A groundbreaking history of architecture told through the relationship between buildings and energy The story of architecture is the story of humanity. The buildings we live in, from the humblest pre-historic huts to today's skyscrapers, reveal our priorities and ambitions, our family structures and power structures. And to an extent that hasn't been explored until now, architecture has been shaped in every era by our access to energy, from fire to farming to fossil fuels. In this ground-breaking history of world architecture, Barnabas Calder takes us on a dazzling tour of some of the most astonishing buildings of the past fifteen thousand years, from Uruk, via Ancient Rome and Victorian Liverpool, to China's booming megacities. He reveals how every building - from the Parthenon to the Great Mosque of Damascus to a typical Georgian house - was influenced by the energy available to its architects, and why this matters. Today architecture consumes so much energy that 40% of the world's greenhouse gas emissions come from the construction and running of buildings. If we are to avoid catastrophic climate change then now, more than ever, we need beautiful but also intelligent buildings, and to retrofit - not demolish - those that remain. Both a celebration of human ingenuity and a passionate call for greater sustainability, this is a history of architecture for our times.
Brilliant' Elain Harwood 'Part history, part aesthetic autobiography, wholly engaging and liable to convince those procrastinators sitting (uncomfortably) on the concrete fence' Jonathan Meades 'A learned and passionate book' Simon Bradley, author of The Railways 'A compelling and evocative read, meticulously researched, and filled with insight and passion' Kate Goodwin, Head of Architecture, Royal Academy of Arts The raw concrete buildings of the 1960s constitute the greatest flowering of architecture the world has ever seen. The biggest construction boom in history promoted unprecedented technological innovation and an explosion of competitive creativity amongst architects, engineers and concrete-workers. The Brutalist style was the result. Today, after several decades in the shadows, attitudes towards Brutalism are slowly changing, but it is a movement that is still overlooked, and grossly underrated. Raw Concrete overturns the perception of Brutalist buildings as the penny-pinching, utilitarian products of dutiful social concern. Instead it looks a little closer, uncovering the luxuriously skilled craft and daring engineering with which the best buildings of the 1960s came into being: magnificent architectural visions serving clients rich and poor, radical and conservative. Beginning in a tiny hermitage on the remote north Scottish coast, and ending up backstage at the National Theatre, Raw Concrete embarks on a wide-ranging journey through Britain over the past sixty years, stopping to examine how eight extraordinary buildings were made - from commission to construction - why they have been so vilified, and why they are beginning to be loved. In it, Barnabas Calder puts forward a powerful case: Brutalism is the best architecture there has ever been, and perhaps the best there ever will be.
The Royal College of Physicians in Regent's Park is considered one of the finest 20th Century buildings in London, and architect Denys Lasdun's most successful creation.This beautifully illustrated book describes the building in two parts. The first tells the story of how Lasdun approached the design and building of the College. In accepting the commission, he faced two potentially conflicting demands: to create a radical piece of modern architecture that would also serve as a setting for the centuries-old rituals of College life.The second part is a guide to key areas and rooms of the College, illustrating the remarkable details of its fine design. The book explores the extraordinary ceremonial and functional spaces within the College, alongside Lasdun's struggle and eventual triumph in incorporating these with his own distinctive vision through feats of engineering and lavish materials - the result is a gripping tale.
A groundbreaking history of architecture told through the relationship between buildings and energy The story of architecture is the story of humanity. The buildings we live in, from the humblest pre-historic huts to today's skyscrapers, reveal our priorities and ambitions, our family structures and power structures. And to an extent that hasn't been explored until now, architecture has been shaped in every era by our access to energy, from fire to farming to fossil fuels. In this ground-breaking history of world architecture, Barnabas Calder takes us on a dazzling tour of some of the most astonishing buildings of the past fifteen thousand years, from Uruk, via Ancient Rome and Victorian Liverpool, to China's booming megacities. He reveals how every building - from the Parthenon to the Great Mosque of Damascus to a typical Georgian house - was influenced by the energy available to its architects, and why this matters. Today architecture consumes so much energy that 40% of the world's greenhouse gas emissions come from the construction and running of buildings. If we are to avoid catastrophic climate change then now, more than ever, we need beautiful but also intelligent buildings, and to retrofit - not demolish - those that remain. Both a celebration of human ingenuity and a passionate call for greater sustainability, this is a history of architecture for our times.
The highly popular Sheffield New Testament Guides are being reissued in a new format, grouped together and prefaced by one of the best known of contemporary Johannine scholars. This new format is designed to ensure that these authoritative introductions remain up to date and accessible to seminary and university students of the New Testament while offering a broader theological and literary context for their study. Alan Culpepper introduces the Johannine Writings as a whole, illuminating their distinctive historical and theological features and their importance within the New Testament canon.
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