powerful. The Penn Commentary is designed to be equally useful to readers of the A, B, or C texts of the poem. It is geared to readers eager to have detailed experience of Piers Plowman and other medieval literature, possessing some basic knowledge of Middle English language and literature, and interested in pondering further the particularly difficult relationships to both that this poem possesses. Others, with interest in poetry of all periods, will find the extended and detailed commentary useful precisely because it does not seek to avoid the poem's challenges but seeks instead to provoke thought about its intricacy and poetic achievements. Andrew Galloway's Volume 1 treats the poem's first vision, from the Prologue through Passus 4, in all three versions, accepting the C text as the poet's final word but excavating downward through the earlier B and A texts. Stephen Barney's volume completes the framework for the commentary, dealing with the final three passûs of the poem, extant only in the B and C versions. Subsequent volumes will be the work of Ralph Hanna, Traugott Lawler, and Anne Middleton. Overall, The Penn Commentary on Piers Plowman marks a new stage of concentrated yet wide-ranging attention to a text whose repeated revisions and literary and intellectual complexity make it both an elusive object of inquiry and a literary work whose richness has long deserved the capacious and minutely detailed treatment that only a full commentary can allow. Perhaps no poem in English appeals more than Piers Plowman to those readers who understand Yeats's "fascination with things difficult," yet The Penn Commentary will enable generations of readers to share in the pleasures and challenges of experiencing, engaging with, and trying to elucidate the difficulties of one of the towering achievements of English literature.
Look no further for the book that provides the information essential for successful practice in the rapidly growing field of gerontological occupational therapy! Occupational Therapy with Aging Adults is a new, comprehensive text edited by OT and gerontological experts Karen Frank Barney and Margaret Perkinson that takes a unique interdisciplinary and collaborative approach in covering every major aspects of geriatric gerontological occupational therapy practice. With 30 chapters written by 70 eminent leaders in gerontology and OT, this book covers the entire continuum of care for the aging population along with special considerations for this rapidly growing demographic. This innovative text also covers topical issues spanning the areas of ethical approaches to treatment; nutrition and oral health concerns; pharmacological issues; low vision interventions; assistive technology supports; and more to ensure readers are well versed in every aspect of this key practice area. UNIQUE! Intraprofessional and interprofessional approach to intervention emphasizes working holistically and collaboratively in serving older adults. Case examples help you learn to apply new information to actual patient situations. Questions at the end of each chapter can be used for discussion or other learning applications. Chapter on evidence-based practice discusses how to incorporate evidence into the clinical setting. Chapter on ethics provides a deeper understanding of how to address challenging ethical dilemmas. UNIQUE! Chapter on the wide range of physiological changes among the aging patient population highlights related occupational performance issues. UNIQUE! Chapter on oral health explores the challenges faced by older adults.
With more people living longer lives, there is increased importance in the health care industry on improving services for the elderly. This comprehensive book gives an expert overview of the topics and challenges, along with imperative ethical and legal frameworks. The book also details existing programs and benefits in relation to a realistic portrayal of population needs. Other important issues are covered such as long-term palliative care and hospice, other vulnerable populations, elder abuse, public-private collaboration, evidence-based policy-making, and much more.
Volume 4, by Traugott Lawler, creates a complete vade mecum for readers, identifying and translating all Latin quotations, uncovering allusions, providing full cross-reference to other parts of the poem, drawing in relevant scholarship, discussing all differences between the B and C texts, and unraveling difficult passages.
The aim of this text is to help students recognize the important role they play as journalists, and to make the connection between excellent journalism and ethical journalism.
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